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Hong Kong & Macau 60'S Scene (V/A)

terça-feira, 27 de setembro de 2011


60's Hong Kong, Macau (and Singapore) Scene V/A.

In the Sixties, Mainland China was busy with the Cultural Revolution, which branded Rock and Roll as a sign of Western decadence. Nevertheless, the "Beat Wave" hit big in three Chinese territories that remained open to British or Portuguese influence - Hong Kong, Singapore and Macau.


                                               The Thunders (Os Trovões), from Macau

Hong Kong and Macau
The Beatles concert in Hong Kong in 1964 marked the birth of the golden age of the Hong Kong pop scene. From 1964 to 1969, a great number of bands appeared. They sung in English, as Cantonese and Mandarin songs were considered to be old fashion. These bands normally did cover versions of songs from the UK or the US. This scene reflects the multicultural diversity of the city. Musicians of different nationalities were active in the Hong Kong band scene: Chinese, British, Swedish, Macanese, Portuguese, Pilipinos, Singaporeans and Indians, among others. The most popular venues for stage shows and gatherings for youngsters in Hong Kong and Kowloon were called "Tea Dances". These weekend afternoon dance parties took place in night clubs and Chinese restaurants, providing Hong Kong bands with an opportunity to play live. Major bands were signed by Diamond, a subsidiary label of Polydor: Teddy Robin and The Playboys, The Mystics, Joe Jr. and The Side Effects, Menace, Lotus, Anders Nelson and The Inspiration, The Fabulous Echoes, D'Topnotes, Mod East, Magic Carpets, Danny Diaz and The Checkmates, to name a few. EMI on the other hand concentrated on the Mandarin song market, recording artists from the Shaw Brothers (the largest Hong Kong Movie company), such as Connie Chan (Chan Po-chu), Josephine Siao (Siao Fong-fong) and Nancy Sit, who recorded Chinese versions of international hits. Bands who joined EMI were relatively less active and less successful in the market: Thunderbirds (whose lead singer Robert Lee, was the brother of Kung Fu star Bruce Lee), The Thunders (from Macau - Portuguese influence), the only band that successfully crossed over to Hong Kong in the 60s), The Reynettes (who were a Filipino brother and sisters group), The Quest, from Singapore, who were stationed in Hong Kong in 1968. Most of the bands disbanded in 1969. In the 1970s, Teddy Robin, Joe Jr and Sam Hui (of Lotus) all became solo singers. Yet the glory days were over. In the mid 1970s, Sam Hui single-handedly invented a new Canto-pop market. It proved to be very successful in the coming years, thus putting a final stop to the so called "Golden Band Era of Hong Kong".

                                                    Teddy Robin And The Striplings (1964)

Singapore
Here, groups were formed, signed, with records being released weekly. Furthermore, in multicultural Singapore bands were playing music but singing them in English (which was the major language), Malay and Chinese. Therefore fans had three streams to choose from. Cliff Richard and The Shadows played a concert in Singapore in late 1961 and that marked the beginning of the Beat group era with bands which were strictly instrumental. Most times, singers were an adjunct to the band. The arrival of the Beatles in 1963 changed the emphasis from the instrumental band scene to self-contained units with singers and instrumentalists, although strictly instrumental bands flourished for a long time yet in Singapore – as there was a need for instrumental music in many situations. Singapore's musical scene was a mix of different influences sung in English, Malay and Chinese. They ranged from popular bands like Quests who came from the early Sixties era, Naomi and The Boys who had a successful four year run, Antartics who personified the second wave of R'n'B tinged groups, then Malay groups like D'4 Ever, Les Kafila's, Mike Ibrahim and The Nite Walkers, Swallows, Ismail Haron and The Guys and two guests from Thailand - Dynamics and Fox. The music ranges from Pop R'n'B, early Heavy to the plain weird. It is a mix of Western influences and Asian ethnic diversity produce something unique that can only be called Singaporean pop.

                                                    Teddy Robin And  The Playboys

Track List:

01 - Move It - Teddy Robin and The Playboys
02 - I Won't Say Goodbye - The Thunders  (Macau)
03 - Lies - Teddy Robin and The Playboys
04 - Hang On Sloopy - The Fabulous Echoes
05 - Kicks - The Lotus
06 - Out Of Sight-Out Of Mind - Anders Nelson Group
07 - It's So Easy - Danny Diaz and The Checkmates
08 - Theme For a Dream - Hong Ling
09 - I'll Be Waiting - The Lotus
10 - Sweet Soul Music - The Mystics
11 - Norman's Fancy - Teddy Robin and The Playboys
12 – Boys - Lam Leng and The Quests
13 - I Only Want To Be With You - Joe Jr.
14 - Summer Fun - The Thunders  (Macau)
15 - Speedy Gonzales - The Fabulous Echoes
16 - Up Up and Away - Danny Diaz and The Checkmates
17 - Spoonful Of Sugar - The Lotus
18 - Crying In The Chapel – Rowena
19 - Exclusively Yours - Joe Jr.
20 - I've Told Every Little Star - Hong Ling
21 - Shakin'all Over - Nancy Sit
22 - The Wedding - The Fabulous Echoes
23 - More Than I Can Say - Hong Ling
24 - I'm a Believer - Nancy Sit Ka Yin
25 - You've Lost That Loving Feeling - The Fabulous Echoes
26 - Don't Play That Song - Los Caballeros
27 - I Gotta Find Cupid - The Zoundcrackers

Álbum gentilmente cedido por Luís Futre, a quem agradecemos.