It's part of the comic bloggers union contract that we have to do a certain number of posts bemoaning the state of comic art today, and specifically the prevalence of "tracers" and "photo-realists" and "cut & pasters" and...
Well, I'm here today to remind everyone that it's hardly a new phenomenon; we had such practices even back in the pre-Photoshop days.
Back in 1975, in the first issue of Charlton's Space: 1999 magazine, in a story with no credited artists, the very first panel portraying our cast is, well, you be the judge:
Lordy. Let's literally cut and paste phootgraphs of our actors onto the art, shall we?
And it's not like our unnamed penciller was incapable of giving us more-than-good-enough likenesses:
But several times in the story, out pops the, um, technologically-enhanced "art":
Although, in fairness, while such photocopying/tracing makes for abominable-looking comics art, it never produced anything as awful as this...
Showing posts with label Bad Art. Show all posts
Showing posts with label Bad Art. Show all posts
Monday, October 1, 2012
Manic Monday--Cut And Paste
Thursday, August 9, 2012
Presented By Kinkos
I just want to go on the record with this right now:
On the day that I'm put in charge of a comic book company, my very first act...





...will be to ban %^&*$!#ing photocopiers. Because if I wanted the same panel repeated 6 times? I can have interns Xerox it a hell of a lot more cheaply than whatever I'm paying an artist to "draw" it.
Panel (note I didn't use the plural) from this week's Sensational Spider-Man #33.1, script by Tom DeFalco, "pencils" by Carlo Barberi.
On the day that I'm put in charge of a comic book company, my very first act...
Panel (note I didn't use the plural) from this week's Sensational Spider-Man #33.1, script by Tom DeFalco, "pencils" by Carlo Barberi.
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