Posts tonen met het label Heavy Psych Sounds. Alle posts tonen
Posts tonen met het label Heavy Psych Sounds. Alle posts tonen

vrijdag 13 maart 2026

Belzebong - The End Is High

 

 

Belzebong - The End Is High
Heavy Psych Sounds – 2026 
Psychedelic, Stoner, Doom, Sludge 
Rated:  

Hey you! Yeah, that's right .... you in the corner with the blank stare and drool coming out the corner of your mouth. You look the sort of person who would be into Earthless .... yep me too. I guess you like to light up a "doobie " and jerk off to Sonic Prayer .... yep, me as well.

Well, Belzebong are a much heavier version of the afore mentioned band - which means hard hitting riffs of heavy freakout acid guitar brilliance. Belzebong play instrumental slabs of heaviness and the question has to be asked ... is there enough going on to keep your attention wandering due to lack of vocals? In this case, the answer is a resounding yes!

The riffs are sharp and fuzzed, combing sun-baked desert sounds but with a heaviness drawn from sludge. Drones and atmospherics throb underneath the songs bringing in some space-rocks undercurrents. Songs are tight and varied always with enough variation within to stop your attention wandering. For me, this is a very early addition to my AOTY. 

This is the good shit.

(Written by Tony Maim)



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vrijdag 27 februari 2026

Oreyeon – The Grotesque Within

 

 

Oreyeon – The Grotesque Within
Heavy Psych Sounds – 2026
Rock, Stoner, Sludge, Grunge, Doom, Metal
Rated: *****

That opening salvo, after the casssette tape has started the opening track Echoes Of Old Nightmares, turning their grungy doom sound into sludgy lift-off will surely turn all heads and get all heads a nodding. Majestic is definitely applicable to the new Oreyeon album The Grotesque Within. The Italian foursome deliver this album four years after the stunning Equations of The Useless and three years after the two track Doom Session Vol.8. And it can be viewed as their fourth full-size since the first Builders Of Cosmos album that arrived in 2016. That’s ten years ago, a landmark… And so is The Grotesque Within

The Grotesque Within unfolds like a dim corridor with no visible end, each riff a flicker of failing light each drum sound burrowing down as if the corridor gets smaller and smaller. Self-produced, half recorded in their very own studio and the other half in Outside Inside Studio in Treviso, during the winter of 2025, the album trades some of the band’s cosmic sprawl for a more earthbound, sludge toned, grunge streaked weight and crawl. Inspired by the existential unease of Thomas Ligotti works, the songs accept all the horrors we face, feel and commit with a mass of tones and drifting vocals. 

It’s the monolithic doom riffs, looming like unseen structures in the dark that commend the nod first place. But then the vocals start to weave and whisk you away, throttling along the psychedelic textures that meander and shake like uneasy dreams. Breathing shadows, the record seems patient in its delivery, preferring to put exclamation marks behind the nod and not the explosion. Creeping ever more oppressive towards the end of that corridor, meticulously, composed and in total acceptance of its inevitable descent. 

On some level Oreyeon has always been massive yet nuanced, brooding and gazing upon everything involved with life, but with The Grotesque Within they turn that quality into an overwhelming monster wave, the kind of tsunami that causes quiet euphoria. And that’s a quality little bands that call their own. Immerse yourself and swim with all tides of The Grotesque Within… 



(Written by JK)




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Oreyeon – Equations For The Useless 

 

zondag 21 december 2025

Number 12

 


Number 12
 

Seventy points above Number 13 we arrive on a spot occupied by two albums! That’s right, the Stoner HiVe Top 20 Countdown of 2025 contains 22 albums. Damn! Did I just give away the fact that after this placing there are no spots occupied by more than one album? I guess so… Sometimes it’s good to share right? And we hope these two bands will think as well. For they also share the same label: Heavy Psych Sounds. One was released in October and the other already in April. 

Let’s write a few words about the Italian quartet first. For the psych-space explorers have returned with a bold new chapter in a career defined by constant evolution. Building on some two decades of sonic exploration, from garage psych, to heave space rock and cosmic stoner, the new album blends hypnotic rhythms, swirling synths and expansive guitarwork into a retro futuristic soundscape that could help you imagine some weird new steampunk adventure. Time, infinity and human frailty are themes that unfold across eight powerful tracks. Turning it into a sci-fi journey completely and utterly timeless. 

The other album we find on Number 12 definitely set the table early when it comes to sludge rock and stoner metal. That’s right, the now stripped down trio, kick down the kitchendoor with their fifth full length and don’t even think about closing it behind them. It grooves, pulsates and swings like a caffeinated wrecking ball! Powerful by default, psychedelic stoner sway colliding with sludge-fueled force and razor-edged heavy metal riffs. No filler, all protein! Don’t worry, the bulldozing foundation is still there, but it is fully alive, breathing and snarling. Louder, leaner, this is a band full throttle and devouring all in its way. Breakfast, lunch, dinner, guests and all! 
 


On Number 12 we find: 
 



GIÖBIA - X-ÆON

&

KOMATSU - A BREAKFAST FOR CHAMPIONS
 
 


 
 




maandag 15 december 2025

Number 20


 

Number 20



There were only a few moments in the past weeks that two albums occupied the same spot. During the final hours, this happened again. And yes, on Number 20 we find two albums! Both of them released during the first months of 2025. Both of them got reviewed on Stoner HiVe and we wrote something that hopefully enticed you to listen to these albums. To this ferocious fuzz-soaked journey. Bursting with Kyuss-worthy stoner grit, metallic muscle, and stunning musicianship, this addictive album only grows deeper with repeat listens. Loud, dynamic, and irresistibly heavy! For the other album we jotted down some thoughts that could guide you along this brutal descent into doom, sludge, and pure sonic warfare. Burning riffs, pulverizing drums, and desperate fury collide across eight devastating tracks. From crushing epics to punked-out assaults, this is a band at their most colossal and merciless! With some forty points above the Number 21 we find two bands… 

 

According to all the votes that came in… 

On Number 20 we find: 




KAISER - 2ND SOUND  

&

CONAN - VIOLENCE DIMENSION 

 

 

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Majestic Mountain Records

Stoner HiVe on Otu – Fuzzy Tunes
 

Stoner HiVe on 2nd Sound 

 

 

 

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 Stoner HiVe on Violence Dimension

 

dinsdag 11 november 2025

Yawning Man – Pavement Ends


 

Yawning Man – Pavement Ends
Heavy Psych Sounds Records – 2025
Rock, Stoner, Desert, Psych
Rated: *****

Back when I fell in love with everything that originated from their desert, there were only some dubious quality demo’s and loose songs to be found about this legendary band. And then, almost ten years later, there it was… The first studio album by Yawning Man called Rock Formations. And then another ten years later they toured Europe with the Fatso JetsonYawning Man line-ups combined. And for the Deventer show, they had something special, cause earlier that year they had recorded a new Ten East album called Skyline Pressure with Erik Harbers & Pieter Holkenborg from the now defunct Automatic Sam on guitar and bass. A legendary night and something I could never have imagined happening as I listened to those early demo’s and actually thinking back then that I was born in the wrong place and time… 

And as we skip another ten years we have now arrived at their seventh studio release, Yawning Man’s Pavement Ends. And even though the pavement might end, and the asphalt might melt into dust and with the right kind of ears you can hear the ghost of those generator parties still hum in the sand, this could surely not be the end for Yawning Man. The sound has aged, matured, slowed down on some levels, but it is still the kind of music that will continue to play when your phone signal dies, and the sun burns your eyes and the mirage winks at you. This is Yawning Man, this is Pavement Ends, music coming through from the far edge of consciousness…

Older, dustier and perhaps not as punky as before, they are still doing their very own thing. The thing that became a scene before anyone ever knew that it could become a scene. Gary Arce and Mario Lalli are the ones that actually played on those sand dunes with those generators and cheap beer, summoning sound out of heat, making those starlight nights truly come alive and shadows become their own entity. They’ve never lost that touch…

Just listen to opening track Burrito Power. You will swear the horizon starts to tilt, guitars moaning across rusted hoods, a bass that crawls forward like a mirage that refuses to stay still. Deliberately slow, heavy and o’ so beautiful. But beautiful in a way that feels like it might just become dangerous, with the wrong choice made. And as you watch the sunset it will be up to you, chuck the half empty bottle to the ground, or guzzle it up and ride those bad intentions… 

Gestapo Pop rides the dip in light, the sunset drip, and in fact it just drifts deeper into the haze. Shimmering guitar work depicting Van Gogh like stars becoming a halo of light, looping and bending until you completely lose track of time. And by the time third track Bomba Negra hits, I’ve forgotten what planet I’m  on. No longer listening to a simple rock album, but a cinematic and aural adventure drawn by tones eroding themselves into soundscapes. 

And as you feel enveloped in the warm embrace of all those constantly degrading tones, you feel its comfort and know the masters of groove are also experts in dream sequences extraordinaire. To bring some of that groove back there’s Dust Suppression, leisurely moving around with cosmic swagger, this shortest track still feels like grand architecture. Gradual and precise, yet o’ so flowing and fluid. 

Nine minute title track will take you to the limits and beyond. Desert hypnosis personified, endless in its feel and atmosphere, like a drive towards nowhere, and with a reverb that stretches out like a memory of something that might never actually have happened. And if Pavement Ends does not shut you up, makes you lie down to listen to the desert, than surely closing track Bad Time To Be Alive will. There’s no way to not feel saddened by what this song says with just the title and the forlorn attitude. This is not a protest, but an acknowledgement of everything we collectively have let happen to humanity and the planet. Lie down. Listen. And repeat, it might help. It surely did for me. 

And that restorative energy, is part of what makes Pavement Ends so damn good. It never tries to hard, there’s no showmanship, but pure craft. No trickery, just three musicians locked tightly into each other’s pulse that they might as well use the same heart. Maybe they already do. And if you long for the sun and know that everything starts with that golden orb and that as long as the sun rises there can still be hope, this album will certainly strike a chord with you. Exhale, let the horizon do the talking, just like Yawning Man. You can leave your despair and expectations on the road behind your, exactly… There, where the Pavement Ends… 

(Written by JK)


Pavement Ends comes out November 14th, but you can listen to Yawning Man’s first single Bomba Negra right now over on the Heavy Psych Sounds bandcamp page… 



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zaterdag 10 mei 2025

Komatsu – Breakfast is served…

 

 

Komatsu – Breakfast is served…

Tables littered with bottles of dubious quality whisky, tequila and rum... Empty beers everywhere and huge piles of Columbian marching powder. An incredible amount of weird objects, shattered half written bathroom tiles, broken guitars and an amp sending out a death hum as coils of smoke waft towards the ceiling. We’re here, with a bunch of journalists to have A Breakfast For Champions with the good ol’ boys from Komatsu and the producer that got roped in, to produce this new sludge metal banquet that will fill every heavy rock loving belly...


No no no... It's just your fantasy, rock ‘n roll romanticism and wistful old legendary tales taking over your imagination. What actually went down, is of an entirely different nature. Cause instead of Devil’s dandruff and beer, there were croissants, rolls, boiled eggs and all sorts of other condiments spread out over the table. Coffee abundant and to celebrate the coming release of the Komatsu lovechild, a smidge of champagne to mix into a mimosa with freshly squeezed orange juice or to drink pure, like the hardcore professional rock ‘n roll journalists we obviously all are… 

 

Across the studio they had hastily decorated picknick tables and set out the breakfast, to regale us with stories about the recording process, the album and the different songs. Journalists were spread out between the Komatsu three and producer Pieter Kloos. The producer who took it upon himself to make the introduction statement. He had secretly been involved with more projects than anticipated in the past months and Komatsu wasn’t even among the planned ones, he explained. “They came to me after a different option had fallen through. I had already recorded, nay captured, the tracks for that other party, and sent all that had been captured, to the other team. But for whatever reason they weren’t able to do anything Komatsu worthy with what we set up. An immensely frustrating period of bad communication followed. It should have been easy for them, cause I delivered everything in such a way that they could take it in any logical direction they thought it should go. After hearing their vision of what we delivered, I was flabbergasted at what was returned. And so were the boys. And when the Komatsu three asked if I could just do it, it felt only natural to say yes…”



 

Natural… The operative word for the entire A Breakfast For Champions project. Cause after second guitarist Matthijs Bodt decided to leave Komatsu, it only felt natural for the three remaining members to try to do this sludge rock thing as a trio. Sure they thought about a fourth member, but quickly enough they decided to go forth, conquering the globe as power trio. Always comprised out of four members, the sound quickly became this all leveling, all-encompassing sludge fuzz feast. But with only three members, every instrument, every part of the composition, got more air and oxygen to breathe, it could take up its natural place in the order of sludgy things. Drummer Jos Roosen was suddenly able to take his drum parts in a different direction. More dynamics, more room, more silence even. “I could suddenly hear myself and what the other guys were playing at certain moments.” As  bass player Martijn Mansvelders added: “Some of it was a complete surprise. Hearing parts I never realized were there. We always rehearsed in a certain way and with full volume, the Komatsu sound becomes its own entity. Big, huge and eighteen ton heavy. But now, there were details…” Jos adds: "Everything became more balanced. And as the recording went on, I felt ever more confident of where my ability was going. Of my contributions to the sound, the songs and the way it seemed to push everything in the right direction. It became balanced in every sense of the word, the three of us, turning into the perfect team. And that's also so much due to the guidance of Pieter. He gave us the perfect room and sound to groove within."

 

When asked to think back to the days in the studio and what the first word is that comes to mind. They all yell in synch: “kut!” Fucked, annoying, horrible. But then Mo Truijens, vocalist, guitarist comes clean. “We were all in a slump, searching for our room within the new three piece Komatsu, but even so, we needed the recording process. Cause outside of that, everything was even worse, all three of us were going through such a difficult period that we started the recording process like ghosts. It pulled us, all three of us, through a difficult time. And as we forged ahead with the new tracks, slowly but surely, all of our spirits were lifted. We knew we were on to something, that we were on the right track. We hammered it out and hammered our frustrations away, it became therapeutic for us all.”

Martijn adds: "A gigantic haze. Thinking back about the recording process, I still can't believe we made it through. It was hard to get going, we even worried if this was the wrong time to start such an undertaking. But after everything, we talked with each other, looked each other in the eye and knew it was the only thing we could do. Forge ahead! And now, as we started rehearsing for the release show, we even have to really figure some parts out, because we can't remember how we did them during the recording process. It's like being a Komatsu cover band..."

On the right track or not. They did invite more help. Was Mo in such a slump that he could not write lyrics and had to get the best poet in the world, Ronny Dijksterhuis, to join in? “Haha, no it was more something I wanted to try. We only sent him a title and direction of the song. He then came up with some beautiful lines, a few of which I incorporated into the What Lies Underneath track.” Ronny Dijksterhuis. Wait, what? Ronny is here. What the fuck? Ronny is here. He’s stuffing a croissant in his mouth! But he also writes for Stoner HiVe! And he is about to have his own release party, on May 18th for his poetry collection ‘Hoe Glas Bevriest’ (How Glass Freezes) in Turnhout, Belgium. Errr…

 

 

Back to Komatsu, cause even though every fan around the globe has already been feasting their ears on the new album A Breakfast For Champions album since it was digitally released through Heavy Psych Sounds on April 11th. The official release date is May 16th, and the party will be at Effenaar, Eindhoven. And a party it will be! For even though the album is riddled with more serious undertones, there is and always will be room for humor with the Komatsu boys. Not taking it all so seriously. As most fans know, one-off merch, like those bathroom tiles, weird little give aways, videos featuring artists like Nick Oliveri, Eddie Glass, Peter van Elderen Ryan Colde, Mike Pygmie and some ten more that state Komatsu sucks... But serious as well, as Mo says: “Savage, our second single and video, is dedicated to Tom Davies from Nebula. We toured with them and he was such a wonderful man and character. We became great friends and it’s another one of those difficult things we had to deal with. Losing a loved one, continuing on. Losing yourself in a way. I guess the entire album feels a bit darker..."

Martijn adds: "It's not necessarily black, but our situation, the world situation, it all leads to a darker outlook on things. You have to let it out to be able to let new stuff in. And that inevitably leads to good stuff. How proud we all are of what we accomplished. How proud Pieter was of us. Sure he dug what we did before, but his exuberance and excitement had never been that visible before. But this time, he smiled from ear to ear, saying that this was seven leagues ahead of what we did before."

And all Pieter did, as he stated himself, was capture what the three played. He got to set up the right mic, the right way, in his nerdy kind of way and then let the three of them sludge away. Not doubling guitars, not doing extra basslines. Almost no overdubs at all. Just capturing Komatsu in their purest form. Wobbles, little mistakes and all... Turning A Breakfast For Champions into a highly personal document for themselves and the best rock album the three amigo's have made...




And tomorrow morning… So we beat on… You, those few that read the words just now, will wake up… Head on over to the Komatsu or Heavy Psych Sounds bandcamp page. And have yourself your very own A Breakfast For Champions … 


And next Friday... May 16th! All those lucky ones that are able to attend the release show at Altstadt, Eindhoven, will not only be treated to the aural A Breakfast For Champions; they will also be able to taste it! And not just because the sludge will be dripping down from the ceiling... But because Brewery 'Het Verhaal van De Vos' (The Story of The Fox) has decided to honor the band with a very own beer called A Breakfast For Champions.

A whisky infused, ten and half percent, black like tar, but incredibly tasty beer! 

Just like the album!


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Review for A Breakfast For Champions

Review for Rose Of Jericho

Review for New Horizon 

Recipe For Murder One, Number 19 on the Stoner HiVe Top 20 of 2016

Review for So How's About Billy

Review for Manu Armata

Review for Komatsu

woensdag 7 mei 2025

Conan – Violence Dimension

 

Conan – Violence  Dimension
Heavy Psych Sounds – 2025
Metal, Doom, Sludge
Rated: ****

At Stoner HiVe we try to go out of our way to mention those smaller bands, the ones starting out and the ones that are still doing all that ground work. And even though we do write about the big names often enough, we do realize we should write about them some more. Cause whenever the Stoner HiVe Top 20 Countdown of that year rolls around and all of your votes start to roll in, those are the ones that are always on the list. Take Conan. Number 19 on the Countdown of 2022 and Number 12 back in 2018. The three other albums probably should have made it as well and I’m suspecting the new Violence Dimension will make it this year. So, why not write a few words about it right now? Cause well, there’s enough violence in our dimension, right now. And that is the idea behind the new Conan album. The three from Liverpool, UK are traveling through the various landscapes filled with aggression, brutality and carnage. Delivering their own takes on all the different themes with furious riffs and bass work that burns it all down to a cinder. Demolishing drums pound away at the ashes as the piercing cries from vocalist, guitarist and founder Jon Davis enflames it all even more. The three are still founder Jon Davis, drummer Johnny King, present since 2017 and on bass since 2023 David Ryley formerly of Ungraven and Fudge Tunnel. And Ryley’s first release makes him sound even more colossal then on his other work and makes the Conan sound have this desperate edge. Turning the violence and aggression into something forlorn and twisted. And there’s a lot of the Conan sound present, doom, sludge, all metal and all the time. Although there is that forty five second long thrashy and punk battering ram called Warpsword. It not only batters down the door, but it also destroys all the furniture inside. And your own insides will get destroyed by that eight track Vortexxion. After having been beaten into submission by the wonderful ten minute long doom trod Ocean Of Boiling Skin, Vortexxion closes the album off with Conan drone. A barbaric take on drone, taking the feedback loop into a noisy reality filled with bleeding ears and melting innards. It’s a violent ending to a wonderful album…


(Written by JK)




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vrijdag 18 april 2025

Nightstalker - Return From The Point Of No Return

 

 

Nightstalker - Return From The Point Of No Return
Heavy Psych Sounds – 2025
Rock, Stoner, Hard, Desert, Psych
Rated:

Greek legends Nightstalker released their seventh studio album ‘Return From The Point Of No Return’ last month and not only is it fantastic but it’s also a testament to the band’s longevity. Most bands are lucky to have a few years of creativity and relevance, whereas Nightstalker have had decades, which only shows the strength and endurance of the band. Whether they acknowledge or embrace the title is anyone’s guess, but Nightstalker are known as stoner rock legends. Titles and genres aside the power of the music is what compels us, so about this new album…

Bringing a heavy load of stoner-tinged grooves and distorted guitars Nightstalker hit like a ton of bricks smashing down from a ten-story building crashing down on our heads. There’s an energy swell in songs like ‘Dust’ where the drums are absolutely commanding, adding fuel to an already burning inferno of fuzzy guitars and thumping bass. Of course, Argy’s vocals are some of the most recognizable you’ll ever hear as his slightly accented and mid-tone Ozzy range narrates us through ‘Heavy Trippin’. It’s a more settled in song than its predecessor and ‘deeper’ subject wise with lyrics of self-reflection, soul searching, and one’s own existence within this thing called life, topics we can all relate to.

There are hints of grunge mixed in that may have been overlooked before from Nightstalker and are noticeable in tracks like ‘Uncut’ which is a headbanging powerhouse of energy. On the title track ultra-distorted guitars and heavy bass both vie for attention, later even ‘battling’ it out on the song. The mix and levels are perfect with all instruments pushed up equally in the production throughout the entire album, which is masterfully done. The echo on the vocals is a nice touch hooking and reeling you in towards the point of no return.

The somber beginnings of ‘Shipwrecked Powder Monkey’ are short-lived as the stoner rock fuzz hits bringing with it a powerful vocal and heavy power chords. Nightstalker remind you that songs don’t have to be overly complicated to get their point and emotion across. Possibly the favorite of the album is ‘Shallow Grave’, it starts slow and steady with great melody and lyrics. It’s brilliant how the second and fourth lines say, “A grave with no name…on”, with the exclusion of ‘it’ making the line that much better. The song is built in anticipation and just before the three-minute mark crashes into a crescendo of heavy rock as all instruments come in at full volume.

We’ll leave the last two alone in hopes that you explore them as well as the whole album. ‘Return From The Point Of No Return’ is a solid release of heavy rock with stoner qualities, one that proves the band are showing no signs of slowing down. Even having already placed their stamp on the rock world and being giants in the heavy underground, Nightstalker continuously kick out the jams. This one is on repeat at headquarters and hopefully our fine readers are already enjoying it as well. The only thing left to do is pick up the record…

(Written by Jon McGough)




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zaterdag 15 maart 2025

Komatsu – A Breakfast For Champions

 



 

Komatsu – A Breakfast For Champions
Heavy Psych Sounds – 2025
Rock, Metal, Stoner, Sludge
Rated: *****


Komatsu are here to feed you mighty riffs and warm fuzzy delights, after all breakfast is the most important meal of the day! ‘A Breakfast For Champions’ is a hearty affair, substantially filled with all of the nourishment you hungry heavy rock fiends can handle. Ok, I’m sure everyone that’s reviewed the album has gone the same route so from here on out we’ll try to bypass all the analogies and morning cuisine references. Maybe, but no guarantees.

The band’s fifth outing sees them progressing while keeping possession of what made us fall in love with Komatsu in the first place. How could they ever leave behind those endless grooves that just get your head moving? Or abandon those thick crunchy riffs we all adore? Or retire from the more dramatic oriented interludes and melodies? Well, they don’t. These are not only qualities of Komatsu but also their identity. So true to form these aspects are all present in spades on ‘A Breakfast For Champions’. Part of the band’s more recent development is the fact that they are now a three-piece but make no mistake, this has not deterred the band nor slowed them down. Not in the least. Perhaps they have even more to prove.

Hopefully you’ve already heard the first two singles of the album, if not what could you possibly be waiting for!? Both songs are mighty, riff heavy bangers made to get the juices flowing. The unwavering drumming on ‘A Breakfast For Champions’ by Jos Roosen as he attacks the skins and alloys not only extracts the juices but opens the flood gates to start the album with a torrent of toms and fills. The bass work of Martijn Mansvelders moves the track ‘Savage’ along with a fluid pace bringing the fullness of the bottom end to the forefront, striking the heavy gauge strings with veracity.

The mellow and somewhat haunting beginnings of ‘The Devil’s Cut’ are short lived as the chorus absolutely crushes when the heavy riffing of Mo Truijens guitar comes alive. Not to mention the imposing vocal performance that hits simultaneously. The track could easily be a single itself. It flows so nicely into ‘Release The Flies’ that you hardly realize you’re in a new song as they seamlessly fit together. ‘What Lies Underneath’ has a grungy feel to it with a violin or synth undertone behind the main instrumentation. Another high-powered chorus follows but this time with the focus being on the melody rather than a guitar attack. The Stoner HiVe’s very own Ronny Dijksterhuis contributes lyrics to the song, and they are very deeply heartfelt. The lyrics combined with the vocal expressions achieve the perfect balance of beauty and wistfulness.

Dear readers, you’re in for a treat as ‘A Breakfast For Champions’ is jammed full of delicacies just waiting to be savored. If premium heavy rock is what you’re looking for on the menu, Komatsu are here to fulfill your hungry desires with a massive slab of just that. No doubt the album will be a favorite of the year, and we can’t wait for everyone to dig in!


(Written by Jon McGough)

Go check out the first two singles now, Komatsu's A Breakfast For Champions is out on April 11th!

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Review for Rose Of Jericho

Review for New Horizon 

Recipe For Murder One, Number 19 on the Stoner HiVe Top 20 of 2016

Review for So How's About Billy

Review for Manu Armata

Review for Komatsu

 


dinsdag 25 februari 2025

Komatsu – Savage

 

 

Komatsu – Savage

Eindhoven Rock City is in full swing! After the An Evening With Knives new video yesterday… We get more Eindhoven heaviness today! We had the pleasure of breaking bread with the Komatsu boys a few days ago. And after our second serving they hit us with the new video for Savage as desert! Inspired by the death of their tour buddy Tom Davies. Inspired by the meaning of life. And death. Both lyrically and visually on screen…

Two singles out: title track A Breakfast For Champions and Savage. One more single before the release day of the new Komatsu record A Breakfast For Champions through Heavy Psych Sounds on April 11th.

 

 

PR Wire:

Dutch stoner rockers KOMATSU release new video off upcoming album "A Breakfast For Champions", out April 11 on Heavy Psych Sounds.

Eindhoven-based stoner and sludge rockers KOMATSU present the second single off their new studio album "A Breakfast For Champions", to be issued on April 11th via Heavy Psych Sounds.

👊 Rock out to Komatsu's "Savage" video at this location 👊
 

About the song theme, the band explains: "The loss of friends that leave much too soon. Searching for purpose and meaning in life, leaving a ripple in the pond. Inspired by the death of our tour buddy Tom Davies (Nebula)."

"A Breakfast For Champion" is the follow-up to 2021's "Rose of Jericho" and their first outing as a three-piece. As expected with the Eindhoven trio, skulls will be crushed at full force by this sonic sledgehammer... however, the 8-tracker also showcases a more melodic and stripped-down facet from these bearded gentlemen. To cut it short: becoming a trio hasn't taken anything away from their pulverizing grit and even adds some extra chemistry and breathing space that takes their sound to higher levels!

So strap in and brace yourself for another assault of monstrous grooves, a hefty meal served with lots of bravado to start a new day —  the day when Komatsu confirmed their reputation as one of the heaviest and coolest bands in the stoner/sludge crossover scene. And once you've caught every blow, straightened every twist and managed to hit every turn, you realize you've just been served a breakfast for champions. Don't miss the debut single and title track "A Breakfast For Champion"!

 
KOMATSU "A Breakfast For Champions"
Out April 11th on Heavy Psych Sounds (LP/CD/digital)

In 2010, the sky ripped open above Eindhoven Rock City. Four musicians came thundering down, surrounded by ferocious-looking thunderbolts and the roar of a thousand gods. Their mission? Scorch the earth with a brutal mix of sludge, stoner and metal. Komatsu was born with the surefire determination to never look back.

Over the years, Komatsu have released an EP and four albums, refining and perfecting their earthquake-inducing low-end rumble and grinding, ear-shattering signature sound. It hasn't been left unnoticed. Quite the contrary. Their unique approach unabashedly destroyed the stoner community by way of bulldozing both fans and press to smithereens, resulting in opening slots for bands like Truckfighters, Karma to Burn, Clutch, Nashville Pussy, High on Fire, Corrosion of Conformity, Brant Bjork and Baroness, while also infusing the after party of Queens of the Stone Age's show at the Effenaar in Eindhoven with a highly addictive cocktail of sweat and gasoline. High-profile European tours with Duel, The Freeks, John Garcia and Mondo Generator followed, the latter of which completed a personal challenge set out by the band and fulfilled a big dream: sharing the stage with all original Kyuss members.


2025 sees Komatsu present their fifth album to the world, once again released via premium European stoner and doom label Heavy Psych Sounds Records.

KOMATSU is:

Mo Truijens - guitar, vocals
Martijn Mansvelders - bass, backing vocals
Jos Roosen - drums 

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Review for Rose Of Jericho

Review for New Horizon 

Recipe For Murder One, Number 19 on the Stoner HiVe Top 20 of 2016

Review for So How's About Billy

Review for Manu Armata

Review for Komatsu 

 


zondag 26 januari 2025

Duel – Breakfast With Death

 

 

Duel – Breakfast With Death
Heavy Psych Sounds Records – 2024
Metal, Stoner, Thrash
Rated: *****

Been having coffee, a boiled egg and freshly baked rolls every morning for the past months. And on all of those early morning meals I was joined by a smiling and courteous Grim Reeper. For mr. Death himself has been on the very best of behaviors ever since hearing the new amazing Duel album. It’s the perfect record from him. And yes, for me as well. That ferocious metal, the thrash influences, that sound so sweetly transported out of the glory days of the eighties. I love Duel. Ever since their first album Fears Of The Dead from 20216. Am happy to have seen them live at Helldorado Festival once.  Their Valley of The Shadows album ended up on the Number 5 spot of the Stoner HiVe Top 20 Countdown of  2019 according to all the votes that came in. And together with their 2021 In Carne Persona album they have all been on heavy rotation over here... 

But nothing comes close to the manner in which I have been gorging on Breakfast With Death! The immediateness and intensity of it all keeps me coming back for seconds every morning of every day. They’ve punked out their stoner and thrashed their metal; and that instantly comes out blasting with opener Ancient Moonlight. That guitar tone, those drums, it burns, it sears and its only thanks to the dragging vocals that the speed with which it is delivered becomes palatable and the taste lingers. Especially since towards the end it all slows down, setting you up for the masterstroke that follows. Satan’s Invention, perhaps Duel at its most pop sensible, slower in riffs, gradual in drums, manages to combine every one of their strengths into a perfect delivery. And those vocals, the lyrics are so astute, but the magic is in the delivery, the rolling of the syllables that make Satan’s Invention undeniable and addictive. And that is once again so wonderfully off set by the most classic metal and thrash bridged Chaos Reigns track that follows. So scathing, so biting, aggressive and so full of powerful release. The guitar and drums, methodical, slaying and commanding, not giving any moment of respite until perhaps the wonderful solo that surfs on top of that maniacal thrash drumming. The vocals pulling you in and pushing you along, offering up the shout along on a silver platter. You will. You can’t help yourself. Even if the sun hasn’t yet risen. And all of that energy, all off those Duel strengths keep returning on all of the tracks that follow, and they close it all off with the incredibly gnarly, teeth baring, Greet The Dead and the knock out punch Burn The Earth. An opening salvo leads you to this anxious and tongue out groove that paves the way for another brilliant singalong chorus. Their most dynamic track on the album, switching it up, even in minute ways with every part of the composition. Ferocious and blistering, start to finish. As is the album. No better way to wake up. Listening to this will blast away every possible bit of a hangover. It will set your head right and the scythe will stay in a corner as you and Mr. Reeper grab another cup o’ joe, hit the repeat button and butter each other’s biscuit…


(Written by JK)




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zondag 22 december 2024

Number 11

 

 

Number 11


We jump exactly sixty points to reach Number 11 today. A  band that does something special for you crazies that follow the HiVe. For it has been making the Stoner HiVe Top 20 Countdown with almost every album they’ve released. Reaching Number 18 back in 2020 and Number 7 in 2021. This is their fourth album and relentlessly stomps on the terra, like a mega beast on a doom trek across an ancient landscape. That’s right, gigantic and lurching monsters stuck in the black treacle tarpits of Pleistocene earth, ceaselessly producing those doom riffs and anthemic rhythms. There is something so reassuring and comforting about this warm woolly beast. You know how this animal will stomp. You know how the tusks will sway. Toned to a certain level of perfection they deliver that heady doom once again, that massive groove that will always and forever leave a mark upon your soul. Are you ready to get trampled by all the shaggy heaviness once more?






According to all of your votes, on Number 11 we find: 



Acid Mammoth - Supersonic Megafauna Collision





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dinsdag 17 december 2024

Number 16

 

 

Number 16


I have forgotten to mention the jump in amount of points with every spot, but we’ve now jumped a mere four points from Blood Incantation on Number 17 to reach the album on Number 16. Where we find another heavy progressive entry. But this time they stay in that lane of musicianship. Imploring a bit of psychedelia, touching on the blues roots of yore and winking at all that lovely kraut movement and space rock, the seven tracks on this album shine with harmonic brilliance. The way they weave their progressive threads throughout the record is impressive and shows their every growing knowledge of the grand universal energies of rock. Sophisticated compositions like velvet to your ears spin their tales like the myths this story is based on. These echoes have been ringing throughout the universe since existence and the Italian four have managed to capture them all and present them to you all bottled up and shooting around like a multitude of high voltage electric charges…




According to all of your votes, on Number 16 we find:


Mr. Bison - Echoes From The Universe

 




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vrijdag 26 april 2024

Stoner HiVe’s Quick Fire Friday

 

 

Stoner HiVe’s Quick Fire Friday

I’m pretty sure there will be some Friday Freebie action over on the Doom Charts today! And over on Stoner HiVe!? Well, we have some Quick Fire Friday action! That’s right, a few selected words about something cool that has been spinning a lot over here… This time around, we do it slightly different, a shorter and perhaps sweeter version to give you all some new videos! Why not right?! And we know… There is so much out there, so much good and heavy stuff, and we just simply cannot ever do it all justice. But here it is… Another Stoner HiVe Quick Fire Friday! And it burns hot like molten lava!

Greenleaf – Avalanche

It went bang again some two days ago! For the new Greenleaf single and video was released back then. It’s called Avalanche and is the second single for the new album The Head & The Habit to arrive on June 21st through Magnetic Eye Records. Breathe, Breathe Out had that comedic video with the amazing shirts made by Tommi Holappa’s daughter. This one is sporting an official lyric video, with cool visuals and that almighty Greenleaf groove! Hitting you like an Avalanche!

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Geezer – Acid Veins

Premiered on the legendary The Obelisk a day or two ago, it’s the new Geezer track and video called Acid Veins. It’s from the soon to be released, on the very cool Heavy Psych Sounds label, split album called: Interstellar Cosmic Blues & The Riffalicious Stoner Dudes. And that, my friends, is not a whole mouth full, it is also a freakin cool split album featuring ISAAK on the other side. Bam! Nothing more to say, except to state that it’s the Harrington groove blues boogie in full swing and we cannot stop spinning it! 

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Suif – Hollow

Soon. Very soon. They will be blowing up your stereo with their slowcore magnificence on an album called A Run On Thin Ice. We’re talking about Bordeaux, France foursome Suif. And out now is the first single and video Hollow. Beautiful music with a beautiful video. Listen to Hollow and go follow… Suif

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Deliria – Gemini

Cold or was it a shiver of pain that ran through me? A cut in my finger, like from knife but now from a sound. Am I supposed to linger? Am I supposed to feel all this existential dread decent upon me? Gemini is the second single and live video from the new album Phantasm which will be released on May 3rd. The highly evocative post metal, black metal outfit from San Fransisco called Deliria implores some hardcore influences and a whole lot of atsmosphere! Making me wax poetic!

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Max Boogie Overdrive – Stoned Again

We jotted down a few words about the damn cool Stoned Again album about a month ago. It’s out on Future Primitive recordings now and Max Boogie Overdrive have now released a video for it’s title track! The full album Stoned Again album was already one big trip. Well, just watching the lovely video for the title track will get you high as well! A righteous trip! 

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