Showing posts with label bryan woods. Show all posts
Showing posts with label bryan woods. Show all posts

Monday, April 7, 2025

You Gotta Have Faith

 


There are few worse conversations to be stuck in than the ones with people whose opinions you share, but who are incredibly obnoxious about making sure everyone around you knows why those opinions are so right.

Now let's make that conversation take 111 minutes.

Quick Plot: Mormon missionaries Sister Barnes and Sister Paxton are out and about on a chilly late afternoon to spread the word. Sister Barnes is a bit more experienced, having made several conversions even though (or perhaps because) she carries some emotional weight that led her to this faith. Eager Sister Paxton is all smiles and hope, and both tactics seem like they might work on their new target: Mr. Reed.


Played by a bespectacled and warm sweater-wearing Hugh Grant, Mr. Reed lives in an unusual house surrounded by trees and built with metal walls, the better to block your cell phone signal with. He teases the girls with the scent of blueberry pie being baked by his shy wife, then welcomes their stories of Joseph Smith with a little too much curiosity. 


What follows is a sort of theology debate that Jigsaw might have had in his freshman college year. Mr. Reed first lectures the girls on the similarities between Christianity, Islam, and Judaism, embarking on a very prop-heavy Monopoly metaphor that makes you wonder if retirement just isn't for everyone. He then traps his audience in his basement, dropping in a decrepit old lady with secrets of her own. Will they discover the one true religion in time for...well, I don't really know. Where exactly is this going?


Heretic is one of those movies that I didn't mind while watching, but with every day that passes, I find it...annoying. Writer/directors Scott Beck and Bryan Woods didn't do much for me with Haunt or their screenplay for A Quiet Place, so this may be a case where I just don't eat from their restaurant much longer. 

An A24 film, Heretic certainly shares some DNA with The Menu, a similarly snide and snarky horror comedy that has the advantage of being miles more entertaining. Sure, it might be repetitive once you understand the goal of villain chef Ralph Fiennes, but it has style, it has panache, it has things to say about artists who compromise their vision when their work becomes commodified for a wealthy paying audience. 


Heretic has Hugh Grant doing a fun Jar Jar Binks impression. 


I found this movie sluggish because, without spoiling anything, not much really happens, and when it does, the filmmakers get coy and cute about what it actually means (if anything). It's annoying all around. 

High Points
No, I didn't care much at all for this movie, but let's be clear that none of this comes from the performances, which are universally wonderful. Sophie Thatcher carries over her excessively watchable Yellowjackets energy. As Sister Paxton, Chloe East infuses all the positive earnestness of a young Mormon in a genuinely lovable way. Hugh Grant is always at his best when he's actively acknowledging that he's smarter than those around him, and while I found Mr. Reed insufferable as a human being, it was certainly a joy to watch Grant drill into his skin and yes, do the occasional Jar Jar Binks impersonation


Low Points
I just don't think this movie is as smart as it prides itself on being

Lessons Learned
Never trust a teenage girl with a camera

The only thing worse than a missionary at your door is a person eager to talk with the missionaries at your door


When trapped in a room without an exit, always observe where the liquid goes

Rent/Bury/Buy
Heretic is a polished film, and there's certainly an audience that will enjoy it. I'm just a bit too tired to be part of it. 

Monday, October 26, 2020

Behind the Mask (is another one)


Look at me, being timely (for once) with a Halloween-set horror film in October!

Quick Plot: Harper is a college student excited for a Halloween out with friends and far away from her abusive boyfriend. After some loud bar time, her squad heads to a remote haunted attraction, one so extreme that it requires signed waivers and cellphone surrenders.


Obviously, this is not a friendly place. Our staff is composed of members of some kind of violent cult who modify their faces into fleshy masks and murder unsuspecting drunk teenagers with glee. Can Harper and her other blandly (mostly) pretty friends make it out alive? WHO will survive, and what will be left of them?, you might ask.


Made by the writing/directing duo of Scott Beck and Bryan Woods, Haunt is pretty much exactly what you expect from its premise. As with, say, Volcano and Dante's Peak or The Silence and A Quiet Place (the latter also written by Beck and Woods), it's impossible to think about Haunt without comparing it to Hell Fest, the other 2018/19 non-found footage horror film following a group of young college kids through a homicidal Halloween house. The film wasn't overly well-received by critics or the horror community, which surprised me because it was bloody, quick, and genuinely fun.



Haunt is a lesser Hell Fest.

It's not bad by any means, and for me, much more enjoyable than some other recent homicidal haunt films (The Houses October Built and Hell House LLC). But...I don't know. It's fine? Katie Stevens is a sympathetic final girl and Harper's backstory of abuse adds some weight to her character, but I just didn't get that much out of its scares. 


If you're going to place your horror film in a setting that's supposed to be the scariest experience its characters can have, I guess I just expect more from you? In my least expressive teacher voice, I feel like my real summation is simply, "I'm not mad, just a little disappointed."

High Points
While I didn't find Haunt's horror segments overly effective, there is certainly some skill at work. I'm a sucker for the "it's coming eventually" trick, and Haunt has some good fun drawing out a "stick your arm in a hole" gag that goes on just long enough to make you inch up on your chair



Low Points
I get that it can easily happen, and I understand that it's an effective genre move, but I can't say it in my Low Points enough: having your beleaguered heroine accidentally kill (and oddly enough, almost always stab) her friend thinking it's her stalker is a mean, nasty trick, and I've been over it for 20 years


Lessons Learned
Just because you planted your own haunt traps doesn't mean you're immune to their tricks


Criminal psychologists know all about 2-way mirrors

In any group of attractive college students, there will inevitably be one prankster who deserves to die




Rent/Bury/Buy
Haunt is a perfectly fine horror film, especially for the Halloween season. For whatever reason, it just didn't do much for me (compared to the incredibly fun time I had with Hell Fest). See if works better for you on Shudder!