Architecture Wednesday: The Old Barn

Once a farm building, The Old Barn is now a remarkable six-bedroom home that sits in an elevated plot with commanding views over the quiet village of Chelsworth, Suffolk. The design embraces its pastoral setting while establishing a contemporary style. Exposed materials are celebrated throughout, with an impressive triple-height timber structure, original brickwork, and plywood elements.

To preserve the architectural integrity of the building, the main barn was kept as a single volume, its original oak frame restored and integrated with new sections of French oak. Sheets of weatherboard plywood clad the interior, and the roof has been rebuilt with lightweight steel truss supports.

The main entry is to an impressive ante-room, where brick floor pavers and concrete walls set an authentic appeal set against a bank of yellow door fronts that open to reveal handy storage, utility facilities, and a small powder room.

A pair of symmetrically positioned stairs sweep up to the open-plan reception area in the main section where you find those dramatic full-height ceilings. Expansive windows reach upward from the former barn door to extend across portions of the roof flooding the room with light. Limestone floors with underfloor heating ground the space which is arranged centrally around a large dining area with a bespoke kitchen beyond.

Professional stainless-steel units are configured as a U-shaped island, with easy-to-maintain surfaces, raised plug sockets and seating space at the opposite end that is oriented toward low-level slit windows that frame panoramic views of the landscape. At the opposite end of the great space is the double-height living area with exposed original beams and slit windows to frame the views. The great room opens onto a generous terrace with an outdoor dining area and a barbecue.

A white-painted wall marks the boundary between the main section and the four-story extension that houses all six bedrooms. The principal suite is discreetly positioned on the lower ground floor with direct access to the garden. East-facing panels draw in the soft morning light. A set of curtains opens to an en suite with a round spa bathtub, built-in wardrobes, and a door to a separate water closet. 

One of the bedrooms on the ground floor also has an en suite bathroom, along with access to a small balcony. There are three more bedrooms on the first floor, and another en suite bedroom on the second floor. A pristine additional bathroom on the first floor has a bathtub, ideal for long soaks.

The house is immersed in well-maintained private grounds of around an acre, mainly laid to lawn and interspersed with established trees and planted sections. To the front, the private driveway has space for parking multiple cars.

The Old Barn can be yours for just £1.550M or $2.075M USD.

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The Modern House

Architecture Wednesday: The Natzler Residence

This home, in Upper Nichols Canyon in the Hollywood Hills, tucked at the end of a long private drive, is on the market for the first time in 80 years. Built in 1937 the home served as both sanctuary and working studio for master ceramic artists Gertrud and Otto Natzler, who purchased the property in 1945 and it remains a testament to their creative lives.

Drawn to the site for its privacy, natural light, and detached guest house—which they envisioned as a studio—the Natzlers transformed the property into a center of artistic and musical life.

In sun-filled rooms overlooking treetops and quiet canyons, Gertrud threw delicate ceramic forms on the wheel while Otto developed groundbreaking glazes; together they hosted intimate chamber-music evenings and gathered a circle of artists, musicians, and thinkers to a serene, natural, space removed from the pace of the city .

The original house remains intimate and unconventional—a sequence of cozy, character-rich rooms including a living room with fireplace, dining room, and a kitchen with ceramic tiles, many glazed by Otto Natzler. The main residence includes two bedrooms and two and one-half baths; the second bedroom later became Otto’s office following completion of a 1988 addition.

Their hillside studio eventually proved challenging for photographing ceramics with the precision their archive demanded so in 1988, Otto commissioned a striking two-story addition inspired by his Austrian roots—a nod to an Alpine chalet. Designed for photographer Gail Reynolds Natzler, Otto’s second wife after Gertrud’s passing in 1971, the addition introduced a dedicated studio and darkroom and above that a large primary suite with laundry, bath, vaulted ceilings, and walls of windows; both levels open to wraparound balconies with sweeping canyon views. The original detached Natzler ceramic studio suite, situated above the two-car garage, is preserved in remarkable condition with its own kitchen, small bedroom, and bath.

The property directly abuts the Briar Summit Open Space Reserve, ensuring lasting privacy and a strong connection to the surrounding landscape and for the first time since 1945 it can be yours for $2.5M and you can test your own creativity.

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The Spaces

Architecture Wednesday: Historic Covent Garden Townhouse

Built around 1700, just 34 years after the Great Fire of London, Number 1 Goodwin’s Court celebrates well over 300 years of existence with the completion of its painstaking ten-year renovation. As part of a row of Grade II Listed buildings this home is a rare survivor of a building type reflecting the conditions of London’s Georgian working-classes; it’s also a piece of London’s rich history as well as more recent fame as the inspiration for Ollivanders Wand Shop in the Harry Potter films.

To start with, slowly and carefully, 325 years of architectural history were peeled back, revealing an astonishing level of originality still intact. Four time-worn stone steps sit just below the exquisite front door.

Once inside the upper ground floor you can walk down a preserved staircase into a beautifully appointed kitchen with cool York stone floors and period fireplace. Hidden away, to preserve that history, are fridge, freezer, microwave and dishwasher while an induction hob sits atop a solid oak countertop. Overhead, exposed, original time aged beams have been exposed and re-installed complete with state-of-the-art fire prevention misting system. The room also has space for a kitchen table and chairs for dining while, a Accessed through a reclaimed door, is a Georgian inspired tiled shower room with antique water closet and wash basin.

Back on the upper ground floor is the reception room and its original intricate bow window from the 1700s; the room is anchored by a central fireplace, flanked with recessed shelving and original Wainscot paneling. As a nod to its history as a former shop, two softly worn patches in the floorboards mark the spot where a shopkeeper stood for generations.

That history extends to the original staircase carrying you up to the first floor; its distempered walls and original plaster work take center stage, its light blue patina resembles an impressionist painting. On the first floor is a double with forward-facing windows overlooking the historic alleyway. Original plaster work sits between the windows and above the wainscot with an authentic fireplace and reclaimed wood paneling elsewhere. Cupboards on either side of the fireplace now house the convenience of an antique water closet to one side and a wash hand to the other.

On the second floor is the second bedroom with softly textured lime rendered walls creating a warmth intensified by the natural light penetrating the room through dual windows; historic details continue with beautifully aged & waxed, reclaimed floorboards and muted hue of the paneled walls and cupboards on either side of a fireplace.

Essentially untouched since 1700, the historic loft space is in a class of its own and a glimpse into the past of its honest construction with 326-year-old pegs and roof tiles remaining intact.

It’s a piece of history brought back to life perfectly.

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The Spaces