Showing posts with label George Thorogood. Show all posts
Showing posts with label George Thorogood. Show all posts

Monday, April 27, 2026

George Thorogood & The Destroyers • Icon



Biography by Stephen Thomas Erlewine
A blues-rock guitarist who draws his inspiration from Elmore James, Hound Dog Taylor, and Chuck Berry, George Thorogood never earned much respect from blues purists, but he became a popular favorite in the early '80s through repeated exposure on FM radio and the arena rock circuit. Thorogood's music was always loud, simple, and direct -- his riffs and licks were taken straight out of '50s Chicago blues and rock & roll -- but his formulaic approach helped him gain a rather large audience in the '80s, when his albums regularly went gold.

Originally, Thorogood was a minor-league baseball player but decided to become a musician in 1970 after seeing John Paul Hammond in concert. Three years later, he assembled the Destroyers in his home state of Delaware; in addition to Thorogood, the band featured bassist Michael Lenn, second guitarist Ron Smith, and drummer Jeff Simon. Shortly after the Destroyers were formed, he moved them to Boston, where they became regulars on the blues club circuit. In 1974, they cut a batch of demos that were later released in 1979 as the Better Than the Rest album.

Within a year of recording the demos, the Destroyers were discovered by John Forward, who helped them secure a contract with Rounder Records. Before they made their first album, Lenn was replaced by Billy Blough. Thorogood & the Destroyers' eponymous debut was released in early 1977. The group's second album, Move It on Over, was released in 1978. The title track, a cover of Hank Williams' classic, was pulled as a single and received heavy FM airplay, helping the album enter the American Top 40 and go gold. Its success led to MCA's release of Better Than the Rest, which the band disdained. In 1980, Ron Smith left the band and the group added a saxophonist, Hank Carter, and released their third album, More George Thorogood and the Destroyers.

Following that release, the guitarist signed with EMI Records, releasing his major-label debut, Bad to the Bone, in 1982. The title track of the album became his first major crossover hit, thanks to MTV's saturation airplay of the song's video. The album went gold and spent nearly a full year on the charts. Thorogood's next three albums after Bad to the Bone all went gold. Before 1985's Maverick, the Destroyers added a second guitarist, Steve Chrismar.

By the beginning of the '90s, Thorogood's audience began to decrease. None of the albums he released went gold, even though the title track from 1993's Haircut was a number two album rock hit. Despite his declining record sales, Thorogood continued to tour blues and rock clubs and he usually drew large crowds; subsequent efforts included 1997's Rockin' My Life Away, 1999's Half a Boy/Half a Man, Live in '99, 2003's Ride 'til I Die, and 2006's The Hard Stuff. Thorogood returned to EMI/Capitol in 2009, releasing the bar band covers album The Dirty Dozen. Two years later, he continued his covers journey with 2120 South Michigan Ave., a tribute to Chess Records. In the summer of 2017, Thorogood returned to the Rounder label to release his first-ever solo album, Party of One, which was released in August of that year.
https://www.allmusic.com/artist/george-thorogood-mn0000647834#biography
 
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Biografía de Stephen Thomas Erlewine
Un guitarrista de blues-rock que se inspira en Elmore James, Hound Dog Taylor y Chuck Berry, George Thorogood nunca se ganó mucho respeto de los puristas del blues, pero se convirtió en un favorito popular a principios de los 80 a través de la exposición repetida en la radio FM y el circuito de arena rock.. La música de Thorogood siempre fue ruidosa, simple y directa (sus riffs y licks fueron sacados directamente del blues y el rock & roll de Chicago de los años 50), pero su enfoque formulista lo ayudó a ganar una audiencia bastante grande en los años 80, cuando sus álbumes regularmente eran disco de oro..

Originalmente, Thorogood era un jugador de béisbol de ligas menores, pero decidió convertirse en músico en 1970 después de ver a John Paul Hammond en concierto. Tres años más tarde, reunió a The Destroyers en su estado natal de Delaware; además de Thorogood, la banda contó con el bajista Michael Lenn, el segundo guitarrista Ron Smith y el baterista Jeff Simon. Poco después de que se formaran los Destroyers, los trasladó a Boston, donde se convirtieron en habituales del circuito de clubes de blues. En 1974, grabaron un lote de demos que luego se lanzaron en 1979 como el álbum Better Than the Rest.

Un año después de grabar las demos, John Forward descubrió a los Destroyers, quien los ayudó a asegurar un contrato con Rounder Records. Antes de hacer su primer álbum, Lenn fue reemplazado por Billy Blough. El debut homónimo de Thorogood & the Destroyers fue lanzado a principios de 1977. El segundo álbum del grupo, Move It on Over, fue lanzado en 1978. La canción principal, una versión del clásico de Hank Williams, fue lanzada como sencillo y recibió una gran difusión en FM, lo que ayudó a que el álbum ingresara al Top 40 estadounidense y fuera disco de oro. Su éxito llevó al lanzamiento de Better Than the Rest por parte de MCA, que la banda desdeñó. En 1980, Ron Smith dejó la banda y el grupo agregó un saxofonista, Hank Carter, y lanzó su tercer álbum, More George Thorogood and the Destroyers.

Tras ese lanzamiento, el guitarrista firmó con EMI Records, lanzando su debut en un sello importante, Bad to the Bone, en 1982. La canción principal del álbum se convirtió en su primer gran éxito cruzado, gracias a la saturación de MTV del video de la canción. El álbum fue disco de oro y pasó casi un año completo en las listas de éxitos. Los siguientes tres álbumes de Thorogood después de Bad to the Bone se convirtieron en oro. Antes de Maverick de 1985, The Destroyers agregaron un segundo guitarrista, Steve Chrismar.

A principios de los 90, la audiencia de Thorogood comenzó a disminuir. Ninguno de los álbumes que lanzó fue disco de oro, a pesar de que la canción principal de Haircut de 1993 fue un éxito de rock número dos. A pesar de la disminución de sus ventas de discos, Thorogood continuó recorriendo clubes de blues y rock y generalmente atraía grandes multitudes; los esfuerzos posteriores incluyeron Rockin' My Life Away de 1997, Half a Boy/Half a Man de 1999, Live in '99, Ride 'til I Die de 2003 y The Hard Stuff de 2006. Thorogood regresó a EMI/Capitol en 2009, lanzando el álbum de versiones de bar band The Dirty Dozen. Dos años más tarde, continuó su viaje de portadas con 2120 South Michigan Ave., un homenaje a Chess Records. En el verano de 2017, Thorogood regresó al sello Rounder para lanzar su primer álbum en solitario, Party of One, que se lanzó en agosto de ese año.
https://www.allmusic.com/artist/george-thorogood-mn0000647834#biography


Tuesday, February 18, 2025

George Thorogood & The Destroyers • Greatests Hitsː 30 Years Of Rock

 



Review
by Stephen Thomas Erlewine
Released to celebrate the 30th anniversary of George Thorogood & the Destroyers -- their first album may not have come out until 1977, but they cut their first sessions in 1974 -- Capitol's Greatest Hits: 30 Years of Rock was designed to replace 1992's The Baddest of George Thorogood and the Destroyers as the band's definitive single-disc overview. Considering that the 1992 disc is out of print (as is the exhaustive and exhausting 1997 double-disc set Anthology), this does indeed stand as the best compilation currently in print, and even edges out Baddest by running a little bit longer and containing more of his late-'80s/early-'90s radio hits. Thing is, it doesn't contain all of his hits -- "Treat Her Right," which was on the previous comp, is missing, as are several other charting songs: "Born to Be Bad," "Hello Little Girl," "I'm a Steady Rollin' Man," "Howlin' for My Baby," "Gone Dead Train," and "I Don't Trust Nobody." Chances are, most listeners won't notice that they are missing since not only are all of his big hits here -- "Madison Blues," "One Bourbon, One Scotch, One Beer," "Move It on Over," "Who Do You Love," "Bad to the Bone," "I Drink Alone," "Gear Jammer," "Willie and the Hand Jive," "You Talk Too Much," "If You Don't Start Drinkin' (I'm Gonna Leave)," "Get a Haircut" -- but because all of his songs pretty much sound exactly the same, all in the same key with the same riffs, same guitar licks, same lunkheaded vocals. For anybody who is not a fan, this makes listening to George Thorogood a maddening experience, but fans will find this to be a satisfying overview, even if it falls just short of being complete.
https://www.allmusic.com/album/greatest-hits-30-years-of-rock-mw0000340171

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Reseña
por Stephen Thomas Erlewine
Lanzado para celebrar el 30 aniversario de George Thorogood & the Destroyers -- su primer álbum no salió hasta 1977, pero grabaron sus primeras sesiones en 1974 -- Greatest Hits: 30 Years of Rock de Capitol fue diseñado para reemplazar a The Baddest of George Thorogood and the Destroyers de 1992 como el disco definitivo de la banda. Teniendo en cuenta que el disco de 1992 está descatalogado (al igual que el exhaustivo y agotador doble disco Anthology, de 1997), esta es sin duda la mejor recopilación que existe en la actualidad, e incluso supera a Baddest por ser un poco más largo y contener más de sus éxitos radiofónicos de finales de los 80 y principios de los 90. El problema es que el disco no tiene nada que envidiar a The Baddest of George Thorogood and Destroyers. La cuestión es que no contiene todos sus éxitos: falta "Treat Her Right", que estaba en la compilación anterior, así como otras canciones de éxito: "Born to Be Bad", "Hello Little Girl", "I'm a Steady Rollin' Man", "Howlin' for My Baby", "Gone Dead Train" y "I Don't Trust Nobody". Lo más probable es que la mayoría de los oyentes no se den cuenta de que faltan, ya que no sólo están aquí todos sus grandes éxitos: "Madison Blues", "One Bourbon, One Scotch, One Beer", "Move It on Over", "Who Do You Love", "Bad to the Bone", "I Drink Alone", "Gear Jammer, "Willie and the Hand Jive", "You Talk Too Much", "If You Don't Start Drinkin' (I'm Gonna Leave)", "Get a Haircut", sino porque todas sus canciones suenan exactamente igual, todas en el mismo tono, con los mismos riffs, los mismos licks de guitarra y las mismas voces estúpidas. Para cualquiera que no sea un fan, esto hace que escuchar a George Thorogood sea una experiencia enloquecedora, pero los fans encontrarán que esta es una visión general satisfactoria, incluso si no llega a ser completa.
https://www.allmusic.com/album/greatest-hits-30-years-of-rock-mw0000340171


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