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Monday, May 31, 2010
Genesis: Evanston 1974 (PRRP Remaster) FLAC
One More Knight - McGraw Hall, Northwestern University, Evanston, Illinois - April 17th 1974 (PRRP-004) (VG AUD)
Artwork included
Tracklisting
01. Watcher Of The Sky 06:35
02. Story Of Britania 01:46
03. Dancing With The Moonlight Knight 08:47
04. Story Of Romeo & Juliet 01:53
05. The Cinema Show 10:56
06. I Know What I Like 05:24
07. Horizons 01:52
08. More Fool Me* 03:27
09. The Battle Of Epping Forest 12:25
10. Story Of Five Rivers 01:57
11. Firth Of Fifth (end cut) 06:03
Personnel
Tony Banks Keyboards, Guitars & Vocals
Steve Hackett Lead Guitars & Effects
Peter Gabriel Lead Vocals, Flute & Percussion
Mike Rutherford Bass Guitars, Guitars & Vocals
Phil Collins Drums, Percussion, Vocals & Lead Vocals on *
Liner Notes:
The Selling England by the Pound tour began in August of 1973. Already a popular group in Europe after the Foxtrot album, Genesis would finally receive significant recognition in the United States with the tour promoting this new album. The Band focused heavily on touring American college campuses, referring to the white and black shows depending on the stage backdrop used at the time.
Genesis played at McGraw Hall at Northwestern University in Evanston, Illinois on December 3, 1973 during the white show leg of the tour and were well received. Taking time off only for the Christmas holiday, the band then continued with shows in Europe. By March of 1974 they found themselves back in the United States for the black shows and were booked to play Northwestern again on April 17th. There is some controversy over the exact date of this show with some evidence suggesting that it occurred on April 27th.
This CD contains part of that show. The recording is known to be incomplete and many of the songs here were also played by the band during their previous visit to Evanston in December. This has led to the speculation that the recording is actually from the December 1973 show. However, this is unlikely since 'Horizons' and 'More Fool Me' were not known to be performed during the earlier concert and they are present on this recording as back to back tracks. This track order did not occur often on the Selling England by the Pound tour making Evanston '74 a special show because of this fact.
Notes From the Re-Master
This recording was made with audience microphones. These microphones produced both a baseline hiss and a high frequency, volume dependent hiss. Each had to be eliminated separately. Generally, the frequency response was quite good for the equipment used at the time. The frequency range needed some adjustment to give the recording good detail and clarity. At one point during 'Battle of Epping Forest' the mid and high frequencies became degraded and almost completely lost in the left channel. This could only be incompletely corrected. Finally, the last song “Firth of Fifth” fades out during the guitar solo. No complete recording of this show is known to exit.
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We'll start June with 6 titles too!
Jethro Tull: Milano 1991 (PRRP Remaster) FLAC
Flac Separate Files
2 CDs
No CUE No Log
ffp Checksum included
Artwork included
Artist: Jethro Tull
Title: Rock Of Ages (PRRP 015) (EX AUD)
Date: October 13th 1991
Venue: Palatrussardi, Milano, Italy
Tracklisting
Disc One
01. Minstrel In The Gallery / Cross Eyed Mary 04:21
02. Kissing Willie 03:23
03. Welcome & Interlude Of Trouble 03:34
04. Rocks On The Road 06:20
05. This Is Not Love 04:20
06. Serenade To A Cuckoo 04:37
07. Heavy Horses 08:10
08. Like A Tall Thin Girl 03:57
09. The Whistler (Instrumental) 03:43
10. White Innocence 08:26
11. Living In The Past 03:49
12. Doctor To The Disease 04:40
Disc Two
01. My God (Flute Solo) 08:46
02. Paparazzi (Instrumental) 03:37
03. Thick As A Brick 07:11
04. A New Day Yesterday (With Bourée & Soirée) 07:13
05. Look Into The Sun (Instrumental) 04:11
06. Farm On The Freeway 06:39
07. Jump Start 07:31
08. Aqualung 08:00
09. Band Introductions & Thank You 01:33
10. Locomotive Breath 05:19
11. Instrumental Medley 02:09
12. Thick As A Brick (ending) 00:32
Personnel
Ian Anderson: Vocals, Flute, Mandolin, Acoustic Guitar & Harmonica
Martin Barre: Electric & Acoustic Guitars
Dave Pegg: Bass Guitars
Martin Allcock: Keyboards
Doane Perry: Drums & Percussion
Liner Notes: Italian Catfish
Since the band first came onto the rock scene in the late sixties, Jethro Tull has been through more line-up changes than just about any other group in history, save for King Crimson perhaps. And just as Robert Fripp has carried the torch of KC from the very start, Ian Anderson has been and remains to this day, the true spirit behind Jethro Tull. Anderson and his best friend and alter ego, Martin Barre (at Ian's side since Tull's 2nd album) have led Jethro Tull through three decades of musical changes. Musical styles and commercial interests may have come and gone very quickly during the last 30 years, but the music of Jethro Tull has survived it all by staying true to its roots. The band's most unique blend of rock and roll, baroque, folk and progressive styles has given Jethro Tull one of the most easily recognizable sounds in the music business.
From milestone albums such as “Stand Up”, “Auqalung”and “Thick as a Brick” to more underrated works like “Songs from the Wood”, “The Broadsword And The Beast” and “Crest Of A Knave”, Jethro Tull has always stayed true to itself and has always offered a quality product to an ever growing army of fans around the world. The show presented here was performed at the Palatrussardi in Milano, Italy. It is now called the Mazda Palace but had the former name back in 1991. The Palatrussardi was built in the mid-1980's, replacing another famous venue, Teatro Tenda Lampugnano, and normally hosts artists for audiences of 3000 to 6000 people. Jethro Tull had played there in 1989 promoting “Rock Island” and now returned with the new album “Catfish Rising”.
The new album was met with mixed reviews. Andy Stout of Rock Power wrote the following just before this concert, "This is Tull in headless chicken mode, the occasional embryonic good idea sacrificed to the gods of market forces…” The Tull press considered this to be the worst album review in the history of the band. One month later supporters such as Chris Welch wrote, “Undoubtedly the most convincing and satisfying work they have produced in years. Here are songs rich in the Tull essentials -quick humour, melodic sophistication and diverse influences”. From one extreme to the other to say the least.
Nevertheless, showing that they were not overly concerned with criticism, Jethro Tull continued their tradition of playing both old and new songs during shows, much to the delight of their fans. From one who was there that night: “I had a place in the area reserved for the press. It is situated right in front of the stage, behind the mixing board.... The audience, I would estimate at 4-5000 people, seemed to be enthusiastic and I hope this feeling is well captured in the recording. I found the tracks from “Crest of the Knave” really good, especially 'Farm on the Freeway' but most of us were disappointed that 'Budapest' was dropped from the set list. I remember that I particularly enjoyed 'Kissing Willie' and 'Doctor To My Disease'. The old classics were present too, although the choices were not very different from the previous tour. In any case, a pretty good show indeed. It will give you a good idea of the Tull sound in 1991.” Ian Anderson would probably hate to have any kind of label printed to the music of Jethro Tull, but when a band can successfully blend so many influences in such perfect musical harmony, what else can you call them but 'progressive'. Enjoy the show.!
Notes from the Re-Master
This show came to us as a CD version of the original digital mini-discs used to record the event. The equipment used that night was a Sony DAT with external Aiwa microphones. Three discs were used to capture the show so 3 tracks were provided; Two on one disc and one on the other. As a result, tracking each song separately needed to be done. Fortunately, changes in recorder disc were made during audience applause so the complete show exists here.
The quality is outstanding. Modern equipment and a quiet section of the audience led to good acoustics and very good clarity of the music. Music signal was present all the way up to 16,000 Hz. The left channel was about 15% lower than the right and lacked sufficient bass. Boosting the bass and amplifying corrected this problem. Hiss was light to moderate so it was reduced throughout. Audience applause was quite loud in some segments and was therefore reduced as well. One 90 second section during disc 2 had very harsh crackle. This was smoothed multiple times to minimize it without causing any damage to the music itself.
Shortly after the beginning of the show, the band has some technical problems which last over three and a half minutes. We decided to keep this segment to maintain completeness of the show but tracked it separately so it can easily be skipped by the listener. At the end of the show there is a 90 second applause and band introduction section that is also tracked separately for similar reasons.
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Yes: Gothenburg 1977 (PRRP Remaster) FLAC
NORTHERN FLIGHT PRRP017- YES (Also known as "Swan Lake Stories" on the Highland label)
November 12, 1977
The Scandinavian - Gothenburg, Sweden
1-1. Firebird Suite 1:54
1-2. Parallels 5:53
1-3. I've Seen All Good People 7:11
1-4. Close To The Edge 19:15
1-5. Wonderous Stories 4:16
1-6. The Colours Of The Rainbow 1:18
1-7. Turn Of The Century 7:59
1-8. And You And I 10:10
2-1. Going for the One 5:33
2-2. 'Flight' Jam 4:29
2-3. Awaken 15:35
2-4. Roundabout 8:46
2-5 Yours Is No Disgrace 14:00
YES
Jon Anderson –Lead Vocals, Guitars, Harp & Percussion
Chris Squire –Bass Guitars, Backing Vocals
Steve Howe –Lead Guitars, Backing Vocals
Alan White –Drums & Percussion
Rick Wakeman–Keyboard
Going for the One Country of Switzerland?
Yes were off to Switzerland to record their new album, Going for the One. It was an escape from the tax man and the familiar surroundings of England. Patrick Moraz made the trip with Yes, back to his home country but did not stay with the band once they arrived. Things were just not working out between him and his band mates. Rick Wakeman was brought in to take over the keyboards again and the band was off! Skiing in the morning, recording in the afternoon; this was the typical day for them at the time. These recording sessions would produce one of the very best Yes albums ever! With plans to move back to a song oriented album Jon still directed the band in the production of one of their most impressive epics of all time: ‘Awaken’.
In an interview in 1977, Jon said, “…I had a chance to read a book called ‘The Singer’. It’s about this Star Song which is an ageless hymn that’s sung every now and again and that inspired this song. It’s also influenced by a book I read recently about the life of Rembrandt...” The song is also noteworthy for how it was recorded. Rick Wakeman was required to produce church organ for this piece. However, the only way to get this sound was to use a real church organ, located 10 miles from the studio. A rather unique way of recording this instrument was devised, they used a telephone line. As Rick recalls, “We did it that way because that’s the way things are done in Switzerland… Their telephone lines are the highest fidelity you can imagine…So we rented a phone line, I put on the cans (headphones) and away we went. The pipe organ was recorded direct into the studio. I listened back over the cans, drove back to the studio, cut a little overdub and that was it.”
The tour to promote the album began with a performance in Toledo, Ohio July 30, 1977. Yes traversed the United States playing 55 shows to sold out venues night after night. Many who attended were pleased to see Rick back with the band. The new material was well received both during the shows and on the charts of the time. In July of 1977 the album reached number one in England and number 8 in the U.S. After the tour of the states Yes returned to Europe to continue their tour; thirty-six cities in 45 days, a grueling schedule to say the least. With some 68 shows under
their belt on this tour, the band could do no wrong as they reached Gothenburg, Sweden on November 12, 1977.
The concert featured on this PRRP release presents Yes at the height of their performance skill. The old material like ‘Close to the Edge’ is polished and performed flawlessly but still there is room for Steve and Rick to add some slight variation to their leads. At this point in the tour, the band is also very comfortable with the new material which they deliver with confidence and power. The spirits of the band also appear to be brighter as old conflicts have been put aside. Jon now feels comfortable adding the light-hearted ‘Colors of the Rainbow’ and the comedic ‘Rachmoninov’s piano concerto’ routine to the set. This last bit with Rick is reminiscent of the Peter Gabriel skits of Genesis. The more difficult days of the Tales From Topographic Oceans tour have been left behind and the band is bursting with new found energy. So listen closely and you will hear some of the best music ever performed by the band called Yes!
Notes from the Re-Master
This is a wonderful audience recording of a great Yes performance. The taping was probably made from the middle of the performance theater because the acoustics of the room are quite apparent.
The audience is quite respectful so there is little in the way of talking or excessive clapping. The quality of the recording is quite good. Viable music signal was found up to 14,000 Hz during the bell tones of ‘Awaken’. The noise level was moderate but noise was easily identified within the spectrum and reduced. Many brief buzz/pop artifacts were also found and manually removed.
The complete show is here with the exception of three gaps that arise during the taping. The first gap occurs at 43 minutes into the show, during ‘Turn of the Century”. The break is 19 seconds long so it is likely a tape flip. The second occurs at the beginning of ‘Roundabout’ and is only 15 seconds long but its actual length is unknown because applause precedes it. Again, this is thought most likely to be a tape flip break but another gap is found in ‘Roundabout’ lasting 1 minute and 23 seconds. Whether there was a switch in tapes or taping problems will never be known. All three gaps were patched using segments of a Yes show from Long Beach California September 26, 1977. This source was chosen because it is also an audience recording with similar acoustics and is less than two months before this current show.
Finally, the show needed re-tracking because many songs were grouped together. The ‘Firebird Suite’ was separated from the first song ‘Parallels’ and ‘Colors of the Rainbow’ was tracked separate from ‘Wondrous Stories’. On disc two ‘Flight Jam’ was separated from ‘Awaken’.
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Genesis: Detroit 1974 (PRRP Remaster) FLAC
Artist: Genesis
Title: Brush Back Your Hair
Date: April 16th 1974
Venue: Ford Auditorium, Detroit, Michigan, USA
(PRRP 014) (VG AUD)
Flac Separate Files
2 CDs
No CUE No Log
ffp Checksum included
Artwork included
Tracklisting
Disc One
01. Watcher Of The Skies 08:50
02. Story Of Britannia 02:05
03. The Nick & Michael Sketch 02:36
04. Dancing With The Moonlit Knight 08:55
05. Story Of Romeo & Juliet 02:28
06. The Cinema Show 11:41
07. I Know What I Like 06:13
08. Story Of Five Dead Bodies 02:12
09. Firth Of Fifth 10:19
Disc Two
01. Story Of Henry & Cynthia 02:11
02. The Musical Box 11:35
03. Horizons 02:26
04. The Story Of Old Michael 04:09
05. Supper's Ready 24:35
Personnel
Tony Banks: Keyboards, Guitars & Backing Vocals
Steve Hackett: Lead Guitars & Effects
Peter Gabriel: Lead Vocals, Flute & Percussion
Mike Rutherford: Bass Guitars, Guitars & Backing Vocals
Phil Collins: Drums, Percussion & Backing Vocals
Liner Notes: An Eventful Evening
Genesis was on a roll. They were in the middle of the “Black Show” leg of the Selling England by the Pound Tour. This trip had begun on March 1st in New Jersey, taking them to Indianapolis, St. Louis, Kansas City and Detroit before moving on to Canada. The present performance features the band's stop in Detroit, one that would be quite memorable for musicians and audience alike. The Motor City was always a prominent stop for all progressive rock bands of the time. In fact, the city had hosted the band Yes just 6 weeks earlier; a show that we at PRRP featured in release #013. Genesis were quite eager to make their mark there as well.
Unfortunately for the band, many problems occurred during the show. Equipment failure for one thing became a major problem for the guys that night. But Genesis was used to equipment problems, so Peter Gabriel was experienced in the art of improvising and joking around with the audience. In fact, there is good evidence that the telling of stories between songs originated as a way to allow time for equipment warm ups and tuning and the correction of problems. The stories would reach unparalleled length that night in Detroit! Right after the telling of the Story of Brittania a buzz started to emanate from Mike Rutherbord's equipment which prompted Peter's improvisation narration of the “Nick the Roadie and Michael the bass guitarist sketch”.
As Nick and Mike frantically tried to remove the offending sound, Peter made their job even more difficult but providing the audience with a very amusing play-by-play. Gabriel was just about to direct Phil Collins in the renowned 'one-handed drum solo' to buy some more time but this was not necessary as the buzz was just then dismissed. Equipment failure would keep on plaguing the band throughout the entire show, but the most disturbing event of the evening came in the form of a very rude verbal attack from a member of the audience. In the middle of the Story of Henry and Cynthia, someone shouts out “your mother eats shit, shut the fuck up”. Always quick witted and unflustered, Peter calmly assures the man that his mother does no such thing. Then, Phil suggests that the gentleman find the nearest bar if he wants to continue such behaviour. To this point in their career, this was probably the most inappropriate audience behaviour the band had ever faced.
Fortunately for the rest of the audience, and ultimately for us, this incident, in addition to all the equipment problems, did not seem to disrupt the band's concentration. Genesis offered a stellar performance of each and every song that night. The set was well known by this time in the tour and therefore the timing and cohesiveness were quite remarkable. So enjoy this wonderful show. It is somewhat unusual for its many problems, but certainly noteworthy for its performance quality.
Notes from the Re-Master
This show was taken from two second generation cassette tapes of good quality. Viable music signal was found up to 10,000 Hz. Highs are crisp and clear as evidenced by the tonality of the flute and small cymbals during Firth of Fifth as well as the small cymbals used during The Musical Box. A tape flip gap of over 70 seconds was found in The Musical Box. This was patched to provide a complete song. Another gap was found in I Know What I Like and also needed a patch. The first tape ended in the middle of Supper's Ready but tape two had the complete song which was grafted onto the rest of the show. The general noise level of hiss was moderate but there was also a separate rolling hiss which varied in volume and also needed to be reduced. A combination of techniques was used to address both of these problems and reduce the level of noise to an acceptable level. Unfortunately for the band, the show was marred by a number of technical problems. After Dancing with the Moonlit Knight a buzz develops. This was left in the final version of this show because Peter Gabriel comments on the buzz and this leads to the “Nick and Mike Sketch” which we labeled Track 3. When it recurs, it was diminished as much as possible. Intermittently, the left channel lost volume and needed correction. Tonality within the left channel also needed to be corrected within these low volume sections. Occasional pops and short drop-outs were fixed and applause was lengthened at the end of some sections.
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Yes: Chicago 1979 (PRRP Remaster) FLAC
Artist: Yes
Title: Going Around (PRRP 006) (FM Broadcast)
Date: June 9th, 1979
Venue: International Ampitheatre, Chicago, Illinois, USA
Flac Separate Files - ffp Checksum included -artwork included
Disc One
01. Introduction 00:55
02. Siberian Khatru 09:51
03. Heart Of The Sunrise 11:39
04. Future Times/Rejoice 07:25
05. Circus Or Heaven 05:07
06. Time And A Word 04:24
07. Long Distance Runaround 03:13
08. The Fish 04:38
09. Survival 03:34
10. Perpetual Change 04:41
11. Soon 08:44
12. Clap (Extended version) 06:01
Disc Two
01. And You And I 10:59
02. Starship Trooper 12:04
03. Wakeman Solo 06:09
04. Awaken 17:29
05. Tour Song 02:50
06. I've Seen All Good People 07:07
07. Roundabout 08:50
Personnel
Jon Anderson Lead Vocals, Guitars, Harp & Percussion
Steve Howe Lead Guitars & Vocals
Chris Squire Bass Guitars & Vocals
Rick Wakeman Keyboards
Alan White Drums & Percussion
Liner Notes: SECOND HALF OF U.S. TOUR MAY
24: Fresno, Calif.
25: Arena, Long Beach, Calif.
26: Arena, Long Beach, Calif.
27: San Diego, Calif.
28: Off
29: Denver, Colo.
30: Amarillo, Tex.
31: Fort Worth, Tex.
JUNE
1: Austin, Tex.
2: Off
3: Houston, Tex.
4: Houston, Tex.
5: Oklahoma City, Okla.
6: Kansas City, Mo.
7: St. Louis, Mo.
8: Amphitheatre, Chicago, Ill.
9: Amphitheatre, Chicago, Ill.
10: In Chicago
11: Off
Yes were in the midst of a grueling 60 show US tour. Tonight's performance was the 43rd gig since the tour began in April and the 7th night in a row of scheduled work. Only the cancelled show in Kansas City 3 nights earlier -from an unstable roof- gave them a reprieve. But now they were in Chicago, a city they knew quite well. The band had played here 14 times before, if you include the performance the night before this one. The International Amphitheatre was also familiar to the band. They had played this venue 9 times before, with the last visit September 24th 1978. The setlist for tonight was quite similar to what was played during their last visit. For this evening, the guys would replace 'Silent wings of Freedom' and 'Don't Kill the Whale' with 'And You And I' and a Tour song; the rest of the material would remain essentially the same.
This tour marked the 10th anniversary for the band. The tour book used at the time makes reference to this with words from Dan Hedges:
“With their tenth anniversary behind them, Yes, as strong as ever, are embarking on this tour, the opening event of their second decade. Although the band is looking to the future with the same kind of energy that has always made Yes so existing, it seems not a bad time to recap some of the events of the last ten years.
As an on-going idea, Yes have been around for ten years now, yet they've collectively got this strange disinterest in most things remotely concerning their past. Sure, they'll walk out on stage and blast through 'Roundabout', 'Starship Trooper', 'Siberian Khatru', and 'Close To The Edge'. That's music. They still love those as much as always, and they'll probably be playing some of them tonight. But when it comes down to things like times, dates, places, events, and slapping themselves on the back for past achievements, you'll more often than not get a mystified shrug with a "... but does it really matter?". Yes are totally aware that it's you - the people who buy their albums and come to see them - who are the main reason why Yes remain alive and well.
Ten years on, they thank you for that.“
DAN HEDGES
Notes from the Re-Master: Generally, this was a very good radio broadcast recording. Noise reduction was only used in a few selected regions. The left channel volume was about 20% below the right consistently throughout the show. This was corrected. Crackle and pops were numerous and needed to be removed. Finally, a few tonality adjustments were made. All in all, a very good recording with strong music signal and great detail.
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Hawkwind: Slough 1984 (VG+ Aud) FLAC
1984-02-16
Thames Hall
Slough
UK
Earth Ritual Preview Tour
Source: Stuart Barton audience master
Lineage: Aud (Aiwa walkman / external stereo mic) > Adobe Audition > FLAC > WAV > CD Wave Editor (split into individual tracks) > FLAC
Sound quality: OU gave this 7-8 out of 10
Artwork: Haven't managed to find any and given the incomplete nature of this show, I doubt it exists, but if someone would like to create some that would be great
Band:
Dave Brock
Nik Turner
Huw Lloyd Langton
Harvey Bainbridge
Dead Fred
Rick Martinez
Tracklist:
XX.Dream Dancers [MISSING]
XX.Coded Languages [MISSING]
XX.Angels Of Death [MISSING]
XX.Dragons And Fables [MISSING]
XX.Green Finned Demon [MISSING]
XX.Ghost Dance [MISSING]
XX.Brainstorm [MISSING]
XX.Dust Of Time [MISSING]
XX.Brainstorm [MISSING]
XX.Dream Worker [MISSING]
XX.Born To Go [MISSING]
XX.Urban Guerilla [MISSING]
XX.Paradox [MISSING]
XX.Utopia [MISSING]
XX.Social Alliance [MISSING]
XX.Ejection [MISSING]
XX.Uncle Sam's On Mars [MISSING]
01.Iron Dream
02.Watching The Grass Grow
03.Night Of The Hawks
04.Motorway City
Stuart's original notes: "Recorded using an Awia recording walkman and an external stereo mic from the centre of the hall onto TDK SA C90 tapes with dolby off.
Transferred in March 2007 to Adobe Audition. I have only used Hard Limiting on loud crowd sections of applause and not any music. Apart from that I have only Normalised.
This is part of the 1st show of the Earth Ritual Preview tour. Unfortunatly the first C90 was stolen from our car while we were at the Manchester gig a few days later. Fortunatly the rest of it is in circulation."
A huge thank you to Stuart for taping this show and giving permission for it to be tracked in a form suitable.
rar files packed with a recovery record -
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Sunday, May 30, 2010
Phil Keaggy: 2 Brief Acoustic Sets 2007-2008 (Soundboard) FLAC
Sept. 21, 2007
Making A Difference Banquet
Cleveland, OH
1 Salvation Army Band 06:16
2 What A Day 05:45
3 Let Everything Else Go 04:53
4 Nothing But the Blood 03:14
5 True Believers 07:13
+++
Phil Keaggy
April 21, 2008
Wheaton College
Wheaton, IL
1 Just the Same 04:01
2 Thank You For Today 02:41
3 Shades of Green 08:40
4 Chalice 05:50
5 Salvation Army Band 04:27
6 True Believers 05:45
rar files packed with a recovery record -
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We'll end May with 5 PRRP releases + an additional title!
Lifehouse: Ann Arbor 2005 (VG+ Aud) FLAC
May 9th, 2005.
Border's Books - Ann Arbor, MI.
Taper: Charles Dewey Cole, IV
Location: 7ft back; directly in front of left stack on 7ft. stand.
Source: HEB DPA4060 + Creative Labs Nomad 3 (@44.1kHz) > Cep v.2.0 > Cd Wave
Conversion: Charles Dewey Cole, IV
Equipment: nomad 3 > (firewire SB1394) @ 44.1kHz > Cd Wave
(19:19)
01. Intro > 2:45
02. Sky Is Falling 3:32
03. You And Me 3:55
04. Blind 4:47
05. Hanging By A Moment 4:17
OU Notes: A special acoustic performance done in downtown Ann Arbor promoting the release of "Lifehouse". This 19 minute show is worth getting based solely upon this
rendition of "Blind". Purely amazing. :) Show was put on by Ann Arbor's 107one FM.
rar files packed with a recovery record -
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Barren Cross: 2 Shows 1986 +1987 (VG/VG+ Aud) FLAC
there are very few BC shows going around - enjoy!
Barren Cross are a heavy metal band from California, USA that was formed in 1984 by
Mike Lee (vocalist), Jim LeVerde (bassist), Steve Whittaker (drums) and Ray Parris (guitarist).
Barren Cross - Cornerstone '86
nice sound for show this old aud/fan recorded.
01 Star Spangled Banner
02 It's All Come True
03 Dying Day
04 Rock For The King
05 He Love You
06 Light The Flame
07 Preachin
08 Going Nowhere
09 Jesus Praise (unreleased/redun cover)
10 Preachin
11 On The Rainbow (unreleased)
12 Killers Of The Unborn
13 Believe
14 Give Your Life
+++
His Fest 1987
20 tracks
(setlist help needed)
rar files packed with a recovery record -
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Barren Cross are a heavy metal band from California, USA that was formed in 1984 by
Mike Lee (vocalist), Jim LeVerde (bassist), Steve Whittaker (drums) and Ray Parris (guitarist).
Barren Cross - Cornerstone '86
nice sound for show this old aud/fan recorded.
01 Star Spangled Banner
02 It's All Come True
03 Dying Day
04 Rock For The King
05 He Love You
06 Light The Flame
07 Preachin
08 Going Nowhere
09 Jesus Praise (unreleased/redun cover)
10 Preachin
11 On The Rainbow (unreleased)
12 Killers Of The Unborn
13 Believe
14 Give Your Life
+++
His Fest 1987
20 tracks
(setlist help needed)
rar files packed with a recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-884116
or
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Saturday, May 29, 2010
David Bowie: Musikladen 1978 (Pro-Shot DVD) 2007 Broadcast!
Download Friendly!
Musikladen Extra
Radio Bremen
Recorded May 30, 1978, (another source says May 21) broadcast on August 4, 1978
Pro shot, PAL, 4/3, Stereo
DVB-S broadcast by 3sat (08.01.2007)
Digitally recorded with Topfield 5400
Authored with DVD Studio Pro
Artwork included
43 minutes
Data Bit: 7.95 Mbps
Video: MPEG-2, 720 X 576, 4:3, 25 fps, 7.Mbps upper field first
Audio: AC3 2/0, 48 kHz, 384 kbps
Sense of Doubt
Beauty and The Beast
Heroes
Stay
The Jean Genie
TVC 15
Moon Of Alabama
Rebel Rebel
With a data bit stream of near 8 Mbps and a high AC3 audio stream this offers an awesome quality. Enjoy it.
rar files packed with a recovery record -
links require copy and paste to browser - password to unrar text link file: quality
rapidshare.com:
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megaupload:
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REQUEST: Please do not post the "real" links anywhere. If you wish to share them "protect" them first with lix.in or link-protector.com
-dave@qb
Musikladen Extra
Radio Bremen
Recorded May 30, 1978, (another source says May 21) broadcast on August 4, 1978
Pro shot, PAL, 4/3, Stereo
DVB-S broadcast by 3sat (08.01.2007)
Digitally recorded with Topfield 5400
Authored with DVD Studio Pro
Artwork included
43 minutes
Data Bit: 7.95 Mbps
Video: MPEG-2, 720 X 576, 4:3, 25 fps, 7.Mbps upper field first
Audio: AC3 2/0, 48 kHz, 384 kbps
Sense of Doubt
Beauty and The Beast
Heroes
Stay
The Jean Genie
TVC 15
Moon Of Alabama
Rebel Rebel
With a data bit stream of near 8 Mbps and a high AC3 audio stream this offers an awesome quality. Enjoy it.
rar files packed with a recovery record -
links require copy and paste to browser - password to unrar text link file: quality
rapidshare.com:
http://lix.in/-803e3f
or
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megaupload:
http://lix.in/-7d30fd
or
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REQUEST: Please do not post the "real" links anywhere. If you wish to share them "protect" them first with lix.in or link-protector.com
-dave@qb
Led Zeppelin: LA Forum 1972 (Ex- Aud) FLAC
reupped by request!
25th June 1972
Burn Like A Candle [GM-LZ-25.02.1972-DVD-A-02]
Excellent Audience Recording
DVDR > DVD Decrypter > DVD Audio Extractor > WAV [44000khz] > FLAC
Audio only.
1 LA Drone
2 Immigrant Song
3 Heartbreaker
4 Over The Hills And Far Away
5 Black Dog
6 Since I've Been Loving You
7 Stairway To Heaven
8 Going To California
9 That's The Way
10 Tangerine
11 Bron-Yr-Aur Stomp
12 Dazed & Confused (includes Walter's Walk,The Crunge)
13 What Is And What Should Never Be
14 Dancing Days
15 Moby Dick
16 Whole Lotta Love
17 Rock And Roll
18 The Ocean
19 Louie Louie/Every Day People/Organ Solo
20 Thank You
21 Communication Breakdown
22 Bring It On Home
Not a lot needs to be said about this show or this release - it's a real 100% gem of a show, and this release brings out the best of it beautifully. Three hours of solid Rock n Roll !!
UU Reviews: This great concert from the LA Forum in 1972 has been released many times before by a number of labels. However, for one reason or another there have been some problems with all the releases. Fortunately Genuine Masters have got hold of an upgraded sound for this audience recording. Equally important, they have tracked down an alternate source audience recording of the concert too. This has been used to fill the few small cuts and gaps present in the main source. The sound now presented is excellent, although Plant's voice is still a little distorted, but that is on the original recording and little can be done regarding this. All the instruments sound really crisp and sharp. Genuine Masters have the ability to give good bottom end and also good top end too, which is very hard to achieve. Time after time listening to many releases that appear from the Land Of The Rising Sun, they give you one or the other, but never both. The drums in particular sound really clear, and for much of the time whilst watching and listening to this DVD I tried to concentrate on the genuis that was, is, and always will be, the incomparable John Henry Bonham. His stunning performance is a joy to hear, and very enjoyable. Often though I had to divert my listening attention to Jimmy Page, who was in fine form that night, with some superb playing. So many wonderful songs, to mention the Whole Lotta Love Medley for one. The 1972 US Tour is always a real treat to listen to, some incredible playing and performances from all four members of the band are virtually guaranteed. Towards the end of the tour the 'LA drone' was used at the start of the concert as the band came on stage. This music lulls you into a relaxed frame of mind, only to be abruptly halted with the crashing opening of The Immigrant Song. The title for this concert should of course be "Burn That Candle", as that is the proposed title referred to by Plant that night, for the upcoming fifth album. However "Burn Like A Candle" was the title used for the first release on CD many years ago on the Smoking Pig label, along with new and superb artwork especially commissioned, by William Stout. This is a classic concert and has now been presented in a really high quality sound and is complete. Incredibly the entire 191 minute concert has been fitted onto a single DVD, a remarkable technical achievement. The usual quality artwork on the cover, and the menu on the DVD allows easy and quick access to all the songs. This release is well worth seeking out, highly recommended. (Jules McTrainspotter June 05).
As many of you probably know, this new GM title features one of those concerts which are most enjoyable throughout the live history of Led Zeppelin. This was due to the fact that the band then still retained its full power and fluency, while expanding the menu of its deliverables up to covering some of the materials from its 5th album, and that the concert was fortunately captured almost complete by one of the best audience recordings made in '72. It's simply amazing that GM has again put its version of the originally superb (but unfortunately a bit distorted) audience recording of over 3 hours long onto a single DVD! Recently, I have bought a portable DVD player, so that I can enjoy the DVD versions of GM's titles wherever I am and whenever it is. The portable DVD player has enabled me to duly and firmly realize the excellence of the sounds featured in those DVD versions. As I compare the sound featured in this GM's new title with that of Missing Link's "Heartbreak Hotel" it is clear that the former easily excels the latter in its range, depth and sharpness. Actually, I presume that no CD release by any label would ever be able to surpass such excellence of the sounds as featured in the DVD versions of GM's titles. In addition, as always, GM has made efforts with great care to further improve the quality of the sound, such as the correction of the fluctuation of the sound in the "LA Drone" as between the right and left speakers that the Missing Link's title suffered. Furthermore, as compared to some of its past titles, this time GM has included a larger number of beautiful still slides changing almost every minute, some of which feature rare shots from '72. Thus, it is especially enjoyable to watch the slides included in the title this time. It is truly a regret that none of the Japanese collectors (with a very few exceptions) has ever placed any order with GM for any of its titles. It's a great loss for them and they should experience the excellence of GM's titles with their own ears and eyes! (Takemi Hiramatsu July 05)
This oft-praised performance is one that I took on faith, in that my previous experience with the recording, Smoking Pig's three-CD set of the same name, never quite translated for me, its sound being too brittle? Crushed? Unapproachable? The point is, I've never quite been able to put my finger on what made that set confounding to me despite what I knew to be an outstanding performance. The good news is that with Genuine Master's new audio DVD, I finally get it. BlackDog has taken a source tape that was just to the wrong side of listenable and pushed it over to appealing. It's not the sonic marvel of a Millard audie in terms of separation; every instrument is there, but it's almost as if they are all fighting to fit through the same narrow sonic space. That being said, GM finds clarity and definition here where others have failed, particularly in terms of putting the bass in its proper space and giving Jonesy's organ equal footing to Jimmy's guitar (check out "Since I've Been Loving You"). There are sweet nuances to be discovered, too, like the ringing harmony vocals on "Tangerine." Many great '72 photos adorn the slideshow and dare I say GM's menus are getting even sharper. As for the performance, upon revisitation I'm struck by how laid back and comfortable the band is, especially in the show's last hour. Wonderful stuff. (Butterking July 05, an expanded Review from Going Underground, ICE Magazine, August 05)
At this point in time, the anticipation of what magic Genuine Masters can do for any recording or release just goes off the chart. Their product is proven. It's obvious that the audio is king with every new title and "Burn Like A Candle" will amaze all the long-time enthusiasts more than any collecting newbie - unless they've done their homework and understand where these precious gifts originate from or what condition they've been released in previously. As my copy of this title roamed the earth in search of the path where Page and Plant found the inspiration to write, I was able to soak up some of my counterparts' impressions and inciteful thoughts on this marathon of a show. Once I was able to experience it myself, I was able to confirm all that has been said is absolutely true. This was a rather primitive and one-dimensional audience recording at one time. A must have due to the sheer enthusiasm, the rarities, the professionalism, and of course - the length! Oh, those lucky folks that late-June evening in L.A. '72! Wow. We certainly get the full impact with the official 3CD "How The West Was Won" (which combined selections from this show and Long Beach 2 nights later) but, after hearing this in such a natural presentation and such depth brought out of the recording - you get a sense of what is actually like to be there.
As my cohorts across the net have pointed out, it is truly amazing that GM have the capability of providing over 3 hours of superbly transferred PCM Audio onto a single disc. This is the bed in which to re-live such a marathon!...because there is no interruption of changing discs, etc. it has that incredible feeling after awhile that these guys will never stop playing! What is also crucial to point out is the dimensional aspect I touched on above. Blackdog at GM has been able to fully pinpoint the wonderful highs in this recording, while fully blossoming the low end as well. This is the key, along with such seamless editing of sources that I couldn't even tell you where they weave together. It doesn't matter either. The effort is kick-ass and it's another banner release from Genuine Masters. Should I even knock them for the printing error on the catalog number??? Nah, consider it an easter egg if you can readily identify the mis-print. Kudos to our audioking downunder! If you hold Led Zeppelin circa 1972 in high regard, this is a superbly produced supplement to the official document. Oh yeah!...and my psychadelic slideshow is back too! Just a bonus for the long journey my copy made. GM also utilized crowd shots and MSG stills from the official DVD to balance out the beautifully crafted home made slides and it all works for 3 freakin' hours. Pick it up. You can get it with audio discs for the road as well. Primo Zeppelin from the quickly emerging number one, archivists' label. (HotWacks Webmaster July 05)
This is an outstanding companion piece to the officially-released How The West Was Won. Just listen to both of these shows back-to-back and you really understand and live through Led Zeppelin's musical power. It took me awhile to compare Genuien Masters' version to my other titles issued by Smoking Pig, Empress Valley & Equinox. And once again, as anybody who has read any of reviews of GM releases, GM's clean pure sound easily beats all other releases to date. And frankly, I'm not surprised. I'm an unabashed fan of this issuer and they have never proven me wrong nor disappointed in any of their releases. If the reader is skeptical, again, just place your CDs in the CD player & the this title in your DVD player and sit back and listen and compare Genuine Masters' sound to the other titles. As I've said in previous reviews, other titles do sound good, nearly great and we are often happy to keep them & not consider another release. Those collectors that venture out and try this release will not be disappointed...I think if you ever buy one Genuine masters release, you will seek each and every one. This is a stunning concert, obviously an old favorite among all collectors, and it now sounds even better than before. (David Smith Sept 05)
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25th June 1972
Burn Like A Candle [GM-LZ-25.02.1972-DVD-A-02]
Excellent Audience Recording
DVDR > DVD Decrypter > DVD Audio Extractor > WAV [44000khz] > FLAC
Audio only.
1 LA Drone
2 Immigrant Song
3 Heartbreaker
4 Over The Hills And Far Away
5 Black Dog
6 Since I've Been Loving You
7 Stairway To Heaven
8 Going To California
9 That's The Way
10 Tangerine
11 Bron-Yr-Aur Stomp
12 Dazed & Confused (includes Walter's Walk,The Crunge)
13 What Is And What Should Never Be
14 Dancing Days
15 Moby Dick
16 Whole Lotta Love
17 Rock And Roll
18 The Ocean
19 Louie Louie/Every Day People/Organ Solo
20 Thank You
21 Communication Breakdown
22 Bring It On Home
Not a lot needs to be said about this show or this release - it's a real 100% gem of a show, and this release brings out the best of it beautifully. Three hours of solid Rock n Roll !!
UU Reviews: This great concert from the LA Forum in 1972 has been released many times before by a number of labels. However, for one reason or another there have been some problems with all the releases. Fortunately Genuine Masters have got hold of an upgraded sound for this audience recording. Equally important, they have tracked down an alternate source audience recording of the concert too. This has been used to fill the few small cuts and gaps present in the main source. The sound now presented is excellent, although Plant's voice is still a little distorted, but that is on the original recording and little can be done regarding this. All the instruments sound really crisp and sharp. Genuine Masters have the ability to give good bottom end and also good top end too, which is very hard to achieve. Time after time listening to many releases that appear from the Land Of The Rising Sun, they give you one or the other, but never both. The drums in particular sound really clear, and for much of the time whilst watching and listening to this DVD I tried to concentrate on the genuis that was, is, and always will be, the incomparable John Henry Bonham. His stunning performance is a joy to hear, and very enjoyable. Often though I had to divert my listening attention to Jimmy Page, who was in fine form that night, with some superb playing. So many wonderful songs, to mention the Whole Lotta Love Medley for one. The 1972 US Tour is always a real treat to listen to, some incredible playing and performances from all four members of the band are virtually guaranteed. Towards the end of the tour the 'LA drone' was used at the start of the concert as the band came on stage. This music lulls you into a relaxed frame of mind, only to be abruptly halted with the crashing opening of The Immigrant Song. The title for this concert should of course be "Burn That Candle", as that is the proposed title referred to by Plant that night, for the upcoming fifth album. However "Burn Like A Candle" was the title used for the first release on CD many years ago on the Smoking Pig label, along with new and superb artwork especially commissioned, by William Stout. This is a classic concert and has now been presented in a really high quality sound and is complete. Incredibly the entire 191 minute concert has been fitted onto a single DVD, a remarkable technical achievement. The usual quality artwork on the cover, and the menu on the DVD allows easy and quick access to all the songs. This release is well worth seeking out, highly recommended. (Jules McTrainspotter June 05).
As many of you probably know, this new GM title features one of those concerts which are most enjoyable throughout the live history of Led Zeppelin. This was due to the fact that the band then still retained its full power and fluency, while expanding the menu of its deliverables up to covering some of the materials from its 5th album, and that the concert was fortunately captured almost complete by one of the best audience recordings made in '72. It's simply amazing that GM has again put its version of the originally superb (but unfortunately a bit distorted) audience recording of over 3 hours long onto a single DVD! Recently, I have bought a portable DVD player, so that I can enjoy the DVD versions of GM's titles wherever I am and whenever it is. The portable DVD player has enabled me to duly and firmly realize the excellence of the sounds featured in those DVD versions. As I compare the sound featured in this GM's new title with that of Missing Link's "Heartbreak Hotel" it is clear that the former easily excels the latter in its range, depth and sharpness. Actually, I presume that no CD release by any label would ever be able to surpass such excellence of the sounds as featured in the DVD versions of GM's titles. In addition, as always, GM has made efforts with great care to further improve the quality of the sound, such as the correction of the fluctuation of the sound in the "LA Drone" as between the right and left speakers that the Missing Link's title suffered. Furthermore, as compared to some of its past titles, this time GM has included a larger number of beautiful still slides changing almost every minute, some of which feature rare shots from '72. Thus, it is especially enjoyable to watch the slides included in the title this time. It is truly a regret that none of the Japanese collectors (with a very few exceptions) has ever placed any order with GM for any of its titles. It's a great loss for them and they should experience the excellence of GM's titles with their own ears and eyes! (Takemi Hiramatsu July 05)
This oft-praised performance is one that I took on faith, in that my previous experience with the recording, Smoking Pig's three-CD set of the same name, never quite translated for me, its sound being too brittle? Crushed? Unapproachable? The point is, I've never quite been able to put my finger on what made that set confounding to me despite what I knew to be an outstanding performance. The good news is that with Genuine Master's new audio DVD, I finally get it. BlackDog has taken a source tape that was just to the wrong side of listenable and pushed it over to appealing. It's not the sonic marvel of a Millard audie in terms of separation; every instrument is there, but it's almost as if they are all fighting to fit through the same narrow sonic space. That being said, GM finds clarity and definition here where others have failed, particularly in terms of putting the bass in its proper space and giving Jonesy's organ equal footing to Jimmy's guitar (check out "Since I've Been Loving You"). There are sweet nuances to be discovered, too, like the ringing harmony vocals on "Tangerine." Many great '72 photos adorn the slideshow and dare I say GM's menus are getting even sharper. As for the performance, upon revisitation I'm struck by how laid back and comfortable the band is, especially in the show's last hour. Wonderful stuff. (Butterking July 05, an expanded Review from Going Underground, ICE Magazine, August 05)
At this point in time, the anticipation of what magic Genuine Masters can do for any recording or release just goes off the chart. Their product is proven. It's obvious that the audio is king with every new title and "Burn Like A Candle" will amaze all the long-time enthusiasts more than any collecting newbie - unless they've done their homework and understand where these precious gifts originate from or what condition they've been released in previously. As my copy of this title roamed the earth in search of the path where Page and Plant found the inspiration to write, I was able to soak up some of my counterparts' impressions and inciteful thoughts on this marathon of a show. Once I was able to experience it myself, I was able to confirm all that has been said is absolutely true. This was a rather primitive and one-dimensional audience recording at one time. A must have due to the sheer enthusiasm, the rarities, the professionalism, and of course - the length! Oh, those lucky folks that late-June evening in L.A. '72! Wow. We certainly get the full impact with the official 3CD "How The West Was Won" (which combined selections from this show and Long Beach 2 nights later) but, after hearing this in such a natural presentation and such depth brought out of the recording - you get a sense of what is actually like to be there.
As my cohorts across the net have pointed out, it is truly amazing that GM have the capability of providing over 3 hours of superbly transferred PCM Audio onto a single disc. This is the bed in which to re-live such a marathon!...because there is no interruption of changing discs, etc. it has that incredible feeling after awhile that these guys will never stop playing! What is also crucial to point out is the dimensional aspect I touched on above. Blackdog at GM has been able to fully pinpoint the wonderful highs in this recording, while fully blossoming the low end as well. This is the key, along with such seamless editing of sources that I couldn't even tell you where they weave together. It doesn't matter either. The effort is kick-ass and it's another banner release from Genuine Masters. Should I even knock them for the printing error on the catalog number??? Nah, consider it an easter egg if you can readily identify the mis-print. Kudos to our audioking downunder! If you hold Led Zeppelin circa 1972 in high regard, this is a superbly produced supplement to the official document. Oh yeah!...and my psychadelic slideshow is back too! Just a bonus for the long journey my copy made. GM also utilized crowd shots and MSG stills from the official DVD to balance out the beautifully crafted home made slides and it all works for 3 freakin' hours. Pick it up. You can get it with audio discs for the road as well. Primo Zeppelin from the quickly emerging number one, archivists' label. (HotWacks Webmaster July 05)
This is an outstanding companion piece to the officially-released How The West Was Won. Just listen to both of these shows back-to-back and you really understand and live through Led Zeppelin's musical power. It took me awhile to compare Genuien Masters' version to my other titles issued by Smoking Pig, Empress Valley & Equinox. And once again, as anybody who has read any of reviews of GM releases, GM's clean pure sound easily beats all other releases to date. And frankly, I'm not surprised. I'm an unabashed fan of this issuer and they have never proven me wrong nor disappointed in any of their releases. If the reader is skeptical, again, just place your CDs in the CD player & the this title in your DVD player and sit back and listen and compare Genuine Masters' sound to the other titles. As I've said in previous reviews, other titles do sound good, nearly great and we are often happy to keep them & not consider another release. Those collectors that venture out and try this release will not be disappointed...I think if you ever buy one Genuine masters release, you will seek each and every one. This is a stunning concert, obviously an old favorite among all collectors, and it now sounds even better than before. (David Smith Sept 05)
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Ugly Kid Joe: Unknown 1992 Venue (FM?) FLAC
1992-xx-xx (unknown source, probably FM- or TV-rip, excellent sound)
Silver-CD "Too Bad" (MB 36) (-> aka "Goddamn Devil"-Silver)
Lineage: Silver-CD > EAC > FLAC Frontend (Level 7 and tested) > TTD/Zomb (2007-05-10)
Tracklist:
01 Panhandlin´ Prince
02 Too Bad
03 Same Side
04 Come Tomorrow
05 Neighbour
06 So Damn Cool
07 Goddamn Devil
08 Everything About You
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Friday, May 28, 2010
Pink Floyd: 2 Dates 1974 (Pre-FM + VG+ Aud) FLAC
RAVING LUNATICS
(4CD + Programme Replica + Ltd Bonus CDR "The Screaming Abdab")
Live at Empire Pool, Wembley, London, UK 16th November 1974 GREAT SOUND
Disc 1
1. Intro.
2. Shine On You Crazy Diamond
3. Raving And Drooling
4. You Got To Be Crazy
Disc 2
Dark Side Of The Moon
1. Speak To Me
2. Breathe
3. On The Run
4. Time
5. Breathe(Reprise)
6. The Great Gig In The Sky
7. Money
8. Us And Them
9. Any Colour You Like
10. Brain Damage
11. Eclipse
Disc 3
1. Audience
2. Echoes
Disc 4
Pre-FM Master: Digital Direct Version
Dark Side Of The Moon
1. Speak To Me
2. Breathe
3. On the Run
4. Time /Breathe(Reprise)
5. The Great Gig In The Sky
6. Money
7. Us And Them
8. Any Colour You Like
9. Brain Damage
10. Eclipse
11. Audience
12. Echoes
THE SCREAMING ABDAB (Limited Bonus CDR)
The Screaming Abdab was a name used by bootleggers to attempt to throw off customs officials)
Live at Empire Pool, Wembley, London, UK 17th November 1974
1. Shine On You Crazy Diamond
2. Raving And Drooling
3. You Gotta Be Crazy
Taken from the original analogue record "The Screaming Abdab" (Wizardo)
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The Pink Floyd: Rotterdam 1967 (VG- Aud) FLAC
Date - 13th November 1967
Venue Oude Ahoy Hallen, Rotterdam, Netherlands
Lineage audience tape > ? > CDR > WAV (with XLD) > FLAC
Tracks -
1. Reaction in G - 4.14
2. Pow R. Toc H. - 11.30
3. Scream Thy Last Scream - 4.46
4. Set the Controls for the Heart of the Sun - 9.07
5. Interstellar Overdrive - 14.24
Also as requested, here's some more Floyd live in '67. Again, it's not the best sound-quality, but (again) it's Floyd live with Syd Barrett! Point of interest: Syd switches to bass and Roger Waters plays guitar on Set the Controls. Enjoy!
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Pink Floyd: Birmingham 1994 (G+/VG- Aud) shn
Alabama 01may94
Legion Field, Birmingham, Alabama, USA
May 1st, 1994
CD1:
01. Astronomy Domine (5:00)
02. Learning To Fly (5:10)
03. What Do You Want From Me (4:44)
04. On The Turning Away (7:00)
05. Coming Back To Life (6:38)
06. Sorrow (9:38)
07. Take It Back (5:50) (fade out)
08. Keep Talking (5:46) (fade in)
09. One Of These Days (6:26)
10. Shine On You Crazy Diamond (11:10)
11. Breathe (2:46)
CD2:
01. High Hopes (7:36) (fade out)
02. Wish You Were Here (3:22) (fade in)
03. Us & Them (6:28)
04. Money (7:54)
05. Another Brick In The Wall (6:47)
06. Comfortably Numb (1:30) (fade out)
07. Comfortably Numb (10:35) (fade in)
08. Hey You (4:28) (fade out)
09. Run Like Hell (3:19) (fade in-fade out)
10. Run Like Hell (3:16) (fade in)
Running length: 125 min 33 sec
Source: unknown > shn
Quality: VG -
OU Comments: Seems Like TIME And A GREAT GIG IN THE SKY Is Missing. All The Fade In and Fade Out ruin the songs. (but this is the only recording for this date - dave)
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Nico: London 1974 (BBC FM) FLAC
John Peel Session (BBC Radio 1)
Recorded on 18th November 1974 at
London BBC Studio Maida Vale 4 (or 5?)(first broadcast date: 3rd December 1974)
Master FM recording
Lineage: BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Akai GX-A5X Cassette Deck (record) -> TDK-SA (Type II) cassette tape
Conversion to FLAC :-
Master TDK-SA source tape -> Aiwa ADF770 3-Head Cassette Deck (play) -> SB Extigy soundcard -> CoolEdit Pro 2.1 -> WAV -> CD-R -> EAC -> WAV -> TLH -> FLAC 8 & .ffp
Tracklist
1. Janitor Of Lunacy
2. We Got The Gold
3. The End*
4. You Forgot To Answer
All songs written by Nico except * composed by The Doors
Total length: 23 minutes approx.
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Megadeth: Santiago 2010 (FM) FLAC
VENUE: Arena Movistar.
CITY: Santiago.
Country: Chile.
date: 2010-04-30
Source: Futuro FM.
Recorded by mk360.
Lineage: Sony NWZ-B142F > SF 8 > FLAC
tracklist:
01 - Introduction (Black Sabbat)
02 - Dialectic Chaos
03 - This Day We Fight!
04 - Darkest Hour
05 - Holy Wars... The Punishment Due
06 - Hangar 18
07 - Take No Prisoners
08 - Five Magics
09 - Poison Was The Cure
10 - Lucretia
11 - Tornado Of Souls
12 - Dawn Patrol
13 - Rust In Peace... Polaris
14 - Head Crusher
15 - The Right to Go Insane
16 - A Tout Le Monde
17 - Symphony Of Destruction
18 - Trust
19 - Peace Sells
20 - Skin O' My Teeth
21 - Peace Sells (continuación)
22 - band introduction
LINE UP:
Dave Mustaine: vocals & guitar
Chris Broderick: guitar
Dave Ellefson: : bass
Shawn Drover: drums
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Thursday, May 27, 2010
I'm gone until June 1...
...but I am posting more than usual EVERY DAY until the end of May.
Enjoy. Take care and thanks for the support.
Dave
Scorpions: St Austell 1982 (Soundboard) FLAC
The Coliseum, St Austell (UK) 28th April 1982.
Source > Soundboard (unknown gen) but possibly FM
Quality > Very good.
Transfer > Aiwa AD-F410 tape deck > CD Wave > DBpoweramp > Flac level 8 > TLH
Disc 1
01 Blackout.
02 Dont Make No Promises.
03 Loving You Sunday Morning.
04 Make It Real.
05 We'll Burn The Sky.
06 Coast To Coast.
07 Lovedrive.
08 Always Somewhere.
09 Holiday.
Disc 2
01 Cant Live Without You.
02 He's A Woman She's A Man.
03 Another Piece Of Meat.
04 Dynamite.
05 The Zoo.
06 Steamrock Fever.
07 Cant Get Enough.
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More Metal tomorrow.
Lucinda Williams: Atlanta 1992 (Soundboard) FLAC
includes a bonus track of Lucinda and David Bryne from 1993
Variety, Atlanta
October 28, 1992
Sb>cassette(2)>cdr(0)>eac>cdwave>flac
1. I Just Wanted To See You So Bad
2. Crescent City
3. Big Red Sun Blues
4. Am I Too Blue
5. Passsionate Kisses
6. He Never Got Enough Love
7. Something About What Happens When We Talk
8. Six Blocks Away
9. Sweet Old World
10. Wild And Blue
11. Lines Around Your Eyes
12. Pineola
13. Disgusted
14. Hot Blood
15. Change The Locks
16. Side Of The Road
17. Happy Woman Blues
18. Ain’t Nothin' In Ramblin' /
I Asked For Water (He Gave Me Gasoline)
This Will not fit on one cd.
+++
Bonus for you:
Lucinda Williams/David Byrne
New York City
Venue: possibly Town Hall
Likely date: Mid February 1993
1. Tonight I Think I'm Gonna Go Downtown
rar files packed with a recovery record -
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Comments welcome.
Variety, Atlanta
October 28, 1992
Sb>cassette(2)>cdr(0)>eac>cdwave>flac
1. I Just Wanted To See You So Bad
2. Crescent City
3. Big Red Sun Blues
4. Am I Too Blue
5. Passsionate Kisses
6. He Never Got Enough Love
7. Something About What Happens When We Talk
8. Six Blocks Away
9. Sweet Old World
10. Wild And Blue
11. Lines Around Your Eyes
12. Pineola
13. Disgusted
14. Hot Blood
15. Change The Locks
16. Side Of The Road
17. Happy Woman Blues
18. Ain’t Nothin' In Ramblin' /
I Asked For Water (He Gave Me Gasoline)
This Will not fit on one cd.
+++
Bonus for you:
Lucinda Williams/David Byrne
New York City
Venue: possibly Town Hall
Likely date: Mid February 1993
1. Tonight I Think I'm Gonna Go Downtown
rar files packed with a recovery record -
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Elton John: Charlotte 1992 (VG+ Aud) FLAC
BLOCKBUSTER PAVILION
CHARLOTTE, NC
1992- AUGUST 14
RECORDER: KYLIEMINOGUE
The shows come from personal recordings, FM broadcasts, and traded shows. May I present to you another recording from kylieminogue in digital format:
Lineage:
Analog transfer:
Original Recorded Cassette (REALISTIC 90 minutes)
Onkyo TA-RW255 Dual Stereo Cassette Tape Deck
Playback at normal speed and Dolby NR at setting "B"
Stereo Out Coaxial Cable merged into 1/8" breakout cable female adapter (3 Pin XLR for Preamp)
Digital Conversion: Mic2496 V2 Portable Mic Pre-amp/A-to-D Converter (coax out) into
Core Sound High Resolution Coaxial Cable (1') M-Audio's MicroTrack II Professional 2-Channel Mobile Digital Recorder (into SPDIF)
Recorded in 96khz/24 bit 2 channel stereo
All editing done with Adobe Audition 3.0.1 (patch for Vista)
Most EQ is with raising the high mid and low ends (loudness maximizer +3)
For 44K version a direct conversion done through Adobe Audition
WAV files converted to FLAC 6 via Traders Little Helper
Files torrented will be done thru traders little helper onto uTorrent.
OU COMMENTS: This is an INCREDIBLE Recording. I checked the Elton John Database and did not see this version released. So I assume this is a uncirculated new version to this show.
SETLIST (02:37:45)
Fanfare
Don't Let the Sun Go Down on Me
I'm Still Standing
I Guess That's Why They Call It The Blues
Phildelphia Freedom
Burn Down The Mission
Tiny Dancer
Simple Life
The One (End Splice)
I Don't Wanna Go On With You Like That
Mona Lisas and Mad Hatters (Parts 1 and 2)
Sorry Seems To Be The Hardest Word
Daniel
The Last Song
Funeral for a Friend
Love Lies Bleeding
When a Woman Doesn't Love You
Whitewash County
Rocket Man
All The Girls Love Alice
Sad Songs (say So Much)
Band Introductions
The Show Must Go On (Queen Cover-Tape Flip)
Saturday Night Alright (For Fighting)
Bitch Is Back
Candle in the Wind
Your Song
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Fleetwood Mac: Trod Nossel Studios 1975 (FLAC)
September 23, 1975
Trod Nossel Studios,
Wallingford, CT
Source: Soundboard Analog Reel To Reel
Lineage: Reel To Reel Master>CDR>CDR>CDR>WAV(16 bit/44.1kHz)> FLAC(16 bit/44.1kHz)
Mastering Information: CDR ripped to WAV with Exact Audio Copy. Wave files converted to FLAC level 8 using FLAC Frontend.
Running Time: 65:47
1. Get Like You Used To Be
2. Station Man
3. Spare Me A Little Of Your Love
4. Rhiannon
5. Why
6. Landslide
7. Over My Head
8. I'm So Afraid
9. Oh Well
10. The Green Manalishi (With The Two Prong Crown)
11. World Turning
12. Blue Letter
13. Hypnotized
Original transfer from analog master reel to CDR was done circa 1998. This conversion to FLAC was done in August 2009. No equalization or sound manipulation has been done to this recording. All files have been ID tagged appropriately.
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Nine Inch Nails: Woodstock 1994 (FLAC)
Artist: Nine Inch Nails
Venue: Woodstock '94, Saugerties, NY USA 1994-8-13 Saturday
Title: Woodstock '94
Linage: Woodstock '94 silver(octopus label) - EAC - flac level 8 with TLH - You
Band:
Trent Reznor
Chris Vrenna
Robin Finck
Danny Lohner
James Woolley
Setlist:
01 Pinion/Terrible Lie
02 Sin
03 March Of The Pigs
04 Something I Can Never Have
05 Closer
06 Reptile
07 Wish
08 Suck
09 Burn
10 The Only Time
11 Down In It
12 Dead Souls
13 Help Me I Am In Hell
14 Happiness In Slavery
15 Head Like A Hole
Notes: Don't buy or sell this recording...Share and trade freely. Support Artists...Buy their merchandise and see (and record) them live. Please comment if you went to Woodstock '94.
Stock Artwork included but does have some errors:
Both spines are misspelled "Nine Inch Nailes"
Track 1 is incorrectly labeled as "Terrible Lies"
Track 4 is incorrectly labeled as "Something I Could Never Have"
Track 12 is incorrectly labeled as "Keep On Calling Me"
Track 13 is incorrectly labeled as "Help Me In Hell"
rar files packed with a recovery record -
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Wednesday, May 26, 2010
Whitesnake: London 1978 (FM) FLAC
Title: BBC Live In Concert 1978
Venue: Paris Theatre
City: London
Country: England
Source: FM Mono Recording
Date: 5th July 1978
Duration: 33:40 min
Artwork: Yes
Come On
Lady Luck
Ain't No Love In The Heart Of The City
Steal Away
Belgian Tom's Hat Trick
Mistreated
David Coverdale - Vocals
Bernie Marsden - Guitar
Micky Moody - Guitar
Neil Murray - Bass
David Dowle - Drums
Pete Solley - Keyborads
OU Notes: Radio broadcast from BBC Radio 1 (aired 15.07.1978)
This is a mono recording of the broadcast. If anyone has a full FM Stereo version of this show could you please me know in the comments.
Good quality FM recording (mono) - CDR from trade - EAC - TLH (flac level 8)
Enjoy the show
rar files packed with a recovery record -
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Heaven And Hell: Bournemouth 2007 (VG+ Aud) FLAC
Date: November 18th 2007
Location: BOURNEMOUTH, ENGLAND
Venue: B.I.C.
Source: Aud
Lineage: MD > CD > You
Artwork: No
CD 1 -
01 Intro - E5150
02 The Mob Rules
03 Children Of The Sea
04 I
05 Sign Of The Southern Cross
06 Voodoo
07 Vinny Appice - Solo
CD 2 -
01 Computer God
02 Falling Off The Edge Of The World
03 Toni Iommi - Solo
04 Die Young
05 Heaven And Hell
06 Neon Knights
OU Notes: This recording is taken from the last show of the "Heaven And Hell World Tour 2007", I was standing on the floor, about half way through the hall on Toni´s side.
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Weird Al Yankovic: Boston 1984 (FM) FLAC
The Metro
Boston, Mass.
May 2, 1984
Kiss 108 (WXKS- 108 FM) 5th birthday party concert
performance quality: A-, pretty good
recording quality: A
source: master FM broadcast tape
runtime: 51:43
setlist:
1: stage introduction > the Brady Bunch 4:38
2: Buckingham blues 4:10
3: polkas on 45 medley 5:12
a: are we not men
b: smoke on the water
c: I'm a man
d: hey Jude
e: mojo risin'
f: in a gadda da vida
g: hey Joe
h: burning down the house
i: hot blooded
J: every breath you take
k: should I stay or should I go
l: jumpin jack flash
m: my generation
4: I lost on Jeopardy 3:52
5: Mr. Popeil 4:56
6: bass solo (louie Louie) :27
7: king of suede 5:07
8: buy me a condo 4:05
9: Bob (instrumental) :39
10: yoda 3:50
11: fabulous food medley 10:32
a: theme from Rocky XIII
b: flatbush ave.
c: I love rock and roll
d: spameater
e: feel like throwing up
f: avocado
g: sometimes you feel like a nut
h: take the L out of liver
i: fatter
j: my bologna
k: whole lotta lunch (spliced tape flip)
l: we got the beef
12: eat it 3:29
13: announcer wrap up :40
"Weird Al" Yankovic: lead vocals, accordion, keyboards
Jim West: guitar, background vocals
Steve Jay: bass, background vocals
Jon "Bermuda" Schwartz: drums & percussion
lineage: "Kiss 108" WXKS FM radio >Sansui 8 receiver >unknown tape deck (average quality, dolby off) >Maxell XLII 90 min. cassette >played on Nak. 125 into soundforge 4.5 (WAV) >FLAC 6 >wav >flac (sb's aligned)
OU comments: he was the king of parody, famous at this time for such chart toppers as Michael Jackson's 2nd biggest hit ever, "Eat it", the Greg Kihn hit "I lost on Jeopardy" and the only one that the Knack was ever known for, "My Bologna"
Weird Al is a song writing contortionist. He takes some of the songs we know best, and makes the lyrics more fitting (in most cases) while adding his satirical twist to every one.
it's an inspired fun performance like only Weird Al can give. almost all these songs go one into the next, and tracks 3 and 11 have very short pieces of several songs. that is why they are not all tracked each by title. some are just a few seconds long.
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Eric Clapton: Pittsburgh 1974 (Soundboard) FLAC
"Willie and the Hand Jive"
3 Rivers Stadium
Pittsburgh, Pennsylvania
July 5, 1974
lun - CD-R1 - SB 4
Track List:
1) Further On Up the Road (*)
2) Smile
3) It's Robby's Birthday
4) Let it Grow
5) Can't Find My Way Home
6) Willie and the Hand Jive / Get Ready
7) Blues Power
8) Little Queenie
(*) Crystal Palace Bowl; London, England; July 31, 1976 (with Freddie King, Ronnie Lane and Larry Coryell sitting in) - Thanks to RG!
Band Lineup:
Eric Clapton Guitar, Vocals
Jamie Oldaker Drums
Dick Sims Keyboards
Carl Radle Bass
George Terry Guitar
Yvonne Elliman Backing Vocals
Geetarz (OU's) Comments: It seems some people had fireworks left over from the July 4th celebrations the night before and brought them to the show. EC really loses it when someone tosses fireworks on stage at 1:38 in "Blues Power": "F*!k You, you c*&t! Whoever Threw That! Your F-ing Mother!".
The band continues on, and at 3:33, EC, sounding a bit sheepish after his outburst, says "I'll tell you one thing...your f-cking aggrivation...these fireworks and things like that...NO WAY! It's SILLY BEHAVIOUR!!! STOP IT!!!!!"
And During "Little Queenie" ... "and meanwhile...Martin Bormann...oh, never mind...VOTE NAZI!!!".
Most of this curiously-titled Eric Clapton bootleg was recorded at the Three Rivers Stadium, Pittsburgh, Pennsylvania, July 5, 74 - on Robbie Robertson's 31st birthday.
The Band and Todd Rundgren also played sets at the same concert. It is an OK quality soundboard recording.
Robbie and The Band probably had nothing to do with Clapton's show and did not perform.
But, track 2 on the CD, called "It's Robbie's Birthday", is a very drunk Clapton singing a happy birthday song to Robbie. So he was probably sitting in the audience or backstage or something...
Below is a review of the event submitted to geetarz.org, from someone who was there:
"I was at that July 5, 1974 show. Eric Clapton was the headliner. Also on the bill: The Band, Todd Rundgren's Utopia and Billy Cox's 'Rainbows & Gypsies,' who had the good sense not to show. Overall it was an ugly day - the previous day, of course, was July 4th. Everybody still had fireworks, firecrackers, sparklers, etc. The buzz of the day appeared to be downers and liquor. Much violence. Someone threw an oversized sparkler onto the canvas roof of the stage and set it on fire during The Band's set, which was otherwise unmarred and wonderful. Things seemed to culminate during EC's set - he was hit in the face with a frisbee - one of the backup singers - maybe Yvonne Elliman? Was hit with a beercan. He took time out to curse the audience ("f--- you, whoever threw that one; your f-ckin' mother...") and told them to just knock off the 'f-ckin' aggravation.' When I saw the name of the boot, I thought 'it can't possibly be THAT show...' EC did indeed sing 'it's Robbie's birthday' for all of a few seconds. An account in the press (maybe Rolling Stone?) claimed Clapton joined The Band for a song or two, but I was there and I saw nothing of the kind - I felt bad that I'd missed something til I realized you can't believe everything you read. If it did happen in all the mayhem, too bad. You would think that would surface." (Submitted by JSK).
Lineage: Trade CD-R > Sony DRU-840a > EAC v. 0.99 Prebeta 4 (Secure Mode, Offset Calibrated) > FLAC (Level 5) > You !
Artwork, info file, checksums (FFP, MD5, and ST5), and EAC Logs included. Please note, a "whole-torrent" MD5 is also included, which will verify that all the contents remain unchanged.
rar files packed with a recovery record -
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Chubby Checker: In Concert 1973 (Audio Rip) FLAC
ABC-TV In Concert
1973-10-26
01. Let's Twist Again
02. The Twist > Whole Lotta Shakin' Goin' On
03. Pony Time
04. Slow Twistin'
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have a super day!
Tuesday, May 25, 2010
Uriah Heep: Budapest 1982 (Soundboard) FLAC
1982-09-07 Budapest Hungary (Soundboard)
Title: Budapest '82
Venue: Kisstadion
City: Budapest
Country: Hungary
Source: Soundboard
Artwork: No
Duration: 71:03 Min
Line Up:
Peter Goalby - Vocals
Mick Box - Guitar
Lee Kerslake - Drums
Trevor Bolder - Bass
John Sinclair - Keyboards
Soundboard recording promoting the superb Abominog album. Enjoy the show.
Sell Your Soul
Running All Night (With The Lion)
Stealin'
Too Scarred To Run
The Wizard
July Morning
Thats The Way That It Is
Son Of A Btch
Mick Box Solo / Gypsy (Inc Keyboard Solo)
Easy Livin'
Look At yourself
Children Of The Night
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Black Sabbath: Hartford 1980 (Soundboard) FLAC
possibly Pre-FM
Date – 10th August 1980
Venue – Hartford Civic Centre, Hartford, Connecticut, USA
Lineage – SBD > ? > CDR > WAV > FLAC
Tracks –
Disc one –
1. Supertzar (1.16)
2. War Pigs (7.11)
3. Neon Knights (4.51)
4. N.I.B. (5.25)
5. Children of the Sea (6.12)
6. Sweet Leaf (9.05)
7. Black Sabbath (8.56)
Disc two –
1. Heaven and Hell (12.44)
2. Iron Man (6.58)
3. Guitar solo (10.07)
4. Die Young (5.02)
5. Paranoid (3.36)
6. Children of the Grave (4.40)
Line-up –
Ronnie James Dio – vocals
Tony Iommi – lead guitar
Geezer Butler – bass guitar
Bill Ward – drums
Geoff Nicholls – keyboards
Notes – A great show to remember a great singer. Ronnie lost his battle with cancer, despite it looking as if he was making a recovery. A wonderful singer and showman who gave his all at every show and had the magic right up until the end of his life. Enjoy.
- a few tracks from this show can be found on a reissue of the album 'Heaven and Hell', but they are different from the tracks in this torrent. They are certainly remixed and quite possibly taken from a different source altogether.
rar files packed with a recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-81c7c4
or
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Comments welcome.
Date – 10th August 1980
Venue – Hartford Civic Centre, Hartford, Connecticut, USA
Lineage – SBD > ? > CDR > WAV > FLAC
Tracks –
Disc one –
1. Supertzar (1.16)
2. War Pigs (7.11)
3. Neon Knights (4.51)
4. N.I.B. (5.25)
5. Children of the Sea (6.12)
6. Sweet Leaf (9.05)
7. Black Sabbath (8.56)
Disc two –
1. Heaven and Hell (12.44)
2. Iron Man (6.58)
3. Guitar solo (10.07)
4. Die Young (5.02)
5. Paranoid (3.36)
6. Children of the Grave (4.40)
Line-up –
Ronnie James Dio – vocals
Tony Iommi – lead guitar
Geezer Butler – bass guitar
Bill Ward – drums
Geoff Nicholls – keyboards
Notes – A great show to remember a great singer. Ronnie lost his battle with cancer, despite it looking as if he was making a recovery. A wonderful singer and showman who gave his all at every show and had the magic right up until the end of his life. Enjoy.
- a few tracks from this show can be found on a reissue of the album 'Heaven and Hell', but they are different from the tracks in this torrent. They are certainly remixed and quite possibly taken from a different source altogether.
rar files packed with a recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-81c7c4
or
http://lix.in/-7bad4a
http://lix.in/-7d33eb
http://lix.in/-7eba8c
http://lix.in/-80412d
http://lix.in/-81c7ce
http://lix.in/-834e6f
or
http://kwxmcx.link-protector.com
http://kwxmcw.link-protector.com
http://kwxmcv.link-protector.com
http://kwxmck.link-protector.com
http://kwxmcm.link-protector.com
http://kwxmcz.link-protector.com
megaupload:
http://lix.in/-7a26b3
or
http://lix.in/-834e79
http://lix.in/-84d51a
http://lix.in/-865bbb
http://lix.in/-87e25c
http://lix.in/-7a26bd
http://lix.in/-7bad5e
or
http://kwxmcc.link-protector.com
http://kwxmcr.link-protector.com
http://kwxmcs.link-protector.com
http://kwxmrx.link-protector.com
http://kwxmrw.link-protector.com
http://kwxmrv.link-protector.com
Comments welcome.
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