Posts tonen met het label The Ossuary. Alle posts tonen
Posts tonen met het label The Ossuary. Alle posts tonen

zondag 4 januari 2026

The Red Lantern

 


The Red Lantern

We haven’t been able to do a Red Lantern post every year. Cause the albums that earn the Red Lantern are only those on a sent in list of twenty entries, where they occupy the 20th position, and then only get voted for on that twentieth spot that one time. The years when this did not happen at all, we just invented the Bottom Dwellers post. And the reason why, remains the same. We just love the fact somebody out there loves these albums so hard they want other people to know about them. And we are here to help out!

 If only a tiny little bit...


So, since the Stoner HiVe Top 20 Countdown is a weighted list and not every lovely freak out there sends in their list as a Top 20. Some send more, some send less. And we only count the albums that receive a Number 20 spot on any of the lists sent in as a contender for the Red Lantern. So this year, we have THREE albums that received only one vote as a Number 20 spot on someone’s list... Three amazing albums we might add! And here they are... 

 

An Evening With Knives - End Of Time

End Of Time by Eindhoven metal trio An Evening With Knives lives up to its apocalyptic promise. Featuring new drummer Jarno van Osch, the album is fiercer, tighter, and more direct than its predecessors, with eight lean tracks packed into a punchy 39 minutes. While Marco Gelissen’s vocals occasionally search for footing, his roaring delivery quickly dominates. Standouts like “Pride Of Lions” and the atmospheric closer “S21” showcase an album that’s aggressive, focused, and seismic.

 Full Review Here

 

Miscellen - Emerald Ash

With Emerald Ash, Miscellen conjures a world where time erodes but leaves echoes of beauty. Nine expansive tracks unfold like weathered statues and fading photographs—fragile yet enduring. Layers of textured instrumentation, from Jason Sevanick’s ethereal strings to Joe King’s primal drumming, entwine with Tyler Wolosin’s expressive vocals, Paul Green’s piercing violin, and ghostly field recordings. Sparse voices and dreamlike passages drift through desolate soundscapes, balancing melancholy with defiance, capturing the fleeting, persistent pulse of life and the quiet strength that lingers beyond impermanence. 

 

The Ossuary - Requiem For The Sun

Italy’s The Ossuary slam full-force with Requiem For the Sun, a crushing mix of doom, classic metal, and psychedelic stoner rock. Blistering riffs, scorching solos, and haunting vocals hit from the first note of “Altar in Black” to the epic closer “Eloise.” Tracks like “Far From the Tree” deliver unforgettable hooks, spine-tingling grooves, and headbanging intensity, while slower, atmospheric moments keep the darkness alive. Inventive, heavy, and relentlessly powerful, this album proves The Ossuary are a modern metal powerhouse you can’t ignore.

 

Check out the Full Top 20 Countdown of 2025 by following these links:

The Number 1 album of 2025

The Countdown so far...  

Or skip the 20 best and visit the Numbers 21 to 100!  

 

zondag 21 november 2021

The Ossuary – Oltretomba

 

 

The Ossuary – Oltretomba
Supreme Chaos Records – 2021
Rock, Metal, Doom, Classic
Rated: ***

It’s been spinning for a while now, Oltretomba, the new release by Italian classic doom metal outfit The Ossuary. ‘The Italian word "Oltretomba" stands for the underworld but is also a tribute to the golden age of Italy's cinematic culture in the 70s and 80s with horror films by Fulci, Argento, Bava and the music of Morricone.’ And that is exactly what the album brings, cloudy, hazy, cinematic atmospheres; oozing the perfect amount of occult and horror elements for the listener to enjoy. Or pass over, and simply admire the mix of seventies rock, prog, proto metal and their classic take on doom as the most seminal aspect of the sound that the four from The Ossuary produce. Opener Ratking will surely and immediately grab you and keep you spellbound, even the vocals, cause well,  not everyone might be on board with the vocal execution throughout the album, but the way ‘Ratking’ will ring on like that staccato piano in the background, is simply perfectly done. And I guess we could single out another track or two where you might find issue with the vocals, but that will forever be that one little thing why The Ossuary might not be for you. Which will forever be a shame, cause their prog take on everything doom, classic and seventies, is simply put: underworldly!


(Written by JK)


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