Day of the Nielsen

If we continue to damage the ozone layer, the following will happen:

That’s right. Leslie Nielson will shirtlessly hug a bear and rats will be thrown at your face.

In other words, rev up your camping gear kiddos! It’s time to experience Day of the Animals.

Quick Plot: A touristy hike through the mountains gets moving, filled with an assorted group of white people and one Native American. Though the landscape is lovely, the paying customers get a trip that wasn’t on the brochure when some chemical imbalances cause the region’s wildlife to gang up and declare open season on all humans.

Boy do I love animalsploitation. Socially relevant AND adorable. Day of the Animals takes a cue from Frogs and knows that a good killer wilderness film is a diverse killer wilderness film, and thusly do we get a nice assortment of killer rodents, mountain lions, wolves, dogs, rats, and birds...so very many birds.

But really, let’s address the main reason Day of the Animals still gets talked about in film and teenage girl circles: shirtless Leslie Nielsen wrestles a bear. He also attempts rape and acts like the most raging “hate this guy” character I may have ever seen onscreen, but because it’s Frank Drebin, that is completely okay. Watching him insult and literally throw annoying children down mountains is a plus, plain and simple.

His ghost can babysit my phantom children any day.


There’s actually a surprisingly amount of poor child-rearing, which makes for (again) an inappropriately enjoyable little film. A subplot involves a little Them!-like girl who shuffles through the wilderness and ghost town with a man who has just about no idea how to treat a kid. Nielsen refers to his bratty companion as a “little cockroach” on multiple occasions. For whatever reason, these things made me quite happy.

High Points

Day of the Animals introduces a pretty large group of victims, but it does a surprisingly good job of making each character memorable enough to care of at least acknowledge their deaths. We don’t necessarily know all their names, but we know exactly who they are, even when they’re stuck under a pack of wolves

Lynda Day George’s Terry isn’t the beacon of feminism, but it’s nice to see a woman helping out to beat off a band of angry mountain lions

Low Points

...only to spend the next major attack scene standing in a corner with her hands over her face, then wining about how she can’t swim when survival moves down to the river

It’s a shame that the sound quality is so awful as to muffle much of the dialogue. It’s a bigger shame that the DVD inexplicably is sans subtitles

Lessons Learned

When the going gets tough, the tough order pineapple pie with ice cream on top

An ideal solution to disciplining children is to threaten to scalp them

Rats are adorable, even when being thrown at your face

The Winning Line

“I use my head all the time. A lot of people use their butts.”

I know he’s dead, but I’m just saying: Leslie Nielsen can use his butt on me whenever he feels like it

Rent/Bury/Buy

I own my copy of Day of the Animals (it shares a three-room box with Grizzly and Devil Dog) and without question, I’ll put it on as background noise sometime in the future. It’s an enjoyable and goofy lil ‘70s treasure filled with about zero scares but high camp, though in fairness, it’s also a whole lot more competent than some of its dreadfully awesome peers (Frogs and Food of the Gods come to mind). Leslie Nielsen fans owe it to themselves to see him play the baddie, plus, did I mention he wrestles a bear?

Apocalypse of the Amphibians

Frogs is like Who Can Kill a Child, but with Frogs.

Frogs is what could have happened if Kermit never met Dom DeLuise.

Frogs is the original version of Jurassic Park II: The Lost World. Speilberg simply subbed lizards, snakes, and toads (not frogs) for dinosaurs, used Pete Postlethwaite’s hunter in place of a WASPy idiot who can’t untie moss, and then, most controversially, added gymnastics. 

Wow. This is harder than I thought. How about this: Frogs is an incredible piece of cinema that rivals The Godfather and Star Wars for best film of the ‘70s...only my definition of ‘best’ means something very different from that of the Academy Awards voting committee. 

Quick Plot: A shockingly unmustashioed Sam Elliot takes National Geographic-esque photos of toads (not frogs), snakes, meerkats, unicorns, and lots of other animals you probably won’t find in the swamps of the United States. After a boat incident that’s less exciting than the opening minutes of Sleepaway Camp, Elliot’s Picket Smith befriends the rich brother and sister whose drunken yacht steering flipped his canoe and destroyed what seemed to be hours worth of nature photos (I’m basing that on what seemed to be an hourlong credits sequence featuring stills of said nature photos). 

Hard-drinking Cliff and level-headed(ish) Karen (Joan Van Ark) bring Picket to meet their wealthy and wheelchair-bound grandfather Jason Crocket (Ray Milland) on his sprawling southern estate. This is perfect timing for the annual Crocket quadruple birthday party celebration, a giant party set to be booming with top shelf drinks, competitive croquet, and manly pillow fights. 

Only one thing stands in the Crockets’ way: rudely ribbiting toads (not frogs) that have deprived the poor rich family a few snores out of their typical 18 hours of sleep. Despite dispatching a man named after my favorite Muppet to spray pesticide on the Crocket estate, the animal situation seems to be out of control. It’s soon revealed that everything without opposable thumbs and ever to have been captured in stock footage is on a vengeful rampage to annihilate all humans. 

I had heard Frogs was one of the more laughable entries in the eco-horror sub-genre of the ‘70s, but in now way was I prepared for it to be so incredibly Ed Woodian.

To begin....well, I don’t even know where to begin. Let’s just list a few of my favorite deaths (SPOILERS) to see why they’re so gosh darn leapin’ lizards amazing:

-Because they’re in the sky, one character shoots birds and somehow manages to put a bullet in his leg, which in turn somehow manages to paralyze him. This is inconvenient since he lands in a part of the woods populated by an international cornucopia of tarantulas who unite to crawl near the camera and, while the action cuts to closeups of the actor screaming, spin what seems to be deadly tangles of moss to strangle or just confuse the failed hunter to death

-Another grandson enters a greenhouse, unaware that it’s already occupied by a thousand lizards. They spill some poisonous gas (‘cause, you know, that’s what every wealthy southerner stores next to his plants), shut the door tightly with their evil iguanaesque tails, and leave the guy to suffocate in less than 30 seconds

-The eccentric Aunt Iris (possibly the lesser abled little sister of Charlotte Rae) chases butterflies for 20 minutes, frolicking like a woodland nymph high on electric Kool-Aid. Meanwhile, snakes of many colors, bloodsucking leeches, and ominous toads (not frogs) track the touched redhead to eventually bite (???) the poor dear and turn her skin into a shade akin to Violet Beauregarde post gum chew.

-Iris’s husband wrestles a crocodile. By wrestle, I mean he lays on top of it and rolls around as if auditioning for Plan 9 From Outer Swamp.

-The maid, butler, and now single supermodel girlfriend of the greenhouse gassed grandson unite to harness their African American power (I’m not kidding) to escape on their own. Sadly, they see seagulls and hide in a cabin. Later, other characters discover their luggage, thus leading the audience to believe that the defiant trio have been eaten whole by gluttonous birds or a scene too expensive for director George McCowan to film

-Cliff’s wife is killed by a tortoise. Yes. Cliff’s wife is killed by a tortoise.

-Throughout all this bloodshed, Grandpa Crocket holds strong to his party plans, mostly because every killer animal film requires some guy to do so. Naturally, you’d expect such a villain to be saved for a fate worse than all others, and as he wheels himself around his lonely mansion now hopping with slightly oversized toads (not frogs), we salivate in the hopes of seeing a Captain Rhodes-like dismemberment by way of flickering tongues. Heavily edited shots of Crocket’s hunting trophies egg our bloodthirst on. What can a toad (not frog) do?

Um, prank call him. Then inspire him to stand up. And fall. And die instantly. The end.

High Points

Just when you think the film can’t get any funnier, an actual intended laugh is saved for the credits with an adorably animated stinger

Low Points

I like my Sam Elliot grizzled with a glorious garden of greying facial hair. It’s not that he doesn’t look good clean shaven--the man was quite dashing in ruggedly hairy chested ‘70s style--but like Samson and his mighty locks, this cowboy loses a some power sans stubble

Even if it meant messily edited shots of the characters screaming cut with closeups of bird beaks, it would have been nice to actually see what happened to the maid, butler, and supermodel

And the pet toad in the car at the end is supposed to mean what exactly?

Lessons Learned

Toads (not frogs) are quite energy conscious and will turn off the lights when finished with their homicidal business

A mysteriously asphyxiated grandson is no excuse to break party plans

Supermodels are quick with math and know their antiquated terms for time

Being nearly killed by a drunken boat driver will force you into indentured servitude to his WASPy family

Snakes have the ability to emote more than select actors

Winning Line

“I almost came to your room, but the floorboards creak too much.”

Ahh, the ‘70s, a time when bedding the handsome stranger (whom you met three hours earlier) inside your grandfather’s house is impeded only by poor carpentry

Rent/Bury/Buy

Frogs is beyond awful, but it’s a different kind of awful than, say, the miscalculated at every turn It’s Alive remake or a lifeless cheapie like Rattlers . It’s more epically bad than anything I’ve seen in recent months, but when done with the right kind of energy, such a film is enjoyable like no other. It’s a watch-once-with-friends/alcohol kind of film that will give you plenty of chuckles and, possibly, warts. Because by the way: aside from the credit icon, there are no frogs to be found in Frogs.

With a fun fact like that, how, HOW I ask, can you not want to see this film?