Showing posts with label IQ. Show all posts
Showing posts with label IQ. Show all posts

Monday, November 7, 2011

IQ: London 1983 (VG+ Aud) FLAC

corrected repost
IQ-Tales-From-The-Lush-Attic-1983-Front-Cover-43765
Location: The Marquee Club, London, England
Date: 15 Sep 1983
Source: Audience
Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8
Sound Quality: B+ in OU's rating and ears....

1 Awake And Nervous
2 Fascination
3 It All Stops Here
4 Just Changing Hands
5 Last Human Gateway
6 Oh, Shit me!
7 Dans Le Parc Du Chateau Noir
8 Intelligence Quotient
9 The Enemy Smacks
10 Suffragette City
11 Stomach Of Animal

OU Notes: We need some decent neo-prog in here! Oldie but goldie... This is the band promoting their excellent album Tales From the Lush Attic.

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Thursday, March 24, 2011

IQ: Quebec 1998 (VG+ Aud) FLAC

iq
Location: Le d’Auteuil, Québec City, Québec, Canada
Date: 26 Jun 1998
Source: Audience
Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you
Sound Quality: A- in (OU) rating and ears....

Setlist
1 Techno Intro
2 The Wake
3 The Thousand Days
4 The Darkest Hour
5 Subterranea
6 Sleepless Incidental
7 Failsafe
8 It All Stops Here
9 The Other Side
10 Outer Limits
11 Laid Low
12 Breathtaker
13 Capricorn
14 Leap Of Faith
15 High Waters
16 The Narrow Margin
17 No Love Lost
18 Headlong
19 Came Down Cha-Cha-Cha
20 Widow’s Peak

OU Notes: Great recording from Subterranea Tour. This is intended for free trade only. Do not buy or sell!! Enjoy the music

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Tuesday, February 2, 2010

IQ: Bury 2006 (PRRP Aud Remaster) FLAC

the latest PRRP Release
PRRP052 IQ 2006 09 06 Bury cover
Open Frequency
When drummer Paul Cook announced his unexpected retirement from IQ early in 2005, many feared that his departure might signal the beginning of the end for the band. After all, he had been a longstanding and integral member of IQ since 1982. “I certainly had my doubts and reservations about trying to replace Cookie,” remembers singer Peter Nicholls, “but we felt we owed it to ourselves to at least look for someone else. As it turned out, the audition process was much easier than we’d anticipated. We tried out three drummers and knew straight away that Andy would be great.”
Andy Edwards’ debut appearance with IQ came in July that year at Le Medley in Montreal. His impressive musicianship and relaxed professionalism earned him the immediate respect of every fan in the hall that night. His two follow-up performances, at Nearfest in the USA and the Burg Herzberg festival in Germany (both captured on film and later released on the 'Stage' DVD) would show the world that he was more than just an adequate replacement, bringing his own distinctive style to IQ’s live songbook.
Early the following year, IQ set about writing new music for the follow-up to 2004’s 'Dark Matter' album. While the new material was being developed and refined, the band continued touring and, with the 'Dark Matter' tour behind them, they could now afford to shake up the set list. In fact, most of the band's concerts between the end of 2005 and the release of their new album in 2009 saw many changes in the live set. IQ have always been keen to surprise their fans with unexpected tracks on stage and this great show recorded in Bury, Lancashire, England, on September 9th 2006 was no exception to that unwritten rule.
On this short European tour, IQ had dropped most of the 'Dark Matter' material ('Sacred Sound' being the sole survivor) and replaced it with various gems from a more distant past, including such songs as 'Breathtaker', 'Wurensh' and 'Erosion'. They also played a few surprise cards by throwing in two scarcely performed tracks: 'Further Away' and the classic 'The Enemy Smacks'. The former's complex structure has always made it a very demanding song to perform live, while the latter's amazing theatrics ensure that this song is always a welcome, if rare, addition to any set. “‘The Enemy’ is an effective and memorable live track,” Peter explains, “but if we were to play it too often, it would lose some of its impact so it’s good to bring it out every now and then when no-one’s expecting it.”
IQ have always felt very much at home at The Met in Bury, a venue that saw both the premiere and the final British performances of the band's highly acclaimed Subterranea stage show. An IQ touring schedule would not be complete without a stop there. On this night in 2006, the band delivered a top notch performance, an impressive blend of material, old and new, from perennial stage favourites to the rarer tracks.
Once again on this tour, IQ retained their long tradition of playing new material while it was still being written. In the past, these early drafts were often presented without finished titles and they were invariably introduced as 'Newie' or even ‘Newie 2’. This time, however, the two new tracks included in the set were given titles, 'Frequency' and 'Already Gone'. The second of these new tracks would not make it to the final version of the new album, appearing instead on one of two limited edition tour CDs. No-one knew that 'Frequency' was destined to become the title track of the band's next album, or that another major line-up change would occur within IQ before this album would see the light of day. But that is a story for another time...
PRRP Staff

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Friday, January 15, 2010

IQ: London 1999 (PRRP Aud Remaster) shn

prrp008front
Title: Guaranteed Failsafe (PRRP-008)
Date: March 21st 1999
Venue: The Astoria, London, UK
3 cd's
Shn separate files
Md5 Checksum included
Artwork included

Tracklisting:
Disc One
01. Overture
02. Provider
03. Subterranea
04. Sleepless Incidental
05. Failsafe
06. Speak My Name
07. Tunnel Vision
08. Infernal Chorus
09. King Of Fools
10. The Sense In Sanity
11. The State Of Mind

Disc Two
01. Laid Low
02. Breathtaker
03. Capricorn
04. The Other Side
05. Unsolid Ground
06. Somewhere In Time
07. High Waters
08. The Narrow Margin

Disc Three
01. The Wake
02. Human Nature
03. Out Of Nowhere
04. The Last Human Gateway

Personnel:
Paul Cook - Drums & Percussion
Mike Holmes - Lead Guitars & Keyboards
John Jowitt - Bass Guitars & Vocals
Peter Nicholls - Lead Vocals
Martin Orford - Keyboards & Vocals
with Special Guest - Tony Wright: Saxophones

“GUARANTEED FAILSAFE”
In January 1997, IQ began work on "Subterranea", their sixth studio album and without doubt their most ambitious project to date. The 105-minute 2 CD set would form the basis for a completely new stage show. "After we'd finally managed to release "Forever Live", we didn't really want to release a single studio album", explained Mike Holmes. "We felt it would have been a bit of an anticlimax after the quality and standard of the boxed set. We also had quite a bit of material kicking around".
Peter Nicholls: "When we were writing "Subterranea:, I came across loads of old rehearsal tapes with ideas that we'd never finished because we'd got sidetracked by something else. There was an awful lot of material there that we felt we should have another look at." The decision to build the album around a concept was and important one for the band, as Martin Orford remembered: With this album, it was nice to have the framework of a story to work to so that we knew the sort of pieces we had to find for particular sections."
So creative wre the "Subterranea" writing sessions, though, that IQ had no need to resort to reworking unfinished ideas. In Fact, two tracks "The Universal Scam" and "Eyes Of The Blind", were omitted from the final album, only being released two years later on the rarities CD, "The Lost Attic".
Originally, we were only intending to play the middle section, "Peter later recalled, "but then we decided to surprise everyone and do the whole track!"
After this memorable concert, IQ returned to The Met for the final UK "Subterranea" show and then headed off to Holland to film its last ever performance, at the 013 in Tilgurg. This would later appear as the CD, video and DVD, "Subterranea : The Concert".
Incredibly, the full "Subterranea" show was performed live only 16 times and those who saw it will never forget it. This triple CD package captures some of the unique atmosphere in London on that special night. Enjoy! PRRP STAFF

Notes from the Re-Master
This is generally a very good audience with music signal up to 16,000 Hz. Pops and crackle were the most offending noise that needed to be removed. Also, The high range treble was too accentuated and lead to the pronunciation of the letter "S" as piercing so it was cut down.
Applause was a bit too loud in many places so this was reduced where necessary. Finally, the last few minutes of the show were missing from the original source but we were able to track down a video of the show that had the missing section. We transitioned the audio from a high quality audience taping device to a video tape source. The transition works well but the reduction in quality is obvious. We felt it was important to include the complete show despite this reduction in fidelity.

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Friday, October 16, 2009

IQ: London 1984 (PRRP Aud Remaster) FLAC

IQ 1984 05 16 London cover
IQ - HALF AS GOOD AS DEAD - PRRP035
May 16, 1984 (The Marquee Club- London, England)

1.1 Eloko Bella Neechi 1:51
1.2 Awake and Nervous 8:09
1.3 Fascination 6:44
1.4 For The Taking 5:38
1.5 My Baby Treats Me Right Cos' I'm A Hard- Lovin Man All Night Long 2:04
1.6 The Enemy Smacks 15:20
1.7 Through The Corridors 3:12
1.8 Widow's Peak 9:01

2.1 It All Stops Here 8:24
2.2 The Last Human Gateway 20:06
2.3 Now I'm Here 4:24
2.4 Stomach Of Animals 3:51
Bonus Tracks
2.5 Interview With Peter Nicholls and Martin Orford:"The Naked Radio Show",
Plymouth Sound, May 27, 1984 (Including "Awake And Nervous") 13:19

IQ
Peter Nicholls - Lead Vocals
Paul Cook - Drums
Mike Holmes - Guitars
Tim Esau - Bass Guitars
Martin Orford - Keyboards and Backing Vocals

Crashing Through The Sky 
By 1984, IQ were regular fixtures at The Marquee. The prestigious club on London’s Wardour Street was without doubt the band’s home from home and they were always assured of a rapturous welcome there from their devoted and enthusiastic fans. On May 16th, the band played what was to have been their last British show for a while as their management company had lined up some American dates for them. In fact, these dates fell through and it would be another nine years before IQ finally set foot on American soil when they appeared at Progfest in Los Angeles in 1993, but essentially this performance at The Marquee was by way of saying a temporary farewell to their home audience.
Sensing the occasion, IQ turned in a powerful and determined performance, delving into their history to revive some seldom heard live tracks. Opening with an edited version of ‘Eloko Bella Neechi’, the band blasted through a thunderous version of ‘Awake And Nervous’ before revisiting their earliest group-written track, ‘Fascination’. The perennially popular ‘It All Stops Here’ (an Orford composition dating back to the band’s earlier incarnation as The Lens), together with ‘The Enemy Smacks’ and ‘The Last Human Gateway’, ensured that the crowd were treated to a non-stop barrage of classic material. Peter’s emotive ‘For The Taking’ set the scene for perhaps the most surprising addition to the set list: Martin’s pastoral piano solo ‘My Baby Treats Me Right ‘Cos I’m A Hard-Lovin’ Man All Night Long’. The inclusion of this rarely performed piece meant that the band’s debut album “Tales From The Lush Attic” was performed in its entirety that night, something that happened only once or twice after that. The band also layed ‘Widow’s Peak’, the first new number to be completed for their 1985 album, “The Wake”.
Being such regulars at The Marquee, IQ had developed a penchant for playing a different cover version as an encore each time in order to add some variety and an element of unpredictability to the set.  Tonight they turned their attention to Queen’s ‘Now I’m Here’, which they delivered with their usual fire and energy. A memorable evening was rounded off in manic style with the frenetic crowd- pleaser ‘Stomach Of Animal’.
The performance of these rare songs makes this such a fascinating document from a vital period in the band’s history. While the quality of this tape was far from perfect to begin with, we at PRRP have done our very best to turn this into a great listening experience. So travel back in time more than 20 years and relax in the company of Mike Holmes, Peter Nicholls, Paul Cook, Tim Esau and Martin Orford. Outside of the somewhat hastily released (much to the band’s dismay) “Living Proof” album in 1985, very few top quality recordings featuring this particular band line-up are actually circulating nowadays, which makes this one even more enjoyable.
Also included as a bonus track on disc two is a rare interview conducted with Martin Orford and Peter Nicholls later that month. Now you can find out why Martin was thwarted in his plans to become a classical pianist and why Peter wore all that greasepaint in those days.
And just what are the lyrics for ‘Awake And Nervous’ all about anyway ? PRRP Staff 

Notes from the Re-Master
The biggest problem with this show was the hiss and other noises. Multiple techniques were needed to remove most of the offending sounds. Disc 2, by the way, needed a different noise reduction profile than disc 1 suggesting a different tape source? The audience was a bit noisy so crowd noise was reduced as well. Whistles, claps and general yelling were reduced where needed. Tonality was generally good but the treble was boosted a bit to increase detail.
There were a number of dropouts in the show, most of which were easily corrected. One occurred right in the middle of track 2, disc 1 but the patch makes this, now, undetectable. Dynamics were adjusted for optimum effect where needed. For the interview track, the Female interviewer voice and Martin’s voice needed a de-esser filter given their vocal characteristics. Clicks and pops were also removed both from the interview and the show.
Finally, the show was re-tracked and balanced. No speed correction was necessary after comparing the tracks with known commercial live references.

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Thursday, October 8, 2009

IQ: San Jose 1994 (PRRP Aud+ Some FM Remaster) FLAC

front
IQ PRRP019 - LEAP OF FAITH
February 19, 1994 (The Cabaret- San Jose, California)

1.1 The Darkest Hour 11:10
1.2 It All Stops Here 8:10
1.3 Widow's Peak 10:25
1.4 Fading Senses 6:31
1.5 Out Of Nowhere 6:04
1.6 Awake And Nervous 8:50
1.7 The Last Human Gateway( middle section) 4:12
1.8 Tea For Two 2:10
1.9 No Love Lost 5:28
1.10 Leap Of Faith 8:40
1.11 Common Ground 6:56

2.1 Human Nature 12:14
2.2 Headlong 8:46
2.3 The Last Human Gateway( Ending ) 9:15
2.4 The Wake 4:49
KOME 98.5 Interview by Greg Stone (February 20,1994)
Holmes, Orford and Jowitt
2.5 Interview Pt.1 4:37
2.6 Jadis-Follow Me To Salzburg 7:25
2.7 Apathetic And Here I 4:28
2.8 Interview Pt.2 10:31
2.9 Leap Of Faith (Fades Out) 2:08
2.10 Interview Pt.3 1:16

Paul Cook - Drums and Percussion
Mike Holmes - Guitars
John Jowitt - Bass Guitars and Backing Vocals
Peter Nicholls - Lead Vocals
Martin Orford - Keyboards and Backing Vocals

“Tea For Two”
To anyone who did not know better, the evening of 19th February 1994 was just another date on the calendar, just another band playing at The Cabaret in San Jose, CA. But to progressive music fans, this was a feast, a not-to-be-missed event. IQ were in town, making only their second appearance on North American soil in their 12-year history. Despite signing to Phonogram in the mid-1980s, IQ had never really been given the necessary promotion and financial backing to enable them to take their music around the world. But thanks to a great deal of hard work, they were now starting to attract many new fans on this side of the Atlantic.
Radio stations such as KOME-FM in San Jose, California, and local record stores in the Bay area and other regions were helping European progressive rock bands like IQ by promoting their imported albums. The result was the slow but steady development of a growing fan base here in North America.
It was on the strength of IQ’s recorded musical output and their solid reputation as a great live act that they were invited to headline the Progfest event in Los Angeles in 1993. So impressive was the band’s performance that, less than a year later, they found themselves returning to the USA. The Cabaret in San Jose was the venue for their second American concert.
Fans travelled from all over the country to see IQ live. Let us get a flavour of the evening through the words of a fan who was there:
“19th February 1994 – as a growing crowd waited outside the infamous San Jose Cabaret Lounge, some lucky fans were recollecting IQ’s American debut at Progfest ’93, only a few months earlier. Tonight was sure to be an event – the ingredients for an awesome show were certainly there! A sell-out crowd included people from all over the western US to catch this one-off show. IQ’s latest release, ‘Ever’, which signalled Peter Nicholls’ return to the band, was quickly becoming recognised as the best prog release of the year. And we were all anxious to hear a headline performance.
Once inside, members of the band mingled with fans while waitresses quickly dashed to fill thirsty drink orders. The main floor of The Cabaret was laid out in a true lounge style with rows of tables streaming back from the stage, each covered with tablecloths and lit with quaint red table candles. The back of the lounge was raised, with similarly decorated tables, creating a humorously intimate appearance, probably more appropriate for a Wayne Newton show ! 
Opening the evening was local band Minds I, followed by a very strong performance from Enchant (playing tracks from their hot-off-the-press debut, ‘Blueprints Of The World’), which provided more than enough fuel to power us all for the show we had come to see.
As the house lights dimmed, “IQ!” was chanted by the crowd and the guys made their way from the dressing room through a back hallway onto the small stage – the energy was definitely there! With the opening chords of ‘The Darkest Hour’, we could see the sound engineer, crammed into a tiny loft above the stage, frantically working to get the sound right…and finally it hit! For the rest of the evening, it was pure (and now classic) IQ.
So, as you listen to this performance, grab a refreshment of choice and light candles around you. For the next two hours, re-live the moment…” 
Hank Rowe – Tucson, Arizona 
From someone who wasn’t there – You’re dead on target, Hank ! 
PRRP Staff

Notes from the Re-Master
This show has an excellent 1st generation source. It came from a member of our PRRP yahoo group who was actually at the performance. The recording was made with excellent equipments too. The interview segment was recorded off of the radio when it was broadcast the day after the concert. This segment was also 1st generation as a source.
Viable music signal and harmonics were detected all the way up to 15,000 Hz. Hiss was reduced throughout the show as it was distracting during the quiet sections of the show. The performance was given in a “cocktail lounge” as IQ’s lead singer Peter Nicholls points out. This results in some wonderful acoustics but also caused substantial excess bass which needed to be reduced. A channel volume asymmetry was detected with the left channel always lagging the right. This was fixed. A few clicks, crackles and pops were filtered as well. The radio broadcast sections also had hiss that needed reduced and some excess bass that needed adjustment. Also, there was a high pitched flutter during the interview that needed to be removed by a selective filter. Since this section consists of both interview and songs we decided to track each segment separately for easy reference.

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