Led Zeppelin: Los Angeles 1977 (Ex- Aud) FLAC

June 25th and 27th 1977
Los Angeles, California, The L.A Forum
The Last L.A Forum 2 Days
Budge Holders
Stereo Audience Recordings
Lineage: Silvers > EAC > TLH > FLAC (Level 8)

Disc 1 6/25/77
1. Over the Top/Out On the Tiles Intro
2. Guitar solo - Achilles Last Stand
3. Stairway to Heaven
4. Whole Lotta Love/Communication Breakdown

Disc 2 6/27/77
1. Over the Hills and Far Away
2. Since I've Been Loving You
3. Battle of Evermore
4. Going to California
5. Going Down South, Inc.
- Black Country Woman
- Bron-Yr-Aur Stomp
- Dancing Days (Acoustic Version)
6. Stairway to Heaven
7. Whole Lotta Love, Inc.
- Rock and Roll

Excellent Quality.
Artwork Included.

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Led Zeppelin: Birmingham 1977 (G Aud) FLAC

PREVIOUSLY UNCIRCULATED ALTERNATE SOURCE

BIRMINGHAM, ALABAMA - MAY 18 1977

PREVIOUSLY UNCIRCULATED ALTERNATE SOURCE (Thanks to Jon Meacham in Birmingham for finding the recording and having it professionally transferred)
8 TRACK MASTER CASSETTES (as in 70's style 8 track tapes!) digitally transferred in Birmingham by a company that wishes to remain 'nameless' ;)
8 track cassette master > professional digital transfer to CDR > EAC > WAV > Sony Sound Forge 8 (track editing, speed/pitch correcting and EQ; alternate sources used to patch cuts- see below) > WAV > TLH > FLAC

OU: I patched the major cuts in the recording using the following:
"Out Of The Way" silver CDs > EAC > WAV > Sony Sound Forge 8
"Dixie" silver CDs > EAC > WAV > Sony Sound Forge 8
SQ 6-7

MC/Crowd intro
The Song Remains The Same
The Rover > Sick Again
Nobody's Fault But Mine
In My Time Of Dying (ending cut; patched w/ OOTW & Dixie sources)
Since I've Been Loving You
No Quarter
Ten Years Gone
Battle Of Evermore
Going To California (ending cut; patched w/ OOTW source)
Black Country Woman > Bron Y Aur Stomp (slight cut during BYAS; patched w/ OOTW source)
White Summer > Black Mountain Side
Kashmir (temporary volume drop in middle)
Over The Top (slight cut during tympani section)
Noise Solo
Achilles Last Stand
Stairway To Heaven
Rock And Roll

OU: Jon Meacham's brother and a couple of friends attended the concert and made this recording. In true 70's fashion they taped the show using 8 track tapes. After his brother's passing Jon discovered the 8 track tapes; then he went to a company in Birmingham that does digital transfers of analog audio and video recordings. He then contacted me over at the official Led Zeppelin website for advice where I was known for my 'expertise' on the '77 tour and recordings.) He offered to send me a copy of the raw digital transfer, so that I could try to improve the sound quality. And here is the end result; the raw recording played at least a step fast, so I did some speed and pitch correcting on it. I also re-EQ'd and boosted the volume of the recording, as the raw recording was very boomy in the low end (not to mention quiet). That said, it is by no means perfect; there are a few cuts here and there, the most major ones I "patched" using my Birmingham "Out Of The Way" and "Dixie" CDs. There were also some tape issues (flutter and warbling) during the acoustic set, not to mention a bit of digital static (presumably made during the digital transfer) also during the acoustic set.
These issues are nothing too serious, though (I've heard worse.) Still listenable. That aside, sound quality wise, IMO this alternate source is much better than the "Dixie" recording but still a notch or two below the "Out Of The Way" source.
DO NOT SELL THIS RECORDING, as the 'cover design' Mr Meacham lashed together clearly states :). Enjoy!

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Led Zeppelin: Los Angeles 1977 (Ex Aud) FLAC

- Deep Striker

Inglewood Forum, Los Angeles, CA, USA
June 27, 1977
Audience recording
Empress Valley Supreme Disc EVSD 26-29
this is 4cd version of audience recordings from bootleg label EVSD

argenteumastrum.com says:
DEEP STRIKER - EMPRESS VALLEY SUPREME DISC EVSD 26/27/28/29
Recording: Excellent to Superb stereo audience.
Source: The Forum, Inglewood, Los Angeles, California June 27 '77.
Comments: Japanese bootleg. Deluxe long box with CDs housed inside. The usual sticker in placed on the back of the cover. The first pressing contains a faulty disc no. 3 (with #TG5095) including one second gaps between all tracks, quickly repaired (with #TI5060). Limited edition to a few hundred copies. (One of the most hard to find and expensive Empress Valley efforts.)

uuweb.led-zeppelin.us says:
Deep Striker Empress Valley - EVSD 26-29 - 4CD
June 27, 1977 The Forum - Los Angeles, CA.Audio: 9+ AUD
One of the most expensive bootlegs I have ever had the pleasure of owning and an incredibly hard set to locate on the collector market as well. Caution must be given when buying this set as there are bad copies of disc number 3 in circulation. The "bad" disc 3 has a mastering fault and has a 1 second gap in between tracks. The matrix number of the bad disc 3 is TG5093. The matrix number of the corrected disc 3 is TI5060. Be warned when shopping around for this expensive set. I got lucky in that my copy came with both the "good" and "bad" copy of disc 3, so my set contains 5CDs in all and not the standard 4CDs. The package is the "Empress Valley" long box - a hard cardboard block trimmed out in the center to hold the discs. The tray is housed in a glossy cardstock open-ended slipcover. The individual discs are housed in cream paper sleeves with the Empress Valley logo printed in gold on the lower right corner. The last night in the LA Forum in excellent quality courtesy of the late great Mike Millard's fantastic audience source tapes. The tape starts out with the cheering masses anxiously awaiting the start of the show. There are initial tape balance issues, but these seem to be resolved during the soundcheck just prior to the opening of The Song Remains The Same. The source tape is excellent quality - typical of Mike Millard source tapes - it's taped near the stage, is very clear, well balanced and displays an incredible sense of depth. The tape is slightly hissy, but it in no way detracts the recording. There is also a detectable ripple effect audible in some of the quieter parts of the tape - probably an accidental by product of the tape recorder. The opening audience cheer sound as if it has been looped (TDOLZ's Sunset also has this issue) for several seconds extending the hysteria prior to the start of the show. Nobody's Fault But Mine has a seamless tape splice for several seconds at about the 1 minute 42 second mark on the disc. The audio quality remains consistent, but there is a definite variance in tone there - superb splice though. The start of No Quarter contains some quick tape swaps, again seamlessly done. The section of tape after Ten Years Gone is sliced in and lasts until just prior to the start of The Battle Of Evermore. The tape flutter becomes increasingly apparent during the acoustic set but not to the point that it ruins it. At around 4 minutes 5 seconds into Kashmir we switch over to an alternate tape for 9 seconds before seamlessly switching back to the main tape. There also appears to be a several second tape swap in the empty space after Trampled underfoot and another after Bonzo's Over The Top drum solo. Achilles Last Stand contains a cut in the tape that causes audio to be lost. I am fairly certain that there are no available bootlegs that have this section intact. Stairway To Heaven had a number of seamless tape swaps. The last night in L.A. didn't quite have the party atmosphere that was present on the Eddie or Badgeholders nights, but it was a solid show and a worthy addition to any collection. Due to the staggering cost that this set trades for on the collector market though, I have to recommend the TDOLZ title Sunset over this one on the cost factor alone. Unless you have deep pockets or are actively collecting EVSD, I can't see any merit in spending the admission price. Deep Striker is an improvement over Sunset, but given the cost differences between the two sets, it's not that big of an improvement. Track it down on CDR if you just absolutely have to have a copy. If you are in the market to buy, don't forget to verify the matrix number of disc 3 prior to buying. Highlights for me from this show include Sick Again, Ten Years Gone, the acoustic Dancing Days snippet and Achilles Last Stand (tape cut or not!). (Steve Prendergast July 03)

Lineage: silver CDs > EAC > WAV > FLAC > tracker > HD > Audacity lossless test Artwork included

Disc 1
1-The Song Remains The Same
2-Sick Again
3-Nobody's Fault But Mine
4-Over The Hills And Far Away
5-Since I've Been Loving You

Disc 2
1-No Quarter
2-Ten Years Gone
3-The Battle Of Evermore
4-Going To California

Disc 3
1-Going Down South
2-Black Country Woman
3-Bron-Yr-Aur Stomp
4-Dancing Days
5-White Summer/Black Mountain Side
6-Kashmir
7-Trampled Underfoot
8-Out On The Tiles/Moby Dick

Disc 4
1-Guitar Solo
2-Achilles Last Stand
3-Stairway To Heaven
4-Whole Lotta Love
5-Rock And Roll

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Pink Floyd: Zurich 1977 (VG+ Aud) FLAC

**Tracks That The Community Assumed Were Not Recorded.......But Thanks to Kbrubaker, Here They Are In Great Quality**
Hallenstadion, Zurich, Switzerland - 3 February 1977

Lineage: Maxell UD C60 Cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz)
*The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
xACT used to create FFP

OU: A raw, high resolution transfer of what are almost certainly the previously missing tracks taped by recorder 1. Recorder 1 is the version of the concert that is about 83 minutes long and the best generally circulating copy is a DAT > CDR. This taper made arguably one of the best stereo audience recordings of Pink Floyd's 1977 European tour.
The exciting thing about the tape, other than it being a very strong stereo recording, is that before now it was assumed that POTW2 and Pigs were simply not recorded. Unfortunately Kbrubaker's tape contains only these two songs. They appear to have been added as fillers, along with the copy of WTTM mentioned by Littlepieces below.

01 Pigs On The Wing, Part 2
02 Pigs (Three Different Ones)
Total running time 21 mins 27 secs

**Littlepieces' Notes On This Recording**
-This is 1977-02-03 since Roger can clearly be heard saying "eight" at ~3.11m and ~11.32m of Pigs.
-During POTW, Part 2 you can here the same applause, whistles, yells, and feedback as on recorder 2 for 1977-02-03.
-Not recorder 2 as that is mono and lessor quality.
-Not recorder 3 (Pacco) as that is mono, recorded from the rear of venue and much lesser quality.
-Though possible, seems extremely unlikely that it is the recorder 4 Grolsch mentioned in Pacco's original 16-44 recorder 3 torrent. Recorder 4 is supposed to be mostly incomplete tracks due to many reel changes. The chances that these are recorder 4 tracks that are complete and have the same output level/pattern across spectrum as those found on recorder 1 seems very remote.

Conclusion: Since the HQ stereo audience recorder 1 is missing Potw pt2 and Pigs and this recording is of 1977-02-03 and is also a HQ stereo audience recording that is not apparently any of the other recorders, then it seems reasonable to conclude that they are the missing tracks from 1977-02-03.
Additional Note: Kbrubaker's tape also contained a very poor quality recording of 'Welcome To The Machine' that is not from the 3rd. After EQing it to make Dave's vocals more audible, it's clear he is not laughing during the lyrics to 'Welcome To The Machine' at ~5m as he is on the 2-3 recordings.
Kbrubaker Cassette / Neonknight Tape Transfer (April 2012)

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Pink Floyd: New York 1977 (VG- Aud) FLAC

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Pink Floyd: Anaheim 1977 (G+ Aud) FLAC

RoIO title: CALIFORNIA NIGHTS
date/venue: 1977 May 07 - Anaheim, Anaheim Stadium, California, USA
source: audience - gen : ? (low?) > SHN > FLAC

Cd1
01 Sheep
02 Pigs On The Wing Part 1
03 Dogs
04 Pigs On The Wing Part 2
05 Pigs (Three Different Ones)

Cd2
01 Soycd (Parts 1-5)
02 Welcome To The Machine
03 Have A Cigar
04 Wish You Were Here
05 Soycd (Parts 6-9)
06 Money
TOT LENGTH: 125.49

OU Notes: mmm not really an excellent recording, but the performance is better than what you can probably expect from a few circulating recording like this. The audience is pretty excited too.
Sounds as sourced from a low generation tape since it's enough bright, though a bit hissy and at times distorted. the speed is not always right ... again I dunno why but I catch it always on Pigs (bah).
Money has serious speed problems, seems like from a different source, but it's not ... I guess it sounds not so well just because of the taper changing of place between the end of the show and he beginning of the encore and almost certainly because of problems with the recorder’s batteries. oh, well better this way than nothing at all.
the "California Pigs" RoIO is hardly circulating reporting this date but it's really Frankfurt 27 Jan. 77
Waters screeches 30-10 at 13.49 (3rd verse) on Pigs (3DO) someone suppose it sounds rather as 32 ..

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Elvin Bishop: Chicago 1977 (FM) FLAC

1977-08-08
Ivanhoe Theater, Chicago , IL - 1977-08-08
OU: Here an old Elvin Bishop show from '77. I received this via cd-r trade years ago.
Soundquality is A- i.m.h.o. Hope you ENJOY.

01 - Intro >Tulsa Shuffle
02 - Struttin' My Stuff
03 - Little Brown Bird
04 - Fooled Around And Fell In Love > Calling All Cows
05 - Give It Up
06 - Another Mule Kickin' In Your Stall
07 - Somebody To Love
08 - Rock My Soul
09 - Travelin' Shoes

lineup: unknown
source: FM /sbd. ?
transfer : CDR-trade > EAC > TLH >FLAC (8)
ffp in the file NOT FOR SALE , FREE TRADE ONLY !! Don't convert to lossy formats except for personal use. Do support the artists

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Pink Floyd: Wembley 1977 (VG+ Aud) FLAC

Animals Of Empire
The Godfatherecords - G.R. 439/440
Matrix CD1 : GR 439/440 CD1
Matrix CD2 : GR 439/440 CD2
Barcode: 15102009739
(P) 2009 Made In ???
Artwork incl.
18 March 1977 - Empire Pool, Wembley, Middlesex, England
Audience recorder 1. From low generation tape. A1 Cass [Low]>CDR>WAV>FLAC

Disc 1: Time:
1. Sheep 11:11
2. Pigs On The Wing Pt. 1 1:30
3.Dogs 19:06 19:05
4. Pigs On The Wing Pt. 2 2:20
5. Pigs 16:07
Total Time: 50:13

Disc 2:
1. Shine On You Crazy Diamond Pt. 1-5 13:42
2. Welcome To The Machine 8:28
3. Have A Cigar 6:00
4. Wish You Were Here 6:37
5. Shine On You Crazy Diamond Pt. 6-9 18:37
6. Us And Them 7:53
Total Time: 61:17

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Leon Redbone: Bremen 1977 (FM) FLAC

Bremen, Germany
Postaula
1977-10-03

01 Champagne Charlie
02 Ain't Misbehavin' (I'm Savin' My Love For)
03 Polly Wolly Doodle
04 Please Don't Talk About Me When I'm Gone
min 15:14

FM (analog cable) - Audacity - xACT
Nordwestradio Globale Dorfmusik Live - 2012-03-19

+++
Bremen, Germany
Glocke
1977-01-12

01 Champagne Charlie
02
03 I Ain't Got Nobody
04 Ain't Misbehavin' (I'm Savin' My Love For)
05 Has Anybody Seen My Gal?
06 Big Time Woman
07 Walking Stick
08 Diddy Wah Diddy
09 Polly Wolly Doodle
min 33:32

FM (analog cable) - Audacity - xACT
Nordwestradio Globale Dorfmusik Live - 2012-03-19
Support the artists by buying their records.

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Pink Floyd: Animal Instincts Rev. B 1977 FLAC (Must Have!)

another "Top 10" - reposted by request

OU: It was my discussions with Ron concerning the clicks, pops, and other glitches in AI (rev0) that led to my joining the team.
One of my earliest contributions was to deglitch AI and the first rev A edition was released.
As the years went by, a much lower generation source for this show emerged. My first knowledge of its existance was the RoIO Mr Pig. Although the SQ on Mr Pig was better than AI (you can hear many subtleties not detectable on AI revA), Mr Pig had other problems,like clipping, gaps during the tape flips, unbalanced, etc. So the thoughts of doing a rev B began.
That was two years ago...
About six months ago, we decided to do it. We got another source, a better source than Mr Pig. One that didn't have the clipping problem. Then Marc-Olivier
went to work.
Marc-Oliver spent quite sometime remastering this new source and expertly patching the tape flips. Then it was my turn.
So here it is! Animal Instincts rev B (HRV-CDR-014)
Pink Floyd recorded live at the Oakland Coliseum
May 9, 1977.
photo from the audience:


Disc One:
Sheep
Pigs On The Wing (part 1)
Dogs
Pigs On The Wing (part 2)
Pigs (Three Different Ones)
Shine On You Crazy Diamond (parts 1-5)
Welcome To The Machine

Disc Two:
Have A Cigar
Wish You Were Here
Shine On You Crazy Diamond (parts 6-9)
Money
Us And Them
Careful With That Axe, Eugene

For me, the highlight of this show is SoYCD6-9. It's the best version of this song ever.

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Pink Floyd: Dortmond 1977 (PRRP Aud Remaster) FLAC

repost by request

PRRP011 - IF PIGS COULD FLY
Jan 23, 1977 (Westfalenhalle - Dortmond, Germany)

CD1
1-1. Sheep 12:02
1-2. Pigs On The Wing (Part 1) 1:32
1-3. Dogs 18:22
1-4. Pigs On The Wing (Part 2) 2:06
1-5. Pigs (Three Different Ones) 17:42

CD2
2-1. Shine On You Crazy Diamond (1-5) 13:35
2-2. Welcome To The Machine 7:50
2-3. Have A Cigar 5:25
2-4. Wish You Were Here 6:30
2-5. Shine On You Crazy Diamond (6-9) 15:41
2-6. Money 9:31
2-7. Us And Them 7:41

"Here Come the Pigs!"
Pink Floyd were ready with their new album “Animals”. The album was recorded during the summer and fall of 1976 in a new studio built in Islington, North London and contained both old and new material. Ever since the end of 1974, and all the way through the many legs of the 1975 tour, the band frequently performed ‘Raving and Drooling’ and ‘You’ve Gotta Be Crazy’, two brand new songs that failed to make the final cut of “Wish You Were Here”. Reluctant to throw away such good material, the band re-structured the two unreleased songs around the concept of the new album, respectively re-naming them ‘Sheep’ and ‘Dogs’. New material written to accompany those two older number included “Pigs (Three Different Ones)” and a two-part song called ‘Pigs on a Wing’. Roger describes this as a love song to his wife Carolyne. Other motivations for the album, according to Waters, included moralist Mary Whitehouse and the rising conservative politician Margaret Thatcher. Both received the brunt of his scathing sarcasm.
As always, the band wanted the world to take notice of their new work. They adopted the new floating pig mascot for both symbolic and practical reasons. The cover of the new album shows the pig floating over the London Battersea power station. To get this picture, the graphic artist wanted to superimpose the pig into a standard picture. The band had other plans and insisted that a 40 foot helium filled Zeppelin of a pig be made, inflated, and launched over the site.This spectacle was arranged with a film crew, tethering crew and even a sharp shooter in case the giant pig broke loose and needed to be shot down. Unfortunately, the first day’s attempt was unsuccessful due to weather. The next day the photographs were taken but before they would return the zeppelin to the ground, the wind broke the tethering lines and the huge inflatable pig was loose. This problem was further complicated by the fact that no one remembered to ask the sharp shooter to come back for the second day. The pig floated around London for quite a while before landing in a field near Canterbury. Though it was obviously unplanned, the band could not have asked for a better publicity event.
This brings us to the present PRRP release. Dortmund, Germany, January 23rd 1977 was to witness the very first show of the 1977 Animals Tour. The new album was to be released the day of this performance, therefore no one in the audience was very familiar with the new material.
Saxaphonist Dick Perry joined the band again on this tour, while Terrance “Snowy” White was asked to provide back-up rhythm guitar. Pink Floyd once more split the show into two sets. The first set consists of the whole “Animals” album while the second presented –for the first time- the complete “Wish You Were Here” album. Two encores were also provided, both taken from the “Dark Side of the Moon” album. The combination provided an excellent chronicle of the Pink Floyd approach to music at the time and received a warm reception for this very enthusiastic German crowd.

Notes from the Re-Master
The source for this audience recording is generally good but a number of problems needed to be fixed. For some reason, many of the songs were spliced together, making an abrupt cut during the audience applause. We presume this was done to shorten the recording but none the less we had to smooth these transitions in order to maintain the flow of the concert. The hiss level was quite high so it was localized and reduced. The sound quality was good with music signal clearly present up to 11,000 Hz but the tonality needed adjustment. The low treble range was particularly harsh and piercing during Gilmour’s guitar solos and the saxophone leads.
Selective attenuation of those frequencies reduced this audible annoyance. At rare times the bass overwhelmed the other instruments and needed to be reduced as well.
During a five minute segment on disc 2 the left channel lost significant treble. This was restored as well as possible. At the end of “shine on you crazy diamond” the recorder probably had battery failure since the pitch and tempo fall noticeably. This was adjusted to be consistent with the rest of the show but brief variations remain. Conversely, during a section of disc 1 the tempo and pitch are unusually increased. This section was slowed back to the tempo and pitch of the rest of the show. Many brief dropouts occurred. Some were removed while others were pasted over to be less noticeable.

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Pink Floyd: New York 1977 (VG+ Aud) shn

repost by request

Name: New Pork
Format: shn
Discs: 2
Recorder: audience / recorder 1
Label: BWHI
Length: 122:51 Mins

1977-07-01
Madison Square Garden
New York,USA
Artwork Included
PC > EAC > Wav > SHN

Cd1
01 Announcement 1:37
02 Sheep 10:38
03 Pigs On The Wing (part 1) 1:55
04 Dogs 18:50
05 Pigs On The Wing (part 2) 2:24
06 Pigs (Three Different Ones) 19:18

Cd2
01 Shine On You Crazy Diamond (parts I - V) 13:38
02 Welcome To The Machine 8:16
03 Have A Cigar 7:04
04 Wish You Were Here 6:20
05 Shine On You Crazy Diamond (parts VI - IX) 21:21
06 Money 11:30

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Led Zeppelin: Inglewood 1977 (Ex- Aud) FLAC

(sources 1+2+3) with special guest of Keith Moon

SGT. Page’s BadgeHolders Club Band
The Forum, Inglewood, CA, USA
June 23, 1977
Tarantura 2000 (TCD-YUZUKI-3)
Audience recording (sources 1+2+3)

all thanks go to Mr. LedZeppelin68 from Russian tracker for sharing this boot...
argenteumastrum.com says:

SGT. PAGE'S BADGEHOLDERS CLUB BAND
TARANTURA2000 TCD-YUZUKI-3

CD1: The Song Remains The Same/The Rover Intro/Sick Again/Nobody's Fault But Mine/Over The Hills And Far Away/Since I've Been Loving You/No Quarter
CD2: Ten Years Gone/The Battle Of Evermore/Going To California/Black Country Woman medley incl. Bron-Yr-Aur Stomp/White Summer medley incl. Black Mountain Side/Kashmir/Trampled Underfoot
CD3: Over The Top medley incl. Out On The Tiles, Moby Dick(*)/Guitar Solo medley incl. The Star Spangled Banner/Achilles Last Stand/Stairway To Heaven/Whole Lotta Love(*) /Rock And Roll(*)
Recording: Excellent mono/stereo audience.
Source: The Forum, Inglewood, Los Angeles, California June 23 '77.
Comments: Japanese bootleg. A promotional prototype version of "For Badgeholders Only". Deluxe glossy cardboard case with shufflepack with sticker housing card slipcases, paper sleeves and picture CD's. Limited edition of 50 numbered copies of each set (A-D). A cover is a parody of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" with the original four Beatles' members replaced by Messrs. Page, Plant, Jones and Bonham. (*)with the special guest of Keith Moon.

uuweb.led-zeppelin.us says:
SGT. Page's Badgeholders Club Band Tarantura 2000 - TCD-YUZUKI-3 - 3CD
June 23, 1977 The Forum - Los Angeles, CA. Audio: 9+/9.5 EXCELLENT
This show has been released numerous times over the years and instead of giving a play by play of what's happening on-stage, I am going to instead only offer my comments on the source tape mix and Tarantura's handling of the mastering. If you want the detailed overview of this concert, please reference my comments on the TDOLZ version, For Badgeholders Only, and then come back here. The overall audio is excellent. The main chunk of source tape used here is outstanding - much cleaner, crisper and fuller than the TDOLZ version with little tape hiss and more bottom end. It could very well give the Eddie tape a run for it's money. This is the same source tape used on the TDOLZ For Badgeholders Only set. The flip side of the tweaking of the sound is that some of the higher range portions of the tape begin to distort and break under the equalization. It's not as bad as it sounds but it is worth mentioning. I really noticed this during the guitar solo in Over The Hills And Far Away. There is a tape swap after Over The Hills And Far Away that is executed perfectly with only the slightest change in tape depth and a two second section of tape that has an echo effect on the audience cheer that is the result of the two source tapes being faded in/out at the same time but a fraction off on the timing (it's an old club DJ trick). The tape cut in TDOLZ's Since I've Been Loving You has been fixed in this release and is patched with the alternate source. The mysterious "heartbeat" found on the TDOLZ set during No Quarter is thankfully absent here. It's really hard to comprehend that this is the same source tape issued by TDOLZ as the differences in sound and completeness are night and day. Ten Years Gone features the splice in the solo just prior to the "Do the eyes not sparkle" lyric. The Stomp also features the familiar tape gaps nicely filled. Trampled Underfoot features a 4 second patch of tape at 03:50 that has an odd metallic sounding echo that disappears almost as fast at it started. There is a glitch in the tape at 06:09 in Achilles Last Stand. A split second of tape overlap is what it sounds like. There seems to be another one of these at the 08:39 stamp as well. The Millard tape recorder ripple becomes noticeable on the 3rd disc - especially during Stairway To Heaven - it's like a low pulsing flutter. This is also very noticeable on Millard's tape used by Empress Valley for Deep Striker. I do not know what causes it but it must be due to something with his recorder. The artwork and packaging I have a mixed opinion of. I bought the promotional prototype edition that is limited to 50 copies and I really like the shuffle pack format that this set came in. I am undecided on the whole The Beatles Sgt. Pepper's parody sleeve design, but I am absolutely aghast at the piss poor psychedelic rainbow backgrounds and the (at times) goofy graphics and designs. Empress Valley is much more refined and mature on their graphics design and they ooze class. This almost borders on tacky but it's tolerable due to the cool shuffle pack format I'm going to take the stance that if all I can bitch about is the goofy artwork, it's a winner - especially when one takes into consideration this label's reputation for molesting their source tapes. The only real complaint I have is that the tracks were split up a bit too much for my liking (ie we don't need to split The Rover Intro into Sick Again and make it 2 separate tracks. Thankfully CoolMixMan and Black Dog Studios are no longer a part of this label. Perhaps we can now expect quality product from this label. One can only hope. In my opinion, this set is highly recommended and is the definitive commercial version of this show. WOW! I can't believe I actually said that about a Tarantura 2000 release! (Steve Prendergast Aug 03)

Lineage: Silver CDs > EAC > WAV > FLAC > tracker > Audacity lossless test
Artwork included

CD 1
1. Introduction
2. The Song Remains The Same
3. The Rover Intro
4. Sick Again
5. Nobody's Fault But Mine
6. Over The Hills And Far Away
7. Since I've Been Loving You
8. No Quarter

CD 2
1. Ten Years Gone
2. The Battle Of Evermore
3. Going To California
4. Black Country Woman
5. Bron-Yr-Aur Stomp
6. White Summer
7. Black Mountain Side
8. Kashmir
9. Trampled Underfoot

CD 3
1. Out On The Tiles / Moby Dick
2. Guitar Solo
3. Achilles Last Stand
4. Stairway To Heaven
5. Whole Lotta Love
6. Rock And Roll

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Yes: New York 1977 (VG+ Aud) FLAC

The Lostbrook Tape Series Volume 121

The Yes party continued on our third and final night at Madison Square Garden. After "Parallels," you'll hear Jody say, "Nice Howe seats!" - a reference to our fourth row location directly in front of Steve Howe.
This was our fifth Yes concert in six days in two different cities. Reasonable people might have called it quits after this, but Reason took a vacation during the Summer of '77. In the end, we were punished for our gluttony. See Volume 122 for details.
August 7, 1977 - Madison Square Garden, New York, NY, USA

Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>(2)TDK SD C90>Alesis TapeLinkUSB> Audacity>WAV
Taper: Lostbrook
Mastering: CQ
Artwork: ethiessen1

01 Firebird Suite (2:51)
02 Parallels (6:31)
03 I've Seen All Good People (7:37)
04 Close To The Edge (20:44)
05 Wonderous Stories (4:31)
06 Colors Of The Rainbow (0:59)
07 Turn Of The Century (8:53)
08 And You And I (10:03)
09 Flight Jam (3:14)
10 Awaken (19:34)
11 Starship Trooper (14:02)
12 Roundabout (11:13)
13 Yours Is No Disgrace (14:58)

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AC/DC: The Haymarket 1977 (Pre-FM) FLAC

1977-01-30 The Haymarket Two Source Matrix PRE-FM Broadcast From The Recent Re-Broadcast But With No Radio Adverts)

OU: Dirty Deeds is I think from the roio "Ride On Bon" but I'm not 100% sure. The rest is definitely from a pre-broadcast version of the 2007 radio broadcast. The key there's no ads which makes this far better on the ear.

So to the gig:
The setlist played that night:
1) Dirty Deeds Done Dirt Cheap
2) She's Got Balls
3) Problem Child
4) Live Wire
5) The Jack
6) Jailbreak
7) TNT
8) Can I Sit Next to You Girl?
9) High Voltage
10) Baby Please Don't Go
11) Rocker
12) It's a Long Way to the Top

Setlist on this recording:
1) Dirty Deeds Done Dirt Cheap
2) Jailbreak
3) The Jack
4) Can I Sit Next to You Girl?
5) High Voltage
6) Rocker
7) It's a Long Way to the Top

Not much else to add really the SQ is 10/10. This is the most complete version that I have or seen of this show in this quality.

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Pink Floyd: Dortmund 1977 (VG+ Aud) FLAC

Source: January 24th, 1977 – Westfalenhalle, Dortmund, Germany.

Album Notes: The second performance [2] of the world tour, "In The Flesh", promoting the album "Animals". Good quality, clear sound, without much interference. In most preserved the continuity of the recording, though some mergers are very negligent. Clearly audible cry [Two] Roger Waters in the second stanza, "Pigs." A standard set of songs for the concerts of 1977 - albums "Animals" and "Wish You Were Here" in full and the encore of "The Dark Side Of The Moon".
X-ref: " A Lead Role In A Cage ", " Dortmund 24.1.77 ", " Giant Inflatable Pig " .

Disc 1:
1. Sheep (11:59)
2. Pigs On The Wing - part 1 (2:27)
3. Dogs (18:16)
4. Pigs On The Wing - part 2 (2:24)
5. Pigs (Three Different Ones) (17:34)

Disc 2:
1. Shine On You Crazy Diamond - parts 1-5 (13:50)
2. Welcome To The Machine (6:22)
3. Have A Cigar (5:56)
4. Wish You Were Here (6:00)
5. Shine On You Crazy Diamond - parts 6-9 (16:06)
Encore:
6. Money (7:55)

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Todd Rundgren and Utopia: Oxford 1977 (FM) FLAC

by request

Oxford Polytechnic, Oxford
January 25, 1977
FM recording> Silver CD/trade CD-R--->FLAC8

1.1 Communion With The Sun 8:23
1.2 Love Of The Common Man 4:13
1.3 Sunburst Finish 8:54
1.4 Jealousy 5:11
1.5 Windows 5:02
1.6 Emergency Splashdown 6:15
1.7 The Verb "To Love" 7:47
1.8 Hiroshima 7:16
2.1 Singring And The Glass Guitar 26:39
2.2 Utopia theme 2:45
2.3 TR interview-Atlanta 4/77 16:59
2.4 TR and Roger interview--WXRT-FM, Chicago 10/19/77 13:20

trade freely---never sell!!

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Micky Dolenz and Davy Jones: Los Angeles 1977 (VG Aud) FLAC

with Peter Tork

Starwood Los Angeles
7th March 1977

In 1977, Micky Dolenz & Davy Jones toured with a backing band called The Laughing Dogs. The eclectic set included Martha My Dear - a rarely-covered Beatles's song appropriately, about Paul McCartney's sheepdog.

I Wanna Be Rich
Martha My Dear
Skit
Can She Do It Like She Dances
Hey My Love
Daydream Believer
Stepping Stone
I Wanna Be Free
Last Train To Clarksville
Pleasant Valley Sunday
I’m A Believer
Pretty Maids All In A Row
Down So Long
Peter Tork Intro*
King Of Country Sound*
You And I *
10 To 8
Peace Of Mind
That’s Rock And Roll
Local Radio Interview At The Starwood +
* with Peter Tork

Source: audience tape & radio+
unknown gen > cd> eac>traders little helper>flac

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Yes: Boston 1977 (PRRP 2-Source Remaster) FLAC

PRRP 065 (the latest)

Boston Garden, Boston, MA - August 12th, 1977

Source 1:
Taper: Dan Lampinski
Location: Sec. 2, Row 11, Seat 13
Equipment: Nakamichi 550 Tape Recorder > Two Nakamichi CM-300 Microphones > Maxell cassettes > Nakamichi CR-3A cassette deck with azimuth correction > M-Audio Firewire Audiophile 2496 > CDWAV 24-bit/96-KHz wav files > Goldwave (normalizing and crossfades) > CDWAV (track breaks)
Source 2:
Taper: Barry Rogoff (Balrog)
Location: exact seat unknown but thought to be dead center, further back than Lampinski
Equipment: Nakamichi 550, CM-100/CP-1's > Maxell UD-XLII > Nakamichi BX-300 > Digigram VXPocket V2 > wave.

Jon Anderson - Vocals and various instruments
Steve Howe - Guitars
Chris Squire - Bass guitars
Rick Wakeman - Keyboards
Alan White - Percussion

01 Firebird Suite 3:17
02 Parallels 6:43
03 I’ve Seen All Good People 7:27
04 Close to the Edge 19:58
05 Wonderous Stories 4:55
06 Colors of the Rainbow 1:46
07 Turn of the Century 8:24
08 And You And I 10:45
09 Flight Jam 4:00
10 Awaken 20:14
11 Starship Trooper 14:41
12 Roundabout 9:25
13 Yours is No Disgrace 15:18
Total Time 126:53 (2:06:53)

Remaster (Source 1: Lampinski)
01. Repair hard clicks with attenuate some claps.
02. Correct Mic bumps.
03. Correct balance.
04. Patch 16 second tape flip in Awaken with Rogoff source.
05. Speed correct and correct pitch to match Rogoff.
06. Reduce tape hiss.

Remaster (Source 2: Rogoff)
01. Restore clipped sections.
02. Repair hard clicks and pops.
03. Re-balance tonality/EQ.
04. Repair Mic bumps.
05. Attenuate some claps.
06. Attenuate some audience whistles.
07. Correct balance.
08. Patch tape flips with Lampinski source, adds 27 seconds to the recording.
09. Correct speed, comparing to commercial live references and Lampinski source.
10. Correct pitch with Lampinski source.
11. Reduce tape hiss.

Remaster (Full Stereo)
01. Remaster Source 1.
02 Remaster Source 2.
03. Sync sources.
04. Combine recordings and create full stereo image.
05. Correct phasing and center sound.
06. Balance power and amplitude.
07. Cover non-overlap sections with single source.
08. Track as continuous performance.

Notes: Recording begins with 90 seconds of Rogoff source then Lampinski source comes in to produce the stereo image.
Sound quality suggests that the Rogoff mics were hidden at the beginning. Sound is a bit muffled until 45 seconds into Parallels when it becomes more clear at which point the full quality of the stereo recording can be appreciated.
Taper says: "It was probably the point at which enough of the people in front of us sat down to get an unobstructed, on-axis view of the PA. I was using a mike stand made from one leg of a lightweight tripod. It was held in place by a photographer's clamp on the arm of the seat. The stand was connected to the clamp with a wingnut acting as a set screw."
At the end of Close To The Edge and just before the next song (Wonderous Stories) begins, both tapers changed/flipped tapes so there is a brief fade-out/fade-in.
Given the need to patch a 16 second tape flip segment of the Lampinski source with Rogoff source, at this point in the song Awaken, the stereo field converts to single-source and then reverts back to full stereo. Careful listening allows identification of this segment.
Sound characteristics would suggest that Rogoff was further back in the venue than Lampinski who was seated in section 2 row 11. Rogoff remembers being "dead center" but has no documentation of exact seat.

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Pink Floyd: Rotterdam 1977 (VG- Aud) FLAC

ROTTERDAM 2nd night
Source: February 18th, 1977 – Oude-Ahoy Hallen, Rotterdam, The Netherlands.
Album Notes: The performance [11] of the world tour, "In The Flesh", promoting the album "Animals". Clearly audible cry, Roger Waters [Eleven] after the second stanza, "Pigs." A standard set of songs for the concerts of 1977 - albums "Animals" and "Wish You Were Here" in full and the encore of "The Dark Side Of The Moon". Pretty good quality, slightly muffled recording, but clean and clear.
In most preserved the continuity of the concert. The second part of the show there are only fragments. A fuller version (with two sources) is on the bootleg "Well Heeled Big Wheel". Careful indexing .
Audience recorder 1. Lineage: A1 [Low]> CDR[?] > SHN.

Disc 1:
1. Sheep (11:17)
2. Pigs On The Wing – part 1 (1:47)
3. Dogs (15:55)
4. Pigs On The Wing – part 2 (2:26)
5. Pigs (Three Different Ones) (17:38)

Disc 2:
1. Shine On You Crazy Diamond – parts 1-5 (13:33)
2. Welcome To The Machine (8:29)
3. Shine On You Crazy Diamond – parts 6-9 (17:50)
4. Money – Cut (3:55)

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