Visit
http://ourqualitybootz.blogspot.com/
for an exciting announcement*.
*Disclaimer: The owner of this blog finds it exciting. You may not.
Thursday, June 30, 2011
Exciting News!!
Visit
http://ourqualitybootz.blogspot.com/
for an exciting announcement*.
*Disclaimer: The owner of this blog finds it exciting. You may not.
My Morning Jacket: Chicago 2011 (FM) FLAC
Auditorium Theater
Chicago, IL US
2011-06-17
Lineage: fm (Onkyo TX8511)>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor)>flac
Intro 1:14
Victory Dance 6:27
Circuital 7:33
The Day Is Coming 3:17
Touch Me I'm Going To Scream Pt. 2 8:03
Station ID 0:10
Off the Record 6:29
Wordless Chorus 4:43
First Light 4:08
You Wanna Freak Out 3:45
Talk 2:53
Wonderful 5:40
Golden 4:38
Gideon 4:14
I'm Amazed 5:30
Where to Begin 4:33
Anytime 3:57
Dancefloors 5:36
Talk 1:23
Slow Slow Tune 4:58
Movin' Away 5:41
Honest Man 8:02
Holding on to Black Metal 4:30
Highly Suspicious 3:36
One Big Holiday 7:33
Inane Disc Jockey Talk & Intro to Encores 3:52
Steam Engine >11:10
Smokin' from Shootin' > 9:21
Magheeta 7:42
Inane DJ Outro 1:38
Total Time: 152:30
rar files packed with a (winrar) recovery record -
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We'll start next month not wasting "the hours in an off hand way
" (hint).
UFO: London 1980 (VG+ Aud) FLAC
Analog unknown gen > CDR > EAC > flac
02.05.80 - London, England
Source: Hammersmith Odeon, London, England. February 5th 1980
What we have here is proof Paul Chapman rivals Michael Schenker in ability.
Disc 1:
1. Intro (1:46)
2. Lettin' Go (3:38)
3. Young Blood (4:48)
4. No Place To Run (4:37)
5. Out In The Street (5:12)
6. Cherry (5:46)
7. Only You Can Rock Me (4:50)
8. Love To Love (8:45)
9. Mystery Train (5:03)
Time: 44:24
Disc 2:
1. Doctor Doctor (6:39)
2. Too Hot To Handle (5:53)
3. Lights Out (9:50)
4. Rock Bottom (14:40)
5. Shoot Shoot (15:05)
Time: 52:07
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
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or
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Ted Nugent: Nashville 1984 (KBFH FM) FLAC
Municipal Auditorium Nashville, TN USA 1984-04-20 (KBFH)
cdr>eac>wav>flac
Art Included
Enjoy!!!
1.Free-For-All
2.Great White Buffalo
3.Need You Bad
4.Stranglehold
5.Dog Eat Dog
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-a308d1
or
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The (Early) Notting Hillbillies: Leeds 1986 (VG+ Aud) FLAC
Brendan Croker, Mark Knopfler, Steve Phillips - Early Hillbillies
The Grove Pub, Leeds, U.K. 1986-05-31
Source: audience
Format: 1 CD-R
1. Drop-Kick Me, Jesus
2. Tomorrow Night
3. Your Cheating Heart
4. Tear It Down
5. That's Alright Mama
6. Drinking Wine
7. Morning Train
8. Mabelene
9. Down On My Knees
10. Bewildered
11. I Believe
12. Love Me Tender
13. Move It On Over
14. Ragged And Dirty
15. Wedding Bells
16. Lawdy Miss Clawdy
17. Boogie Woogie Dance
Mark Knopfler - acoustic guitar/backing vocals
Steve Phillips - vocals/ acoustic guitar
Brendan Croker - Vocals/ acoustic guitar
Enlight note: Remember that the name "The Notting Hillbillies" didn't exist back in 1986. I have included a picture in the comment and file from that evening, archivated by Steve. It says at the bottom of photo ..... "The unofficial inaugaration of The Notting Hillbillies" May 1986 at The Grove, Leeds.
(Notice that the written part on the picture was done two years later,when the name "The Notting hillbillies" was born.)
I can talk for hours and hours about this gig ,EXHALE..............I will not!! Enter the pub grab a beer and enjoy what i like to call a "real deal" recording
Sorry no art (feel free) , flac.log and MD5 included
Take care and Drop-kick me softly, Jesus!
Enlight (2011-june)
OU: This is the recording of that legendary night when it all began.
The roots of The Notting Hillbillies lie in The Grove pub in Leeds, May 1986. In front of a packed house three old friends - Steve Phillips, Brendan Croker and Mark Knopfler - ran through some blues classics and had a few drinks. At the end of the evening, they split the £1-per-head ticket money three ways - just £22 each.
It was the first time the three had played together, but it wasn't to be the last. A couple of years on, and with Dire Straits on ice, Phillips asked Knopfler to produce an album he was making with Croker. Knopfler drafted in Dire Straits' Guy Fletcher to help with the production, and the four-way collaboration slowly blossomed into a full-term project.
Taking their name from the location of Knopfler's home studio, The Notting Hillbillies were born. The record deal, album, promotional video and 1990 tour followed quickly after.
Anyway, back to the beginning; this is the recording of that legendary night when it all began, just one month after the final concert of the Brothers in Arms world tour 1985-1986.
Just three man; Brendan Croker, Steve Phillips and Mark Knopfler. It's an audience recording, pretty good sound quality. (Info from on every bootleg)
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-99f5a1
or
http://lix.in/-a31d67
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The Grove Pub, Leeds, U.K. 1986-05-31
Source: audience
Format: 1 CD-R
1. Drop-Kick Me, Jesus
2. Tomorrow Night
3. Your Cheating Heart
4. Tear It Down
5. That's Alright Mama
6. Drinking Wine
7. Morning Train
8. Mabelene
9. Down On My Knees
10. Bewildered
11. I Believe
12. Love Me Tender
13. Move It On Over
14. Ragged And Dirty
15. Wedding Bells
16. Lawdy Miss Clawdy
17. Boogie Woogie Dance
Mark Knopfler - acoustic guitar/backing vocals
Steve Phillips - vocals/ acoustic guitar
Brendan Croker - Vocals/ acoustic guitar
Enlight note: Remember that the name "The Notting Hillbillies" didn't exist back in 1986. I have included a picture in the comment and file from that evening, archivated by Steve. It says at the bottom of photo ..... "The unofficial inaugaration of The Notting Hillbillies" May 1986 at The Grove, Leeds.
(Notice that the written part on the picture was done two years later,when the name "The Notting hillbillies" was born.)
I can talk for hours and hours about this gig ,EXHALE..............I will not!! Enter the pub grab a beer and enjoy what i like to call a "real deal" recording
Sorry no art (feel free) , flac.log and MD5 included
Take care and Drop-kick me softly, Jesus!
Enlight (2011-june)
OU: This is the recording of that legendary night when it all began.
The roots of The Notting Hillbillies lie in The Grove pub in Leeds, May 1986. In front of a packed house three old friends - Steve Phillips, Brendan Croker and Mark Knopfler - ran through some blues classics and had a few drinks. At the end of the evening, they split the £1-per-head ticket money three ways - just £22 each.
It was the first time the three had played together, but it wasn't to be the last. A couple of years on, and with Dire Straits on ice, Phillips asked Knopfler to produce an album he was making with Croker. Knopfler drafted in Dire Straits' Guy Fletcher to help with the production, and the four-way collaboration slowly blossomed into a full-term project.
Taking their name from the location of Knopfler's home studio, The Notting Hillbillies were born. The record deal, album, promotional video and 1990 tour followed quickly after.
Anyway, back to the beginning; this is the recording of that legendary night when it all began, just one month after the final concert of the Brothers in Arms world tour 1985-1986.
Just three man; Brendan Croker, Steve Phillips and Mark Knopfler. It's an audience recording, pretty good sound quality. (Info from on every bootleg)
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-99f5a1
or
http://lix.in/-a31d67
http://lix.in/-a4a408
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Comments welcome.
Robin Trower: Atlanta 1973 (FM) FLAC
Richard's Nightclub
Atlanta, Ga
1973-11-02
FM Broadcast (KZEW FM Dallas)
01 The Fool In Me
02 Twice Removed From Yesterday
03 Lady Love
04 Daydream
05 Another Day, Another Night (Day Of The Eagle)
06 I Can't Wait Much Longer
07 Man Of The World
08 Sinner's Song
09 Little Bit Of Sympathy
10 Rock Me Baby
This is the complete broadcast.
OU: Here is the complete show with uncut Rock Me baby with outro. This is a cdr boot I received back in 2007 from cbrannan. Thnx. I removed the Filler, as personally a show is a show is a show. This also had the 1974-11-02 date which this show had hanging to it for years.
There was a lot of contention as to the date of this, but I changed it to 1973, which makes sense. This is still unconfirmed. Enjoy.
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
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Mitch Ryder: Roth 2004 (VG+ Aud) FLAC
With Engerling Feat. Robert Gillespie
Kulturfabrik, Roth, Germany
February - 13 - 2004
Rec. Info: OKM2Pop -> iRiver Juke Box (WAv 16/44) -> HD -> external HD -> my HD -> Soundengine (reedit/
remaster) -> WAV -> TLH8 -> FLAC
Recorded by Mr. SANDHOOS, amazing quality, but - as on all o his recordings before - most audience banter is cut out, which leads to some harsh transitions...Almost all of Mr. Levise's banter is on here. Very entertaining, indeed...
---
What to say about this "URGESTEIN" (Prime Rock) of Rock and Roll Music? At age of now 66 he's still on the road, and as recent postings prove, he's still in an
amazing condition, which is not to say of some others of his age...Though the show captured here is a few years ago, the core songs are still in his repertoire. So, if he shows up at your place in Europe, go ahead a grab his performance. Unfortunately this can't be said about the United States of A shows, where he's reduced to bring up his old Detroit Wheels songs only.
Lucky us Europeans, and thanks to the Rockpalast of 1979, where all things went ugly first, but then turned extremly positive for his career. His backing band, ENGERLING (named after the worm which metamorphes into the here common May-Bug), was once possibly the primo Blues band behind the iron curtain in long gone German Democratic Republic (DDR, or GDR). They'd been working with Mitch on and off since 1994, and are his regular touring band for Europe since 2002.
Have some fun with this grand entertainer of Rock and Roll music! Enjoy! SB.
From Detroit Motorcity, The Heart Of Rockn Roll...
FULL SHOW (136:06 Min.)
01. Yeah You Right (5:04)
02. From A Buick 6 (4:55)
03. Everybody Loses (5:58)
04. The Porch (3:33)
05. Ain't Nobody White (5:57)
06. Jenny Take A Ride (4:03)
07. Rock And Roll (5:50) *
08. Bang Bang (5:10)
09. Berlin (4:37)
10. The Terrorist (3:59)
11. Mitch Talks (1:59)
12. Subterranean Homesick Blues (5:45) **
13. Freezin' In Hell (8:08)
14. Red Scar Eyes (12:00)
15. Heart Of Stone (12:27) ***
16. Gimme Shelter (10:51) ***
--- Encore ---
17. Band Introduction (2:48)
18. True Love (7:52)
19. It Wasn't Me (8:54) ****
20. Soul Kitchen (16:07) *****
* Cover By Lou Reed
** Cover By Bob Dylan
*** Cover By Rolling Stones
**** Cover By Shaggy
***** Cover By The Doors
The musical "terrorists" here on stage are....
Mitch Ryder - Mighty Lead Vocals
Heiner Witte - Guitars, Vocals
Manne Pokrandt - Bass, Vocals
Wolfram Bodag - Keyboards, Harp, Vocals
Vincent Brisach - Drums
Robert Gillespie - Guitars
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-a490d0
or
http://lix.in/-a30a39
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Kulturfabrik, Roth, Germany
February - 13 - 2004
Rec. Info: OKM2Pop -> iRiver Juke Box (WAv 16/44) -> HD -> external HD -> my HD -> Soundengine (reedit/
remaster) -> WAV -> TLH8 -> FLAC
Recorded by Mr. SANDHOOS, amazing quality, but - as on all o his recordings before - most audience banter is cut out, which leads to some harsh transitions...Almost all of Mr. Levise's banter is on here. Very entertaining, indeed...
---
What to say about this "URGESTEIN" (Prime Rock) of Rock and Roll Music? At age of now 66 he's still on the road, and as recent postings prove, he's still in an
amazing condition, which is not to say of some others of his age...Though the show captured here is a few years ago, the core songs are still in his repertoire. So, if he shows up at your place in Europe, go ahead a grab his performance. Unfortunately this can't be said about the United States of A shows, where he's reduced to bring up his old Detroit Wheels songs only.
Lucky us Europeans, and thanks to the Rockpalast of 1979, where all things went ugly first, but then turned extremly positive for his career. His backing band, ENGERLING (named after the worm which metamorphes into the here common May-Bug), was once possibly the primo Blues band behind the iron curtain in long gone German Democratic Republic (DDR, or GDR). They'd been working with Mitch on and off since 1994, and are his regular touring band for Europe since 2002.
Have some fun with this grand entertainer of Rock and Roll music! Enjoy! SB.
From Detroit Motorcity, The Heart Of Rockn Roll...
FULL SHOW (136:06 Min.)
01. Yeah You Right (5:04)
02. From A Buick 6 (4:55)
03. Everybody Loses (5:58)
04. The Porch (3:33)
05. Ain't Nobody White (5:57)
06. Jenny Take A Ride (4:03)
07. Rock And Roll (5:50) *
08. Bang Bang (5:10)
09. Berlin (4:37)
10. The Terrorist (3:59)
11. Mitch Talks (1:59)
12. Subterranean Homesick Blues (5:45) **
13. Freezin' In Hell (8:08)
14. Red Scar Eyes (12:00)
15. Heart Of Stone (12:27) ***
16. Gimme Shelter (10:51) ***
--- Encore ---
17. Band Introduction (2:48)
18. True Love (7:52)
19. It Wasn't Me (8:54) ****
20. Soul Kitchen (16:07) *****
* Cover By Lou Reed
** Cover By Bob Dylan
*** Cover By Rolling Stones
**** Cover By Shaggy
***** Cover By The Doors
The musical "terrorists" here on stage are....
Mitch Ryder - Mighty Lead Vocals
Heiner Witte - Guitars, Vocals
Manne Pokrandt - Bass, Vocals
Wolfram Bodag - Keyboards, Harp, Vocals
Vincent Brisach - Drums
Robert Gillespie - Guitars
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-a490d0
or
http://lix.in/-a30a39
http://lix.in/-a490da
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Wednesday, June 29, 2011
The Tubes: Pawtucket 1978 + A Bunch of Lampinski Stuff Added
Leroy Theatre
Pawtucket, RI
9 April 1978
Master audience recording taped by Dan Lampinski
01 White Punks On Dope (beginning cut)
02 Tubes World Tour
Encores only, the main tape is missing
Nakamichi 550 Tape Recorder
Two Nakamichi CM-300 Microphones
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
Download includes scans of tickets, corrected cover art, photos of Dan, Carl and June, + a lot more
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Tomorrow will be guitars-a-blazing to end the month.
Good Rats: 2 Lampinski Recordings 1977+79 (FLAC)
The Rat
Boston, MA
24 July 1977
Master audience recording taped by Dan Lampinski
01 Advertisement In The Voice
02 Reason To Kill >
03 Local Zero
04 Klash-Ka-Bob
Opening for the Atlantics
missing first 45 minutes
slightly distorted, recorded with attenuator setting on "off".
Peppi Marchello – lead vocals, harmonica, and bats
Mickey Marchello – guitar, vocals
John (The Cat) Gatto - guitar
Lenny Kotke - bass, vocals
Joe Franco - drums
+++
location unknown
1979
Master audience recording taped by Dan Lampinski
01 School Days
02 You're Still Doing It
03 Ordinary Man
04 Cherry River
05 Injun Joe (spliced)
06 Klash-Ka-Bob
Peppi Marchello – lead vocals, harmonica, and bats
Mickey Marchello – guitar, vocals
John (The Cat) Gatto - guitar
Lenny Kotke - bass, vocals
Joe Franco - drums
Nakamichi 550 Tape Recorder
Two Nakamichi CM-300 Microphones
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
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Duran Duran: The 1979 Demo (Studio) FLAC
first ever demo tape 1979
this is pre-Le Bon and features Andy Wickett (Fane) -vocals, John Taylor (Nigel) -Guitars, Roger Taylor -Drums and Nick Rhodes -Keyboards.
1.See Me Repeat Me
2.Reincarnation
3.Girls On Film
4.Working The Steel
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Loggins and Messina: Providence 1974 (Dan Lampinski Aud Master) FLAC
Providence Civic Center
Providence, RI
5 November 1974
Master audience recording taped by Dan Lampinski
01 Danny's Song
02 A Love Song
03 House At Pooh Corner
04 Thinking Of You
05 Brighter Days
06 Be Free
07 Listen To A Country Song
08 You Need A Man/Coming To You
09 Lately My Love
10 band intros/Angry Eyes
11 E: My Music/Your Mama Don't Dance
12 Vahevala
Kenny Loggins - vocals, guitar
Jim Messina - vocals, bass, guitar
Merle Brigante - drums
Jon Clarke - flute, horns
Al Garth - violin, horns
Larry Sims - bass
Recorded on a BASF cassette that required baking to play. Sound quality fluctuates throughout the recording.
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
BASF cassette
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Baking oven -> unknown model Tascam cassette deck -> 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
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Steppenwolf: Providence 1974 (Dan Lampinski Aud Master) FLAC
Providence Civic Center
Providence, RI
18 November 1974
Master audience recording taped by Dan Lampinski
01 Wolfman Jack intro
02 Born To Be Wild
03 Gang War Blues
04 Hey Lawdy Mama
05 Children Of The Night
06 Jeraboah
07 Monster/Suicide/America
08 Smokey Factory Blues
09 Fishin' In The Dark (spliced)
10 The Pusher
11 I'm Movin' On (John Kay Band)
12 Straight Shootin' Woman
13 Get Into The Wind
14 Magic Carpet Ride
15 E: Fool's Fantasy
16 Berry Rides Again
Recorded on a BASF cassette that required baking to play.
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
BASF cassette
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Baking oven -> unknown model Tascam cassette deck -> 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
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Tuesday, June 28, 2011
Frankie Goes To Hollywood: John Peel Show 1982 (FM) FLAC
BBC Session (John Peel show)
unknown [BBC] studio, probably in London U.K.
1982-11-24
First broadcast 1982-12-02; This recording from rebroadcast 1984-07-02
Holly Johnson: Vocals
Paul Rutherford: Vocals
Brian Nash: Guitar
Peter Gill: Drums
Mark O'Toole: Bass
Producer: Anthony Pugh
Engineer: unknown
BBC Radio 1 FM broadcast > Pioneer tuner > unknown cassette deck > TDK SA-C90 cassette master > Cassette playback on Pioneer CT-S550S with azimuth correction > Sony JE530 A/D (44.1k) > Nomad JB3 > .wav > Adobe Audition > .wav > CDWAV > FLAC frontend > .flac files
I used a recent BBC 6 Music rebroadcast (digital station @160kbps) of the same material to make a suitable speed adjustment. This adjustment caused the play time for The World Is My Oyster to match across the two sources, although there were continuous (minor) speed fluctuations during the cassette source. Therefore the audio did not match continually, and for the other 3 tracks there is still a difference (of less than one second, in each case).
Editing in Adobe Audition:
Inverted audio & swapped channels
Stretched audio x 102.20506162087984588182513920777%
I removed 1 minor click (1 second into t01) using Adobe Audition click removal.
Also a quiet "thump" in the dying second of Two Tribes.
And minor fades at the beginning and end of each track.
Note: The Sony JE530 is a minidisc recorder, however a pure digital output is available when using it as a "passthrough" device. Therefore, despite the presence of a minidisc device in this lineage there is no MD/ATRAC compression.
1. The World Is My Oyster 4:04
2. Krisco Kissess 2:33
3. Two Tribes 3:39
4. Disneyland 2:26
Total Time : [12:42]
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Duran Duran: Fukouka 1987 (VG+ Aud) FLAC
Location: Shimin Kaikan, Fukuoka, Japan
Date: 16 Mar 1987
Source: Audience
Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8
1 Intro
2 A View To A Kill
3 Notorious
4 American Science
5 Union Of The Snake
6 Vertigo (Do The Demolition)
7 New Religion
8 Meet El Presidente
9 Election Day
10 Some Like It Hot
11 Skin Trade
12 Matter Of Feeling
13 The Chauffeur
14 Save A Prayer
15 Hold Me
16 Is There Something I Should Know?
17 Hungry Like The Wolf
18 Wild Boys
OU Notes: Great sounding recording from the Japanese leg of Notorious Tour.This was DD at their peak in my opinion. This is intended for free trade only. Do not buy or sell!! Enjoy the mucic
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Jethro Tull: Seattle 1975 (PRRP Aud Remaster) FLAC
Date: 1975-07-25
Location: Seattle, WA
Venue: Seattle Center Coliseum
Source: Audience
Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic
Taped and Transferred By: JEMS
Band Members:
Ian Anderson - vocals, flute
Martin Barre - guitar
Jeffrey Hammond - bass
John Evan - keyboards
Barriemore Barlow - drums
Disc 1
01 Introduction 0:52
02 Wind-Up-Passion Play 7:56
03 Thick As A Brick 15:05
04 Wond'ring Aloud 4:18
05 My God (with flute solo) 12:29
06 Sealion 2:52
07 Skating Away (with band introductions) 8:09
Total Time 51:41
01 Ladies (with drum solo) 10:52
02 War Child 4:14
03 War Child Suite 5:19
04 Cross-Eyed Mary 5:13
05 Bungle In The Jungle 2:11
06 The Hare Who Lost His Spectacles 1:14
07 Aqualung 8:22
08 Guitar Solo 3:35
09 Back-Door Angels 5:48
10 Minstrel In The Gallery 1:40
11 Locomotive Breath 5:32
12 Hard-Headed English General 4:25
13 Back-Door Angels Reprise 1:54
Total Time 60:19
flute solo includes God Rest Ye Merry Gentlemen, Bourée & Living In The Past
Notes: JEMS master recording. This is an excellent sounding recording. This show captures Jethro Tull touring in support of their War Child album. This recording has circulated for years but this is the first time the master reels have ever been properly digitized (April 2010). This is an excellent show and performance with an early taste of an excerpt of Minstrel In The Gallery which would not be released until later in 75. Ian's in between song banter at this show is as entertaining if not more entertaining than music. Also of note this show took place on the 25th of July not the 27th as some other sources have speculated in the past.
Remaster
1. Create stereo image.
2. Adjust Tonality/EQ.
3. Adjust dynamics.
4. Adjust speed.
5. Repair tape change/flip.
6. Re-track.
Back to the Drawing Board
Despite live performances which were well received, many music critics were un-impressed with Tull's A Passion Play. Ian Anderson's disagreed with the criticism but knew that a different approach was needed for the next album. Warchild was recorded at Morgan Studios in London during the spring of 1974 and was named after a Roy Harper song called Little Lady in which the term was used. The album was eventually released in October of that year, reaching number 2 on the US charts and number 14 in Britain. Many fans have been critical of the album through the years but songs from the album such as Skating Away, Back Door Angels and Sealion have been included in many set lists since they were originally recorded. Tours in Japan and Australia initially presented the new material during the fall and winter of 1974.
This seemed appropriate since a picture of Melbourne, Australia was used to produce the Warchild album cover. The year ended with a brief tour of Europe. During these tours, a small segment of unrecorded material was played as part of a medley which later became the song Minstrel in the Gallery. Apparently encouraged that Warchild was not meeting the same scathing rebuke as the prior album, Ian Anderson decided to rent a house in Montreux, Switzerland to enjoy the 1974 Christmas holiday and write his next album, Minstrel in the Gallery. A tour of Europe during April of 1975 consisted of 15 shows and had set lists which were still dominated by Warchild and older album material. The tour was briefly interrupted when Ian Anderson suffered a sprained ankle during a performance in Germany. Once on the mend, the band was back on the road to complete the tour. The Minstrel album was recorded during the next few months in Monte Carlo, Monaco before starting a summer tour. Six more shows in Europe and then on to the United States.
The second show of the North American tour was in Seattle, Washington on July 25th, 1975. There has been some confusion regarding the date of this show as many people had originally believed that it had been on July 27th. However, the taper of this show and quoted newspaper advertisements both confirm July 25th to be the correct date. The set list was similar to shows over the past 6 months. There were seven songs from the Warchild album (Warchild, Warchild suite, Ladies, Back-Door Angels, Bungle in the Jungle, Sealion and Skating Away) with the rest of the set taken from the previous albums. The short segment of the Minstrel song was still included but despite completing and recording this new album, no other parts of Minstrel were played.
In the face of all the criticism of A Passion Play, parts of that album were still included in the show.
The Critique Oblique segment was played after an excerpt of Wind-up, almost as if Anderson was hoping that no one would notice that it was Passion Play material. In a more obvious attempt to include -but not really include- Passion Play segments, The Hare Who Lost His Spectacles begins after a segment of Bungle in the Jungle but is quickly morphed into an introduction for Aqualung rather than a legitimate segment of the much-maligned album. Of course, there were other highlights of the show as well. The omnipresent flute solo was incorporated into My God and included parts from God Rest Ye Merry Gentlemen, Bourée and Living In The Past. Jeffery Hammond-Hammond was featured as both the subject of the introduction story for Bungle in the Jungle and as a solo performer, demonstrating his skills as a juggler of unusual items. The items turned out to be black and white tennis balls that came out of the back side of a pantomime zebra which would join him on stage at that point. Given that Mr. Hammond was dressed in his usual black and white striped outfit, it must have been a spectacle to behold. Later in the show Mr. Anderson informs the audience that the song Skating Away was the only song salvaged from the 1973 recording sessions at Château d'Hérouville studios in France. The rest of the material was akin to Mr. Hammond's juggling material, by his own estimation. A string quartet was also part of the band at the time and was featured prominently during the Warchild suite.
These shows were considered a success by critics and fans alike. Chris Charlesworth of Melody Maker wrote at the time, "Jethro Tull are back once again playing the kind of music that won them their hard earned reputation as brilliant showmen and inventive instrumentalists....." We hope that you agree.
PRRP Staff
Notes from the Re-Master
This project began with a lossless FLAC copy of the torrented Master tape made available in the spring of 2010. The taper, JEMS is well known in trading groups as an avid fan who consistently obtained high quality recordings. According to the taper, the show was recorded using a Tandberg Model 11 R2R reel-to-reel deck and a Sony ECM-22P microphone. Pictures of this massive equipment (by today's standards) were included with the original release. Using this setup, only one break in the recording for a tape change was needed. This "tape flip" has been repaired and hopefully is now, unnoticeable.
The reel-to-reel tape setup was also very accurate for tape speed. Only minor speed adjustments were made during the remastering process. The recording was made in mono so one of the first tasks was to create a stereo image for the sound. The EQ was then adjusted to re-balance the sound and correct the clear excesses that were present.
Because this was a mono recording, channel balance was not an issue but dynamics were adjusted to enhance the recording. The show was then re-tracked and split for the CD format along a segment of applause so no music was interrupted.
PRRP Staff
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The Clash: Mont De Marsan Festival 1977 (Soundboard) FLAC
Complete Performance derived from 2 sources
5 August, 1977 - Mont De Marsan Festival, Switzerland
Disk 1: silver CD > xAct (flac)
Disk 2: analog tape gen? (low) > CD-R > xAct (flac)
artwork for silver CD provided
seeded to Bootcity.org by j-blokhed on 10-29-06
Here are two versions of this classic punk rock show. An incomplete version as on the silver bootleg CD, and a complete version from a improved quality alternate source. The alternate source is the entire show, with its one missing track filled in from the boot version.
This is far from a perfect soundboard, but the performance is so fantastic that it doesn't take away from the enjoyment. I have just about every live Clash recording in collectors hands, and this show is in the top 5. Possibly the earliest performance of 'White Man In Hammersmith Palais".
1. London's Burning
2. Capital Radio
3. 1977 *
4. Complete Control
5. Pressure Drop
6. The Prisoner
7. I'm So Bored With the USA
8. White Man In Hammersmith Palais *
9. Cheat
10. Hate and War
11. Police and Thieves *
12. Clash City Rockers
13. Remote Control
14. Career Opportunities **
15. Janie Jones
16. White Riot
17. Garageland
18. 1977
19. What's My Name
20. Complete Control
21. Protex Blue
22. London's Burning
* missing from silver CD version
** sourced from silver CD version in alternate source version
Entry from Clash On Stage Live Tape Review Archive: "This has some distortion, but it's such as great tape it is easily gotten past - and this is punk rock so just crank it up and don't give a damn! The performance is great, with high energy interpretations of just about all of the early set material. The grade above [B] is for the tape version, while most copies have the LP as a source. That seems to originate from a different recording, and has even more distortion, dropping it to a B-. The recently released CD was probably mastered from the bootleg vinyl, but I haven't heard that one. Both LP and CD cut out the first "1977", "White Man...", and "Police and Thieves", while the tape version loses "Career Opportunities" to a side switch. All things considered, this is the best 1977 show, especially in the tape version. "Pressure Drop" makes one of its occasional appearances, as it would do until the end, in the speeded up style. Other interesting bits are early performances of "The Prisoner" and "Clash City Rockers," and Joe getting pissed at the Damned (also on the bill) for lighting a stink bomb."
a nice article with photos:
http://hoagy-articles.blogspot.com/2010/07/mont-de-marsan-festival-1977-uncut.html
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5 August, 1977 - Mont De Marsan Festival, Switzerland
Disk 1: silver CD > xAct (flac)
Disk 2: analog tape gen? (low) > CD-R > xAct (flac)
artwork for silver CD provided
seeded to Bootcity.org by j-blokhed on 10-29-06
Here are two versions of this classic punk rock show. An incomplete version as on the silver bootleg CD, and a complete version from a improved quality alternate source. The alternate source is the entire show, with its one missing track filled in from the boot version.
This is far from a perfect soundboard, but the performance is so fantastic that it doesn't take away from the enjoyment. I have just about every live Clash recording in collectors hands, and this show is in the top 5. Possibly the earliest performance of 'White Man In Hammersmith Palais".
1. London's Burning
2. Capital Radio
3. 1977 *
4. Complete Control
5. Pressure Drop
6. The Prisoner
7. I'm So Bored With the USA
8. White Man In Hammersmith Palais *
9. Cheat
10. Hate and War
11. Police and Thieves *
12. Clash City Rockers
13. Remote Control
14. Career Opportunities **
15. Janie Jones
16. White Riot
17. Garageland
18. 1977
19. What's My Name
20. Complete Control
21. Protex Blue
22. London's Burning
* missing from silver CD version
** sourced from silver CD version in alternate source version
Entry from Clash On Stage Live Tape Review Archive: "This has some distortion, but it's such as great tape it is easily gotten past - and this is punk rock so just crank it up and don't give a damn! The performance is great, with high energy interpretations of just about all of the early set material. The grade above [B] is for the tape version, while most copies have the LP as a source. That seems to originate from a different recording, and has even more distortion, dropping it to a B-. The recently released CD was probably mastered from the bootleg vinyl, but I haven't heard that one. Both LP and CD cut out the first "1977", "White Man...", and "Police and Thieves", while the tape version loses "Career Opportunities" to a side switch. All things considered, this is the best 1977 show, especially in the tape version. "Pressure Drop" makes one of its occasional appearances, as it would do until the end, in the speeded up style. Other interesting bits are early performances of "The Prisoner" and "Clash City Rockers," and Joe getting pissed at the Damned (also on the bill) for lighting a stink bomb."
a nice article with photos:
http://hoagy-articles.blogspot.com/2010/07/mont-de-marsan-festival-1977-uncut.html
rar files packed with a (winrar) recovery record -
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Beth Orton: Compilation 1997-2002
Brilliant Bits
CD1:
1. She Cries Your Name
(Grosvenor House Hotel, London, England 1997-08-28)
2. Best Bit
3. She Cries Your Name
4. Skimming Stone
(Paul Ross Show, BBC-TV Cafe de Paris, London, England 1997-11-28)
5. Sugar Boy [*- removed, officially released on KCRW: Morning Becomes Eclectic]
(Morning Becomes Eclectic)
6. River (Joni Mitchell cover)
(Jo Whiley Session, BBC Radio One, England 1997-12-19)
7. Blood Red River
(Later...with Jools Holland Show, BBC-TV London, England 1999)
8. Stolen Car
(Late Night with David Letterman, CBS-TV New York, NY 1999-05-13)
9. Someone's Daughter/Norwegian Wood [*- removed, officially released on Vol. 3-Y100 Sonic Sessions]
(Live Y100 Sonic Sessions, Philadelphia, PA 1999-06-04)
10. So Much More
11. Pass in Time
12. Thinking About Tomorrow
13. She Cries Your Name
14. Best Bit
(Den Haag, Netherlands 2000-03-27 FM)
15. Concrete Sky
(Late, Late Show with Craig Kilborn, CBS-TV Burbank, CA 2002-08-23)
CD2:
1) She Cries Your Name
2) Acceptance Speech
(Mercury Music Prize, England 1997)
3) Best Bit
4) Sweetest Decline
5) She Cries Your Name [*- removed, officially released on Live at the World Cafe: Volume 8]
6) Central Reservation
(acoustic "World Cafe," Tongue & Groove Studios, Philadelphia, PA 1999-01-29 FM/sans interviews)
7) So Much More
8) Stolen Car
9) Stars All Seem To Weep
10) Best Bit
11) Sweetest Decline
12) She Cries Your Name
13) Devil Song
14) Thinking About Tomorrow
15) Whenever
16) Pass In Time
17) Someone's Daughter
(Prince of Wales, St Kilda, Melbourne, Australia 2000-01-31 FM)
OU: I was able to determine the specific date for the David Letterman appearance and other additional info but could not find more specific dates for either the Mercury Music Prize or Jools Holland. Three tracks have been officially released and thus have been removed. Artwork is included. Buy her albums, share this freely, and enjoy some of the best of Beth!
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Kansas: Video Anthology 1975-2009 (DVD)
Title: "The Lost Broadcasts - Volume 1"
Date: various (1975 - 2009)
Venue: various
Location: various
Place: various
==> Good/Excellent Pro-shot <==
Video:
Format: NTSC
Bitrate: 7000 kbps (VBR)
Frame Rate: 29.97 fps
Aspect Ratio: 16:9
Picture Size: 720 x 480
Video Compression Mode: MPEG-2 (DVD-compliant)
Audio:
Bitrate: 256 kbps (Dolby Digital 2.0 stereo)
Sample Rate: 48 kHz
Audio Coding Mode: AC3
# of Audio Channels: 2.0
DVD:
Menu: yes, animated
Chapters: 14, every song.
Running time: approx. 75 mins.
Artwork: DVD cover and label included
Tracks:
01 Down The Road (DKRC 1975-?-?)
02 Mysteries And Mayhem (DKRC 1975-?-?)
03 Carry On Wayward Son (Canada Jam 1978-08-26)
04 Dust In The Wind (Canada Jam 1978-08-26)
05 Song For America (Canada Jam 1978-08-26)
06 Mask Of The Great Deceiver (Houston 1980-12-09)
07 Relentless (Houston 1980-12-09)
08 Miracles Out Of Nowhere (Omaha 1982-07-30)
09 Song For America (Stuttgart 1994-12-21)
10 The Wall (Stuttgart 1994-12-21)
11 Dust In The Wind (Stuttgart 1994-12-21)
12 Carry On Wayward Son (Stuttgart 1994-12-21)
Bonus Track:
13 Howling At The Moon / Belexes Intro (Topeka 2009-02-06)
OU Notes: This basically is a collection of rare pro-shot material of live songs the band has done over the years. None of them have ever been commercialy released. I've reworked all of the footage and tried to make a nice DVD package for us fans to enjoy. The material used was either not included on the 30th anniversary DVD "Sail On" (tracks 1 & 2), broadcast in foreign countries (tracks 3-5 & 9-12), taken from inhouse screen feeds (tracks 6 & 7), or outtakes from other projects the band did (track 8). I've also thrown in a little bonus at the end. It's the only track that isn't pro-shot, but it's a newly made multicam of two very steady sources at a special event in the band's history.
Remaster notes: The image used comes from some old VHS tapes I've received in trades and video material I've grabbed at sites like Dime. I've done as much as I could to restore the image quality. Results varied and range from good to excellent I'd say. The output was reframed to widescreen to keep up with current standards. I also tweaked the material I've worked on earlier. (See some of the clips on Youtube).
As for the audio: that's the best part, because it's excellent on all tracks! I've taken the best sources (some pre-FM) and worked on them and synced them with the images. "Volume 1" was added because you never know what might surface in the future...
Enjoy!
-kerrylives (2011-05-09)
part 1 1.58GB
part 2 1.03 GB
rar files packed with a (winrar) recovery record -
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Monday, June 27, 2011
Bob Dylan: Nürnberg 1978 (VG+ Aud) FLAC
"Trainload Of Fools"
Zeppelinfeld
Nürnberg, Germany
July 1st 1978
RATTLESNAKE: RS 085/086 (2001)
SOURCE: Factory Pressed Discs > EAC > Flac Level 8 Align on Sector Boundaries
300dpi Scans of all Artwork included
Disc One
01. She's Love Crazy
02. Baby Stop Crying
03. Mr. Tambourine Man
04. Shelter From The Storm
05. It's All Over Now, Baby Blue
06. Tangled Up In Blue
07. Ballad Of A Thin Man
08. Maggie's Farm
09. I Don't Believe You
10. Like A Rolling Stone
11. I Shall Be Released
12. Going, Going, Gone
13. A Change Is Gonna Come
14. Love Minus Zero/No Limit
15. Laissez Faire
Disc Two
01. A Hard Rain's A-Gonna Fall
02. One Of Us Must Know (Sooner Or Later)
03. You're A Big Girl Now
04. One More Cup Of Coffee (Valley Below)
05. Blowin' In The Wind
06. I Want You
07. Senor (Tales Of Yankee Power)
08. Masters Of War
09. Just Like A Woman
10. Don't Think Twice, It's All Right
11. All Along The Watchtower
12. All I Really Want To Do
13. It's Alright, Ma (I'm Only Bleeding)
14. Forever Young
15. I'll Be Your Baby Tonight
16. The Times They Are A-Changin'
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Jethro Tull: Dublin 2011 (VG+ Aud) FLAC
National Concert Hall
Dublin Ireland
18th March 2011
Living In The Past (20 years Anniversary Version)
Nothing Is Easy
Life's A Long Song
Up To Me
Beggar's Farm
New Day Yesterday
Thick As A Brick
Bouree
Mother Goose
Pastimes With Good Company (King Henry's Madrigal)
A Change Of Horses
My God
Budapest
Aqualung
Locomotive Breath
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The latest PRRP release will be here this week.
David Byrne: San Francisco 1992 (Soundboard) FLAC
San Francisco, CA
December 13, 1992
liberated bootleg: UNPLUGGED + MORE (1994 Kiss The Stone release: KTS247 distributed by CD MUSIC CO. Made in Italy)
lineage: original silver > EAC > FLAC (8)
01. Cowboy Mambo (Hey Look At Me Now) 3.58
02. (Nothing But) Flowers 4.38
03. Naked 3.53
04. The Future 4.11 *
05. Gypsy Woman 3.44 **
06. Girls On My Mind 4.18
07. Wall Of Death 2.17 ***
08. Road To Nowhere 3.24
09. Rockin' In The Free World 3.40 #
10. Psycho Killer 4.37
11. Something Ain't Right 3.38
12. Man Without Name 2.23
13. Greenback Dollar 1.52
14. A Walk In The Dark 4.21
15. Girls On My Mind 3.52
16. Tiny Town 4.50
17. Dirty Old Town 4.23
18. Last Night 2.11
19. (Nothing But) Flowers 4.36
20. Naked 3.34
21. Dallas 3.53 ##
Total Running Time : 78:26
tracks 1-10 recorded December 13, 1992 San Francisco, CA
tracks 11 - 21 listed as Live on Tour 1992
* Prince cover
** Crystal Waters cover
*** Richard Thompson cover
# Neil Young cover
## from the 10.000 maniacs 'MTV-Unplugged' session
(artwork included)
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Judas Priest: Paris 2011 (VG+ Aud) FLAC
Epitaph tour
Le Zénith, Paris, France
June 20, 2011
"The Priest is Back!"
Audience Master Recording
Zoom H2 (24/48) > CD Wave (split track & 16/44.1) > dBpoweramp (Flac 8)
01 - Battle Hymn / Rapid Fire
02 - Metal Gods
03 - Heading Out to the Highway
04 - Judas Rising
05 - Starbreaker
06 - Victim of Changes
07 - Never Satisfied
08 - Diamonds & Rust
09 - Dawn of Creation / Prophecy
10 - Night Crawler
11 - Turbo Lover
12 - Beyond the Realms of Death
13 - The Sentinel
14 - Blood Red Skies
15 - The Green Manalishi (With the Two-Pronged Crown)
16 - Breaking the Law
17 - Painkiller
18 - The Hellion / Electric Eye
19 - Hell Bent for Leather
20 - You've Got Another Thing Comin'
21 - Living After Midnight
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Bruce Springsteen and the E Street Band: New York 1978 (VG+ Aud) FLAC
"HISTORY IS MADE AT NIGHT - Night 1"
Godfather Records (G.R. BOX 03 A/B/C)
August 21, 1978
Madison Square Garden, New York City, NY - U.S.A.
Silver CDs --> EAC --> Wave files --> Trader's Little Helper (level 8, align on sector boundaries) --> flac files
Upload will include artwork scan, md5 verification file, EAC log, spectral/frequency analysis
DISC 1
01 Summertime Blues
02 Badlands
03 Spirit in the night
04 Darkness on the edge of town
05 Heartbreak hotel
06 Factory
07 The promised land
08 Prove it all night
09 Racing in the street
10 Thunder road
11 Jungleland
DISC 2
01 Paradise by the C
02 The fever
03 Sherry darling
04 4th of July, Asbury Park (Sandy)
05 Sweet little sixteen
06 Not fade away / Gloria / She's the one
07 Growin' up
DISC 3
01 Backstreets / Sad eyes
02 Rosalita (Come out tonight)
03 Born to run
04 Because the night
05 Quarter to three
Bonus Track:
06 Pre-Show Interview on WABC TV with J. Siegal
Enjoy. fede1970 (June 2011)
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Sunday, June 26, 2011
Pink Floyd: Omayyad TMoQ Edition Remade 1969-70 (Various Sources)
ROMAYYAD - The Remaking of the Omayyad TMoQ Edition
Studio Sessions recorded in Roma and London - from Nov 1969 to Jan 1970
Live at Civic Auditorium, Santa Monica, CA, USA, 1970-05-01
This is not a revision only. MQR releases the Remaking of the content of the original LP version of Omayyad only, primarily for those older collectors who have had it for many years.
It's a sort of emotional commemoration of a famous and time honored bootleg LP.
You can find two artwork versions. I want you to feel free to have it with my version or with the original set list. Just rename and/or burn it in the way you want.
Here you find four of the eight songs of 370 Roman Yard shared recently here.
Set List (in brackets the position on the original first issue LP, side a, side b)
01 (02a). Fingal's Cave (new remaster) 1:54
02 (01b). Crumbling Land (new restored extended version) 5:55
03 (01a). Oenone (new remaster) 6:51
04 (02b). Rain in the Country (new remaster) 6:53
05 (03b). The Embryo (remaster) 12:44
06 (03a). Interstellar Overdrive (remaster) 14:14
The first edition was released on colored vinyl in the first half of 1972 by Trade Mark of Quality in USA, the inventors of bootlegs.
(Trivia note: around this same time the Best of Tour '72 LP was released in Europe.)
Omayyad was the 40th in the TMoQ catalogue and the first American bootleg about Pink Floyd.
It had large success and was reissued and re-bootlegged many many times due to the excellent (for the time) sound quality and the presence of unissued songs. It was probably conceived of as a smaller parallel version of Ummagumma, half studio and half live but the limitations of the length of LP sides couldn't support that.
Pink Floyd were at the International Recording Studios in Roma from 15 November and in London again from 12 December to end of January 1970 where they recorded and produced a large variety of music for the unpleasable supervisor, director Michelangelo Antonioni and his new movie Zabriskie Point. He knew of Pink Floyd in 1966 during the making of Blow Up movie.
He really wanted Careful With That Axe, Eugene for the main scene of his new movie.
Only 3 songs were ultimately used for the film and we were introduced to them with the release of the soundtrack in 1970 by MGM. 3 more songs, plus the longer Crumbling Land, were aired early in 1970 from KPPC-FM radio Pasadena, California, by Don Hall, radio DJ and Musical Advisor of ZP movie. Don announced the songs with the titles written on the tape box.
All four surfaced in 1972 with Omayyad. Thanks to Don Hall, now we know that the source used to make it was a multigenerational tape of the FM broadcast. 25 years later the extended soundtrack by Rhino Records gave us four more outtakes. The rest of the known outtakes came out a while later with the first half of the
double CD bootleg named A Journey Through Time & Space.
None of the 4 Omayyad out takes surfaced later in the Rhino release or in the AJTT&S boot. The first edition was released on colored vinyl in the first half of 1972 by Trade Mark of Quality in USA, the inventors of bootlegs.
The live performances of The Embryo and Interstellar Overdrive come from the show at the Civic Center Auditorium in Santa Monica, California the 1st of May 1970, just 4 months after the end of ZP Sessions and the day after the famous KQED sessions.
For years a lot of people thought these tracks were from Chicago 1971-10-27 but in reality the last Interstellar Overdrive was performed in February 1971. Another error perpetuated by the Leopard boots.
At the time of Omayyad's release these songs were unissued as well. No one had on vinyl a live version of the 2 pieces. Two unique masterpieces to be enjoyed throughout the 70's and onward through the future.
- Titles and Songs -
ROMAYYAD as Remaking of Omayyad, recalling the work made in Roma.
The correct name was OMAYYAD and NOT Omay Yad.
Like the first dynasty of Arab caliphs whose capital was Damascus, like the big Mosque in the same city. I hope I am making this clear ones for all.
This error originally probably occurred on the hand written paper insert.
It had the two Y's a little bit separated. The largely circulated version on LP and CD by the Leopard label was clearly named Omay Yad and the error was in that way officialized.
The four ZP outtakes are properly named. The names possibly came from the announces of the songs Don Hall read on the tape’ boxes when he aired them.
1. Fingal's Cave -
This name referred to Irish Mythology and a place in the Scottish isle of Staffa.
This energetic song was written for the first Flying Scene of the movie together with two more songs. It is rare to hear a loud, bombastic blues number like this performed by Pink Floyd, and only a couple pieces on More come even close to it stylistically.
The working title was Take Off.
2. Crumbling Land -
This is the long studio version with all the traffic noises recorded by Nick Mason in the streets of Rome. Since the musical part is the same as the official one, a merge was made with the two. The result is a restored complete studio version. Having an unusual rhythm for a Pink Floyd song it's considered a country song, although in the end it's not.
For the movie only 34 seconds were used, and those were from an early take, not from the final version. The title and some of the lyric content refer to Zabriskie Point (the place), to USA and the lyrics even include a reference to Michelangelo Antonioni.
Its working title was Highway Song.
3. Oenone -
The name refers to Greek Mythology, similar to Sisyphus recorded a few weeks before. Oenone was a nymph married to Paris of Troy. He left her for Helen of Sparta.
Oenone was an isle as well, connected to the Sisyphus story (!). This song was written for the Love Scene, and Love Scene was likely a working title for it, as on the released tracks on the Rhino soundtrack. Pink Floyd tried four different musical styles to please Antonioni for that scene, including a blues. This is the style that worked the best, from Pink Floyd's point of view. It comes from several psychedelic approaches they tried under the direction of Antonioni.Great psychedelic performance by Rick and Dave.
4. Rain in the Country -
Along with The Narrow Way Part 1, this song almost certainly has it's roots in Baby Blue Shuffle in D Major and in the second part you can clearly hear the germination of Atom Heart Mother (in fact The Amazing Pudding was performed only one month later...).
Probably another of many approaches to Love Scene, Pink Floyd tried it for Antonioni coupled with the desert scenes as well, as Don confirmed. One of Gilmour's more interesting early compositions which really showcases his acoustic playing.
We aren't certain of the origins for the title but likely designed to create contrast with the dry locations of the movie. The working title for this remains unknown. In fact a dissimilar mix was called Unknown Song on the 1997 Rhino Expanded Soundtrack.
5. The Embryo -
In 1972 this was a completely new song, same as the ZP outtakes. It was surprising to hear the “seagulls” or “whales” sounds of Echoes in another piece.
6. Interstellar Overdrive -
For 30 years it has been my definitive live version of the song.
It's the final evolution of the Barrett masterpiece with a stunning intro before the famous riff.
It was one of the last times it was performed as part of the live show. A few more times and it was dropped.
- Artwork -
I made the artwork of this newest release attempting to reproduce the first TMoQ LP.
Since is a modern reproduction, the writing on the paper insert are not by hand as it was on Omayyad and on most of the bootlegs at that time. The proportions of the sticker, the writing and the paper insert used for the back are not the same of the LP due to the dimensions of the CD case.
On the paper insert the writing "Side 1 and Side 2" were obviously omitted. Inside the booklet you can see pictures of the original parts of the first TMoQ release.
I couldn't use the same label of the first edition being only a big 1 and 2. So I made a compromise writing titles on the 2nd edition label with the MQR logo.
Our MQR sticker is now affixed instead the TMoQ one on this last release.
For this ROMAYYAD the "back" for the original lineage is made with the handwritten original paper insert.
Note that the original set list was forced by length of the songs and the capability of the LP to support them. The original set list is the only one possible on LP with those 6 songs.
Today on CD the order of the songs would probably be “restored” like this.
For this edition I followed the scenes of the movie and placed the songs from Santa Monica afterward with The Embryo before Interstellar Overdrive as it was performed in the show.
- Sources -
The audio of the ZP outtakes comes from a copy of the Omayyad‘ master.
This was provided to me by Grolsch and MQR did the remastering work.
To restore Crumbling Land the official one was used since the musical part and the real end are the same. The two live songs were remastered as well.
They come from a 1st generation reel better than other sources heard before about this show.
Thanks to
- Grolsch for the new Tape source of the ZP outtakes
- Don Hall for the big help
- Glenn Povey for The Document
- Floyder with his big Omayyad LPs collection
- Dub & Ken for the Omayyad LP release and for inventing bootlegs and TMoQ.
Completely Remastered by Magna Qualitas Records
MQR for this project was WRomanus, creamcheese, }{eywood
Project and Artwork by WRomanus - Roma, 05 Giugno 2011
Pink Floyd - ROMAYYAD - The Remaking of the Omayyad TMoQ Edition
Fingal's Cave.
Sourced from the master reel used to make Omayyad, this is Pink Floyd's unused official mix.
We have cleaned and remastered it to sound as good as possible, removing as much of the distortion and noise as we could, corrected the stereo imaging flutter and EQd it to sound as much like the rest of the material as we were able to.
The fluttery sound of the drums was also repaired by isolating specific frequency bands and manipulating the stereo field of them.
Crumbling Land.
Sourced from the Rhino expanded soundtrack with extended ending from Omayyad. This song was the least damaged of the official releases but it contained the MGM mandated edit of the sound effects at the end.
The mix on Omayyad, however, contained the complete version and we spliced in the missing portion from this version.
As the missing parts were 'only' street noises, these were carefully noise filtered and EQd to match the sound of those street noises present on the official edit version.
Oenone.
Sourced from the Omayyad tape again, and therefore Pink Floyd's official mix, this went through months of rigorous work to remove the noise without leaving serious artifacts, then get the final EQ and levels to sound correct.
We cleaned all the blips and tics manually and did extensive cleaning and restoring work to all the tracks used here at several stages in the work and particularly after the main mastering work was done.
The EMI document stated the final length of this track to be 6:50, but the Omayyad version was a little short. We believe that this is because the material on Omayyad was originally sourced from a radio broadcast, and that the ending was cut off by either the broadcaster himself or by the taper, who cut it to remove DJ (Don Hall) banter.
We created an extension for the ending by looping a few portions, allowing us a more realistic fadeout and bringing the track back to its proper length. The main task was the noise reduction. Large parts of this tune are very gentle and due to the condition the source tape was in, these parts were drowning in hiss.
After trying many different strategies of hiss removal, roughly the following workflow was chosen.
There were 2 different kinds of hiss evident on the source coming from different generation transfers, so these different "hisses" could be removed separately.
Another issue was the right channel of the source being very muffled. So it had to be EQd to match the sound of the left channel.
This changed the sound of the hiss on the right channel noticeably. Listening to both stereo channels (right channel EQd) was an unpleasant experience as the music sounded equal on both channels while the hiss on the right had become very penetrating due to EQ.
So the channels were noise filtered separately with the aim to have approximately equal hiss-level and hiss-sound on both channels in the end.
After about 147.289 attempts we finally reached the goal. It was possible to isolate the vibes in some places, so we decided to lift them up a little to make them more evident.
To get a better tonal quality the dynamic range of the whole song was compressed carefully to make the gentle parts a little louder while preserving the power of the loud cluster parts.
This would not have been necessary for an LP (maybe that's why it was mixed that way) but considering the rather small dynamic range of the CD-DA medium it was the way to go for best possible reproduction quality.
Rain In The Country.
Sourced primarily from the Omayyad tape and also Pink Floyd's official mix, this was probably the song with the most work done to it or at least tied with Oenone.
Even the low generation master we used was still pretty rough sounding on all the tracks taken from it, partly because it was from a radio broadcast, which introduced its own problems and partly because the tape was several generations away from the actual broadcast.
This may be explained partly because of the need to edit the songs out of the broadcast but beyond that generation we'll never really know. The good thing is that we had two other good sounding mixes, one on Rhino and another on AJTTaS. The bad thing is that these mixes were not that good.
The band parts of the song came in randomly and the two different parts (acoustic and band) played simultaneously, creating a dissonance that was not at all like how the song should sound.
Because of the excellent quality of these mixes we used portions of them to improve the sound of the Omayyad tape. It took us six months to get this song to sound the way it does here.
A great deal of cleaning work was done to remove the noise, hiss and tape flaws. For the acoustic parts of the song the acoustic guitar and hi-hat were isolated from the Rhino version through phase manipulation and overdubbed onto the Omayyad tape to make it sound clear again.
This approach was used for the first two acoustic parts of the song, but, alas, the Rhino and AJTTaS tapes faded out early and we didn’t have a guitar piece to sync up for the final part. That part has the hi-hat enhanced, and the rest mastered to match the earlier parts as best we could.
Many attempts at the correct noise reduction were tried here, as well as isolating certain frequency bands and manipulating the stereo field on them in order to eliminate the fluttery panning that the drums had.
We feel that this is the best possible presentation of this song available, one that does justice to Pink Floyd's original intent.
The Embryo
Interstellar Overdrive
The live tracks were stereo spatialized, cleaned, equalized and denoised.
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
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Stephane Grappelli: New Orleans 1976 (FM) FLAC
Date: 1976-11-01
Location: New Orleans, LA
Venue: Rosy's
Source: Over The Air FM (WNOE-FM "101-Live")
Lineage: unknown receiver>master cassette>JVC XL-R5010 stand alone cd burner>1cdr(0)>1cdr(1)>eac>wav>flac
Taped and Transferred By: Mister Freezer
Speed, tracking and volume corrections applied to recording
Band Members:
Stephane Grappelli - violin
Diz Dizley - guitar
John Etheridge - guitar
Brian Torff - bass
Setlist:
Track 01
Track 02
Track 03
Track 04
Track 05
Track 06
Track 07
Track 08
Track 09
Track 10
Track 11
Track 12*
Track 13 (cuts out)
Track 14
Track 15
Track 16
Track 17
* w/Rosy Wilson on vocals
Length: 76:01
OU Notes: Recorded over the air when originally broadcast on WNOE-FM on their 101-Live show by Mister Freezer. Stephane is truely one of the masters of jazz violin and listening to him play here is pure nirvana. The man has such a fluidity to his playing you can't help but go wow even if you don't like this style of music. This show features a rare treat consisting of Rosy the owner of Rosy's joining Stephane and band up on stage to do a number.
rar files packed with a (winrar) recovery record -
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Saturday, June 25, 2011
Roger Waters: Quebec 1987 (FM) FLAC
speed corrected
Goodbye Mr. Pink Floyd
7. November 1987 / Quebec, Canada
1. Radio Waves 4:42
2. Welcome To The Machine 7:21
3. Money 5:07
4. In The Flesh 3:46
5. Have A Cigar 3:20
6. Pigs 3:44
7. Wish You Were Here 5:23
8. Mother 7:14
9. Get Your Filthy Hands Off My Desert & Southampton Dock 3:53
10. If 3:54
11. The Power's That Be 4:09
12. Breathe 3:34
13. Brain Damage & Eclipe 6:42
14. Another Brick In The Wall(part one) 4:20
15. The Happiest Days Of Our Lives 1:16
16. Another Brick In The Wall(part two) 4:25
OU: I adjusted the speed by -3.5%. I have included the original artwork which now, obviously has incorrect times listed. I've accurately named each track as well. Enjoy!
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-99954d
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Goodbye Mr. Pink Floyd
7. November 1987 / Quebec, Canada
1. Radio Waves 4:42
2. Welcome To The Machine 7:21
3. Money 5:07
4. In The Flesh 3:46
5. Have A Cigar 3:20
6. Pigs 3:44
7. Wish You Were Here 5:23
8. Mother 7:14
9. Get Your Filthy Hands Off My Desert & Southampton Dock 3:53
10. If 3:54
11. The Power's That Be 4:09
12. Breathe 3:34
13. Brain Damage & Eclipe 6:42
14. Another Brick In The Wall(part one) 4:20
15. The Happiest Days Of Our Lives 1:16
16. Another Brick In The Wall(part two) 4:25
OU: I adjusted the speed by -3.5%. I have included the original artwork which now, obviously has incorrect times listed. I've accurately named each track as well. Enjoy!
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-99954d
or
http://lix.in/-a13668
http://lix.in/-a2bd09
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Black Sabbath: Lund 1977 (Ex- Aud 2 Sources) FLAC
Sourced from silver and LB source
all known art from this date included
Identified as the "Killing Yourself To Die" bootleg.
Lund, Sweden - Live At Olympen
1977-04-21
Excellent Audience Recording
Lineage: silvers > eac > wav > flac > flac frontend wav > eac sound processing > tlh (fix SBEs and flac 7) > flac
Art Included
01.Supertzar
02.Symptom Of The Universe
03.Snowblind
04.War Pigs
05.Black Sabbath
06.Dirty Women/Drum Solo
07.Rock And Roll Doctor/Guitar Solo & Improv
08.Electric Funeral
09.N.I.B.
10.Gypsy
11.Paranoid
12.Children Of The Grave
Tony Iommi (guitar)
Geezer Butler (bass)
Ozzy Osbourne (vocals)
Bill Ward (drums)
Gerald Woodruffe (keyboards)
+++
LuciferBurns version (for detailed lineage, see original info below)
Live at the Olympen, Lund, Sweden
1977-04-21
Excellent audience recording
OU: I decided to re-upload both versions of Lund 77 I have - the 'fixed silver-disc version (regrettably, I do not remember who was the original uploader - sorry!) as well as the LuciferBurns version that was once uploaded here by blacklarbot. Many thanks to the uploaders and of course to LuciferBurns! I added all the artwork I could find to this show. Maybe somebody can make a statement how sound quality compares in their opinion.
Both versions are excellent anyway. For lineage and more detailed information, see below. Possibly I once decoded the FLAC files to WAV and later back to FLAC and thus also created new FLAC fingerprints, but I assure you nothing else was changed. Enjoy!
AUD REC
lineage: LP to CASS to CD
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-a13582
or
http://lix.in/-9faed7
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all known art from this date included
Identified as the "Killing Yourself To Die" bootleg.
Lund, Sweden - Live At Olympen
1977-04-21
Excellent Audience Recording
Lineage: silvers > eac > wav > flac > flac frontend wav > eac sound processing > tlh (fix SBEs and flac 7) > flac
Art Included
01.Supertzar
02.Symptom Of The Universe
03.Snowblind
04.War Pigs
05.Black Sabbath
06.Dirty Women/Drum Solo
07.Rock And Roll Doctor/Guitar Solo & Improv
08.Electric Funeral
09.N.I.B.
10.Gypsy
11.Paranoid
12.Children Of The Grave
Tony Iommi (guitar)
Geezer Butler (bass)
Ozzy Osbourne (vocals)
Bill Ward (drums)
Gerald Woodruffe (keyboards)
+++
LuciferBurns version (for detailed lineage, see original info below)
Live at the Olympen, Lund, Sweden
1977-04-21
Excellent audience recording
OU: I decided to re-upload both versions of Lund 77 I have - the 'fixed silver-disc version (regrettably, I do not remember who was the original uploader - sorry!) as well as the LuciferBurns version that was once uploaded here by blacklarbot. Many thanks to the uploaders and of course to LuciferBurns! I added all the artwork I could find to this show. Maybe somebody can make a statement how sound quality compares in their opinion.
Both versions are excellent anyway. For lineage and more detailed information, see below. Possibly I once decoded the FLAC files to WAV and later back to FLAC and thus also created new FLAC fingerprints, but I assure you nothing else was changed. Enjoy!
AUD REC
lineage: LP to CASS to CD
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
rapidshare.com:
http://lix.in/-a13582
or
http://lix.in/-9faed7
http://lix.in/-a13578
http://lix.in/-a2bc19
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Friday, June 24, 2011
Kraan: Porta Westfalica 1975 (VG++ Aud) FLAC
"WILLIAM TELL EDITION" 028
1975-07-13
"Open Air Festival"
Goethe Freilichtbühne
Porta Westfalica, West Germany
EXCELLENT ANALOG 1st GEN AUDIENCE RECORDING
Recorded by; "Herb Smith"
Originally Recorded on Sony TC377 Reel to Reel Deck>Japanese Cardioid Electret Microphones
Recording provided by "William Tell"
Uploaded by "Lucifer Burns"
1. ?
2. ?
3. ?
4. ?
5. ?
6. ?
7. ?
8. ?
Musicians
HELLMUT HATTLER- Bass/Vocals
PETER WOLBRANDT- Guitar/Vocals
INGO BISCHOF- Keyboards/Vocals
JAN "Fride" WOLBRANDT- Drums
JOHANNES "Alto" Pappert- Alto Saxophone
*Here is the orignal lineage for the die-hard collector as well as the average listener: 1st Gen Analog cassette>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Sony CDR-W66 Standalone CD Burner w/"super bitmapping on">CDR
CDR>Plexwriter Premium II CD-Transport>iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW>DVDR.
DVDR>WAV>TLH>FLAC
rar files packed with a (winrar) recovery record -
links require copy and paste to browser
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Comments welcome.
John Coltrane Quartet: Antibes 1965 (FM) shn
Source: John Coltrane, "A Love Supreme" CD, Castle Pie Records CD > WAV > SHN
Personnel: John Coltrane, ss, ts; McCoy Tyner, p; Jimmy Garrison, b; Elvin Jones, dr.
Location: Radio Broadcast, 'Juan-Les-Pins Jazz Festival', Antibes, France
Date: 7/26/65
Suite: A Love Supreme
Track 1: "Part I Acknowledgement" (J. Coltrane)
Track 2: "Part II Resolution" (J. Coltrane)
Track 3: "Part III Pursuance" (J. Coltrane)/"Part IV Psalm" (J. Coltrane)
Track 4: "Impressions" (J. Coltrane)
art:
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjI7oAeWqdllNEqvYaUuUjkAGqROTHQ64ifq6lRSZjOAVo5dz67QSvuhcICe-0Vy70ymWpJvfQ1JcyCifH0crlUIKT8Mqh9pdLAnCL86K5A_OsQCKdRgbNk0JwKliRiifUiBBN6QJPRYQ/s1600/01.JPG
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn7vNysWdR9Wh_5PuZDZdCkUUgTCGHH1DyWAma3wA4ns6WJKe9XA6fcO_5OhyxqMwFOrI9RxZ544ddOwwqdmsYiXdk8-zJy5SIx8hXzggscgwGLtEk6zKWLyFHjwlvVE8ViWcKq-A3kfE/s1600/05.JPG
Note from seeder: This is from the CD "A Love Supreme" from Castle Pie Records. It was manufactured in England. Although no date is given, it says that this was recorded in 1965 in Antibes, France. The best guess is 7/26/65. Date taken from:
http://home.att.net/~dawild/jcdisc65.htm
"Impressions" was not played on 07.26.65. It is most likely from 07.27.65
(Day 2 of 'Juan-Les-Pins Jazz Festival'). "A Love Supreme" Suite was originally on one track. Taking the cues from the official CD on Impulse, I placed the track markers as close as possible, although they could be incorrect.
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links require copy and paste to browser
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