This site is designed for people who enjoy discussions of live music.
Our primary topics will be groups from the 60's, 70's, 80' and 90's.
There will be a few suprises from this decade and ocassional glimpses into the 50's and even the 40's as well.
I hope that you will be pleased with what you find here.
-Dave
Friday, October 31, 2008
Bruce Springsteen: Landover 1981 (VG+ Aud) FLAC
Title: Have The Faith - Landover '81
Label: Ev2
Format: 2CD
Source: Audience
Date: August 4, 1981.
Location: Capital Centre, Landover, MD
Source: (2)nak1000> hhb850> eac> sf6> flac
Disc One:
01 Thunder Road
02 Prove It All Night
03 Out In The Street
04 Darkness On The Edge Of Town
05 Intro / "This Is A Song For Elvis"
06 Johnny Bye Bye
07 Independence Day
08 Trapped
09 Two Hearts
10 The Promised Land
11 The River
12 Intro / "On Your 21st Birthday"
13 This Land Is Your Land
14 Who'll Stop The Rain?
15 Badlands
16 Hungry Heart
17 You Can Look (But You Better Not Touch)
Disc Two:
01 Cadillac Ranch
02 Sherry Darling
03 Jole Blon
04 Intro / "With Us Since Beginning"
05 For You
06 Point Blank
07 Candy's Room
08 Ramrod
09 Rosalita (Come Out Tonight)
10 Jungleland
11 Born To Run
12 The Detroit Medley (w/ You Can't Sit Down, Sweet Soul Music, Shake)
Balanced sound (vocal, instruments), stereo enchancing (minor) + a lot of else. "A newly-surfaced recording of this show has made this one a quick favorite among fans of the 1980-81 tour. Probably the most rockin' second set of all time, as it included all rockers except for "Point Blank," including "Jole Blon," "For You," and "Candy's Room."" -theboots.net
Taper Notes:
I am the original taper of this show. I used (2)nak300's>sony tcd-5m, don't remember too much about this show. I might have been on the stage left side a couple of rows up, couple of seats in front of the stack. Or maybe That was the 8/7/81 show. I taped both of these. I made a couple of cassette copies for people over the years. A couple of yrs ago I made a dat for someone In nyc and I guess it got leaked and bootlegged. I have never heard the boot and I am curious if my version is better. I also taped bruce in cinci in the Summer of 1984. I also might have provided the tapes of bruce at carter barron And conn hall in wdc in 1975, if those were leaked in early 2000's.
This was transferred using nak1000>hhb850>eac>sf6>flac.
rapidshare.com:
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megaupload:
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A huge thank you to those who have expressed (and demonstrated) support over the last few days. You say I am generous. I say you are too.
Yes: Drama Demos 1980 (FLAC)
(I'd appreciate a link to the real artwork - if there is any)
YES London 'Drama Demos' Winter 1980
Version #1
01.Tempus Fugit
02.Untitled 1
03.Does It Really Happen?
04.Does It Really Happen? #2
05.Song No.4 (Satellite)
06.Run Through the Light
Version #2
07.Does It Really Happen?
08.Tempus Fugit
09.Untitled 1
10.Song No.4 (Satellite) (long version) fades-out
Lineage: Studio demos > n generation tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0
> CD Wave > FLAC Frontend (level 6)
Chris Squire: Bass
Steve Howe: Guitars
Alan White: Drums
Right after Jon Anderson and Rick Wakeman left Yes at the end of 1979, the remaining three members begun rehearsing in search for new ideas. Actually, they were finalizing what they had started when Jon and Rick were still in, working on three tracks (Tempus Fugit, Does It Really Happen? and Run Through the Light) that would be later released on Drama, plus a few more which would be left out of the album. While they were rehearsing, a young band was playing in the studio next door, notably two young musicians called Trevor Horn and Geoff Downes, better known as The Buggles. The pair introduced themselves to Yes and the rest is history. But what Trevor and Geoff heard from their recording session is what you hear here, wnkown as the Drama Sessions. This is a very interesting piece of history, the bridge between the easy pop of Tormato and the new-wave influenced Drama album. Trevor and Geoff would bring extra track to the band, notably Into the Lens, Man In a White Car and We Can Fly From Here.
Soundwise, these are very nice instrumental sessions. I had two version which differ a bit on setlist, so I decided to include both. Version 2 has Song No.4 (Satellite) in a much longer version than in 1. Both are NOT sourced from any silver in circulation but from tapes I received in trade about 20 years ago.
Note: these sessions took place before Trevor and Geoff joined Yes, hence without keyboards or vocals. The demo version of Tempus Fugit which in included in the remastered version of Drama comes from a session in May 1980 after they joined the band and include keys and vocals. All the material present in this torrent has not been officially released.
rapidshare.com:
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Comments welcome.
Neil Young: All Songs Played 100 Times or More! 1970-2003 (Soundboard) FLAC
A Hundred Times or More
Various Locations 1970-2003
Soundboard Collection
Original Notes:
This compilation is inspired by the song 4 strong winds (I've been through that a hundred times or more) and the compilation at the other side of the spectrum; 5 times or less. I Figured that a compilation like this might be interesting, since all the songs have been played so many times that there's a SBD avaliable. Also, there are bound to be some interesting versions around due to the many style changes. It sometimes is surprising what songs DO show up and what songs DON'T. And how very few songs (certainly compared to the 5 times or less compilation) he played more than a 100 times. I compiled this set using the great "Numbers on the Site" by Mattias Butterweck: http://www.butterweck.de/nytourix/ it didn't take me too long to get it all lined up, and just half a day or so to find all the songs and make em ready for the compilation. The editing in cool edit pro (adding fades and amplifying some stuff) and converting the files took me about a half day maore. I used my own extensive collection: http://db.etree.org/harm85 which I collected via DC++ and countless torrent sites as well as buying some stuff too. The songs are listed below in order of how many times he played em. I was wonderin' in what order I'd put em, and finally came to the solution of putting them in reverse order, sort of like a Billboard Hot 100 idea. I also included all info on venues and checked all the oficially released live stuff and used material as late as possible, to avoid stuff appearing in the archives soon and making this collection partly 'illegal'. Anyway, here it is, enjoy the countdown.
NB, songs NOT sung by Young on various tours with CSNY are NOT listed. This list is compiled based on data available after the Freedom of Speach Tour of 2006 and after the BSB and Farm Aid 2006 concerts.
Song - Times Played
Powderfinger - 606
Heart Of Gold - 555
Cinnamon Girl - 531
After The Gold Rush - 502
The Needle And The Damage Done - 467
Like A Hurricane - 463
Rockin' In The Free World - 440
Old Man - 440
Down By The River - 438
Hey Hey, My My - 425
Sugar Mountain - 408
Cortez The Killer - 368
Comes A Time - 358
Helpless - 337
Mr. Soul - 330
Ohio - 284
Southern Man - 252
Tonight's The Night - 246
Pocahontas - 231
Roll Another Number - 230
Harvest Moon - 225
Don't Let It Bring You Down - 199
Only Love Can Break Your Heart - 193
Long May You Run - 184
My My, Hey Hey - 179
The Loner - 175
Fuckin' Up - 161
Cowgirl In The Sand - 158
Sedan Delivery - 157
Are You Ready For The Country? - 156
Soul Of A Woman - 155
This Note's For You - 154
From Hank To Hendrix - 145
Dance, Dance, Dance - 144
Don't Be Denied - 137
On The Way Home - 137
Everybody Knows This Is Nowhere - 134
Don't Cry No Tears - 130
Too Far Gone - 128
Tell Me Why - 121
Love And Only Love - 114
Crime In The City - 112
Drive Back - 107
I Am A Child - 106
Southern Pacific - 106
Love To Burn - 105
Unknown Legend - 105
Country Home - 102
All Along The Watchtower - 100
Disc 1:
All Along The Watchtower (1993-07-03 Torhout Festival, Torhout, Belgium)
Country Home (1976-11-15 Auditorium Theater, Chicago, IL (Late Show))
Unknown Legend (1992-03-14 Texas Stadium, Irving, TX)
Love To Burn (2003-06-13 Bonnaroo Festival, Manchester, TN)
Southern Pacific (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
I Am A Child (1970-02-25 Music Hall, Cincinnati, OH)
Drive Back (1987-06-02 National Exhibition Centre, Birmingham, England)
Crime In The City (1989-12-10 Muziektheater Stopera, Amsterdam, Holland)
Love And Only Love (2001-01-20 Rock City, Barra da Tijuca, Rio de Janeiro, Brazil)
Disc 2:
Tell Me Why (1970-06-04 Fillmore East, New York, NY)
Too Far Gone (1976-11-15 Auditorium Theater, Chicago, IL (Late Show))
Don't Cry No Tears (1976-11-15 Auditorium Theater, Chicago, IL (Late Show))
Everybody Knows This Is Nowhere (1970-02-25 Music Hall, Cincinnati, OH)
On The Way Home (2004-09-18 Farm Aid 2004, White River Amphitheatre, Auburn, Washington)
Don't Be Denied (1974-07-09 Coliseum, Seattle, WA)
Dance, Dance, Dance (1971-02-23 BBC TV Studios, London, England)
From Hank To Hendrix (1992-11-17 WTTW Studios, Chicago, IL)
This Note's For You (1988-08-19 Darien Lake Amphitheater, Darien Lake, NY)
Soul Of A Woman (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Are You Ready For The Country? (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Sedan Delivery (2003-06-13 Bonnaroo Festival, Manchester, TN)
Cowgirl In The Sand (1974-07-13 Oakland Stadium, Oakland, CA)
Fuckin' Up (2003-06-13 Bonnaroo Festival, Manchester, TN)
The Loner (1970-02-25 Music Hall, Cincinnati, OH)
My My, Hey Hey (1989-12-10 Muziektheater Stopera, Amsterdam, Holland)
Disc 3:
Long May You Run (1992-11-17 WTTW Studios, Chicago, IL)
Only Love Can Break Your Heart (1970-06-04 Fillmore East, New York, NY)
Don't Let It Bring You Down (1989-12-08 Grosse Freiheit, Hamburg, Germany)
Harvest Moon (1993-07-03 Torhout Festival, Torhout, Belgium)
Roll Another Number (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Pocahontas (1996-07-10 Leipzig Festwiese, Leipzig, Germany)
Tonight's The Night (1987-06-02 National Exhibition Centre, Birmingham, England)
Southern Man (2005-09-18 Farm Aid 2005, Tweeter Center, Tinley Park, Il)
Ohio (1989-12-10 Muziek Theater Stopera, Amsterdam, The Netherlands)
Mr. Soul (1987-06-02 National Exhibition Centre, Birmingham, England)
Helpless (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Comes A Time (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Cortez The Killer (1987-06-02 National Exhibition Centre, Birmingham, England)
Disc 4:
Sugar Mountain (1970-02-25 Music Hall, Cincinnati, OH)
Hey Hey, My My (1996-07-07 Werchter Festival, Werchter, Belgium)
Down By The River (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
Old Man (1971-02-23 BBC TV Studios, London, England)
Rockin' In The Free World (1996-07-07 Werchter Festival, Werchter, Belgium)
Like A Hurricane (1976-11-15 Auditorium Theater, Chicago, IL (Late Show))
The Needle And The Damage Done (1986-10-17 Met Center, Minneapolis, MN)
After The Gold Rush (1976-11-15 Auditorium Theater, Chicago, IL (Late Show))
Cinnamon Girl (1970-02-25 Music Hall, Cincinnati, OH)
Heart Of Gold (1972-03-26 Winterland Arena, San Francisco, CA)
Powderfinger (1984-09-25 Austin City Limits, University of Texas, Austin, TX)
rapidshare.com:
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Comments welcome.
Pink Floyd: Live at Empire Pool 1974 (Ex- Aud recording of the night of the famous BBC Broadcast) shn
I've given you the Pre-FM and 2 Pre-FM/Aud matrixes of this night. Here is the best known Audience Source)
Wembly, London UK during the British Winter Tour of 1974
Title: No Room Upon the Hill
Date: Performed November 16, 1974
SQ: A (outstanding audience recording)
Source: 1st Generation copy of the master discs
Band:
David Gilmour - guitar, vocals
Roger Waters - bass, vocals
Richard Wright - keyboards, vocals
Nick Mason - drums, percussion
Dick Parry - saxophone
Vanetta Fields - backing vocals
Carlena Williams - backing vocals
CD1:
Shine On You Crazy Diamond (Parts 1-9) (21:27)
Raving and Drooling (14:18)
You Gotta Be Crazy (18:08)
CD2:
Speak To Me (2:34)
Breathe (3:03)
On The Run (5:02)
Time/Breathe (Reprise) (6:45)
The Great Gig In The Sky (6:00)
Money (8:49)
Us And Them (8:18)
Any Colour You Like (6:09)
Brain Damage (3:45)
Eclipse (1:47)
Echoes (24:10)
Total length: 130 min 15 sec
Source: AUD[1]>CDR>SHN
Liberated in its lowest generation form yet, in SHN-only format, by Man of Leisure Music (MoLM) May, 2004 using the FloydArtifacts listserv and Sharing the Groove.
Mastering: Transferred to disc by a close friend of the taper. Someone who obviously knew what they were doing. (Thank you) This is one of the few departures from our signature re-mastering methods; MoLM has not performed any sound alteration, nor speed correction to this phenomenal recording.
Background: Obtained in a trade with the taper, Man of Leisure Music (MoLM) has secured a 1st gen clone of the master discs. We're ever so grateful.
This is the very well known concert performed during the British Winter Tour in late 1974. This night, the BBC recorded what many Pink Floyd fans consider to be the finest live version of Dark Side of the Moon. To my understanding, the BBC did not record the first set of this timeless concert.
Here it is, the full concert, and one of the better audience recordings you will ever hear of Pink Floyd.
Man of Leisure Music would like to now share this audience version with the Pink Floyd Trading community to compliment the pre-FM broadcast soundboard roio. Together, they represent the two definitive recordings of this historic date in Rock and Roll history.
rapidshare.com:
http://lix.in/-3a4ba0
http://lix.in/-2c9001
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http://lix.in/-2e16ac
http://lix.in/-2f9d4d
Comments welcome.
Wembly, London UK during the British Winter Tour of 1974
Title: No Room Upon the Hill
Date: Performed November 16, 1974
SQ: A (outstanding audience recording)
Source: 1st Generation copy of the master discs
Band:
David Gilmour - guitar, vocals
Roger Waters - bass, vocals
Richard Wright - keyboards, vocals
Nick Mason - drums, percussion
Dick Parry - saxophone
Vanetta Fields - backing vocals
Carlena Williams - backing vocals
CD1:
Shine On You Crazy Diamond (Parts 1-9) (21:27)
Raving and Drooling (14:18)
You Gotta Be Crazy (18:08)
CD2:
Speak To Me (2:34)
Breathe (3:03)
On The Run (5:02)
Time/Breathe (Reprise) (6:45)
The Great Gig In The Sky (6:00)
Money (8:49)
Us And Them (8:18)
Any Colour You Like (6:09)
Brain Damage (3:45)
Eclipse (1:47)
Echoes (24:10)
Total length: 130 min 15 sec
Source: AUD[1]>CDR>SHN
Liberated in its lowest generation form yet, in SHN-only format, by Man of Leisure Music (MoLM) May, 2004 using the FloydArtifacts listserv and Sharing the Groove.
Mastering: Transferred to disc by a close friend of the taper. Someone who obviously knew what they were doing. (Thank you) This is one of the few departures from our signature re-mastering methods; MoLM has not performed any sound alteration, nor speed correction to this phenomenal recording.
Background: Obtained in a trade with the taper, Man of Leisure Music (MoLM) has secured a 1st gen clone of the master discs. We're ever so grateful.
This is the very well known concert performed during the British Winter Tour in late 1974. This night, the BBC recorded what many Pink Floyd fans consider to be the finest live version of Dark Side of the Moon. To my understanding, the BBC did not record the first set of this timeless concert.
Here it is, the full concert, and one of the better audience recordings you will ever hear of Pink Floyd.
Man of Leisure Music would like to now share this audience version with the Pink Floyd Trading community to compliment the pre-FM broadcast soundboard roio. Together, they represent the two definitive recordings of this historic date in Rock and Roll history.
rapidshare.com:
http://lix.in/-3a4ba0
http://lix.in/-2c9001
http://lix.in/-2e16a2
http://lix.in/-2f9d43
http://lix.in/-3123e4
http://lix.in/-32aa85
http://lix.in/-343126
megaupload:
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http://lix.in/-2e16ac
http://lix.in/-2f9d4d
Comments welcome.
Led Zeppelin; Offenburg, Germany 1973 (VG+ Aud) FLAC
"Not Warm, It's Hot"
(Tdolz Vol.97)
March 24, 1973
Venue: Ortenauhalle
St/Aud 8
Silvers>Eac>Wav>Flac
Art Included
Disc 1
Rock And Roll
Over The Hills And Far Away
Black Dog
Misty Mountain Hop
Since I've Been Loving You
Bron-Y-Aur Stomp
The Song Remains The Same
The Rain Song
Disc 2
Dazed And Confused
Stairway To Heaven
Whole Lotta Love
Heartbreaker
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Comments welcome.
Thursday, October 30, 2008
Bob Dylan: Far East Tour 1978 (VG+ Aud) FLAC
(I need the real art for this)
Osaka, Japan Feb. 24, 1978
Silvers>eac>flac level 5
Manufacturer / Catalog No.
Great White Wonder / GWW 9530 1/2/3
Review:
The Dylan at Budokan LP would be recorded less than a week from the date of this show. While being a more prestigious venue, the Tokyo show doesn't seem to have quite the power and heartfelt enthusiasm as this Osaka performance. Of course, this can't match the official release in sound quality.
If you're a fan of the new arrangements of Budokan, you'll love hearing them in an even more convincing tone. Bonus tracks from the final night of the three shows in Osaka have been woven in to allow the listener privilege to an entire performances, as well as to 31 of the 33 songs performed during the Osaka residency.
Source / Venue:
Matsushita Denki Taiikukan - Hirakata City
Osaka Fu, Japan February 24
Disc one
Repossession Blues (Bill Riley)
Mr Tambourine Man
I Threw It All Away
Love Minus Zero/No Limit
Ballad Of A Thin Man
If You See Her Say Hello
Girl Of The North Country
Maggie's Farm
Don't Think Twice
To Ramona *
Love Her With A Feeling *
One More Cup Of Coffee *
Disc two
Like A Rolling Stone
I Shall Be Released
Going, Going, Gone
One Of Us Must Know (Sooner Or Later)
Blowin' In The Wind
Just Like A Woman
Oh Sister
You're A Big Girl Now
All Along The Watchtower
I Don't Believe You *
Shelter From The Storm *
Disc three
I Want You
All I Really Want To Do
The Man In Me
Knockin' On Heaven's Door
It's Alright Ma (I'm Only Bleeding)
Forever Young
The Times
Hard Rain (inst) *
* Bonus Matsushita Denki Taiikukan Feb 26, 1978
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Comments welcome.
Led Zeppelin: West Germany 1980 (VG+ Aud) FLAC
Title: Strangers In The Night
Date: July 2 & 3, 1980
Venue: Eisstadium, Mannheim, West Germany
Label: The Diagrams Of Led Zeppelin
Number: VOL.066
Source: Silvers > EAC > WAV > FLAC Frontend > FLAC
Disc 1
1 The Train Kept A Rollin'
2 Nobody's Fault But Mine
3 Black Dog
4 In The Evening
5 The Rain Song
6 Hot Dog
7 All My Love
8 Trampled Underfoot
9 Since I've Been Loving You
Disc 2
1 Achilles Last Stand
2 White Summer - Black Mountain Side
3 Kashmir
4 Stairway To Heaven
5 Rock And Roll
6 Whole Lotta Love
Disc 3
1 The Train Kept A Rollin'
2 Nobody's Fault But Mine
3 Black Dog
4 In The Evening
5 The Rain Song
6 Hot Dog
7 All My Love
8 Trampled Underfoot
9 Since I've Been Loving You
Disc 4
1 Achilles Last Stand
2 White Summer - Black Mountain Side
3 Kashmir
4 Stairway To Heaven
5 Communication Breakdown
6 Rock And Roll
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Comments welcome.
Wednesday, October 29, 2008
Frank Sinatra: Monte Carlo 1958 (FM Source) shn
June 14, 1958
The Sporting Club
Monte Carlo, Monaco
Source: FM > ? > CDR > EAC > WAV > SHN
01. Introduction by Noel Coward
02. Come Fly With Me
03. I get A Kick Out Of You
04. I've Got You Under My Skin
05. Where Or When
06. Moonlight In Vermont
07. On The Road To Mandalay
08. Your Lover Has Gone
09. April In Paris
10. All The Way
11. Monique
12. Bewitched
13. The Lady Is A Tramp
14. You Make Me Feel So Young
Uploading this exactly as I recieved it in SHN
Really excellent sound especially for 1958 it's unbelievable
rapidshare:
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The Wh?: New Haven Conneticut 1979 (Ex- Aud) FLAC
Gonna Rape You
15 December 1979
Memorial Coliseum
Recording: Excellent Audience
* Side 1
1. I Can't Explain
2. Baba O'Riley
3. The Punk Meets The Godfather
4. 5.15
* Side 2
1. Music Must Change
2. Substitute
3. My Wife
* Side 3
1. Drowned
2. Pinball Wizard
3. See Me, Feel Me
* Side 4
1. Who Are You
2. Love Live Rock
3. My Generation/I Can See For Miles
* Side 5
1. Sister Disco
2. Sparks
3. Won't Get Fooled Again
* Side 6
1. Behind Blue Eyes
2. Summertime Blues
3. Medley: Dancing In The Streets, Dance It Away, How Can You Do It Alone
The labels on each LP are of a different color and state as follows:
Record 1- yellow label: "Rock 'N Roll Six Pack 1980 Presents The Regenerators
Record 2- light olive label: "Rock 'N Roll Six Pack 1980 Presents The Mod Boys
Record 3- manilla label: "Rock 'N Roll Six Pack 1980 Presents Union Jack.
Lineage LP>Cassette Tape>PC(via Denon DRRF101)>Magik Audio Cleaning Lab>Flac>Dime
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Tuesday, October 28, 2008
Roger Waters: Radio City Or Bust! 1985 (HRV FM? Source) shn
HRV CDR 019
Radio City Music Hall, NYC, USA
Broadcast Live By Westwood One on 1985-03-28
?? FM Recording or Ex- Aud
cd 1
01 Welcome To The Machine
02 Set The Controls To The Heart Of The Sun
03 Money
04 If
05 Wish You Were Here
06 Pigs On The Wing
07 The Final Cut Suite
08 The Gunners Dream
09 In The Flesh?
10 Nobody Home
11 Have A Cigar
12 Another Brick In The Wall pt. 1
13 The Hapiest Days Of Our Lives
14 Another Brick In The Wall pt. 2
cd 2
01-12 The Pros And Cons Of Hitchhiking
13 Brain Damage
14 Eclipse
*15 Bonus Track (5.01 AM (The Pros And Cons Of Hitch Hiking), 12 inch version) 5:20
*Offical track removed
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Led Zeppelin: San Diego Mystery Train 1977 (VG+ Aud) FLAC
San Diego Sports Arena, San Diego, CA USA 19th June 1977
(Wendy Records)
Lineage unknown but believed to be rip from Wendy Silvers
Story behind the title is also unknown. Anybody out there with more info?
Disc 1
01. The Song Remains The Same
02. Sick Again
03. Nobody's Fault But Mine
04. In My Time Of Dying
05. Since I've Been Loving You
06. No Quarter
Disc 2
01. Ten Years Gone
02. The Battle Of Evermore
03. Going To California
04. Mystery Train
05. Black Country Woman
06. Bron-y-aur Stomp
07. White Summer
08. Black Mountain Side
09. Kashmir
Disc 3
01. Guitar Solo
02. Achilles Last Stand
03. Stairway To Heaven
04. Whole Lotta Love
05. Rock And Roll
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Comments welcome. Also enjoy the superior Mike Millard recording of this event:
http://qualityboots.blogspot.com/2008/04/led-zeppelin-san-diego-1977-mike.html
Dan Fogelberg: Los Angeles, Ca. 1985 (FM Source) FLAC
Univesal Ampitheatre
8-15-85
FM>???>Trade>CD>EAC>FLAC
Nice sounding cd with the High Country band for second half of show. This is the full version from Westwood one intro. to Westwood one outro. It includes the FULL version of "Will the Circle Be Unbroken"
This was a great tour and as Dan has said in his rare interviews one of his favorites.
A highpoint being his appearance at the Telluride Bluegrass festival the same summer.
Fortunately both this and Telluride are available in HQ sound. that being said....
This is a condensed concert made for "Westwwood one in concert" From Part of the plan through Old Lang syne it is Dan solo. From Down the road to Will the Circle be Unbroken is Dan and the band. ENJOY!
ONE CD
1. Part of the Plan
2. Hard to Say
3. Run for the Roses
4. Make Love Stay
5. Nature of the Game
6. Leader of the Band
7. Same Old Lang Syne
8. Down the Road
9. High Country Snows
10. The Outlaw
11. Shallow Rivers
12. The Higher You Climb
13. Morning Sky
14. Will the Circle Be Unbroken
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Monday, October 27, 2008
Pink Floyd: How Time Flies 1974 (VG+ Aud) FLAC
The night before the famous BBC broadcast in a new VG+ Aud release
Wembley Empire Pool 15th November 1974 new uncirculated source!
Disc One
01. Shine On You Crazy Diamond
02. Raving And Drooling
03. You Gotta Be Crazy
Disc Two
01. Intro
02. Speak To Me
03. Breathe
04. On The Run
05. Time
06. Great Gig In The Sky
07. Money
08. Us And Them
09. Any Colour You Like
10. Brain Damage
11. Eclipse
12. Echoes
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Comments always welcome.
Wembley Empire Pool 15th November 1974 new uncirculated source!
Disc One
01. Shine On You Crazy Diamond
02. Raving And Drooling
03. You Gotta Be Crazy
Disc Two
01. Intro
02. Speak To Me
03. Breathe
04. On The Run
05. Time
06. Great Gig In The Sky
07. Money
08. Us And Them
09. Any Colour You Like
10. Brain Damage
11. Eclipse
12. Echoes
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Pink Floyd: Set The Controls For The Heart Of The Sun 1973 (VG+ Aud) FLAC
13th October 1973
Quality: VG+ -PIG1DO
Lineage: Trade (many years ago) on TDK CD-r > dBpowerap CD Ripper (Secure Mode) > FLAC Level 6
Bookmark as: http://www.pf-roio.de/roio/roio-cd/set_controls_sun.cd.html
Format: 2CD
Catalog: HB 805-1/2 HEART BREAKERS
Misc.: Audience recording
Produced:
Date: 13th October 1973
Matrix: Disc 1: HB8051
Disc 2: HB8052
Sources: 13 Oct 1973, Stadthalle, Vienna, Austria
Coverscans: Included (from http://floydart.org)
Tracks:
Disc: 1
1. Obscured by Clouds - When You're In 15:31
2. Set The Controls For The Heart Of The Sun 15:01
3. Careful with tha Axe, Eugen [sic] 15:54
4. Echoes 23:52
Total Time: 70:20
Disc: 2
1. Speak to Me 3:50
2. Breathe in the Air 3:03
3. On the Run 5:57
4. Time 6:40
5. The Great Gig in the Sky 7:48
6. Money 8:09
7. Us and Them [case says U&T + ACYL] 8:53
8. Any Colour You Like [case says BD] 6:50
9. Brain Damage - Eclipse [case says E] 10:20
10. One of These Days 8:30
Total Time: 70:02
Band:
Roger Waters
Nick Mason
David Gilmour
Rick Wright
Comments: A complete show from the 73 tour (minus Childhood's End??) as performed in Vienna, according to the package. Sounds great. Some mislabeling, but otherwise no complaints. The title for this RoIO is appropriate for it contains an excellent recording of the '73 version of "Set the Controls...". I was very disappointed with the version on 'Not a Cloud in the Sky' because of the rowdy crowd noise. The 15min version presented here is not marred by such idiots. After listening to Set the Controls, I really feel disappointed that they don't improvise like this in concert anymore.
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Fleetwood Mac: Superstar Concert Series (Irvine, CA 1997)
Westwood One Superstar Concert Series
Irvine Meadows Amp.
Irvine, CA
1997
Lineage: Silvers -> Exact Audio Copy -> Trader's Little Helper
Set List(s)
There are two jpegs of the original Westwood One cue sheets with all the set list info. I apologize that the scans of the cue sheets are not great. The original cue sheets are not in the best condition. Note: The tracks with music still have the original advertisements.
According to the Westwood One announcer (J.J.Jackson), this show occurred in "August 1997". However, according to my research, Fleetwood Mac played at Irvine for three nights in October 1997. Any clarification would be welcomed.
Finally, I did not include the numerous advertisement-only tracks at the end of disc 2. However, I did include the show promo(D2 T4). Once again, please SUPPORT the musicians and ENJOY.
The Chain
Gold Dust Woman
Dreams
I'm So Afraid
Big Love
Gypsy
Landslide
Say You Love Me
You Make Lovin' Fun
Rhiannon
Tusk
Go Your Own Way
Don't Stop
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Sunday, October 26, 2008
Neil Young: Superstar Concert Series 1995-1997 (Pre-FM CD) FLAC
Superstar Concert Series 97-36
This is from an original copy of the radio show. It has not been altered. It includes national commercials and the songs are grouped as they were in the broadcast. Nothing has been changed.
This particular one says it was recorded at Cardinal Stadium in Louisville for Farm Aid on 1 October 1995 and at the Phoenix Fesival in Stratford-upon-Avon in England 19 July 1996. Original airdate was the week of September 1st, 1997.
CD > EAC > FLAC 8.
Neil Young - Westwood One Superstar Concert Series Show #97-36 PreFM
Live At The Cardinal Stadium, Louisville, Kentucky, USA, Oct 1st, 1995
01 DJ
02 Comes A Time
03 The Needle & The Damage Done
04 DJ > Commercials
--
05 DJ
06 Neil's intro
07 Four Strong Winds
08 Helpless
09 DJ > Commercials
--
10 Heart Of Gold
11 Sugar Mountain
12 DJ > Commercials
Neil Young w/Crazy Horse: Live At The Superdome, New Orleans, LA, Sept 18, 1994
01 Country Home
02 DJ > Commercials
Neil Young w/Crazy Horse:
Live At The Phoenix Festival, Stratford On Avon, England, July 19, 1996
01 DJ
02 Slip Away
03 DJ > Commercials
--
04 DJ
05 Like A Hurricane
06 DJ > Commercials
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REO Speedwagon: Indianapolis 1984 (Ex FM) FLAC
Westwood One presents the Superstar Concert Series
Live in Concert at the Market Street Arena, Indianapolis - 31st December, 1984
Lineup:
Kevin Cronin - lead vocals/rhythm guitar/acoustic guitar/piano
Gary Richrath - lead guitar/backing vocals
Bruce Hall - bass guitar/backing vocals/lead vocals on track 8
Neal Doughty - keyboards/piano
Alan Gratzer - drums/percussion
Source: I got this as a silver CDR, but it's evident the original source is an FM broadcast. The sound quality is consistently excellent.
CD-r > FLAC (AudioConverter Studio) > Traders Little Helper (checking/ffp creation) > you.
Tracklisting:
1) Don't Let Him Go
2) Tough Guys
3) Can't Fight This Feeling
4) Thru The Window
5) I Dowanna Know
6) Take It On The Run
7) Gotta Feel More
8) Back On The Road
9) Keep On Loving You
10) Keep Pushin'
11) Roll With The Changes
12) Ridin' The Storm Out
13) Time For Me To Fly
14) Applause/Outro
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Pink Floyd: 2 Different Pre-FM/Aud Matrixes of the November 16, 1974 Wembley Concert
The first uses more audience and preserves the first set of the concert (not included in the BBC material). The second one uses the BBC material and less audience. It includes only the second set and the encore.
Empire Pool
Wembley, London, UK
November 16, 1974
"The Chuckness Remaster"
The sources for this remaster were the wonderful Haugh 3-source matrix (Set 2) and the "No Room Upon The Hill" bootleg (set 1). TRUTH is actually one of the AUD sources in the Haugh Matrix, along with the "Black Hole In The Sky" bootleg, and the SBD portion is provided by the BBC pre-FM Master Reel.
Set 1:
Unknown AUD (MOLM Music) > WAV via Wavelab > Harmonic Balancing & hiss removal with professional studio tools > FLAC (level 8) via Trader's Little Helper
Set 2:
Pre-FM SBD/AUD/AUD Matrix (Haugh) > WAV via Wavelab > Harmonic Balancing with professional studio tools > FLAC (level 8) via Trader's Little Helper
Notes from the original uploader:
My friend Chuckness is a professional audio engineer who owns a recording studio in the Charlotte, NC area. As a Floyd fan, he wanted the best-possible sounding version of this show. I supplied him with the pre-FM SBD of Set 2 some months ago, and he did a beautiful remaster. Before I could upload that to Dime, I got word of the Haugh Matrix. Since Chuck wanted to use the best-possible starting point, he toassed out the previous work, and remastered the Haugh source. And for completeness, he also remastered the NRUTH source for Set 1. The results of obviously more dramatic on Set 1 - one listener described it as "removing the tin cans from over your ears."
This is the best-sounding version of this show I have ever heard, and I have heard many. I truly believe that this is the best-sounding set in circulation.
Disc 1 - Set 1 [53:46]
01 Shine On You Crazy Diamond 1-9 [21:25]
02 Raving and Drooling [14:16]
03 You Gotta Be Crazy [18:05]
Disc 2 - Set 2 & Encore [1:15:46]
01 Speak To Me [02:28]
02 Breathe [02:59]
03 On the Run [05:02]
04 Time [06:32]
05 The Great Gig In The Sky [06:41]
06 Money [08:05]
07 Us And Them [07:49]
08 Any Colour You Like [07:30]
09 Brain Damage [03:39]
10 Eclipse [01:48]
11 Echoes [23:13]
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************************************************************
The "Emperor Nobody Rematrix Remaster"
1.Speak to Me
2.Breathe
3.On the Run
4.Time
5.The Great Gig In the Sky
6.Money
7.Us and Them
8.Any Colour You Like
9.Eclipse
10.Echoes
Notes on the rematrix remaster: This is a rematrix of the exceptional 3-source one done by amdig1. When I d/l'd amdig's effort, I had never heard the Harvested remaster of the pre-FM tape from this show (I only had ever heard the Swingin' Pig remaster) that he used as his main source material, so I came back and d/l'd the Harvested one too, just to see what this one came from.
What I found myself feeling after hearing both a few times was that a compromise was needed between the utterly dry soundboard feed (which is so bereft of live hall sound and applause that you'd think you were listening to a studio album) and the 3-source matrix, which although excellent seemed to me to have just too much of the audience sources in it (so much so as to de-sharpen the original soundboard image and drown out the tape-and-talking parts of the performance so central to the DSotM concept). Also, I saw a compromise was appropriate for the issue of the loooooooonnnnggggg period of intense cheering and tuning between the DSotM portion and the Echoes portion... I thought the Harvested version left in too much of it and the original matrix had none (actually less than none, when you consider that the tape of the airplane that ends the DSotM part was cut off before it ended).
Anyway in the interest of making as many different shades of this essential show available, here is what I did: essentially I just yacked the original Harvested version and the amdig matrix into Vegas 7 and messed about until I had it to where I felt the sources were more appropriately balanced... I used the matrix instead of going back to original audience sources because despite the seasoning being off to my taste, I really loved what amdig1 did with the blending of those two audience tapes. So now instead of a 60/40 split (pre-FM/aud), it's more like 89% soundboard and 11% audience in this version. Additionally, I restructured the transition between the DSotM portion and Echoes so it times out somewhere like a happy medium between the Harvested and amdig1 versions... this one clocks in at almost exactly 78 minutes as opposed to 79 1/2 (Harvested) and 75 1/2 (matrix). Also, the spoken and taped content now comes through super-crisply, but a lot less dryly.
If I had to describe it I'd say this is probably a lot closer to what you'd get if the BBC Strange Fruit label ever put this show out commercially, kind of a classic live-album mix I suppose.
emperor nobody
oakland, california
lineage: original FLAC files for both Harvested and amdig1 versions--->wav--->Vegas 7 & SoundForge 9--->CD Wave Editor--->FLAC level 8 (sectors aligned)
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Empire Pool
Wembley, London, UK
November 16, 1974
"The Chuckness Remaster"
The sources for this remaster were the wonderful Haugh 3-source matrix (Set 2) and the "No Room Upon The Hill" bootleg (set 1). TRUTH is actually one of the AUD sources in the Haugh Matrix, along with the "Black Hole In The Sky" bootleg, and the SBD portion is provided by the BBC pre-FM Master Reel.
Set 1:
Unknown AUD (MOLM Music) > WAV via Wavelab > Harmonic Balancing & hiss removal with professional studio tools > FLAC (level 8) via Trader's Little Helper
Set 2:
Pre-FM SBD/AUD/AUD Matrix (Haugh) > WAV via Wavelab > Harmonic Balancing with professional studio tools > FLAC (level 8) via Trader's Little Helper
Notes from the original uploader:
My friend Chuckness is a professional audio engineer who owns a recording studio in the Charlotte, NC area. As a Floyd fan, he wanted the best-possible sounding version of this show. I supplied him with the pre-FM SBD of Set 2 some months ago, and he did a beautiful remaster. Before I could upload that to Dime, I got word of the Haugh Matrix. Since Chuck wanted to use the best-possible starting point, he toassed out the previous work, and remastered the Haugh source. And for completeness, he also remastered the NRUTH source for Set 1. The results of obviously more dramatic on Set 1 - one listener described it as "removing the tin cans from over your ears."
This is the best-sounding version of this show I have ever heard, and I have heard many. I truly believe that this is the best-sounding set in circulation.
Disc 1 - Set 1 [53:46]
01 Shine On You Crazy Diamond 1-9 [21:25]
02 Raving and Drooling [14:16]
03 You Gotta Be Crazy [18:05]
Disc 2 - Set 2 & Encore [1:15:46]
01 Speak To Me [02:28]
02 Breathe [02:59]
03 On the Run [05:02]
04 Time [06:32]
05 The Great Gig In The Sky [06:41]
06 Money [08:05]
07 Us And Them [07:49]
08 Any Colour You Like [07:30]
09 Brain Damage [03:39]
10 Eclipse [01:48]
11 Echoes [23:13]
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************************************************************
The "Emperor Nobody Rematrix Remaster"
1.Speak to Me
2.Breathe
3.On the Run
4.Time
5.The Great Gig In the Sky
6.Money
7.Us and Them
8.Any Colour You Like
9.Eclipse
10.Echoes
Notes on the rematrix remaster: This is a rematrix of the exceptional 3-source one done by amdig1. When I d/l'd amdig's effort, I had never heard the Harvested remaster of the pre-FM tape from this show (I only had ever heard the Swingin' Pig remaster) that he used as his main source material, so I came back and d/l'd the Harvested one too, just to see what this one came from.
What I found myself feeling after hearing both a few times was that a compromise was needed between the utterly dry soundboard feed (which is so bereft of live hall sound and applause that you'd think you were listening to a studio album) and the 3-source matrix, which although excellent seemed to me to have just too much of the audience sources in it (so much so as to de-sharpen the original soundboard image and drown out the tape-and-talking parts of the performance so central to the DSotM concept). Also, I saw a compromise was appropriate for the issue of the loooooooonnnnggggg period of intense cheering and tuning between the DSotM portion and the Echoes portion... I thought the Harvested version left in too much of it and the original matrix had none (actually less than none, when you consider that the tape of the airplane that ends the DSotM part was cut off before it ended).
Anyway in the interest of making as many different shades of this essential show available, here is what I did: essentially I just yacked the original Harvested version and the amdig matrix into Vegas 7 and messed about until I had it to where I felt the sources were more appropriately balanced... I used the matrix instead of going back to original audience sources because despite the seasoning being off to my taste, I really loved what amdig1 did with the blending of those two audience tapes. So now instead of a 60/40 split (pre-FM/aud), it's more like 89% soundboard and 11% audience in this version. Additionally, I restructured the transition between the DSotM portion and Echoes so it times out somewhere like a happy medium between the Harvested and amdig1 versions... this one clocks in at almost exactly 78 minutes as opposed to 79 1/2 (Harvested) and 75 1/2 (matrix). Also, the spoken and taped content now comes through super-crisply, but a lot less dryly.
If I had to describe it I'd say this is probably a lot closer to what you'd get if the BBC Strange Fruit label ever put this show out commercially, kind of a classic live-album mix I suppose.
emperor nobody
oakland, california
lineage: original FLAC files for both Harvested and amdig1 versions--->wav--->Vegas 7 & SoundForge 9--->CD Wave Editor--->FLAC level 8 (sectors aligned)
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Procol Harum: British Biscuit 1976 (FM Source) FLAC
Five & Dime (British Biscuit)
vinyl rip from TAKRL 1990
Jan.1976 radio show. London.
1- Conquistador - 4:25
2- The Unquiet Zone - 6:10
3- Beyond The Pale - 3:39
4- All This And more - 3:52
5- Salty Dog - 5:02
6- I Keep Forgetting - 3:58
7- Blue Danube Treatments - 8:13
8- I Can't Help Myself>>Nothing But The Truth - 4:59
9- A Whiter Shade Of Pale - 7:21
total time 47:47
GARY BROOKER, voice & piano
CHRIS COPPING, Hammond organ
ALAN CARTWRIGHT, bass
MICK GRABHAM, guitar
B.J. WILSON, drums
personal comment: highly recommended.
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Friday, October 24, 2008
Doors: The Infamous Miami 1969 Show (Jim VERY Drunk) FLAC
Jim was so drunk at this show that Jim was arrested at for indecent exposure!
The Doors
01/MARCH/1969
Miami Dinner Theatre
Miami, Fla.
Lineage: M cassette Audience Recording > DAT master > 1G DAT > CDR > Flac > world
Setlist as best I could put together...
1. Jims intro / Backdoor Man
2. " i want some love"
3. 5 to 1
4. "love" plus "Touch me" (partial)
5. Jim > Love me two times
6. When the musics over
7. cont. > Jim commentary on change
> Away in india
8. > Jim talks to the audience
9. > "I was born here..."
10. > "we want the world..."
11. Celebration of the Lizard (intro) >
12. Light my fire
13. cont. (the sheep comes out) > Jim "I'd F*** her but..."
14. "I wanna see some action...NO LIMITS NO LAWS..."
15. end comments...
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The Doors
01/MARCH/1969
Miami Dinner Theatre
Miami, Fla.
Lineage: M cassette Audience Recording > DAT master > 1G DAT > CDR > Flac > world
Setlist as best I could put together...
1. Jims intro / Backdoor Man
2. " i want some love"
3. 5 to 1
4. "love" plus "Touch me" (partial)
5. Jim > Love me two times
6. When the musics over
7. cont. > Jim commentary on change
> Away in india
8. > Jim talks to the audience
9. > "I was born here..."
10. > "we want the world..."
11. Celebration of the Lizard (intro) >
12. Light my fire
13. cont. (the sheep comes out) > Jim "I'd F*** her but..."
14. "I wanna see some action...NO LIMITS NO LAWS..."
15. end comments...
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Yes: Wembley 1978 Unofficial Tracks (KBFH Pre-FM) FLAC
October 28, 1978, evening show
Wembley Arena, London, England, UK
Recorded by the BBC
King Biscuit Flower Hour 3 Reel Special (Pre-FM)
Lineage: Pre-FM Reels -> WAV -> xACT 1.56 -> FLAC
Received from WH as WAV files, I believe he also did the transfer. FLAC files by PH.
Often listed as "LA 1978" but it is definately from Wembley 28 Oct 1978
Track list:
01. Intro: Close Encounters Of The Third Kind (removed) 01:25
02. Siberian Khatru 10:08
03. Heart Of The Sunrise 11:05
04. Circus Of Heaven 04:47
05. Don't Kill The Whale (removed) 05:02
06. Clap 04:50
07. Starship Trooper 10:06
08. Madrigal/On The Silent Wings Of Freedom 10:22
09. I've Seen All Good People (removed) 07:21
10. Roundabout(removed) 08:40
Total running time: 73:48
On the FM broadcast version, Jon says "Welcome to Wembley...." and so on after Siberian Khatru. On this Pre-FM version it is apparently edited out.
(KBFH often lists this show as Los Angeles Forum 6 Oct 1978. The LA show might have been recorded for KBFH and then shelved due to technical
or performance problems. The possibility remains that Yes decided to use the 28 Oct BBC recording in place of the 6 Oct LA show.)
The FM broadcast version also contains two additional tracks, the complete setlist was as follows:
http://forgottenyesterdays.com/date.asp?s=5&tname=9&tdate=1388&navb=10
P=Present on Pre-FM version
F=Present on FM broadcast version
P-F Intro: Close Encounters Of The Third Kind
P-F Siberian Khatru
P-F Heart Of The Sunrise
Future Times/Rejoice
P-F Circus Of Heaven
F Time And A Word/Long Distance Runaround/Survival/The Fish (Schindleria
Praematurus)/Perpetual Change/Soon
P-F Don't Kill The Whale
P-F Clap
P-F Starship Trooper
P-F Madrigal/On The Silent Wings Of Freedom
Wakeman Solo
F Awaken
P-F I've Seen All Good People
P-F Roundabout
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Blue Öyster Cult: Santa Monica, CA 1986 (KBFH Pre-FM CDs) FLAC
Live On The King Biscuit Flower Hour
Santa Monica Civic Auditorium 27 March 1986
Source - K.B. Radio Corp Silver CD> Ripped to WAV> Track Indexes Created with Nero 8> Converted to Flac (level 8) with TLH
Band Lineup:
Eric Bloom - guitar / keyboards / vocals
Donald (Buck Dharma) Roeser - guitar / vocals
Tommy Zvoncheck - keyboards
Jon Rogers - bass
Jimmy Wilcox - drums
Setlist
01- KBFH Introduction
02- ads - National Drugs / King Biscuit Records / Pringles
03- R.U. Ready To Rock
04- White Flags
05- Take Me Away
06- ads - Jergens / Pringles / National Drugs / Hershey
07- Dancin' In The Ruins
08- Shadow Warrior
09- Burnin' For You
10- ads - Pringles / National Drug / Jergens / Hershey
11- Godzilla
12- Wings Of Mercury
13- (Don't Fear) The Reaper
14- KBFH Broadcast Credits
This is a very nice pre-FM source, that has a few rare bits, including "Wings Of Mercury", which was performed live during the Club Ninja tour, but not recorded for the album...
The track sequencing should allow for the easy removal of the advertisements, and searching from track to track (the source CD had (4) tracks, with a cue sheet for broadcast) - which should be a bit more listener friendly.
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Ted Nugent: San Antonio 1977 (KBFH Pre-FM CD) FLAC
TX 1977-01-22
Source: pre fm master cd > eac > cdr > eac > cdwav(tracking) > cdr > eac > flac
KING BISCUIT FLOUR HOUR-
ACTUAL DISC USED BY THE RADIO STATIONS.
Art Included
Radio Intro (1:24)
Stranglehold (9:13)
Just What The Doctor Ordered (5:11)
Free For All (4:30)
Snakeskin Cowboy (4:36)
Cat Scratch Fever (4:38)
Wang Dang Sweet Poontang (5:21)
Dog Eat Dog (4:13)
Stormtrooper (7:48)
Hey Baby (4:14)
This Recording Was Originally Semi-Tracked. Each block Of Songs Were One Track With The Commercials Included.I Retracked It And Removed As Much As I Could Without Losing Any Of The Performace. Since The Announcer Cut In Early In A Couple Of Places,It Was A Difficult Task.
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Yes: The Rain Show 1975 (VG+ Aud) Shn
"Relayer tour"
Victoria Ground Stoke, England United Kingdom
May 17, 1975
Audience B+
CDR>EAC (secure mode)>SHN
Artwork included
Setlist :
Disc 1:
Firebird Suite
Sound Chaser
Close To The Edge
Gates Of Delirium
Disc 2:
Your Move/Mood For A Day
Long Distance Runaround/Moraz Solo
Ritual
Roundabout
***
Set cut short due to heavy rain:
'To Be Over' dropped
'Clap' dropped
'And You And I' dropped
'Sweet Dreams' dropped
***
Lineup :
Jon Anderson, vocals
Steve Howe, guitars
Patrick Moraz,Keyboards
Chris Squire,Bass
Alan White (Drums)
The Rain Show - Stoke - 5.17.1975
Audience B+
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Lynyrd Skynyrd: Chattanooga, TN 1975 (VG+ Aud) FLAC
03/19/1975
Memorial Auditorium
Ronnie Van Zant: vocals
Gary Rossington: guitars
Allen Collins: guitars
Ed King: guitars
Leon Wilkeson: bass
Artimus Pyle: drums
Billy Powell: keyboards
The band's lineup at the '74 show in France is the same, except Bob Burns on drums. One of his last performances with the band.
1. I Ain't The One
2. I'm A Country Boy
3. The Needle And The Spoon
4. Saturday Night Special
5. Don't Ask Me No Questions
6. Am I Losin'
7. Made In The Shade
8. Railroad Song
9. Call Me The Breeze
10. Sweet Home Alabama (cuts)
Filler: (12/09/1974 Olympia Theatre, Paris, France) (audience recording)
11. Free Bird
12. Sweet Home Alabama
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Ted Nugent (w/ Derek St.Holmes): Harrisburg 1982 (Soundboard) FLAC
State Farm Arena
Harrisburg, PA.
September 17, 1982
Soundboard recording
Second Generation cassette>CDR>
CDR rec'd in trade>EAC>FLAC
Ted Nugent
Carmine Appice
Derek ST Holmes
Dave Kiswiney
Another VERY outrageous show from the always "on" Ted Nugent. this is a true Soundboard, with all of the normal qualities of such. Tons of songs, very long ones at the end of the show. Unreal version of "MOTORCITY MAD HOUSE"
1.Stormtrooper
2.Wang Dang(Sweet Poontang)
3.Dog Eat Dog
4.We're Gonna Rock Tonight
5.Cat Scratch Fever
6.No No No
7.Fightin' Words
8.Good N' Ready
9.Great White Buffalo
10.Free For All
11.Hey Baby
1.Bound And Gagged
2.Motor City Madhouse (Inc. Drum Solo & Ted Solo)
3.Stranglehold
4.Wango Tango
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Black Sabbath: Deer Creek 1999 (Soundboard) FLAC
Deer Creek, Noblesville,Indiana
Sony D-6 >Line-In-House Feed> Maxell Hi Bias XLII-S 90 > Sony HCD551 > Pioneer PDR 555 RW > CDR > EAC > Flac Frontend >
Running Time is: 86:30
D1Track01 War Pigs
D1Track02 NIB
D1Track03 Fairies Wear Boots
D1Track04 After Forever
D1Track05 Electric Funeral
D1Track06 Sweet Leaf
D1Track07 Into The Void
D1Track08 Guitar Solo
D2Track01 Snowblind
D2Track02 Black Sabbath
D2Track03 Iron Man
D2Track04 Children Of The Grave
D2Track05 Supernaut,Paranoid
http://www.sabbathlive.com/gallery/album1696
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Thursday, October 23, 2008
Elton John: Knockin' Em Dead Alive 1970 (FM Source) FLAC
November 17, 1970 WABC-FM Radio Broadcast
LP "Knockin' Em Dead Alive" released by Kustom Rekords> Cool Edit 96> Cd Wave Editor>Flac Level 8
A short set of songs when the official tracks are removed, but still interesting. Also included is a bit of Elton talking before "Honky Tonk Women". Please use your official CD release of 11-17-70 to fill in the gaps.
1. I Need You To Turn To
2. Your Song
Bad Side Of The Moon [X]
3. Country Comfort
Can I Put You On [X]
4. Border Song
Sixty Years On [X]
5. Indian Sunset
6. Elton talks before "Honky Tonk Women"
Honky Tonk Woman [X]
Amoreena [X]
Take Me To The Pilot [X]
Burn Down The Misson [X]
Medley [X]
My Father's Gun (listed on LP label but apparently not on the LP)
[X] = Officially released tracks removed
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Kiss: Toronto,Cananda 1976 (Soundboard) FLAC
(links to actual artwork would be appreciated!)
Unknown Venue
September 6th,1976
source : SBD
Quality : B+
Performance: "The Hottest Band In The Land!!"
Lineage: CDR>EAC>WAV>TLH>Flac(level8)>You
Rock and Roll All Nite (Big Music/BIG093)
1.Detroit Rock City
2.King Of The Night Time World
3.Let Me Go, rock n Roll
4.Strutter
5.Hotter Than Hell
6.Nothin' To Lose
7.Cold Gin> Guitar Solo
8.Shout It Out Loud
9.Do You Love Me
10.Bass Solo> God Of Thunder> Drum Solo
11.Rock n Roll All Night> Duece
12.Firehouse
13.Black Diamond
As bootlegs go, this one is slightly above average (B - B+). It's one of those discs that you have to listen to for a few minutes for you ears to adjust to the less than perfect sound. The music is probably a sound board recording as the music and vocals are clear and there is barely any crowd noise at all, which actually sounds a bit weird. It's funny hearing Paul talk to the crowd without a response, especially knowing that KISS were at a popularity high during this tour. The selection of music is very good and the performance isn't bad, although it's discs like this that make it painfully obvious how much studio work was done on Alive and Alive II to make them sound superior. Just from the sound of the vocals alone, you can tell that they band was putting on one hell of a show.
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Elvis Presley: There's Always Me, Volume 3
Released: 1995, by Bilko 1798/1799
Silvers-EAC-WAV-FLAC
CD-1
Something Blue (# 1,2)
Fountain Of Love (# 1/6)
Gonna Get Back Home Somehow (# 1,2)
That's Someone You Never Forget (# 1,2,5)
I'm Yours (# 1,4 & workpart # 1)
Little Sister (f.s. & # 3,9)
His Latest Flame (try-out, # 1/3)
Easy Question (f.s. & # 3)
Give Me The Right (# 2,3)
Lawdy Miss Clawdy (# 1,3)
CD-2
Rubberneckin' (# 1)
True Love Travels On A Gravel Road (# 1/7)
And The Grass Won't Pay No Mind (# 1/5)
Power Of My Love (# 2/6)
Come Out, Come Out (instumental try-out)
It Keeps Right On A Hurtin' (# 2)
I Met Her Today (# 19,20)
Love Me Tonight (# 4,5)
Reviews: Again from Bilko we get another essential two disc set, containing even more superb quality studio outtakes from 1956 to 1969. Volume 3, housed in the familiar long fold-out cover with unique color photos, studies Elvis working on some excellent songs, especially those from Memphis in 1969.
Elvis was at his consummate best at his Nashville sessions in the early 1960's. He worked on lending his voice to many different styles during his tour of duty in Europe, and the sheer focus he brought to the songs he recorded when he returned to civilian life is stunning. Of course, the material didn't always live up to this standard, as we are all aware. Songs like "Something Blue", "Fountain Of Love" and "I'm Yours", heard here in interesting multiple alternate takes, are average at best for the greatest recording artist of the 20th century. Every song from the March 18, 1962 session (not 1961, as the cover states) sounds like a watered-down version of an earlier Elvis number -- "Gonna Get Back Home Somehow", for example, despite containing a tough, rockin' groove, lacks distinction. "(Such An) Easy Question" gives us Elvis doing his very best Dean Martin imitation (with a touch of Bing Crosby), the full alternate take being slower and actually sexier, for what it's worth.
The highlights of the first disc are, undeniably, the outtakes from the June, 1961 singles session which produced "Little Sister" and "(Marie's The Name of) His Latest Flame", along with another taste of Elvis ripping up "Lawdy Miss Clawdy" in New York on February 3, 1956 (!). The Nashville date in June was guitar god Hank Garland's last work with Elvis before a car accident sidelined his career -- his titanic and downright nasty solo runs throughout "Little Sister" are just "work outs" in the versions we get here, and they're still great! I wish Elvis had chosen this style of the song when he did it on tour in the seventies, it's perfect. As we hear on this set, the early takes of "His Latest Flame" (can't believe Bobby Darin had first chance to record this and passed) began with an unimpressive organ-based arrangement -- the song doesn't sound very good at all. Some of this material was released in the UK 15 years ago on "The EP Collection, Vol. 2", but we get more of it here. The switch to a driving piano with more intense "Bo Diddley" beat made a classic later on that night. Finally, there is the 21 year old tiger in New York, bantering with his band and nearly nailing "Lawdy Miss Clawdy" on the first take -- Scotty hit a few bum notes in the solo. Elvis would never again sound this innocent, yet powerful, after the 1950's. How I hope more of this material surfaces in the future!
With disc two Bilko again saves the coolest for last with more outtakes from Elvis' landmark American Studios visits in January and February, 1969! We are privileged to hear another session reel containing relevant studio chat, mistakes, and changing arrangements! It is a genuine thrill to monitor over nineteen minutes of Elvis working on "True Love Travels On A Gravel Road", a wonderful love ballad released that year on "From Elvis In Memphis". There's a magnificent rehearsal take (also found on Bilko's 'American Crown Jewels') with just voice, piano, bass and drums that will make you weep. There are uptempo run throughs (some with "naughty" words), Chips Moman actually cutting off a take in mid-verse ("Get that tempo right."), and Elvis and Reggie Young discussing the chord changes (yes, that's Elvis' acoustic on there too). You learn why these recordings are some of Elvis' very best -- they were all committed to making great music.
On "And The Grass Won't Pay No Mind" the mutual respect is apparent as Elvis tosses organist Bobby Wood some headphones ("You want earphones Bobby? Right here, over the wall."). There are attractive, rowdy and undubbed versions of "Power Of My Love" and "Rubberneckin'", plus another nice rehearsal mix of voice, piano, bass and drums on "It Keeps Right On A-Hurtin'" (El sings a line of "Only The Lonely" before the intro). It's fascinating to imagine what Elvis' voice would've sounded like on "Come Out, Come Out", which was recorded in instrumental form when he was out for a few days with a cold. The tune itself is slow and swampy, featuring a tremelo-laden lead guitar line -- Elvis would've really done well with it. Now all we need are "Poor Man's Gold" and "Memory Revival" to complete our studies of the "lost" songs from American.
As I've said before, Chips Moman played the same role for Elvis Presley in 1969 that Sam Phillips did in 1954-55 (and Steve Binder did in June, 1968). Someone with a feel and an understanding of the artist he was working with, and the vision, determination and confidence to see it through. Elvis' work at American Studios yielded best selling records and critical accolades. The fact that Tom Parker was somehow unable to get Elvis working with Chips and American ever again is yet another reason to be unimpressed with his management of Presley. At least we got what we got. And now there's more of it!
Strangely, the disc ends with a couple more early sixties outtakes (including another version of the excellent Don Robertson ballad from 1961, "I Met Her Today") that are a jarring contrast to the soulful rock glory of Memphis 1969. In any case, this series remains absolutely essential to any serious Elvis fan. If you're reading this, that means you!
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Wednesday, October 22, 2008
AC/DC: Theatre De Verdure 1979 (VG+ Aud) FLAC
City: Nice
Country: France
Date: December 15 1979
Taper: Unknown
Recording Equipment: Unknown
Tour: Highway To Hell European Tour
Support Act: Judas Priest
Lineage: Trade > CDR > EAC "Secure Mode" > Wave > Traders Little Helper > Flac 6
Soundquality: I´d rate this one 8 - 8,5 out of 10.
This was the last date on the 1979 European Tour.
Disc 1:
1. Live Wire
2. Shot Down In Flames
3. Hell Ain´t A Bad Place To Be
4. Sin City
5. Walk All Over You
6. Bad Boy Boogie
7. She´s Got The Jack
Disc 2:
1. Highway To Hell
2. Girls Got Rhythm
3. High Voltage
4. Whole Lotta Rosie
5. I´m A Rocker > Angus Solo > Audience
6. Dog Eat Dog
7. Let There Be Rock
Bonus Tracks:
8. Interview Angus Young, London, England October 6 1978
9. Interview Ozzy Osbourne, London, England February 1980. Talking about Bon Scott.
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Bruce Springsteen and The Seeger Sessions Band: Verona 2006 (Ex FM) FLAC
THE RADIOUNO BROADCAST
ARENA DI VERONA OCT. 5TH 2006
Aired on oct. 13th 2006 by italian Radiouno Rai channel. Bruce allowed to air the first 8 song of the set straight from the soundboard. Speaker voice between songs HAS BEEN REMOVED and the tracks mixed.
Lineage: DVB-S Broadcast MPEG2 192 kbit/sec > Pace Satellite Receiver >
Realtek AC97 Audio > Gold Wave PCM Stereo 44100 Hz > CD WAV >
Flac level 6
Artwork included.
Songlist:
1. John Henry
2. Oh Mary Don't You Weep
3. Old Dan Tucker
4. Samson & Delilah
5. Eyes On The Prize
6. Jesse James
7. Atlantic City
8. My Oklahoma Home
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Elvis Presley: There's Always Me, Volume 4
Released: 1996, by Bilko 1998/1999
Silvers-EAC-WAV-FLAC
CD-1
Mine (# 3, 4)
Fame And Fortune (# 1)
His Latest Flame (# 9/12)
Fame And Fortune (# 4, 6, 7)
Just For Old Time Sake (# 3, 4)
Night Rider (# 1/3)
Tomorrow Is A Long Time (# 1, 2)
Beyound The Reef (# 1)
Down In The Alley (# 2, 3, 4, 6)
Love Letters (# 5, 8)
Big Boss Man (# 4, 5, 9)
Mine (# 9)
U.S. Male (# 7)
Stay Away (# 3, 7, 8, 11, 14)
U.S. Male (# 6, 9, 10)
Mine (instrumental)
CD-2 (Recorded during rehearsals, July 29, 1970, MGM studios, Culver City, CA.)
Don't It Make You Wanna Go Home
Something
Words
I Just Can't Help Believin'
Little Sister/ Get Back
I Washed My Hands In Muddy Water
I Was The One
Cattle Call
Baby, Let's Play House
Don't
Money Honey
A Fool Such As I
Froggy Went-A-courtin'
Such A Night
It's Now Or Never
What'd I Say
The Lord's Prayer
Reviews:
This is the first volume of the series I bought, because of the That's the Way It Is-rehearsals. At the time I was completely going for the live-CD's and with a wife and two little kids you have to choose now and then. But after hearing this CD I decided to take an extra mortgage on my house and to dive into the studio-CD's again. This must be saying enough, so I think more review isn't necessary.
Okay, okay, since I have time enough... and an extra reason to listen to the CD once again I will continue a little more. Let's start with Disc 2, 'cause that one was the reason to buy the set anyway. The first real song, Something, which is in any of Elvis' version a precious diamond, is very beautiful. Easily sung as always, with an extra solo rehearsal of the chorus at the end. Words, also beautiful as always, taught me it is possible to steal somebody's ass away. More familiar from the movie is I Just Can't Help Believin' (somebody ate the words). I won't say anything about this version because probably everyone knows it and it's my favorite song, so I can't be neutral. To me Little Sister/ Get Back is a real highlight on the set. It's more than 5 and halve minutes and I wouldn't mind if it was twice as long. Next we get a few songs known from 'The Lost Performances': 'I Washed My Hands in Muddy Water', 'I Was the One', 'Cattle Call', 'Baby Let's Play House' (superb music!), 'Don't' and 'Money Honey' all show the well known relaxed Elvis, fooling around and in the meanwhile making some great music. Not listed follows a small part of 'Hard Headed Woman'. In 'A Fool Such As I' Elvis really honors the title. Fooling around from very low to very high, punishing his guitar Elvis does this oldie in the way only he could. 'Froggy Went A Courtin'' is complete on this CD, but I can't say it really gives more than on BMG's 70's box-set 'Walk a Mile in My Shoes', except for his catching laugh at the end. After this laughing intermezzo we get respectively a very powerful version of 'Such a Night' and a very serious 'It's Now or Never'. At least... he starts seriously but before finishing the first verse he starts changing words again.... and closes the song with one line of 'Are You Horny Tonight?'. The other highlight of this CD is at the moment available on BMG too. The 'Platinum'-set has it in a slightly better quality, but this version of 'What'd I Say' is so great that even over a telephone-line it would sound good. The CD is closed by 'The Lord's Prayer', which isn't my favorite, but it only takes 28 seconds.
Disc 1 starts with two takes of 'Mine' (3/4). The first one is so beautiful I almost got angry at Elvis because he breaks it up. 'Fame and Fortune' is from the first take on a great song, as proved on this CD. It's so good I wonder why they did more takes back then.... Think it's more powerful than the released version, but from a commercial view it may be too much. Next up are 4 takes of 'His Latest Flame', more than 4 minutes Elvis in a great shape, making the song perfect. Three more takes of 'Fame and Fortune' fill another 5 minutes on the CD, getting closer to the original release. 'Just for Old Time Sake' and 'Night Rider' are both well done, but belong not to my favorites, although I have to admit 'Old Time Sake' is a beautiful song. My favorite on this part of the set is next, Bob Dylan's 'Tomorrow Is a Long Time' can't be long enough and after this 6 minutes I still want more. 'Beyond the Reef' is one of those songs of which I can understand it wasn't released back in the 60's. It just isn't my song. The next one is.... as you may expect when you know the title of one of my pages. 'Down in the Alley' has always been one of my favorite songs. At the and of take 3 Elvis is totally breaking up laughing and still not recovered in take 4, but in take 6 he makes it to the end. 'Love Letters' is one of those other songs that's much too short. It doesn't matter to me if I hear the 60's or 70's version, I even love Allison Moyet's version. Next on is 'Big Boss Man', in my opinion this is really the session leading to the return of the King. Another beautiful version of 'Mine' is followed by take 7 of 'U.S. Male', one of those 'real' Elvis-songs. A short jam leads into 5 takes of 'Stay Away', all up-tempo. For the slow version you'll need '24 Carat Gold', which was meant to be 'There's Always Me, Volume 5'. The last track Elvis is singing on shows the rockin' takes 6, 9 and 10 of 'U.S. Male' ('ahh, sh:t' according to Elvis). The Disc is closed by a karaoke version of 'Mine', beautiful, but I miss something.
Following Willem's star-system the first disc of the set is certainly *****, the final ****1/2 is caused by the second disc.
Review by Lex Raaphorst
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Thanks for all the support! -Dave
ELP: Wembley 1974 (VG+ Aud) FLAC
April 21th 1974
Empire Pool Wembley, London, UK
114 min
sound quality: B+
Gen: ??>traded CDR>EAC>WAV>FLAC
disc 01:
1. Hoedown (w/ Alan Freeman Intro) (5:37)
2. Jerusalem (2:54)
3. Toccata (8:46)
4. Tarkus (17:18)
5. Aquatarkus (14:49)
6. Benny the Bouncer (2:28)
7. Take a Pebble (4:59)
8. Still you... (3:06)
disc 02:
1. Lucky Man (4:00)
2. Piano Imp./Take a Pebble (15:53)
3. KE9 1st (9:47)
4. Drum Solo (6:08)
5. KE9 1st (1:40)
6. KE9 2nd (7:12)
7. KE9 3rd (9:38)
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ELP: Omaha 1977 (VG Aud) FLAC
not the cover
11/11/77-Omaha Civic Auditorium Arena, NE
Unknown mics>Uher Cr 34 Cassette Master>DAT 90 min.
Transfer: Nak BX2>Tascam Da-P1>Pioneer PRD555>EAC (Xact)>aiff>.flac
Peter Gunn
Hoedown,
Tarkus,
Take A Pebble
concerto #?
Marple Leaf Rag,
Take A Pebble
---tape flip---
C'est La Vie,
Lucky Man,
Pictures At An Exhibition
---set break---
Karn Evil #3
Tiger In A Spotlight,
Watching Over You,
Tank>The Enemy God
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ELP's latest release "From the Beginning" has some very nice, never before released concert material.
ELP (with the Orchestra): Des Moines 1977 (VG Aud) FLAC
6/12/77-Veteran's Memorial Coliseum, Des Moines, Iowa
Unknown mics>Uher Cr 34 Cassette Master>DAT 110 min.
Transfer: Nak BX2>Tascam Da-P1>Pioneer PRD555>EAC (Xact)>aiff>.flac
CD #1
Karn Evil #9,
The Enemy God,
From the Beginning,
C'est La Vie,
Pictures At An Exhibition
---tape flip---
Piano Concerto #1
Piano Concerto #3
Closer To Believing,
Lucky Man,
Tank
CD #2
?
Pirates
---encore---
FanFare For The Common Man
Fan
PA Music
Notes from a great ELP fan: ...it's an amazingly important show in ELP history (and I would argue rock history) not just because it's a rare recording of the orchestral tour, but because it's the very day that the orchestra was dropped to avoid complete financial ruin. It's a bittersweet day in ELP history. I actually know someone on the web who was at the show. In fact she was a groupie (I believe) who was on tour with the band and I've read her memories of that day, going out for Chinese food with the violinists who just learned it was over. (they actually played with the band 3 times in July in NYC and once in Montreal to end the tour). After this show, the group took a week off to practice and continue on with a three piece. I was thinking of getting her to write something about that, although I think she's still close to people in and with the band, so I don't know if she'd do it or not.
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ELP: Orchard Park, NY 1974 (VG Aud) FLAC
not the cover
Rich Stadium
1974-07-26
Mics and Recorder unknown > unknown > cassette > Playback Deck: Tascam 130 >
Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CDR > WAV > Audacity > CD Wave Editor > FLAC
disc 1
1. Hoedown
2. Jerusalem
3. Toccata
4. Tarkus (including Epitaph)
5. Take A Pebble part 1
6. Still...You Turn Me On
7. Lucky Man
8. Piano Improvisation / Take A Pebble part 2
disc 2
1. Karn Evil 9 1st Impression
2. Karn Evil 9 2nd Impression
3. Karn Evil 9 3rd Impression
4. Pictures At An Exhibition
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Tuesday, October 21, 2008
Todd Rundgren (solo): Clearwater, FL 2003 (ALD-Soundboard) FLAC
Ruth Eckerd Hall Jan. 28, 2003
ALD-Soundboard recording (a Jim Fiesler recording)
Lineage: ALD/SBD > D8 (listen box--from the parking lot) DAT > CDR
CDR > EAC > WAV (see editing notes) > Flac Frontend > FLAC (SBE-aligned)
Setlist:
101. Love Of The Common Man
102. Cliche
103. Lysistrata
104. I Don't Want To Tie You Down
105. Hammer In My Heart
106. Compassion
107. Song Of The Viking
108. It Wouldn't Have Made Any Difference
109. Free, Male And 21
110. Hello It's Me
201. Bang The Drum All Day
202. You've Got To Hide Your Love Away
203. Tiny Demons
204. I Saw The Light
205. Influenza
206. Can We Still Be Friends?
207. I Want You
208. One World
209. The Wheel
210. Hawking
(Track 209 was encore #1; Track 210 was encore #2.)
ALD (assisted listening device) soundboard recordings are usually knocked for their "thin" sound quality (high amount of treble, not enough bass), but I don't think that's a real issue here at all. As such, Jim's files have been unaltered for sound quality (i.e., no EQ performed)--if some of you prefer to have more bass in your ALD recordings, I'll let you do your own EQ work since it then becomes a matter of personal taste. As for me, I think the show sounds great, as-is.
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George Carlin: Clearwater 2002 (ALD-Soundboard) FLAC
Ruth Eckerd Hall
Clearwater, FL (USA)
Dec. 14, 2002 (2nd show)
ALD-Soundboard recording (a Jim Fiesler recording)
Here's another fine Jim Fiesler recording.
Lineage: ALD/SBD > D8 (listen box--from the parking lot) DAT > CDR
CDR > EAC > WAV (see editing notes) > Flac Frontend > FLAC (SBE-aligned)
Setlist:
01. DJ intro (Billy The Phone Freak)
02. Opening remarks
03. Songs
04. Driving and Accidents
05. George's grandfather / Zippers
06. George and the Reindeer
07. Suicide
08. More on suicide
09. STP Foundation
10. Stuff You Don't Want To Hear
11. People Who Ought To Be Killed
12. Feces and Farts
13. Too Many Songs
14. The First Enema
15. Good Ideas
ALD (assisted listening device) soundboard recordings are usually knocked for their "thin" sound quality (high amount of treble, not enough bass), but I don't think that's a real issue here at all. As such, Jim's files have been unaltered for sound quality (i.e., no EQ performed)--if some of you prefer to have more bass in your ALD recordings, I'll let you do your own EQ work since it then becomes a matter of personal taste. As for me, I think the show sounds great, as-is.
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The Doors: Television Bleeding (Studio and TV Audio Rips) shn
http://www.bootlegzone.com/album.php?name=ard01§ion=12
Tracks 1-7 are alternate studio mixes, done by Paul Rothchild during the prosuction of "The Best of the Doors" Quadrodisc.
Tracks 8-11 recorded live for TV broadcast ("Beat Club", Bremen, Germany) on May 3, 1972.
Source: original audio-cd > wav (eac) > shn (mkwACT)
01. Hello I Love You (no drums, no second vocal overdub) - 2:18
02. People Are Strange (no drums, no guitar solo, no second vocal overdub) - 2:04
03. Love Her Madly (no reverb, no drums, no echo on voice) - 3:09
04. Love Me Two Times (no tambourine, no guitars) - 3:08
05. Riders On The Storm (no second vocal overdub, no echo, no drums) - 6:13
06. Touch Me (no drums) - 3:03
07. Soul Kitchen (different bass sound) - 3:22
08. Tightrope Ride - 4:08
09. In The Eye Of The Sun - 5:06
10. I'm Horny, I'm Stoned - 4:57
11. Love Me Two Times - 4:49
12. Verdilac - 6:17
13. Ships w/ Sails (false start) - 1:15
14. Ships w/ Sails - 9:46
Review from a Doors fansite:
"Snakeskin Records is a new firm producing Live CDs. Their trademark is their high quality of both recording and cover. Their latest CD is this new Doors disc. On it you find different rough studio mixes in perfect stereo, which had been done for the rare Doors Quadro vinyl album The Best Of The Doors. I find it very interesting to listen to these, sometimes you have the feeling of listening to totally new recordings. But they are absolutely the same as on the albums but in different mixes. Anyway, have you ever heard Riders On The Storm without the whispering and without drums? And People Are Strange without drums and guitar solo? Both open whole new categories of listening experiences. All songs with Morrison are in excellent stereo. You won't believe your ears!
The second recording is one of the rare 1972 studio performances. The Doors are having a lot of fun in the studio, which makes a great listening. They play their standard material of their 1972 tour through Western Europe. This concert is presented in good mono; studio noises between the songs have unfortunately been cut.
See the cover - a beautiful rare Morrison photo. In general - a CD featuring totally new and unpublished material with a superb cover sheet (yes, yes, the beautiful rare photo of Jim, all girls will love this!).
Recommended!"
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Tracks 1-7 are alternate studio mixes, done by Paul Rothchild during the prosuction of "The Best of the Doors" Quadrodisc.
Tracks 8-11 recorded live for TV broadcast ("Beat Club", Bremen, Germany) on May 3, 1972.
Source: original audio-cd > wav (eac) > shn (mkwACT)
01. Hello I Love You (no drums, no second vocal overdub) - 2:18
02. People Are Strange (no drums, no guitar solo, no second vocal overdub) - 2:04
03. Love Her Madly (no reverb, no drums, no echo on voice) - 3:09
04. Love Me Two Times (no tambourine, no guitars) - 3:08
05. Riders On The Storm (no second vocal overdub, no echo, no drums) - 6:13
06. Touch Me (no drums) - 3:03
07. Soul Kitchen (different bass sound) - 3:22
08. Tightrope Ride - 4:08
09. In The Eye Of The Sun - 5:06
10. I'm Horny, I'm Stoned - 4:57
11. Love Me Two Times - 4:49
12. Verdilac - 6:17
13. Ships w/ Sails (false start) - 1:15
14. Ships w/ Sails - 9:46
Review from a Doors fansite:
"Snakeskin Records is a new firm producing Live CDs. Their trademark is their high quality of both recording and cover. Their latest CD is this new Doors disc. On it you find different rough studio mixes in perfect stereo, which had been done for the rare Doors Quadro vinyl album The Best Of The Doors. I find it very interesting to listen to these, sometimes you have the feeling of listening to totally new recordings. But they are absolutely the same as on the albums but in different mixes. Anyway, have you ever heard Riders On The Storm without the whispering and without drums? And People Are Strange without drums and guitar solo? Both open whole new categories of listening experiences. All songs with Morrison are in excellent stereo. You won't believe your ears!
The second recording is one of the rare 1972 studio performances. The Doors are having a lot of fun in the studio, which makes a great listening. They play their standard material of their 1972 tour through Western Europe. This concert is presented in good mono; studio noises between the songs have unfortunately been cut.
See the cover - a beautiful rare Morrison photo. In general - a CD featuring totally new and unpublished material with a superb cover sheet (yes, yes, the beautiful rare photo of Jim, all girls will love this!).
Recommended!"
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The Beetles: Sessions (Unreleased Capital Record) FLAC
Catalog Number: ST-12373
Lineage: Original Silver CDR>EAC uncompressed copy>TLH FLAC Level 8 Decode>TLH testing - no errors found.
This is from an original Doctor Ebbetts silver CDR from my collection. This edition of Sessions has alternate sleeve artwork and two bonus outfakes created by The Doc.
High-end audio equipment and the best prestine/mint sources were used. Jewel case artwork is included in 300DPI scans.
Note: Sessions was intended for a 1985 Capitol release using Geoff Emmerick's mixes of unreleased/alternate tracks. Most of these mixes were not used for the Anthology series.
01 Come And Get It
02 Leave My Kitten Alone
03 Not Guilty
04 I'm Looking Through You
05 What's The New Mary Jane
06 How Do You Do It
07 Besame Mucho
08 One After 909
09 If You've Got Troubles
10 That Means A Lot
11 While My Guitar Gently Weeps
12 Mailman, Bring Me No More Blues
13 Christmas Time (Is Here Again)
14 Ob-La-Di, Ob-La-Da
15 One After 909* - Edited True Stereo
16 Let It Be* - Combined Guitar Solos
*Bonus Doctor Ebbetts Outfakes
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Montrose: KSAN, Record Plant 1973 (FM Source) FLAC
(A-)
KSAN, Record Plant, Sausalito, San Francisco, CA
21/4-1973
Artwork Included.
source: fm > cdr > wav > flac
Ronnie Montrose - guitar
Bill Church - bass
Denny Carmassi - drums
Sam Hagar - vocals
01 intro by Tom Donahue > Good Rockin' Tonight
02 Rock Candy
03 Bad Motor Scooter
04 Roll Me Nice
05 One Thing On My Mind
06 Rock The Nation
07 Make It Last
08 You're Out Of Time
09 Roll Over Beethoven
10 I Don't Want It > outro by Tom Donahue
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AC/DC: Dirty Deeds Down Under 1976 (FM?) FLAC
links to real cover would be appreciated.
December 18, 1976 Brisbane, Festival Hall Flac
1) Love Song
2) Dirty Deeds Done Dirt Cheap
3) She's Got Balls
4) Problem Child
5) Live Wire
6) Jailbreak (fades out)
7) The Jack
8) TNT
9) High Voltage
10) Baby Please Don't Go (fades out)
What can I say about this recording other than it's fantastic both in quality and also as it features the rare Love Song Intro before Dirty Deeds Done Dirt Cheap although this is ripped as a single track.
I would rate the sound quality easily as 8/10 and it's a great document of a 1976 show.
There are a couple of gliches though on the recording. Jailbreak is incomplete, and fades out, and also Baby Please Don't Go is also incomplete fading out before the end. However if you like AC/DC you'll love this recording.
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Comments always welcome.
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