Posts tonen met het label Shastabeast. Alle posts tonen
Posts tonen met het label Shastabeast. Alle posts tonen

zondag 5 januari 2025

Kyle SB – Personal Top 20 of 2024

 

 

Kyle SB – Personal Top 20 of 2024

Don't forget it's almost January 6! Why you ask? Cause it's his birthday then! We congratulate him in advance and even more so with the amazing work he has been doing with his own PR company called Good Boy PR! We can also congratulate him with his Personal Top 20! And Kyle SB (formerly know as Shasta Beast) is also part of the Doom Charts, where he runs the Instagram page of the Doom Charts. A list that could also have featured many of the artists he did PR for, but for the sake of some form of weird fairness, he decided to refrain from listing those fine albums... But you can find those anyway by visiting Good Boy PR! And you should... Go check those out and the majestic list below and Let Slip the Dogs of Rock 'n Roll! Below his list you can see the one review he wrote for the HiVe this year...



DISKORD/ATVM - BIPOLARITIES

VERMINTHRONE - THE CULL

KING ZOG - SECOND DAWN

UNDEATH - MORE INSANE

MALCONFORT - HUMANISM

RICKSHAW BILLIE’S BURGER PATROL - BIG DUMB RIFFS

VEILBURNER - THE DUALITY OF DECAPITATION AND WISDOM

CRYPT CRAWLER - THE IMMORTAL REALM

LOWEN - DO NOT GO TO WAR WITH THE DEMONS OF MAZANDARAN

RITUAL FOG - BUT MERELY FLESH

DÖ - UNVERSUM

WARPSTORMER - WARPSTORMER

BANGLADEAFY - CULTURE

MASTIFF - DEPRECIPICE

NEBULAS GARDEN - NEBULAS GARDEN

WITCHORIOUS - WITCHORIOUS

DRIPPING DECAY - RIPPING REMAINS

KNOLL - AS SPOKEN

RESIN TOMB - CEREBRAL PURGATORY

PROTON BURST - LA NUIT


And check out the one review he wrote last year here:

Atomic Peat - Demons Coming Home

donderdag 4 januari 2024

Kyle SB – Personal Top 20 - 2023

 


Kyle SB – Personal Top 20

of 2023!

 

Don't forget it's almost January 6! Why you ask? Cause it's his birthday! We congratulated him in advance and even more so with starting his own PR company called Good Boy PR! It must be one of the many highlights of the past twelve months. We can also congratulate him with his Personal Top 20! And indeed Kyle SB (formerly know as Shasta Beast) is also part of the Doom Charts, and he runs the Instagram page of the Doom Charts. And his Personal list will of course also appear on the Doom Charts, but perhaps slightly edited, perhaps not. Cause this is the Top 20 he sent in back when we asked for your lists for the Top 20 Countdown. Check out his list of majestic releases and Let Slip the Dogs of Rock 'n Roll!

 

 
 
 

MAGDALENA - THE DYINGPROCESS

BARING TEETH - THE PATH NARROWS 

 
 
 
 
 

 And check out the thirtheen reviews/blurbs he wrote last year here:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 


woensdag 29 november 2023

Almost Honest - The Hex of Penns Woods

 

 

Almost Honest - The Hex of Penns Woods
Argonauta Records - November 2023
Stoner, doom, hard rock
Rated: *****

New Cumberland, Pennsylvania's Almost Honest have been chugging away at their patented sexy Viking funk rock for about a decade, and each release has found them honing their craft and topping their previous outing without fail. This upward trend has shown no sign of slowing down, and on their new LP "The Hex of Penns Woods" they've added rocket fuel to whatever they've been pumping into the rock 'n roll tank. "Hex" is the product of a laser-focused, pro-shop, confident Almost Honest. They've always fucking rocked, and this is an album that says, without debate, "we know we fucking rock". The production is clear but meaty, the musicianship is top-notch, and added layers of varied vocals and surprise instrumentation create an eleven-track trip that has a twist around every bend, inducing more than one happy "WTF" aloud to myself on first listen. The opening track alone is worth taking the dive, an absolute barnburner that fires on all cylinders and welcomes you to the proceedings by melting your face off and delivering riff after sludgy riff of slamming heavy. Early Clutch and Red Fang lurk in the grooves, but this is all Almost Honest as they piledrive eardrums into oblivion. Every subsequent track is its own beast, filled with its own quirks and style without losing the signature stoner heavy at the core of the band's sound. Rather than spoil every surprise, we'll run through the highlights. Want bluesy licks and group vocals? "Laugher of the Deer Owl" has you covered. Horns going together with guitar like PB&J? Bite into "Where the Quakers Dwell". Personal favorite "Haunted Hunter" brings a riotous stomp with drum work that dazzles as it shuffles and pounds, and the funky keys are the icing on top you didn't know you needed. "Ballad of a Mayfly" is a ballad and more, bringing to mind Helmet in its harder-edged passages, and "Goliaths Lamp" cranks up the aggression with cutting riffs and grimy bass licks. Almost Honest have been on the scene for a while now, and its past due they're given recognition as cream of the crop. "The Hex of Penns Woods" catapults the gang into another league, and these Dutch country boys make no beans about it. They've become masters of their craft, and sexy Viking ones at that.


(Written by Kyle SB)




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zondag 12 november 2023

Oopsy Dazey - Oopsy Dazey

 

 

Oopsy Dazey - Oopsy Dazey
Self-released - November 2023
Alt rock, grunge, shoegaze
Rated: ****

Portland's prolific Anthony Gaglia, of LáGoon and The Crooked Whispers, and Wizzerd's Jamie Yeats, began collaborating early this year, and the results are a few steps away from their usual doom and stoner leanings. The two have cooked up an intoxicating mix of shoegaze, alt rock, and grunge that is OOPSY DAZEY and its self-titled debut, a feel-good hazy trip through lysergic licks and laid-back vibes. What stands out immediately is the guitar tone, a bright and grainy explosion of warmth that croons beneath the appropriately dazed vocals. The drums are steady and patient, setting the foundation for the guitar's colorful explorations across the album's seven tracks. Highlight cut "Amnesia" is an especially dreamy number that's catchy enough to be a radio hit, moody and heartfelt in all the right places. The following "Regrets" takes a more rocking path, alternating between subdued, light passages and keening riffs that evoke Dinosaur Jr. with relaxed, free-wheeling vibes. OOPSY DAZEY take on oh-so-slightly darker sound, however, on the excellent "Blank Stares", trading the previously shimmering tones for a deeper, almost morose anthem with a weight and drive to it that hits just right. On every song, Anthony and Jamie consistently impress with the rich, emotive depths they're able to plunge, and OOPSY DAZEY proves to be a beautiful new project that tugs at the heart strings while putting a smile on your face and welcomes repeat listens with open arms.


(Written by Kyle SB / Shastabeast)



Wanna read that way too long interview with grand oops Anthony Gaglia again? Go here!

Wanna read more about LáGoon or The Crooked Whispers? Click them bandnames!

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zondag 22 oktober 2023

Phe - Nothing Else Is Real

 

 

Phe - Nothing Else Is Real
Self-released - October 2023
Stoner rock, blues, grunge
Rated: ****

The Netherlands' well-kept secret that is Phe should be well-kept no longer, if their newest album "Nothing Else Is Real" has anything to say about it. This is an immaculate, patient record, one that unfolds with dark grooves and spacious soundscapes that gently reel the listener in, and before you know it you're immersed til the end. Opener and hook-heavy track "Mirror The Ghost" kicks things off with crunching, deliciously desert-rock riffs, driving forward beneath the band's iconic, full-throated vocal delivery. Following cut "Saviour" brings in some stoner stomp with a touch of boogie, but in hindsight these first two tracks are almost red herrings,  the epic centerpiece that is "The Age Of The Misunderstood" hits. Over the course of 12 minutes, Phe craft a beautiful, longform stoner opus. Each note is given its due time, perfectly placed to build into a slight chug under soaring licks, while the drums are tight as can be, laying down a steady bedrock as the tune expands outwards and upwards into increasingly psychedelic territory. It'd be easy enough to write a whole review of just those 12 minutes, but Phe continue to deliver the goods with moody, muscular numbers "Broken Thoughts" and "We Are" to close out the album with added heft. "Nothing Else Is Real" is an accomplished, nuanced record that's made with a painstaking attention to detail, delivering a dark and magnificent vision of stoner rock. Bravo, Phe.


(Written by Kyle SB / Shastabeast)


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dinsdag 17 oktober 2023

Bigstrut - Bigstrut

 


Bigstrut - Bigstrut
Malevolent Sound Studios - 2023
Noise Rock, Post-Hardcore, Experimental
Rated: ****

From the depraved metal minds of Nick Turner and Jared Moran, both of too many bands to count, comes an exercise in a different form of aural filth. Bigstrut is caustic. Bigstrut is foul. Bigstrut is noise rock of the most abrasive kind, sharing the DNA of its creators' various black and death metal projects but wholly its own monster. The duo lurch and lay waste through eight seething tracks, Turner's guitars squealing and crunching while Moran's careening drums and demonic vocals drive the onslaught home. Opener "Resolution" creeps forth with heaps of tension, exploding into a cacophony of sound and angular riffs that alternate between razor wire buildups and thunderous grooves. Highlight cut "House Clear" dives further into Jesus Lizard territory with abrupt, stop-start bursts and screeching licks overtop the crash of the drums. Apparent in "House Clear" and the rest of the album, Bigstrut's greatest trick is maintaining head-moving rhythms despite all the abrasive elements at play. One second Turner is torturing his guitar strings, and the next the band is chugging through a passage that would have a live audience bobbing and stomping along. No less moving, another album highlight is "Glutton", taking its time emerging at a doomier pace before pulsing riffs and clattering drums overtake the listener. Bigstrut is built of vile, raging emotions, and Turner and Moran capably twist that madness into a noise rock behemoth.


(Written by Kyle SB / Shastabeast)


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vrijdag 13 oktober 2023

10% Reptile - Holographic Fuzz

 

10% Reptile - Holographic Fuzz
Playgroundz Records - 2023
Stoner, Grunge, Punk
Rated: ****

New York's own 10% Reptile follow up their genre-melding debut with "Holographic Fuzz", and succeed in crafting another set of unique anthems, this time leaning more to the grunge and punk ends of the spectrum than stoner. The sound's a bit more stripped down and jangly, creating an affecting atmosphere somewhere between grunge and heavy folk, with nods to Alice in Chains in the vocals but with an upbeat stomp in the rhythm. Highlight cut "Unfamiliar Hazard" showcases that stomp beautifully, a barn-burner of a track with cutting, howled lyrics and a physical urgency to the hard-hitting beat. Things are dialed back on "Don't Let a Good Thing Go to Waste", with southern gothic vibes joining bluesy licks and bright guitar that would've absolutely killed on 90's MTV Unplugged. Final track "Nothing's What It Seems to Be" brings some stoner fuzz and winding, chugging riffs to close the album out with extra oomph, and the quartet once again prove they're of a space and sound in the heavy underground that belongs only to 10% Reptile.


(Written by Kyle SB / Shastabeast)


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vrijdag 22 september 2023

DesertFest NYC 2023

 

DesertFest NYC 2023

We sure as hell wished we had been there. DesertFest NYC… Seeing all those amazing bands. Catching up with my Doom Charts brothers, Scott Spiers from CleanAndSoberStoner, Remi VL - the Tallymaster and our very own Kyle SB / Shastabeast. We would have befriended a load of others there as well, cause we are all Heavy Underground loving brothers, and we would surely have become best friends with Josh Burke. Friend of Remi and Kyle, he has graced us with a review of the festival. Our very first guest writer, and yes, we would surely let him write about DesertFest NYC again… Or anything else for that matter… Great to meet you Josh

 

DesertFest NYC 2023

by Josh Burke

After some encouragement from a member of the Doom Charts, as well as Stoner HiVe contributor Kyle SB / Shasta Beast, I decided to attempt an actual write-up of the festival we all attended last weekend. Although I write a ton for my job, I don’t think of myself as a writer. As someone who tends to sum up experiences as “that was awesome”, “that was okay” or “that sucked” I have a lot of respect for people who can write a coherent and well-written review. So, anyhow, Desertfest NY 2023 was okay.

 

 

Colour Haze won the weekend.  Despite their 30-year history, they had apparently only played once in the States previously. What a special treat to have their unique brand of jazzy, psychedelic rock. Both nights were great; the band made both the intimacy of the St. Vitus bar and the grander setting of the main stage work for them. Either set would have topped my list, but I give the edge to Friday night on the main stage. It is really easy for largely instrumental and generally mellow music to be boring and self-indulgent. Colour Haze dodged both of those traps. Building up and then backing down, occasionally going all out, everything worked. Every solo mattered and added to the performance. I went into the weekend as a casual fan of this band, only owning a couple of records, and came away just stunned by how great they were, particularly drummer Manfred Merwald. I only wish they’d had merch!

 

A hugely surprising second place to me goes to Ecstatic Vision from Philadelphia. Interestingly, another band that traffics heavily in long, drawn-out jams with extensive soloing. In this case, all that excess is done in the service of having the funnest party you can have. The clear exuberance and joy on the faces of lead singer/guitarist Doug Sabolik and saxophonist/guitarist/flautist Kevin Nickles was infectious. Particularly, the latter had a smile on his face for every nanosecond of their set. Meanwhile, the bass player and the drummer were there to do their job, and they toiled non-stop with a constant groove that was impossible to resist. Add in forays into the crowd and into the ceiling and a guest appearance by an equally driven Nick Oliveri and it was pretty much perfection. While they had not really grabbed me on first listen, this is a band I will always go see live if I have the chance.

Djunah were equally amazing in a very different way. Donna Dianne is a force of nature. The title of their most recent (and amazing) album, Femina Furens, is Latin for “furious woman,” and Dianne has fury for days. Flailing wildly at her guitar while pouring her soul into the mic and tapdancing on a raft of pedals, most notably playing complex bass lines on her Roland PK5 synth. Yes. With her feet. Crazy. Djunah’s music defies any easy categorization. Songs alternate between angular guitar lines and heavy riffs, all accompanied by Dianne’s biting lyrics and powerful vocals that range from whispers to yells to howls of anguish.  At times Dianne seemed almost overwhelmed and the overall mood was one of increasing tension and discomfort. A missed note here and there is easy to forgive and almost an afterthought with all the emotion Dianne puts into her performance and the anthemic Seven Winds of Sekhmet was the perfect release to close their set.

Other standouts:

 

Lo Pan – one of the most melodic voices in all of stoner rock, plus pummeling bass grooves.

 

Upper Wilds – this year’s surprise for me. Perhaps the least “desert” of the bunch, but melodic, upbeat space pop more in the vein of Dinosaur Jr. “Space” being apt here, as singer/guitarist Dan Friel told us after their set that each album draws inspiration from a particular planet (Jupiter being the latest).

 

Dorthia Cottrell – her acoustic set mixed some of the songs off her new album, the aptly named “Death Folk Country,” with reinterpretations of Windhand songs, highlighting her soulful vocals throughout. Second guitar and violin filled out the sound nicely.

 


 

Godflesh – I wanted to like this set more than I did. I love this band and it was a solid performance with a good mix of material from across their catalog. Justin Broadrick and B.C. Green were somehow low key while still being considerably more animated than the last time I saw them, but the mix was physically punishing and had the clarity of a passing car with the subwoofer cranked to a thousand. This seemed to be a plus for much of the crowd, but I dipped out early to get a spot up front for Djunah.

 


Melvins – I am largely indifferent to the Melvins but I’ll be damned if King Buzzo, Steven McDonald and Coady Willis (filling in for the ailing Dale Crover) didn’t win me over. Buzz alone on stage, menacingly picking his way through the end of Boris, was a perfect end to Desertfest NYC 2023.

 

There were many, many strong sets beyond these, and I definitely had a great time at the fest.  I am slightly bummed at having only two days (plus the pre-party) versus last year’s three, as well as an overall line-up that lacked some heft compared to last year (or to the other Desertfests this year). I can’t imagine how hard it is to put on an event like this, but the curse of putting on a great festival is that people expect it to continue to be great. That’s especially true when so many attendees are paying for a plane ticket and a hotel. There is every reason to think this is just a blip and that next year will once again be impossible to skip. And we’ll see if Stoner HiVe lets me write about it again.


Josh, Kyle & Remi


DESERTFEST NYC 2023