Showing posts with label matthew bright. Show all posts
Showing posts with label matthew bright. Show all posts

Tuesday, February 26, 2013

Dee Carplane! Dee Carplane, Boss!



Even the world's most ironically well-known secret agent can't escape a good shortening here at the Deadly Doll's House. Best of all, today's 007-centric theme just can't be contained. Over at From The Depths of DVD Hell, the one and only Elwood Jones has dug up Indonesia's most valued cultural export: 2'9 Weng Weng in the ingeniously titled For Your Height Only.


I know! I almost can't believe it either! This is a wonderful world indeed.

But before you go digging into the underworld for Elwood's thoughts, let's start with the classy swagger of the always politically correct original Bond in The Man With the Golden Gun.

Quick Plot: Lounging comfortably on a private island with his lady, little person assistant, golden gun, and third nipple close by, the world's most expensive assassin aims his sights on the world's most sexually transmitted disease-riddled secret agent. 



Lord Summerile, meet Bond...James Bond.



The Man Who Would Be Count Dooku plays Scaramanga, the titular bad guy with a hunger for some mechanical doohickey that will produce expensive solar powered energy. Or something, I really never understand the actual details involved in the Bond villains' plans. The general gist is typically the same: colorful villain wants to increase personal power and/or income with dastardly plan involving high-tech gadget. Bond tries to stop this from happening while maintaining a healthy sex life and cramming in two sips of martinis a day. An exciting car/foot/plane/carplane chase goes on a few minutes too long. Villain captures Bond and sets up an elaborate yet easily foiled death plan. Bond shags whatever female is closest by and credits send us a titular hint about what wacky adventure he'll end up in next.



I don't mean to sound critical, because though I've only begun experiencing it this year, I rather enjoy Bond cinema. Knowing the formula is half of the fun, especially to see how the zeitgeist of whatever time period the film was made would (and still does) help to fill in the recipe (blacksploitation in Live and Let Die, martial arts here, for example). In this past year, I've watched my first five Bond films and while none are inching their way up my best-of list, all have given me a highly enjoyable time...even if every single one went on 10 minutes too long.


(I'm guessing most of Bond's audience doesn't mind part of the running length)

I come at Bond less intrigued by the machines than by the camp, which explains why I would have such fun with The Man With the Golden Gun. Often considered one of the worst Bond films, The Man With the Golden Gun makes a few unforgivable errors--saddling Lee with a dull takeover plan even he doesn't seem to understand or having the usually charming Moore channel Sean Connery's more misogynist leanings, to name a few--but...but...well, there's no easy way to say this:


Herve Villechaize IS dressed to kill.

Yes, I'm elated to be able to cover a Bond film for The Shortening, but I'm also just excited to have such a ridiculous character to enjoy. As Oddjob and later, Jaws have taught us, it's often the henchman who make a good (or memorable) Bond film. Director Guy Hamilton doesn't necessarily get the most out of the superb-on-paper pairing of the majestically towering Christopher Lee and the petite-but-plotting Villechaize, but both actors seem to be having fun, and for me at least, it translated well.



Not ‘well’ as in ‘good movie.’ Pff. You came to the wrong place if that’s what you expect from a film that makes me giggle. For some Bond fans, the word "carplane" is akin to a bruise. For someone like me, it's as delicious as a cheddar and monterey jack coated nacho.




High Points
Christopher Lee is in this movie. Now even when he's introduced with a closeup displaying a fake third nipple, the mere fact that CHRISTOPHER LEE IS IN THIS MOVIE will always qualify it as a high point



Low Points
The nature of Bond films is that there will always be certain tropes that age out of taste. Naturally, The Man With the Golden Gun is full of them, from Moore uncomfortably slapping a woman for information to the racist sheriff from Live and Let Die tossing out the term 'pointy brownheads' with more ease than Bond at a speed-dating event



Lessons Learned
In some cultures, a third nipple is a sign of sexual prowess



Never make a bargain with a wealthy white British man in a boat

Golden bullets make lucky belly rings



Much like a baseball playing monkey's farts, cars that can make 360ยบ turns mid-air sound an awful lot like a good old-fashioned slide whistle


The Short Facts of Life
According to Herve Villechaize.'s IMDB trivia page, the actor once "shared a room" with Matthew Bright. Yes, THE Matthew Bright who directed the dwarfs-have-big-hearts cult classic Tiptoes



Mind =



Rent/Bury/Buy
Bond fans probably dislike The Man With the Golden Gun because, you know, it's not that good. People like me, on the other hand, who generally measure Bond cinema by how many people get eaten by sharks might find themselves having a surprisingly good time. No, people are sadly NOT eaten by sharks in this outing, but we are treated to Christopher Lee speaking, carplanes flying, and Asian schoolgirls asskicking. Make no mistake: this is lower tier Bond to be sure, but sometimes, fun things come in small suitcases.



Just ask Matthew Bright's former roommate.

Wednesday, March 17, 2010

Horrible Non-Horror! Little People, Big Mess



Welcome, leprechauns, leprechaun hunters, corned beef enthusiasts and Irish hating readers. I have not one drip of emerald blood in my bones, so in honor of this day after the day after the Ides of March holiday, I've decided to celebrate the first of what I hope to be a regular (and by regular I mean random) new segment here at the Doll's House called Horrible Non-Horror! The exclamation point is included.


Basically, I watch a lot of movies that are not what you, your blind grandmother, deaf Dalmatian, or illiterate water bottle would consider quality entertainment. Even though some may not fall under the horror banner, they are indeed horrifically wonderful in ways that are just selfish of me to not share with you. Hence, Horrible Non-Horror!


Enough explanation of a self-explanatory title. On to today's special (and by special, I mean especially horrendous) feature, Tiptoes! (exclamation provided by me; I'm just really excited).






For most actors, the term “chameleon” is a compliment of the highest order, a power of transformation many charisma sweating superstars can’t even fathom. Bruce Willis may be subdued in The Sixth Sense, but he’s still John McClain (just with cleaner feet), while even someone with unusual bone structure like Hilary Swank can disappear into a role, whether she’s an awkwardly in love transexual in Boys Don’t Cry or a hot single mom on Beverly Hills, 90210.
So what do you get when you take one static, stubbly actor with the range of a beach volleyball and cast one of filmdom’s most unique and versatile actors as his limping twin dwarf brother?



The answer, of course, is 2003‘s Tiptoes, an epically awful, manically confused, and amazingly entertaining high profile flop with massive identity issues. 
Quick Plot: Matthew McConaughy plays Steven, a fireman instructor with a signature twang and dark family secret: he is the only over 5 footer in a family of dwarves. This could almost remain under wraps if it weren’t for two great excuses to plot a movie: a) the arrival of Steven’s twin brother Rolfe (Gary Oldman in what the trailer calls “the performance of a lifetime; whose lifetime it refers to is not specified) and b) the surprise pregnancy of Steven’s artist girlfriend Carol (Kate Beckinsale, constantly bewildered).



For most of his life, Steven has been rather ambivilant about his height and family’s lack thereof. We know this because Carol later questions the ambivilant Steven about his ambivalence while using the word ‘ambivalent’ about 19 times. His ambivalence is further emphasized when he inexpilcably brings a few tall ladies to a little person’s pool party, as if to imply an impending affair that is never referenced again.


In case you couldn’t guess from the intro, trailer, premise, or fact that you may never have heard of this movie, Tiptoes really not very good. At all. Directed by Freeway’s Matthew Bright, this bizarre direct-to-DVD enigma tries its little hands at a love story, slapstick comedy, human drama, and message movie while making a mess of just about everything and anyone that came near the film set. I’m at a loss for where to even begin, so in no particular order, here’s a list of what makes Tiptoes the first entry in my new series of Horrible Non-Horror!:


  • Characters have what seem to be relationship-ending fights, only to inexplicably appear together and happy two scenes later.
  • Peter Dinklage, playing a French Marxist, comes off as a really terrible actor




  • The film’s best scene is a round table What To Expect When You’re Expecting A Little Person how-to wherein Beckinsale’s character asks the president of the Dwarf Society “If I do have this baby and turns out to be little, what does this mean for me?”
  • The opening credits list each A-list actor before the title, probably because the editor was so amazed that such a collection of celebrities appear in this film


  • The film finds the opportunity to feature big-on-little sex with none other than David Alan Grier doing some (thankfully) fully clothed thrusting
  • Patricia Arquette plays a “free spirit” hitchhiker and somehow makes Juliette Lewis’ Mallory Knox look stable



  • Every character that is not a little person or major celebrity has a thick Eastern European accent
  • In a major confrontation, Kate Beckinsale heads to fireman training grounds in pajama pants, wedge heels, a tanktop, and winter hat
  • After the birth of the little man, McConaughy taunts his wife by begging her to admit that “He’s a dwarf!” over and over again, which means we get this scene:




Which is actually a wonderful thing


What went wrong? Aside from the fact that this movie was written, one itching issue is the casting of Gary Oldman--no 10’ tall Tom Noonan but an average height fella--as a dwarf, which seems akin to modern blackface or Jonathon Pryce taping back his skin to play a Vietnamese pimp in Miss Saigon. Despite the fact that there’s marriage and a baby plus aftermath, it never feels like anything actually happens in the film. Beckinsale speaks as though she’s slowly emerging from light anesthesia, McConaughy’s character is written as a frustratingly bipolar jerk, and poor Peter Dinklage has no better line than “I am French!” 



Lessons Learned
Food is free because God wants us to eat
When attending a party hosted by little people, try to avoid sporting a gigantic updo that adds about 6” to your already towering height

For a smooth drink, mix some French cough syrup with cognac
Becoming a truck driver will turn a man evil




Winning Line
“You had a circle jerk with little people? I would’ve loved to see this!”
Wouldn’t we all Carol, wouldn’t we all.



Conclusion:
If you, like me, enjoy earnestly awful cinema like fine wine, then scoop Tiptoes from your local library and enjoy the strangely saccharine ride. Sadly, the DVD offers no behind-the-scenes insight or director commentary, but the very inclusion of the hysterically random trailer and fact that clear subtitles let you actually absorb all the horrendous dialogue is, in itself, something to thank the mini gods of movies for.  


Don't believe me? Enjoy the trailer and come back when you agree that when the going get tough, it's only the size of your heart that counts.