Showing posts with label land of the dead. Show all posts
Showing posts with label land of the dead. Show all posts

Saturday, September 18, 2010

Let the Wrong One Live: The 5 Worst Survivors In Horror History

As some of you know and others don't care about, I spent the last year or so contributing to Pop Syndicate, a recently renovated website that lost all its past content (and writers). The following article appeared in 2009 and since you can't find it anywhere else in InterWorld, I'm rerunning it here. Apologies for the deja vu.

Don’t you hate it when the wrong ones get away? While the majority of kill-heavy horror films know the proper hunting formula, every now and then, some undeserving soul smiles triumphantly in the final freeze frame, leaving the audience to scratch their heads and sit through seven minutes or so of badly scored credits, waiting in the hope that the director was saving his final kill for those with patience to spare.
What follows is a spoiler-rich countdown of films that leave us wanting more...blood. Specifically, enough to drain the life out of a survivor or two.
5. Day and Land of the Dead
Some critics have observed that Uncle Romero has softened in recent years, but I take it one step back and argue he’s still burning off the sweetness from eating too many chocolate Bonkers in the 80s. Day of the Dead has a fine collection of Savini packaged blood and guts, but the fact that none come out of the bodies of any ‘good’ character takes a certain depth out of the movie. Likewise, Land of the Dead loses a sympathetic John Lequizamo, but once again, our rather dull heroes get to ride off into the twilight in full force. There’s a reason so many people felt empty at the end of Romero’s quadrilogy finale: very little happened to the people we were meant to care about.  I do realize that Diary of the Dead has a richer body count, but, well...I just didn’t care enough about the living or deceased to really include it here.

4. Kingdom of the Spiders
There's no reason for William Shatner's heroic veterinarian to die in this 1977 tarantula flick...no reason, except, say, the fact that he gets bitten by about twenty DDT enhanced arachnids who had previously proved that one nibble was enough to take down a horse. Was there some sort of antidote in Kirk’s far too prominent belt buckle? Did the tightness of his jeans prevent the venom from spreading through his doughy body? Even if his (and quite possibly the rest of the world’s) fate is left tangled up in webs, Shatner’s survival is a cheat.
3. Snakes On a Plane
If you build your marketing campaign around earning an R rating, you have a responsibility to your ticket buying public to provide inventive kills and little mercy. Snakes On a Plane never got that memo, as observed by the surviving characters that include the bland leading man, an obnoxious Beverly Hills brat actually named Mercedes, and worst of all, two bratty little kids who should have been marked for death in the first reel. Even a dud like 1976's Rattlers  had the nerve to knock off a few obnoxious child actors in the pre-credit sequence. Snakes On a Plane, on the other hand, teased us with bad assery and delivered a de-fanged bite.


2. Silent NIght, Deadly Night
As my Catholic school-educated mother has often said, nuns are evil. Mother Superior (Jean Miller), the primary villain in this notorious 1986 Santa Clause slasher, is arguably the least likable character in a film exclusively populated by extremely unlikable characters. You'd think the filmmakers--who so clearly hate everything in this world--would revel in the chance take a few shots at a God-fearing and child-hating Dominican. You'd think wrong. Somehow the woman partially responsible for harnessing little Billy’s psychotic tendencies and mind-boggling confusion over what Santa Clause actually does gets to celebrate another Christmas (probably by slapping the wrists of orphans with a candy cane). The only redeeming factor is that the world’s meanest nun loses her habited head in the gloriously bad sequel.


1. Scream 3
By all accounts, David Arquette’s bumbling Sheriff Dwight Riley should never have survived Wes Craven’s first installment of this meta-slasher. I’ll accept the fact that Dewy was just too gosh darn lovable for test screen audiences to mourn. I’ll even give him a free pass for Part 2 since Randy was sacrificed. But by the third installment, his number was up. Remember the ads that boasted how no one was safe? Apparently they were referring to Jenny McCarthy, the other guy from Felicity, and the token black dude. We loyal fans, who survived Courteney Cox’s bangs and Nev Campbell’s squints, get to end with the lamest double date in horror history. 


So dear bloodthirsty readers, please share your cravings: which last men, women, and children standing would you like to see get a much more exciting alternate ending?

Friday, July 16, 2010

Liberty! Equality! Fraternity! Bloggity!


Missed Bastille Day? There’s always alternative ways to celebrate France’s favorite summer holiday, especially when it comes to horror movies.

Prison Breaks


Since the Bastille was primarily used as a high security fortress, it makes perfect sense to kick back with, say, Stuart Gordon’s Fortress. As a bonus, it even stars a pseudo-French Christopher Lambert! Not into early 90s sci-fi horror? Zombies are the universal language for making a stand against society, so why not queue up an internationally friendly undead film set during a prison riot? Of course, I’m speaking of 1987’s John Saxon directed Zombie Death House. It’s the most holiday appropriate viewing since Santa Clause conquered the Martians.

Rich vs. Poor


Without royalty and peasants, there would be no cause for fireworks this 14th. How does horror celebrate the tragic beauty of class division? Generally, with the poor kicking the rich’s ass or better yet, eating them. Wes Craven’s The People Under the Stairs has a nice ghetto vengeance on oppressive slumlords plot, while George Romero’s still underrated Land of the Dead teaches the wealthy a fine--and final--lesson on oppressing the poor from a glass house. 

I Love a Parade


The French like to honor Bastille Day with a parade and thankfully, so does horror. Scariest parade ever? The coulrophobes among film fans will rightfully cite Killer Klowns From Outer Space, where the full-blown devastation of the titular villain invasion is revealed via ticker tape marching. Alternative watches? I suppose I Know What You Did Last Summer could suffice (especially since it’s so seasonal). Except it doesn’t have cotton candy. And it kind of sucks. 

War...What Is It Good For?


National change, societal fixings, and occasionally, good movies. Sadly I come up empty in identifying official French Revolution-set horror, but its American counterpart The Legend of Sleepy Hollow has a nice flashback colonial touch. Something more current? Choose your battle. Class of 1999 features good old fashioned gang warfare (and psychotic robot teachers, natch). Something more epic? Three films in and those werewolves and vampires still can’t get along in the Underworld series. For a simple wartime setting, there’s always the historical--if still 70 years past the original 1789 anniversary--Dead Birds, an eerie and incredibly well-cast (Michael Shannon, Henry Thomas, Patrick Fugit, plus more) ghost story set during the American Civil War.

National Pride


Perhaps it’s a resurgence of past mentality (this is the birthplace of the Grand Guignol, after all), but something in the Seine is causing France to produce some of the best--and most brutal--horror films of the decade. High Tension, Martyrs, and Inside are easy recommendations but to best capture the political spirit inherent in July 14th, check out Xavier Gens’ Frontier(s). Part torture porn and part backwoods horror, this 2007 film is set in a near future dystopia where a few petty criminals flee a rioting urban French society (get the connection?). Of course, this gory little slice also features evil Nazis, mutants, and slashed Achilles tendons, If that’s not revolutionary, what is?

It should be noted that I have not one drop of French blood in my veins, so if you have any of your own celebrations, add them in the comments section and wave your flag with pride. If it’s any good, I’ll even let you eat cake.