It's always exciting to discover a new genre filmmaker with a fresh voice and style. I adored Aneesh Chaganty's Searching, so when I finally realized the straight-to-Hulu 2020 thriller was also one of this (along with co-writer Sev Ohanian) it seemed like the right time to finally dive in (four years after the rest of the world, as is my style).
Showing posts with label aneesh chaganty. Show all posts
Showing posts with label aneesh chaganty. Show all posts
Monday, April 22, 2024
Mother is Smothering
Quick Plot: Diane is more than ready to send daughter Chloe to college. Born with a bundle of health issues (diabetes, paralysis, asthma, arrhythmia, and a few more syllables explained in the opening credits), Chloe has grown into an incredibly capable young woman who manages her body in between homeschooling and the dozens of daily medication doses issued by her mom.
As Chloe anxiously awaits her college acceptance, she begins to notice certain aspects of her daily routine not adding up. Could her mother be tampering with her medication? Hiding university mail? Building an entire life on a lie?
Obviously, going too much further would spoil much of Run so I'll stop there, though it's not terribly difficult to guess its turns (including a late-breaking reveal that many will call early on). While not packed with narrative surprises, Run does have a few other key factors in its favor.
Sarah Paulson has a lot of fun crafting a homeschooling, organically-grown tomato-eating monster mom, but it's Kiera Allen who holds Run together. The script doesn't quite justify some of her obliviousness, but Allen does an incredible job of pulling us into her character's body and headspace.
Run didn't fully grab me, mostly because the script just isn't nearly as clever as it probably needed to be to really click. But this is still an engrossing little film that made for a sufficiently satisfying watch.
High Points
It's an obvious Hitchcock/Bernard Herrmann homage, but it works: Torin Borrowdale's score uses angry strings to great effect
Low Points
The cast helps overcome a lot of this, but as a viewer, it's a bit hard to get past some of the details. How exactly DOES Chloe, a very bright if sheltered person, go 18 years without actually seeing a regular doctor or having a conversation without someone that isn't her mother or mailman?
High Points
Pacific Northwesterners are incredibly patient when it comes to waiting in line
The way to a pharmacist's heart is a challenging scavenger hunt
Rent/Bury/Buy
Run doesn't quite add up to a great movie, but it achieves plenty of tension and stays entertaining all the way through. Worth a glance on Hulu.
Labels:
aneesh chaganty,
hulu,
kiera allen,
run,
sarah paulson,
sev ohanian
Monday, April 1, 2024
Thank You For Flying Delta
Sometimes, timelines align in such a way that you get to watch a film under the absolute perfect circumstances. I'm thinking of how I had just moved into a probably haunted apartment when I first sat down to be terrified by Pulse, or how I had to watch a (perfectly legally) downloaded version of The Descent on a laptop in such a way that I had my face pressed against the screen. I got to see the horrid Indiana Jones & the Kingdom of the Crystal Skull on the big screen in Moscow but with a British speaker dubbing over all of the actors' dialogue. It made a bad movie perfectly enjoyable in the most bizarre of all ways.
Searching was a thriller I had on my watch list forever, but it never seemed to land on any streaming site. Instead, something better happened: Delta Airlines had it on its list, and as I settled in for a six hour flight, watching a movie set on a laptop on a screen just slightly smaller than that seemed all too right.
Quick Plot: Remember how Pixar's Up opened with a beautifully tragic montage that followed the full cycle of a marriage? Searching does something similar, as we dive into David and Pamela Kim's laptop screen and watch their happy years raising baby Margot, scary ones battling Pamela's lymphoma, elation over her remission, and devastation when cancer returns.
Now a moody high school senior, Margot grows distant from David, who seems to bury his head in his project management career to avoid talking about Pamela. One day, Margot doesn't come home. David waits a little longer than he probably should to contact the police, but that's what happens when you don't really know your daughter anymore.
Like The Den or that Modern Family episode set on Claire's laptop, Searching's point of view is David's screen. That can mean Facebook windows, cam communities, Skype calls, or occasionally, news reports. Through it all, John Cho creates a truly natural dad at the end of his rope acting straight to a computer monitor.
Written by Sev Ohanian and Aneesh Chaganty (the latter of whom also directed), Searching is a tight thriller that keeps you on the edge of your seat (safely buckled in, in my case). It's a mystery that by its very limitations, can only give you so many clues at a time, forcing you to be in step with David's investigation. Even when you think you're smarter than the movie, it packs a few more tricks to throw you off the trail.
High Points
Having now seen several movies in the computer POV style, I know that it's not easy to keep the visuals engaging (I still don't understand the adoration for the stiff Host). Whether it's Cho's skills in front of the camera, Chaganty's behind, or the editing team of Will Merrick and NIcholas D. Johnson, Searching remains riveting.
Low Points
I had ONE detail gnawing at me from about 45 minutes in, but Searching's finale reveals that plot point to be an integral part of the reveal so you know what? I've got nothing. This is an excellently put together film
Lessons Learned
See, all you people who look at my computer screen and wince, SEE: having dozens of tabs open rather than clicking and backtracking is MUCH MORE USEFUL AN EXPERIENCE FOR EVERYONE INVOLVED THANK YOU VERY MUCH
Rent/Bury/Buy
I don't know that I'd say Searching is worth an expensive 3+ hour Delta plane ride, but it IS an incredibly engrossing and satisfying little watch. Maybe one day it will stream somewhere on land. When such a time comes, hop on.
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