Pink Floyd: Wembley 1977 (VG+ Aud) FLAC

Animals Of Empire
The Godfatherecords - G.R. 439/440
Matrix CD1 : GR 439/440 CD1
Matrix CD2 : GR 439/440 CD2
Barcode: 15102009739
(P) 2009 Made In ???
Artwork incl.
18 March 1977 - Empire Pool, Wembley, Middlesex, England
Audience recorder 1. From low generation tape. A1 Cass [Low]>CDR>WAV>FLAC

Disc 1: Time:
1. Sheep 11:11
2. Pigs On The Wing Pt. 1 1:30
3.Dogs 19:06 19:05
4. Pigs On The Wing Pt. 2 2:20
5. Pigs 16:07
Total Time: 50:13

Disc 2:
1. Shine On You Crazy Diamond Pt. 1-5 13:42
2. Welcome To The Machine 8:28
3. Have A Cigar 6:00
4. Wish You Were Here 6:37
5. Shine On You Crazy Diamond Pt. 6-9 18:37
6. Us And Them 7:53
Total Time: 61:17

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Led Zeppelin: Berkeley 1971 (VG Aud) FLAC

1971-09-13 audience
Community Theater, Berkeley, California
Godfatherecords "Berkeley Daze 1st Night"
art,ffp,md5,eac logs included
lineage - master audience tape > silvers > EAC wav > TLH flac 8

Disc 1
Intro
Immigrant Song
Heartbreaker
Since I've Been Loving You
Black Dog
Dazed And Confused
Stairway To Heaven
Celebration Day

Disc 2
That's The Way
Going To California
What Is And What Should Never Be
Moby Dick
Whole Lotta Love
Communication Breakdown

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Syd Barrett: Demos, Acetates & Mixes 1967-74 (FLAC)

Psychedelic Freak Out (Demos, Acetates & Mixes)
The Godfatherecords GR 483
Matrix Disc : G.R. 483
(P) 2010 Made In ???
Barcode: 28012010843
Tri-fold Paper Sleeve
Tracks: Time:

1 Interstellar Overdrive 14:56 October 31, 1965 - Demo
2 See Emily Play 2:52 May 21, 1967 - Acetate With Alternate Ending
3 Scream Thy Last Scream 4:40 August 7, 1967 - Malcom Jones Mix 1987
4 Vegetable Man 2:37 October 1967 - Malcom Jones Mix 1987
5 Vegetable Man 2:47 1967 Mix From Mason Interview, March 1969
6 Silas Lang 2:47 May 6, 1968 - Backing Track
7 Lanky 1:36 May 14, 1968 Part Two
8 Golden Hair 1:56 May 28, 1969 Instrumental - Gareth Cousins Mix 1988
9 Swan Lee 2:43 June 20, 1968 - Backing Track
10 Clowns & Jugglers 2:45 July 20, 1968 Take 1 - Alternate Mix With Studio Chat
11 Love You 1:17 April 11, 1969
12 Clowns & Jugglers 1:34 May 3, 1969 Take 2 - Keyboard Mix
13 Long Gone 1:45 July 26, 1969
14 Dark Globe 2:58 July 27, 1969 Choral Version - Peter Jenner 1987 Echo Mix
15 Dark Globe 2:57 July 27, 1969 Choral Version - Malcolm Jones 1987 Clean Mix
16 Maisie 2:51 February 26, 1970 - Alternate Mix With Extra Vocals
17 Slow Boggie 2:58 August 12, 1974
18 John Lee Hooker Inspired 3:52 August 12, 1974
19 In The Beachwoods 4:49 1967 - Backing Track
Bonus Track:
20 Interstellar Overdrive 14:55 Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall,
Los Angeles, CA, July 27, 1968
Total Time: 55:47

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Bob Dylan: Florence 2009 (VG+ Aud) FLAC

by request
Mandela Forum - Florence, Italy April 18, 2009
Boot "Return To Me, Bella Mia" silver disc>EAC (secure mode)>TLH (leve-8) create flacfinger-md5>Maketorrent>HC
This show is the final Italian performance.

Disc 1
Maggie’s Farm
Mr. Tambourine Man
You Go Your Way
Man In The Long Black Coat
Rollin’ And Tumblin’
Lonesome Death Of Hattie Carroll
‘Till I Fell In Love With You
Workingman’s Blues #2
Highway 61 Revisited
Ballad Of Hollis Brown
Po’ Boy
Summer Days
Return To Me

Disc 2
Thunder On The Mountain
Like A Rolling Stone
All Along The Watchtower
Spirit On The Water
Blowin’ In The Wind
Bonus tracks:
Cat’s In The Well
Don’t Think Twice It’s Alright
Things Have Changed
Tweedle Dee & Tweedle Dum
Make You Feel My Love
It’s Alright Ma (I’m Only Bleeding)
Beyond The Horizon
Love Sick

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Bruce Springsteen and the E Street Band: MSG 1978 (All Shows) FLAC

Godfatherecords 9 CD Boxset!

"HISTORY IS MADE AT NIGHT - Night 1" (G.R. BOX 03 A/B/C)
August 21, 1978 - Madison Square Garden, New York City, NY - U.S.A.
Silver CDs --> EAC --> Wave files --> Trader's Little Helper (level 8, align on sector boundaries) --> flac files
Upload will include artwork scan, md5 verification file, EAC log, spectral/frequency analysis -Enjoy. fede1970

DISC 1
01 Summertime Blues
02 Badlands
03 Spirit in the night
04 Darkness on the edge of town
05 Heartbreak hotel
06 Factory
07 The promised land
08 Prove it all night
09 Racing in the street
10 Thunder road
11 Jungleland

DISC 2
01 Paradise by the C
02 The fever
03 Sherry darling
04 4th of July, Asbury Park (Sandy)
05 Sweet little sixteen
06 Not fade away / Gloria / She's the one
07 Growin' up

DISC 3
01 Backstreets / Sad eyes
02 Rosalita (Come out tonight)
03 Born to run
04 Because the night
05 Quarter to three
Bonus Track:
06 Pre-Show Interview on WABC TV with J. Siegal

+++
"HISTORY IS MADE AT NIGHT - Night 2" (G.R. BOX 03 D/E/F)
August 22, 1978 - Madison Square Garden, New York City, NY - U.S.A.
Silver CDs --> EAC --> Wave files --> Trader's Little Helper (level 8, align on sector boundaries) --> flac files
Upload will include artwork scan, md5 verification file, EAC log, spectral/frequency analysis

DISC 1
01 Good rockin' tonight
02 Badlands
03 Streets of fire
04 Spirit in the night
05 Darkness on the edge of town
06 Factory
07 The promised land
08 Prove it all night
09 Racing in the street
10 Thunder road
11 Jungleland

DISC 2
01 Paradise by the C
02 For You
03 4th of July, Asbury Park (Sandy)
04 Candy's room
05 Mona / She's the one
06 Growin' up

DISCS 3
01 Backstreets
02 Rosalita (Come out tonight)
03 Born to run
04 Because the night
05 Quarter to three

+++
"HISTORY IS MADE AT NIGHT - Night 3" (G.R. BOX 03 G/H/I)
August 23, 1978 - Madison Square Garden, New York City, NY - U.S.A.
Silver CDs --> EAC --> Wave files --> Trader's Little Helper (level 8, align on sector boundaries) --> flac files
Upload will include artwork scan, md5 verification file, EAC log, spectral/frequency analysis

DISC 1
01 High school confidential
02 Badlands
03 Streets of fire
04 Spirit in the night
05 Darkness on the edge of town
06 Heartbreak hotel
07 Factory
08 The promised land
09 Prove it all night
10 Racing in the street
11 Thunder road
12 Jungleland

DISC 2
01 For You
02 Candy's room
03 Adam raised a Cain
04 Fire
05 Sherry darling
06 4th of July, Asbury Park (Sandy)
07 Not fade away / She's the one
08 It's hard to be a saint in the city

DISC 3
01 Backstreets / Sad eyes
02 Rosalita (Come out tonight)
03 Born to run
04 Because the night
05 Quarter to three

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Bruce Springsteen: Lighting Up The Darkness Sessions (GFR Box Set) FLAC

by request - as promised

The Unbroken Promise: Lighting Up The Darkness Sessions
Label: The Godfatherecords - Released: 2011
Catalog: G.R. BOX 01
Format: Box Set, Unofficial Release
6 x CD, Unofficial Release, 3 Double CDs
3 Double CD Box Set with a 48 page booklet including liner notes, and a poster.

CDs 1&2: Still In The Vaults.
CDs 3&4: A Masterpiece In The Making.
CDs 5&6: The Alternate Versions.

CD1-1 Break Out - Version 1 2:23
CD1-2 Break Out - Version 2 2:23
CD1-3 Don't Say No - Version 1 3:48
CD1-4 Don't Say No - Version 2 3:34
CD1-5 Say Sons 2:16
CD1-6 I Wanna Be With You 3:03
CD1-7 I'm Goin' Back 5:33
CD1-8 Frankie 4:47
CD1-9 Janey Needs A Shooter 6:42
CD1-10 Sherry Darling - Verion 1 4:06
CD1-11 Sherry Darling - Version 2 5:03
CD1-12 Bring On The Night 2:36

CD2-1 Drive All Night - Version 1 4:57
CD2-2 Drive All Night - Version 2 8:28
CD2-3 Drive All Night - Version 3 8:31
CD2-4 Preacher's Daughter 5:21
CD2-5 Crazy Rocker 4:58
CD2-6 What's The Matter Darling - Version 1 3:51
CD2-7 What's The Matter Darling - Version 2 4:08
CD2-8 Indepence Day 6:24
CD2-9 Ramrod 3:59
CD2-10 Castaway 3:14

CD3-1 Badlands - Version 1A Instrumental 4:10
CD3-2 Badlands - Version 1B 3:43
CD3-3 Badlands - Version 1C 3:53
CD3-4 Badlands - Version 2 3:59
CD3-5 Something In The Night - Version 1 5:05
CD3-6 Something In The Night - Version 2A 5:10
CD3-7 Something In The Night - Version 2B 5:09
CD3-8 Racing In The Street - Version 1 5:46
CD3-9 Racing In The Street - Version 2 3:38
CD3-10 Racing In The Street - Version 3 6:52
CD3-11 Racing In The Street - Version 4 6:42
CD3-12 Streets Of Fire - Version 1 3:51
CD3-13 Streets Of Fire - Version 2 3:42

CD4-1 Prove It All Night - Version 1 3:29
CD4-2 Prove It All Night - Version 2A 4:02
CD4-3 Prove It All Night - Version 2B 3:54
CD4-4 Factory - Version 1 2:13
CD4-5 Factory - Version 2A 2:12
CD4-6 Factory - Version 2B 2:14
CD4-7 Adam Raised A Cain - Version 1 4:07
CD4-8 Candy's Room (The Fast Song) - Version 1 Instrumental 2:57
CD4-9 Candy's Room (The Fast Song) - Version 2 3:06
CD4-10 Candy's Room (The Fast Song) - Version 3 3:04
CD4-11 Candy's Room (The Fast Song) - Version 4A 2:44
CD4-12 Candy's Room (The Fast Song) - Version 4B 3:02
CD4-13 The Promised Land - Version 1A 4:16
CD4-14 Darkness On The Edge Of Town - Version 1 4:29
CD4-15 Darkness On The Edge Of Town - Version 2 4:22

CD5-1 Racing In The Street 6:10
CD5-2 Candy's Boy 5:20
CD5-3 Come On (Let's Go Tonight) 2:10
CD5-4 Don't Look Back - Version 1 Instrumental 3:25
CD5-5 Don't Look Back - Version 2 Instrumental 3:27
CD5-6 Don't Look Back - Version 3 3:06
CD5-7 Hearts Of Stone 5:36
CD5-8 The Promise - Version 1 5:41
CD5-9 The Promise - Version 2 5:29
CD5-10 The Promise - Version 3 7:14
CD5-11 Spanish Eyes - Version 1 3:50
CD5-12 Spanish Eyes - Version 2 6:21

CD6-1 Because The Night - Version 1 2:31
CD6-2 Because The Night - Version 2 3:26
CD6-3 Gonna Get That Feeling - Version 1 3:11
CD6-4 Gonna Get That Feeling - Version 2 3:23
CD6-5 Talk To Me - Instrumental 4:03
CD6-6 Someday (We'll Be Together) - Instrumental 4:34
CD6-7 Rendezvous 2:47
CD6-8 Fire 5:14
CD6-9 One Way Street 5:50
CD6-10 Outside Lookin' In 2:26
CD6-11 Wrong Side Of The Street 3:53
CD6-12 The Way 4:00

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Neil Young: Various 1966-2010 (6 CD Set) FLAC

The Unreleased Songs (1966-2010 and Live Rarities 1969-1984)

Road Of Plenty: [The Godfather Box, 6CD]
Source: Silver discs - Flac
Received this in a trade.
md5 and most artwork included.

Disc 01
101. I'll Wait Forever [Studio 1966] - The Mynah Birds 2:37
102. Come Along And Say You Will aka Lonely Weekend [Detroit 8/1/73] 3:18
103. Sweet Joni [Bakersfield 11/3/73] 2:22
104. Greensleeves [NYC 16/5/74] 2:06
105. Hawaiian Sunrise [Westbury 8/9/74] 2:55
106. Homefires [Milwaukee 21/7/74] 2:49
107. Homefires [Upper Darby 22/3/92] 2:28
108. Love Art Blues [Seattle 9/7/74] 2:50
109. Love Art Blues [Antwerpen 11/2/08] 3:58
110. Traces [Studio 1973] 2:07
111. Traces [Oakland 14/7/74] 2:48
112. Mediterranean [Studio 1974] 2:10
113. Kansas [Amsterdam 18/2/08] 2:48
114. Try [NYC 16/12/07] 3:14
115. Separate Ways [Roskilde 1/7/93] 5:48
116. Separate Ways [Wien 22/2/08] 3:51
117. Give Me Strength [Chicago 15/11/76] 3:28
118. Give Me Strength [Somerset 1/8/97] 5:46
119. Evening Coconut [Springfield 26/6/76] 5:21
120. No One Seems To Know [Tokyo 10/3/76] 2:30
121. No One Seems To Know [18/5/03] 2:53
122. No One Seems To Know [11/2/08] 2:45

Disc 02
201. Sad Movies [Eppelheim 18/3/76] 3:08
202. Sad Movies [Antwerpen 11/2/08] 3:45
203. Lady Wingshot [Miami 12/11/77] 2:45
204. Lady Wingshot [Eureka 18/2/89] 3:04
205. Windward Passage [Santa Cruz 22/8/77] 8:56
206. Bright Sunny Day [Clarkston 19/9/78] 4:12
207. Turbine [Berkeley 3/10/80] 3:16
208. I Wonder Why [Studio 1981] 4:22
209. If You Got Love [Studio 1982] 3:30
210. If You Got Love [Stockholm 9/10/82] 4:29
211. Johnny [Studio 1982] 4:18
212. Raining In Paradise [Studio 1982] 4:40
213. Berlin [West Berlin 19/10/82] 6:01 - Omitted*
214. Love Hotel [Birmingham 24/9/82] 3:22
215. Rock Rock Rock [Santa Cruz 6/2/84] 3:34
216. So Tired [Santa Cruz 6/2/84] 3:13
* Available on the Neil Young In Berlin DVD.

Disc 03
301. Your Love Is Good To Me [Santa Cruz 6/2/84] 4:26
302. Your Love Is Good To Me [Toronto 18/8/88] 3:38
303. Leavin' The Top 40 Behind [studio outtake Nashville 30/6/85] 3:32
304. Hillbilly Band [studio outtake Nashville 20/4/85] 3:16
305. Time Off For Good Behaviour [studio outtake Franklin 1/7/85] 3:35
306. Your Love Again [studio outtake Nashville 26/4/85] 2:25
307. Road Of Plenty [Mansfield 21/9/86] 8:07
308. Welcome To The Big Room [San Francisco 12/11/87] 7:34
309. Last Of His Kind [Clarkston 3/9/87] 3:59
310. High Heels [San Francisco 12/11/87] 4:46
311. Find Another Shoulder [San Francisco 12/11/87] 6:07
312. Bad News [Toronto 18/8/88] 7:55
313. Crime Of The Heart [Detroit 4/9/88] 6:01
314. Doghouse [Detroit 4/9/88] 4:09

Disc 04
401. Sixty To Zero [Toronto 18/8/88] 18:27
402. Walking After Midnight [NYC 19/4/88] 4:40
403. Born To Run [Studio 1990] 5:23
404. Live To Ride [Torhout 3/7/93] 6:27
405. Modern World [Portland 13/7/97] 3:59
406. Standing In The Name Of Love [Berlin 26/6/01] 5:49
407. Gateway Of Love [Gent 18/6/01] 8:52
408. Sea Change [London 15/3/08] 4:00
409. Get Around [From Video 2008] 3:35
410. Mexico [London 15/3/08] 2:40
411. Leia [San Francisco 8/12/10] 3:23
412. You Never Call [San Francisco 8/12/10] 4:56

Live Rarities 1969-1984
Disc 05
501. Mr Soul [Bethel 18/8/69] 5:08
502. Birds [Los Angeles 26/8/69] 2:40
503. Sea Of Madness [Big Sur 13/9/69] 3:35
504. Country Girl [Houston 18/12/69] 5:20
505. Helpless [Houston 18/12/69] 3:39
506. Everybody Knows This Is Nowhere [San Francisco 19/2/70] 2:14
507. Everybody's Alone [San Francisco 19/2/70] 2:34
508. Dance Dance Dance [San Francisco 19/2/70] 1:33
509. The Loner [Cincinnati 25/2/70] 3:36
510. Southern Man [Inglewood 26/6/70] 12:34
511. Out On The Weekend [London 23/2/71] 3:55
512. The Bridge [London 27/2/71] 3:48
513. Alabama [Bakersfield 11/3/73] 4:19
514. Soldier [NYC 21/1/73] 2:33
515. Words [Detroit 9/1/73] 7:35
516. New Mama [San Francisco 4/10/73] 2:23
517. World On A String [Manchester 3/11/73] 2:32
518. Flying On The Ground Is Wrong [NYC 15/11/73] 4:11

Disc 06
601. Pushed It Over The End [London 14/9/74] 7:49
602. Let It Shine [Clarkston 23/6/76] 4:48
603. The Last Trip To Tulsa [Hamburg 21/3/76] 5:00
604. Homegrown [Boston 22/11/76] 2:32
605. Stringman [London 31/3/76] 3:33
606. Human Highway [Santa Cruz 12/8/77] 2:59
607. Like An Inca [Palo Alto 4/8/82] 9:15
608. Goin' Back [Santa Cruz 5/1/83] 5:08
609. Coastline [Santa Cruz 5/1/83] 3:42
610. Cowgirl In The Sand [Santa Cruz 5/1/83] 4:37
611. California Sunset [Santa Cruz 5/1/83] 3:01
612. Country Home [Santa Cruz 5/1/83] 3:36
613. Barstool Blues [Santa Cruz 7/2/84] 4:18
614. Saddle Up The Palominos [North Hollywood 19/6/84] 3:09
615. Southern Pacific [North Hollywood 19/6/84] 6:36

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Pink Floyd: New York 1973 (VG+ Aud) FLAC

latest Godfather Floyd release

Obscured By Father Time (Godfather Records GR340/341)
Radio City Music Hall, New York, New York, USA – March 18th, 1973

Disc 1:
Obscured By Clouds
When You’re In
Set The Controls For The Heart Of The Sun
Careful With That Axe Eugene
Echoes

Disc 2:
Speak To Me
Breathe, On The Run
Time/Breathe (Reprise)
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse
One Of These Days

For a good portion of the last decade, virtually all sources of Pink Floyd’s March 18th, 1973 concert were attributed to The Palace Theater in Waterbury, Connecticut due to the fact that it was the venue corresponding to the date on their tour itinerary, however Floyd in actuality performed twice on the 18th; though scheduled for a late show at New York City’s Radio City Music Hall on March 17th, the band didn’t actually take the stage until well after 1 a.m. the following morning in front of a massive Saturday night audience.
Early tape traders knew the recordings they had were from Radio City Music Hall, but when additional sources surfaced years later with the March 18th date, determined to be of the same show, you can just imagine the confusion that swept through trader’s circles as people started insisting they were from Waterbury based upon the date alone.
Of course, it’s natural to become excited, ambitious, and overly-enthused at the notion a previously unreleased tape has come to light – unfortunately, sometimes this results in blindness towards logic; let’s just contemplate a few facts here: there are at least 5 known sources from the March 18th, 1973 Floyd concert – now, consider in 2008, the population of Waterbury is roughly 108,000, while New York City’s five boroughs alone boast a number close to 8,275,000 people. Next, rewind almost 26 years and consider the likelihood that there were 5+ tapers in the audience of a small Connecticut city – 20 miles from both Hartford and New Haven on a Sunday night, yet none present at the famous Radio City Music Hall on a Saturday night? I’m afraid that concept is simply preposterous.
Add to all of this the fact that it is widely known amongst Deadheads that the Grateful Dead, who were in New York City performing several nights at Nassau Coliseum the same week, attended Floyd’s concert at Radio City Music Hall to witness the New York debut of Dark Side Of The Moon live in quadraphonic sound, and on one of the sources someone close to the taper is overheard saying “the Dead just left,” subsequently confirming this concert is in fact New York City and not Waterbury.
Finally, a quick surf around the ‘Net to the various Floyd reference sites reveals that even databases that once attributed this performance to Waterbury now indicate there is no known source for the Connecticut show, and that all existing sources are different perspectives of the Radio City Music Hall concert!
What this all boils down to is all of the fan-produced and ProCDR titles from the past – from Pigs On The Wing’s Dark Side Of Radio City to the Siréne Waterbury 3 Source Matrix bonus disc are in actuality from the New York City show, thus Godfather’s aptly titled Obscured By Father Time finally puts an end to all the mystery and confusion with the silver debut of Pink Floyd at Radio City Music Hall, March 18th, 1973!
As usual, Obscured By Father Time is housed in the trademark Godfather tri-fold cardboard sleeve, and I have to say that the label is making great strides graphically with every subsequent release as this one features even bolder use of color, insightful commentary, plus era-appropriate photos. In terms of packaging, there are few other labels coming even remotely close to Godfather, and with more “exclusive” releases/debuts each month, they’re starting to set a standard by which all others will soon be judged.
This would all be for naught if the audio content were shite, however this is seldom the case and more often than not quite the opposite, considering the majority of Godfather releases are sourced from soundboards or low generation copies. The only exceptions appear to be when they have the opportunity to release something extremely rare/valuable to collectors in the form of a silver debut, such as the case in point here.
The audio content can be characterized as clear, favoring the mids, and having a very lively quality. The drums, while audible, tend to be a bit distant compared to the guitars, keyboards, and vocals which are very forward in the mix. Roger Waters’ bass cuts through but again has more of a upper-midrange quality here, so dialing in a bit of extreme lows along with a touch of highs should yield the ideal balance for most listeners. The only negative sonically is the fact that there is a bit of upper end distortion, particularly during the loudest passages, throughout – however, if played at a loud volume through large speakers, Obscured By Father Time would register few complaints (and even with headphones this minor issue fades into the background as you acclimate to the recording). This is primarily due to the fantastic performance of the band which finds them well-rehearsed and inspired, eleven dates into their first North American tour of 1973.
The droning opening of “Obscured By Clouds” sets the tone for the first set of the evening, which is the more spaced-out of the two due largely to the dominance of Richard Wright’s keyboards, in this case the Mini Moog (model D). Though little more than an intro piece, it is nonetheless effective as a perfect segue into the uncharacteristic bombast of “When You’re In” – certainly one of the heavier and harder rocking songs in the Floyd discography. Floyd would only perform songs from the Obscured By Clouds soundtrack from the end of 1972 through 1973, so documents such as this are extremely valuable and welcome.
An audience member is overheard commenting “It felt like I just took a little trip” after “When You’re In,” and this sums up the first set perfectly; “Set The Controls For The Heart Of The Sun” begins with another unique drone that is much deeper and darker than “Obscured By Clouds,” featuring ominous, slowly drifting chords courtesy of Richard Wright before Gilmour enters with the main motif. It is clear at this point that we’re leaving the terrestrial realm for the remainder of the first half with three lengthy, spacey epics in a row.
One of the highlights of this concert is “Careful With That Axe, Eugene” which is bristling with tense energy from the outset, and replete with a large quantity of Waters’ maniacal vocalizations. The quadraphonics surely had the audience looking over their shoulders and shivering at the sounds of madness captured here! A brief fade follows the last strains of the piece, but no music is lost and the intro of “Echoes” is likewise intact.
It’s difficult to discern whether or not Richard Wright was intentionally developing the intro “pings” a bit or if it’s the simply the results of tweaking the Binson Echorec, but either way this anomaly provides a good identifier for this concert and sounds fantastic. The audience recognize the song instantly and roar with approval from the very first hint. What follows is a fabulous rendition of what many consider to be Floyd’s crowning achievement, and this is one of the last tours before Dick Parry’s saxophone solo was incorporated much to the chagrin of some longtime fans (including myself, though sometimes I don’t mind it). There is a brief “skip” at the 20:05 mark, but literally only a second or two is missing and there is no drop out.
Disc 2 features the “Dark Side Of The Moon” suite in its entirety, and this would be the first post-LP release performance of the massive work in front of a New York audience, who would’ve been largely unfamiliar with it due to the fact that the album had only been released 8 days prior in the USA and differed greatly from the primordial version performed at Carnegie Hall the previous May.
As per usual, the sound seems to improve slightly for the majority of “Dark Side Of The Moon” but there are a couple small issues to address here beginning with another “skip” at the 3:51 mark in “The Great Gig In The Sky” (again, no drop-out, just a couple seconds or less missing). More significant than that is the rather harsh editing in of another source at the 1:10 mark in “Brain Damage” that carries us through to the end of the song where another edit brings us back to the previous source for “Eclipse” – this is a bit jarring but at least it’s musically complete.
Needless to say, the band perform flawlessly and there are some very cool details that make this version special including Richard Wright’s tweaking of the cutoff filter towards the end of “On The Run” to a succession of rather frenzied bends from Gilmour about 6:45 into “Any Colour You Like.” Overall, the suite sometimes feels a bit “pushed” as if the tape is running a touch fast, but it lends a powerful driving feel to “Money” and prevents any lulls otherwise.
There’s one final fade out and back in before the encore “One Of These Days,” but as with the rest of this collection, most of the tune-up is there and no actual musical content is lost. There is a brief instance of tape deterioration at the 1:14 mark, but it passes swiftly. As with the majority of this concert, it is the minute details that make it special, in this case Wright’s Moog-based experiments at the conclusion of the song set it apart from other renditions. Unfortunately, towards the end of the disc, the upper end distortion grows increasingly audible, however this doesn’t soil this release much due to the quality of the performance.
Thus, while Godfather’s release is a combination of sources, the editing is handled professionally with the sole exception of the “shocking” sonic twist in “Brain Damage,” but it’s likely this is the best they could do with the copy they procured (several fan-produced titles of this performance opted for the matrix method, and I imagine Godfather received a copy of one of these, then remastered it…but without ALL of the original source tapes, it would be difficult to smooth out a previous patching job that was somewhat shoddy).
Nevertheless, Obscured By Father Time is an extremely important and welcome release from Godfather, as this show in particular did indeed contribute directly to the changing fortunes of the band (as mentioned in the liner notes), with so many important people in the audience(and a horde of tapers as well); though Floyd would return to North America for a 2nd leg in June of 1973, the next tour proper (in 1975) would find them performing in venues double or triple this size – not only the result of the unexpected success of “Money” on the radio, but also years of legendary live spectacles such as this.
Obscured By Father Time marks the third silver Floyd debut in a row from Godfather Records, and I say “keep ‘em coming!” Yes, it’s a bit more raw once again (compared to some of the Springsteen, Zeppelin, or U2 releases from the label), but this release in particular is something of a coup in that after all the assumptions, conjecture, and speculation related to the March 18th, 1973 recordings, Godfather have delivered a resounding statement that eliminates all the past confusion related to these tapes – considering the historical relevance of this concert, it’s about damn time someone pressed it on silver!
Review from: www.collectorsmusicreviews.com

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Pink Floyd: Antwerp 1977 (VG++ Aud) FLAC

This is the definitive Antwerp 1977 concert release and the latest Godfatherrecord.

Thirteen
The Godfatherecords G.R. 673 / 674 Trifold Cardboard Sleeve
Matrix Disc 1: G.R. 673 / 674 CD1
Matrix Disc 2: G.R. 673 / 674 CD2
Barcode: 0109201673
(P) 2011 Made In Europe
20 February 1977 - Live at Sportpaleis, Antwerpen, Belgium
MD5 & Artwork incl.

If you have previously obtained " ANIMALS IN BELGIUM " G.R 652/653) you have the recording from Paris, 22 February 1977.

Disc 1:
1. Sheep 10:23
2. Pigs On The Wing 1 1:53
3. Dogs 17:09
4. Pigs On The Wing 2 2:31
5. Pigs (Three Different Ones) 17:47
Total Time: 49:53

Disc 2:
1. Shine On You Crazy Diamond (Parts 1-5) 11:21
2. Welcome To The Machine 8:38
3. Have A Cigar 5:43
4. Wish You Were Here 6:10
5. Shine On You Crazy Diamond (Parts 6-9) 18:14
6. Money 10:07
Total Time: 60:13

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Pink Floyd: Tearing Down The Coliseum Wall 1980 (6CD Box Set)

all art, booklets, etc included

Tearing Down The Coliseum Wall
The Godfather Box – G.R. BOX 05
(P) 2011 Made In Europe
Including: 3 Double CDs / 12 Page Booklet / 24 Page Tour Book / Poster / Pin (Badge)
Discs Are Packaged In Tri-Fold Digipacks
Recorded Three Nights At The Nassau Coliseum, Uniondale, NY, USA
Band:
Roger Waters
Rick Wright
Nick Mason
David Gilmour
Snowy White (guitar)
Andy Bown (bass)
Peter Wood (keyboards)
Willie Wilson (drums)

#1
25 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA
Matrix Disc 1: G.R. BOX 05 A/B CD1
Matrix Disc 2: G.R. BOX 05 A/B CD2

Disc 1: Time:
1. MC: Atmosphere 2:03
2. In The Flesh 2:53
3. The Thin Ice 3:09
4. Another Brick In The Wall (Pt.1) 5:06
5. The Happiest Days Of Our Lives 1:34
6. Another Brick In The Wall (Pt.2) 6:24
7. Mother 7:57
8. Goodbye Blue Sky 3:28
9. Empty Spaces 2:27
10. What Shall We Do Now? 1:55
11. Young Lust (Gilmour,Waters) 4:34
12. One Of My Turns 4:03
13. Don't Leave Me Now 4:13
14. Another Brick In The Wall (Pt.3) 1:09
15. The Last Few Bricks 5:05
16. Goodbye Cruel World 1:30
Total Time: 57:33

Disc 2: Time:
1. Hey You 5:57
2. Is There Anybody Out There? 2:43
3. Nobody Home 3:28
4. Vera 1:35
5. Bring The Boys Back Home 0:48
6. Comfortably Numb (Gilmour,Waters) 8:08
7. The Show Must Go On 2:39
8. MC: Atmosphere 2:41
9. In The Flesh? 4:38
10. Run Like Hell (Gilmour,Waters) 7:28
11. Waiting For The Worms 4:33
12. Stop 0:31
13. The Trial 6:16
14. Outside The Wall 4:23
Total Time: 55:08

#2
26 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA
Matrix Disc 1: G.R. BOX 05 C/D CD1
Matrix Disc 2: G.R. BOX 05 C/D CD2

Disc 3: Time:
1. MC: Atmosphere 0:12
2. In The Flesh 3:01
3. The Thin Ice 3:29
4. Another Brick In The Wall (Pt.1) 4:59
5. The Happiest Days Of Our Lives 1:27
6. Another Brick In The Wall (Pt.2) 6:14
7. Mother 8:12
8. Goodbye Blue Sky 3:28
9. Empty Spaces 2:42
10. What Shall We Do Now? 1:41
11. Young Lust (Gilmour,Waters) 4:57
12. One Of My Turns 3:54
13. Don't Leave Me Now 4:05
14. Another Brick In The Wall (Pt.3) 1:21
15. The Last Few Bricks 4:17
16. Goodbye Cruel World 0:54
Total Time: 54:53

Disc 4: Time:
1. Hey You 4:06
2. Is There Anybody Out There? 3:05
3. Nobody Home 3:28
4. Vera 1:39
5. Bring The Boys Back Home 1:09
6. Comfortably Numb (Gilmour,Waters) 7:55
7. The Show Must Go On 2:51
8. MC: Atmosphere 2:05
9. In The Flesh? 5:44
10. Run Like Hell (Gilmour,Waters) 6:46
11. Waiting For The Worms 4:24
12. Stop 0:31
13. The Trial 6:23
14. Outside The Wall 3:44
Total Time: 53:50

#3
27 February 1980
Live at Nassau Coliseum, Uniondale, Long Island, New York, USA
Matrix Disc 1: G.R. BOX 05 E/F CD1
Matrix Disc 2: G.R. BOX 05 E/F CD2

Disc 5: Time:
1. MC: Atmosphere 1:41
2. In The Flesh 3:06
3. The Thin Ice 3:20
4. Another Brick In The Wall (Pt.1) 5:07
5. The Happiest Days Of Our Lives 1:43
6. Another Brick In The Wall (Pt.2) 6:15
7. Mother 7:28
8. Goodbye Blue Sky 3:58
9. Empty Spaces 2:51
10. What Shall We Do Now? 1:53
11. Young Lust (Gilmour,Waters) 4:38
12. One Of My Turns 3:59
13. Don't Leave Me Now 3:55
14. Another Brick In The Wall (Pt.3) 1:24
15. The Last Few Bricks 3:10
16. Goodbye Cruel World 1:50
Total Time: 56:18

Disc 6: Time:
1. Hey You 4:38
2. Is There Anybody Out There? 3:40
3. Nobody Home 3:31
4. Vera 1:15
5. Bring The Boys Back Home 1:24
6. Comfortably Numb (Gilmour,Waters) 7:35
7. The Show Must Go On 2:37
8. MC: Atmosphere 3:39
9. In The Flesh? 5:43
10. Run Like Hell (Gilmour,Waters) 7:02
11. Waiting For The Worms 4:46
12. Stop 0:31
13. The Trial 6:18
14. Outside The Wall 8:23
Total Time: 61:02

MD 5 & Artwork incl.
Cheers - Hoka

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Led Zeppelin: New York 1975 (Soundboard) FLAC

Lineage: My Original Silver CD > EAC > WAV > FLAC
Date: 1975.02.12
Title: That's Alright New York
Label: The Godfatherecords (G.R.327/328/329)
Venue: Madison Square Garden
Location: New York, NY, USA
Source: Stereo Soundboard

*Note: This title that Godfather released is flat out Amazing. I own 7 different labels of this show and without a second thought after Jimmy hit that first cord; This is…”The Example of Supreme.” All the current labels should grab a copy of this and frame it, hang it on their walls, and while gazing at it, realize this is Mastering at it’s Finest!
-bostonbro

Disc 1
01. Rock And Roll
02. Sick Again
03. Over The Hills And Far Away
04. In My Time Of Dying
05. The Song Remains The Same
06. The Rain Song
07. Kashmir

Disc 2
01. No Quarter
02. Trampled Underfoot
03. Moby Dick

Disc 3
01. Dazed And Confused (incl. San Francisco)
02. Stairway To Heaven
03. Whole Lotta Love
04. Black Dog
05. Heartbreaker (incl. That Alright Mama)

Review #1: A great show! It may have been a blizzard outside but the Garden was rocking this night! "We came four blocks in the snow to get here ... you realise that? People were calling me on the telephone today and saying 'Is it gonna be on?' For a minute I was wondering about my anatomy, then I realised there was some discrepancy about the weather. Isn't it good though that it snows? Doesn't it change the vibe of the city? I think it's great!" The band is in excellent form and delivers a great show. Robert sounds good and strong, Jonesy and Bonzo are amazing as always, and Jimmy is incendiary tonight, especially at the end of Sick Again. He extends the solo in Over The Hills And Far Away to an incredible length and soars. No Quarter is dedicated to Jones that "...made Monthy Python's Flying Circus a flop in New York" tonight and his imppecably clean fingernails. Moby Dick is like a hurricane and Dazed And Confused just blows everybody out to the cosmic level! A bunch of heavy solid encores with an excellent Heartbreaker with some lyrics of Elvis Presley's That's Alright Mama thrown in closing this amazing eveing. This is definitely a triumph for the entire band and, not only a strong concert but also probably the best from the 1975 US Tour. "Ladies and gentlemen of New York ... you're too much ... and we ain't so bad ourselves!" and the show was over.
-Argenteum Astrum

Review #2: When Empress Valley released the soundboard for this show it was a revelation of sorts. Not only was it previously uncirculated but it sounds as if it’s a professionaly mixed multi-track recording. The general consesus among collectors was that this recording was the best of the best and could not get any better. UNTIL NOW!!! Godfather has pulled off a miracle. This new release has taken what was already a three layer cake and added the richest icing possible. Godfather has improved the seemingly unimprovable. They did what was said couldn’t be done. They have taken the best sounding soundboard out there and turned it into the best sounding soundboard ever… Sure Flying Circus is great but this recording blows it away. Godfather used a professional recording studio to work their magic on this release. This release may definitely take the place of the official Live Led Zeppelin releases in my collection. This release has a beefier sound to it which overall makes this a slamming recording. There’s absolutely no hiss present and this is as clean as it gets. This release will help to set Godfather’s Legacy in stone.
One thing that has confused me over the years is that inside the first edition of Luis Rey’s “Led Zeppelin Live” book he lists both the audience and soundboard sources for this show. Mysteriously the next two editions of his book have only the audience source listed. Obviously Mr. Rey had access to the soundboard long before any of the rest of us did. We’re talking at least 10 years in between the first edition of his book and the release of Flying Circus. I don’t ever remember too much of a stink made over the listing of the Soundboard and no actual soundboard circulating. Someone in the know got to Mr. Rey and hushed him up. Conspiracy Theories at their finest. That right there proves to me that there’s still plenty of stuff circulating amonsgst the “Elite” collectors that the rest of us have no idea about.
This release is packaged in the typical Godfather Gatefold with numerous pictures of the band. Inside is another short summary by Mr. Paul De Luxe. He basically writes a short summary of the show. The soundboard source has been previously released as Flying Circus (Eelgrass & Empress Valley Supreme Disc) and Madison Square Graffiti (Red Devil). Audience source #1 has previously been released on LP as The Final Option (Rock Solid Records & The Swingin’ Pig Records), In Concert (Rock Solid Records), In Person (Rock Solid Records), Live At Madison Square Garden 1975 (no label issues & Zep Toepper), Live In Madison Square Garden Part 1&2 (Box Top Records), Madison Square Garden (The Swingin’ Pig Records) & Madison Square garden 1975 (The Swingin’ Pig Records) and on CD as The 10th US Tour (Whole Lotta Live), Can’t Take Your Evil Ways (The Diagrams Of Led Zeppelin), Can’t Take Your Evil Ways Un-Cut Version (The Diagrams Of Led Zeppelin), Four Blocks In The Snow (The Chronicles Of Led Zeppelin), Good To Be Back In New York City (Planet), Heartbreakers Back In Town Pts 1&2 (TNT Studios), The Jumpleg (Tarantura), Ladies And Gents (Tarantura2000), M.S.G. 1975 (Last Stand Disc, both issues), & Shakin’ All Over (Triangle Records). Audience Source #2 has previously been released on CD as Four Blocks In The Snow (The Chronicles Of Led Zeppelin) & That’s All Right NewYork (Electric Magic)”. The combined sources have been previously released as “Four Blocks In The Snow (Small Fish CD-R). DVD-A versions were released as Flying Circus (Empress Valley Supreme Disc) & Heartbreakers Back In Town (Genuine Masters).
I’ve always held Flying Circus in high regard due to the sound quality but this release has taken over the coveted spot of “Best Soundboard in Circulation!” Hands down it wins! Thanks must got to Godfather for taking something amazing and making it extraordinary. Eat Your Heart Out Empress Valley.
-Collectors Music Reviews
Art and Checksum Included
Enjoy

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More Zep tomorrow.

Led Zeppelin: The Dancing Avocado 1969 (Soundboard) FLAC

Godfather Records GR330
Fillmore West, San Francisco, CA - April 24, 1969

During their first year of existence Led Zeppelin quickly adopted San Francisco as their home away from home. The shows performed there actually set the mark for how amazing the band could be live. This particular show definitely does just that. Long rumoured to be stolen directly from Bill Graham’s vaults, this show has everything a Zephead could want and so much more. Pure Psychodelia with a mixture of raw power make for a Red Hot set. Every member of the band is in fine shape and turns in an inspired performance. Robert’s voice sounds amazing and the rest of the group are as tight as can be. Halfway through this recording John Paul Jone’s Bass Amp blows up but he somehow manages to get through the rest of the gig.

Upon writing this review I sat down and compared this version to the Empress Valley release Listen To The Difference and I’m leaning towards this release sounding a bit cleaner. There’s just a bit more body and depth to this release which definitely takes it to another level. This recording has long been thought to be a soundboard recording due to how well balanced the instruments are. Robert’s voice is a bit lower than everyone else. Coming from two microphones placed directly on stage could explain why his voice is a bit lower. The instruments are picked up well but the microphones are placed behind the throw of the main PA speakers.

The packaging is the standard Godfather Gatefold packaging with 3 panels. All contain great period shots of the band both on and off stage. Mr. Paul De Luxe contributes another essay to the inside panel. Godfather’s advantage over alot of other labels is that their packaging is always simple and to the point, all the while looking just as exciting and as professional as many of the boutique labels.

This source was previously released on LP as The Rising Of The Zeppelin (no label) & San Francisco ‘69 (no label) and on CD as Best Of 1969 Tour (Forever Standard Series), Black Beauty (Wendy Records), Blues Anytime (Empress Valley Supreme Disc), Cabala (CD Company SRL), Conquering California(Dinopower Records), Cracker Jack Blues (Jelly Roll), The Dancing Avocado (Small Fish CD-R), The Dancing Avocado - Supreme Edition (Small Fish CD-R), Fillmore 69(House Of Elrond), Fillmore West (Last Stand Disc), Fillmore West 1969 (Scorpio), Fillmore West - January And April 1969 (Aulica), Go West Young Man! (Scorpio), Listen To The Difference (Empress Valley Supreme Disc), More Than Something Else(Aulica), Psychedelic Raw Blues (Immigrant), San Francisco ‘69 (Aulica), Shenandoah(Aulica), Through The Years (Big Music), & Who’s Country Joe (Flying Disc Music).

01. As Long As I Have You (Medley) (20:12)
02. Killing Floor (8:52)
03. White Summer/Black Mountain Side (10:23)
04. Babe I’m Gonna Leave You (7:14)
05. Pat’s Delight (12:19)

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