Los Siderals ‎– Los Sideral's (LP 1969, Perú)

AQUI:

Los Siderals ‎– Los Sideral's (LP Odeon/Iempsa, LD – 1685, 1969, Perú).

Los Siderals formaram-se em 1967 na cidade de Ayacucho/Perú. O grupo era constituído por, Hector Raúl Valdéz Ayarza (guitarra ritmo e líder do grupo), Aquiles Orellana Gutiérrez (guitarra solo), Mario Zárate Solier (baixo), Daniel Ruiz de Castilla Galindo (bateria) e Eduardo Zagastizabal (vocalista). Este grupo fazia parte do que se considerava na época a “nueva ola” peruana dos anos 60 e interpretava especialmente a musica folk daquele país, em ritmos modernos da época.

Los Siderals adaptaram a música tradicional aos ritmos modernos da época, mas sem dúvida seria a sua qualidade e capacidade técnica que gerou o seu enorme êxito. A sua batida e ritmo eram uma mescla entre o folk popular andino e o som das suas guitarras eléctricas resultando numa transculturalidade andina, como em “Vírgenes del Sol”, “Amor Indio” e outras canções fabulosas, com arranjos em ritmos modernos, abarcando elementos folclóricos modernizados com ritmos “a go go”, baladas, rock and roll e até cumbia.

Iniciaram a sua carreira com apresentações semanais, em eventos escolares, quermesses, bingos, inaugurações ou matinés juvenis.

Los Siderals estavam entre os mais destacados grupos do Perú e os seus arranjos de temas andinos influenciaram outras bandas posteriores como El Polen, El Opio ou El Ayllu (do Perú) ou Los Jaivas, do Chile.

Los Siderals chegaram a ser artistas exclusivos do selo Odeón-Iempsa, onde gravaram dois LP’s, tendo participado também em shows e programas televisivos.

Faixas/Tracklist:

A1 Virgenes Del Sol 

A2 Siboney 

A3 Dejame Llorar 

A4 Rimski 

A5 La Avispa 

A6 Luz De Luna 

B1 Amor Indio 

B2 Perfidia 

B3 Llorando En La Noche 

B4 Hippie 

B5 Acuarela Del Rio 

B6 Poco Puedo Darte 

LP gentilmente cedido pelo nosso amigo Raúl Sánchez, a quem agradecemos.

Back To Peru - Vol II (V/A)

Los Shain's

Los York's

Back To Perú Vol. II (V/A) - The most complete compilation of peruvian underground 1964/1974).

Collection of the rarest grooves from Peru, including garage stompers, psych-pop, raunchy funk, Latin rock and anything in between. 

The shards of the tremendous musical explosion that took place in Peru between 1965 and 1975 are still scattered, and those who are lucky to find them remain hypnotised by their charm forever. 

During that magical decade Peruvian rock bands fed from all possible influences. The original surf, rock and beat sounds were joined by psychedelic experimentation and the cult of the acid. Some bands went even further and explored the field of music fusion as well as the most remote confines of their mind. And most of it is here! We welcome you, then, to a new overview of a scene whose diversity mirrors a society based on a powerful mix of races and cultures. 

Los Saicos

One of the great sources of inspiration was the rock, psychedelic pop and soul music that came from the United States and England. The songs by artists like The Jimi Hendrix Experience, Iron Butterfly, The Beatles or Mitch Ryder & The Detroit Wheels had such a great impact that they ended up merging with traditional Tropical rhythms, giving birth to new and surprising music styles such as "psychedelic guajira". 

Some bands, like Los Holy's, Los Comandos, Los Jaguars or Los Siderals, chose to turn up the reverb on their amps and do without lyrics for their fantastic surf instrumentals, which sometimes incorporated arrangements in the style of Joe Meek. 

Los York's

Other groups went for a rougher approach. Los Saicos, Los Shain's or Los Drag's represent the wildest type of teenage abandon with their beat rhythms and garage energy. Hallucinogenic plants and the consumption of other illegal substances brought about total experimentation to Peruvian music, both in terms of composition and arrangements. Songs such as the bluesy 'Efectos' by Los Teddy's and 'Cuarto oscuro' by Los Zheros reflect this new psychedelic scene. 

Los Shain's

After the lysergic effects came hard and acid rock, full of heavy riffs and plenty of fuzz and wah-wah pedals, surprisingly adopted and practiced by bands like Pax, Telegraph Ave and Traffic Sound. 

Traditional folklore also suffered the effects of the foreign rock invasion. Native styles such as cumbia incorporated elements from rock, which resulted in curious tracks such as 'Onstá la yerbita' by Los Destellos, featured here. 

Text By Dj Uilson 

Faixas/Track List:

CD 01:

01 - Los Juniors - Tercera piedra en el sol

02 - Los Drags - Damelo mi nena

03 - Los Shains - Guau guau a go-go

04 - Los Saicos - Intensamente

05 - Kela Gates - Loca por un loco

06 - Los Holys - Sueño sicodelico

07 - Los Datsuns - En el sol

08 - Los Teddys - Efectos

09 - Los Far Fen - Camina no vueles

10 - Beautiful days - Full of fear

11 - Los Comandos - Mas de ti

12 - The Same People - Soñando contigo

13 - El Opio - Pusher

14 - Los Zheros - Cuarto oscuro

15 - Los Jaguars - Tormenta en el mar de la tranquilidad

16 - Telegraph Ave - Let me start

17 - The Ringers - Down on my knees again

18 - We all together - Rock of all ages

19 - Monik - Maybe i know

20 - Fe 59 - Estoy brillando 

CD 02:

01 - Los Destellos - Onsta la yerbita

02 - Los Siderals - Dongoh

03 - Jean Paul El Troglodita - Everything is gonna change

04 - Los Yorks - Ya bebi gran rato

05 - Melcochita y sus invitados - Tirando dedo

06 - Pax - Sittin on my head

07 - El Alamo - Pusher men

08 - Texao - Pelea del gobernador

09 - Traffic Sound - The revolution

10 - Zulo - Haces mal pobre chico

11 - El Polen - Oncordancia

12 - Cacique - Cacique

13 - Cerro Verde - I lost a game

14 - Sudamerica - Yo no se senor 

Álbum gentilmente cedido por Luís Futre, a quem agradecemos.

Los Yorks - Los Yorks ' 67 (LP 1967)

AQUI:

Los Yorks - Los York's 67 (LP M G LPN - 2257 - 1967).
Álbum considerado raro.

Los York's came out of the Rímac district of Lima, Peru to give us some of the wildest tracks ever cut to vinyl.
Los York's were one of Peru's leading rock and roll bands of the 1960s and '70s, and one of the few who developed an audience in North America during the garage rock revival of the 1990s and 2000s. Fronted by vocalist Pablo Luna, the group also featured Walter Paz on lead guitar, Roman Palacios on rhythm guitar, Jesus Vilchez on bass, and Pacho Aguilar on drums. While the group began in 1966 playing fairly typical fare inspired by the British Invasion and American garage rock hits of the day, Luna was a powerful vocalist not afraid to make with some freaked-out emoting, and as the band began experimenting with its sound as the decade wore on, Paz started working noise and feedback into his solos. The group's first album, Los York's 67, was a strong but straightforward affair; they began dipping their toes into psychedelia and other more adventurous sounds on their next LP, Los York's 68, which featured a bizarre cover of Cream's "Sunshine of Your Love" as well as some of Paz's best guitar work. By the time their final album was released, Los York's 69, Paz had parted ways with Los York's, and Roman Palacios moved up to lead guitar, with new member Miguel Quiroz taking over on rhythm guitar. Los York's continued performing and releasing singles until they called it quits in 1974.

Fonte: In Discogs

Ripado, digitalizado e masterizado do vinil, por Carlos Santos.

Los Saicos (Single 1965)

AQUI:

Los Saicos – Single "Demolición" / "Lonely Star" (E.Flores-R.Carpio) (1965 - Dis Perú).

Los Saicos fue un grupo de rock & roll y proto-punk peruano formado en 1964 en Lima. A pesar de su corta existencia, fue uno de los grupos más exitosos de su época. Fue la primera banda en Sudamérica en grabar sólo sus propias composiciones y una de las primeras en escribir sus propios temas en español. Tenían un estilo visceral pero a la vez divertido. De sus singles el más conocido es "Demolición", el cual se ha convertido en un himno del punk peruano (aunque lo curioso es que el punk como género apareció diez años después), y el cual es interpretado actualmente por diversas bandas (como lo ha hecho Voz Propia, Faco & sus Pibinhos de Varsovia, y Leusemia, entre las más representativas). Con el tiempo el grupo ha adquirido una reputación de ser misterioso, y underground; a pesar de que en su época aparecieron en todas las radios y programas de televisión locales. Actualmente la revista ABC ha publicado una noticia en la que dice que el punk fue originado en Perú la fecha de formación de la banda, 1964.

Fonte: Wikipedia, la enciclopedia libre. 

Single gentilmente cedido por Luís Futre, a quem agradecemos.
Ripado, digitalizado e masterizado do vinil (capas e áudio) por Carlos Santos.