Showing posts with label josie ho. Show all posts
Showing posts with label josie ho. Show all posts

Monday, June 11, 2018

Memory Games


Look, I know I said that modern zombie movies should be more innovative with their storytelling, but I also believe we as horror fans deserve good movies.

Moving on...

Quick Plot: A man (District 9's Sharlto Copley) wakes up in a deep pit of corpses with no memory of how he got there or who he even is. With the help of a mystery mute woman (Josie Ho of the brilliant Dream Home), the man who now smells like a pit of corpses and will henceforth be known as John Doe discovers a group of equally attractive people in a nearby house, all of whom are also suffering from the same form of amnesia.


Suspicions arise and infighting begins, especially when some zombie-like creatures are found lurking in the woods. To say more would, I guess, spoil the (too) many twists of Open Grave, which becomes more puzzle being pieced together than a film with a driving narrative.


Directed by Apollo 18's Gonzalo Lopez-Gallego with a script from Eddie & Chris Borey, Open Grave feels like a relic of a recent bygone era in the genre film world, where every straight-to-DVD (remember those?) would put a gaggle of strangers together in a Saw-like scenario, forcing them to discover some terrible secrets about themselves in bad lighting. 


Never forget.

Filmed in 2013, Open Grave is somewhat removed from the slew of early 21st century horror I mentioned, but its overcomplicated plotting ultimately holds it back from being much better. It's disappointing, particularly when you consider the strong cast (even Resident Evil: Apocalypse/Karate Dog'Thomas Kretschmann shows up, primarily for me to remember that he's not Jaime Lannister). 


To SPOIL a few things here, consider the ultimate reveal of Open Grave: John is a scientist trying to find a cure to the rage-inducing plague apparently ravaging the world. Naturally, he has a team of equally attractive, same-aged peers as his research team because that's how science works. The antidote he creates causes temporary memory loss and a rescue team is coming to kill everyone on the property because science? and the mute woman without a name is the key to it all even if we don't ever know anything about who she actually is. 


This movie was...frustrating.

All the more so because it was obviously made with talent, both behind and in front of the camera. The ideas are interesting and in theory, the reveal should be too, but Open Grave just never settles into any kind of fluid pace to get us there. We ultimately learn the truth when one character's memory returns, mostly offscreen and recapped in a handwritten letter. It just doesn't move the way it should.

High Points
On paper, the twist is clever

Low Points
On screen, it's too convolutedly revealed to be so

Lessons Learned
Short-term memory loss may take away your name, but it will not impede your ability to read Latin

When dealing with barbed wire, always have a plan


Notes, people: leave 'em

Rent/Bury/Buy
Eh, Open Grave is certainly a high quality looking horror film, but it left me incredibly unsatisfied. It's better-made than your average Amazon Prime stumble-upon, but that doesn't make it fun to watch. 

Wednesday, March 7, 2012

Not the One With Rachel Weisz


“In a crazy city, if one is to survive, one must be more than crazy.”


 Easily one of the best opening quotes I’ve heard!

 Quick Plot: We open with the brutal slaying of an apartment security guard in 2007.


 We’ll get back to that.

Meet Sheung (Josie Ho, redeeming herself from the horrid Street Fighter: The Legend of Chun Li), a bank telemarketer by day, retail employee by night, and unhappy dreamer during both. Sheung longs to buy her own flat in the spiffy part of town, something she’s wanted ever since her unhappy childhood where she witnessed her own neighbors cruelly driven out of their homes by greedy developers and violent mobs.  Now an adult with just enough savings, Sheung is ready to make an offer on a 2-bedroom with a seaside view and nothing--NOTHING--will stop her.


 So back to that strangle-stab...

Dream Home is essentially a slasher, but one done with such innovation that it almost elevates the category. Sheung embarks on a brutal murder spree, but the film threads that one massacre throughout its running time, alternating between Sheung’s childhood flashbacks, the buildup towards the sale gone wrong, and Sheung’s determined attacks upon anyone in her way, be they drunk punks, trigger-happy cops, or wealthy pregnant women.


As a result of its structure, Dream Home does something very important: it makes us understand Sheung’s actions. That’s not to say we agree with them or cheer her on--no character can be likable enough to do what she does with a vacuum to a mom-to-be--but we see how and why an everyday woman could take this path. Sheung has dreamt about this chance for her entire life, and just when she gets it, that pesky housing market takes another turn and suddenly, it’s once again out of her reach. It’s NOT fair, but of course, that doesn’t justify mass homicide.


There’s a smart mix of horror, smart satire, and gooey old gore in Dream Home. The marriage isn’t perfect, but for 100 minutes, it’s incredibly fascinating.

High Points
Dream Home isn’t quite a black comedy, but there are some hysterically horrific elements to it, especially once the bloodshed really starts to drip. A fairly lengthy sequence involving sharp bongs, a naked hooker, and Sheung’s determinism is both a great horror scene AND bit of comedy


Low Notes
I didn’t quite have this problem, but I know many a viewer has taken issue with Sheung’s coldness and the idea that our protagonist has little redeeming value. I’m going to draw a strained comparison to Kristen Wiig’s unhappy Annie in Bridesmaids, another female character making the wrong decisions. Like Annie, Sheung dates a man who treats her terribly and feels sorry for herself, even if her life is still easier than many. I don’t know about you, but I know both women because we ARE human. Too often films—particularly horror—delegate female characters to simple Madonna or whore categories. Sheung is by no means cinema’s new treasure, but her flaws are real and fascinating


Lessons Learned
All men care about is the 19th hole

Forcing cocaine upon a passed out drunk will reward you with having your crotch vomited upon

When in doubt, pay for the night. Hourly love motel rates are a secret killer



Rent/Bury/Buy
I had heard plenty of other bloggers recommend Dream Home (beginning with Mattsuzaka with this fine older review) and having finally sat down with it, I couldn’t agree more. This is as funny as it is scary, satirical in its view of class lines but shocking in its violence. Best of all, it’s a slasher with a brain, one that toys with structure in a way I’ve never quite seen. Stream it on Instant Watch if you can or pick it up cheap. Trust me. It’s good.