Bruford's Earthworks
Philadelphia 1992
The Theatre of the Living Arts
Philadelphia, PA
March 11, 1992 - Early and Late Shows
Soundboard Recording
MP3 320kbps
Cover Art Included
Lineage: soundboard > Sony tcd5m cassette deck (dolby “b” on) > cassette master > Sony SBM-1 > HHB CDR recorder
Disc 1 (Early Show)
101 Dancing On Frith Street 5:57
102 My Heart Declares A Holiday 6:57
103 A Stone’s Throw 9:18
104 Hotel Splendor 6:11
105 Untitled 7:38
106 Candles Still Flicker In Romania’s Dark 7:49
107 Libreville 8:40
108 Horn Solo/Untitled/Bass Solo/Drum Solo/Untitled 14:14
109 Untitled 9:35
110 Downtown 7:49
Disc 2 (Late Show)
201 Stromboli Kicks 7:34
202 All Heaven Broke Loose 7:50
203 Libreville/Band Intros 9:03
204 Candles Still Flicker In Romania’s Dark 7:20
205 My Heart Declares A Holiday 7:26
206 Up North 6:16
207 Untitled 5:57
208 Pilgrim’s Way 7:56
209 Untitled (with solos part 1) 5:58
210 Untitled (with solos part 2) 5:26
211 Untitled (with solos part 3) 9:34
212 Emotional Shirt 6:00
total playing time CD 1: 1hr 24mn 8sc
total playing time CD 2: 1hr 26mn 22sc
total playing time Both CDs: 2hr 50mn 22sc
Lineup:
Bill Bruford - drums, percussion
Iain Ballamy - keyboards, saxophone
Django Bates - keyboards, eb tenor horn
Tim Harries - bass
Philadelphia 1992
The Theatre of the Living Arts
Philadelphia, PA
March 11, 1992 - Early and Late Shows
Soundboard Recording
MP3 320kbps
Cover Art Included
Lineage: soundboard > Sony tcd5m cassette deck (dolby “b” on) > cassette master > Sony SBM-1 > HHB CDR recorder
Disc 1 (Early Show)
101 Dancing On Frith Street 5:57
102 My Heart Declares A Holiday 6:57
103 A Stone’s Throw 9:18
104 Hotel Splendor 6:11
105 Untitled 7:38
106 Candles Still Flicker In Romania’s Dark 7:49
107 Libreville 8:40
108 Horn Solo/Untitled/Bass Solo/Drum Solo/Untitled 14:14
109 Untitled 9:35
110 Downtown 7:49
Disc 2 (Late Show)
201 Stromboli Kicks 7:34
202 All Heaven Broke Loose 7:50
203 Libreville/Band Intros 9:03
204 Candles Still Flicker In Romania’s Dark 7:20
205 My Heart Declares A Holiday 7:26
206 Up North 6:16
207 Untitled 5:57
208 Pilgrim’s Way 7:56
209 Untitled (with solos part 1) 5:58
210 Untitled (with solos part 2) 5:26
211 Untitled (with solos part 3) 9:34
212 Emotional Shirt 6:00
total playing time CD 1: 1hr 24mn 8sc
total playing time CD 2: 1hr 26mn 22sc
total playing time Both CDs: 2hr 50mn 22sc
Lineup:
Bill Bruford - drums, percussion
Iain Ballamy - keyboards, saxophone
Django Bates - keyboards, eb tenor horn
Tim Harries - bass
Original uploader julsay told this story about his recording:
I recorded the early show via my discreet soundboard patch (cables plugged in and “hanging out” under the seat directly in front of the board). I had no plans to stay for the late show, but then my friend the soundman told me that Bill Bruford was looking to borrow a DAT to record the late show.
I was then introduced to Bill, and he told me the story: they had rented a mobile recording truck to record the tour, but they got stuck in bad weather in Rochester. Bill loved the sound of the venue from the early show and wanted to chronicle the late show in some (inexpensive) way. We struck a deal whereby I would “go home to get my DAT” (I of course did not tell him that I had it with me or that I recorded the early show) to record the late show and, in exchange, I could run a cassette version for myself (he offered to send me a cassette copy of the DAT, but I suspected that would never actually happen, so I told him I’d bring a cassette deck as well).
So I did in fact go home, picked up my trusted Sony TCD-5M, dropped off the early show master DAT tape, and went back to the venue. I then proceeded to do as arranged: I recorded both to DAT (for Bill) and cassette (for me). I’ve made hundreds upon hundreds upon hundreds of board masters, but I can’t recall another time of a British Prog Musician actually allowing someone to patch in.
I was then introduced to Bill, and he told me the story: they had rented a mobile recording truck to record the tour, but they got stuck in bad weather in Rochester. Bill loved the sound of the venue from the early show and wanted to chronicle the late show in some (inexpensive) way. We struck a deal whereby I would “go home to get my DAT” (I of course did not tell him that I had it with me or that I recorded the early show) to record the late show and, in exchange, I could run a cassette version for myself (he offered to send me a cassette copy of the DAT, but I suspected that would never actually happen, so I told him I’d bring a cassette deck as well).
So I did in fact go home, picked up my trusted Sony TCD-5M, dropped off the early show master DAT tape, and went back to the venue. I then proceeded to do as arranged: I recorded both to DAT (for Bill) and cassette (for me). I’ve made hundreds upon hundreds upon hundreds of board masters, but I can’t recall another time of a British Prog Musician actually allowing someone to patch in.
Pretty cool...Bill actually allowed this recording to be made by a fan and now we have it for our collection.