Review by Stephen Cook
Friday, July 17, 2026
The Skatalites • Ska Boo-Da-Ba
Review by Stephen Cook
Saturday, August 23, 2025
Saturday, February 22, 2025
The Skatalites • Ska Authentic
Studio One in Kingston and toured Jamaica as the creators of ska. Their
producers were Coxsone Dodd, Duke Reid, Prince Buster, Vincent "King" Edwards,
Justin "Phillip" Yap, Leslie Kong, Lindon Pottinger, Sonia Pottinger
and Vincent "Randy" Chin. The Skatalites led sessions with top artists
and worked with young talents such as Delroy Wilson,
Desmond Dekker, The Wailers, Lee Perry, etc.
Former members
Tommy McCook - tenor saxophone, flute (founding member; died 1998)
Roland Alphonso - tenor saxophone (founding member; died 1998)
Don Drummond - trombone (founding member; died 1969)
Johnny "Dizzy" Moore - trumpet (founding member; died 2008)
Lloyd Brevett - upright bass (founding member; died 2012)
Lloyd Knibb - drums (founding member; died 2011)
Jerome "Jah Jerry" Haynes - guitar (founding member; died 2007)
Jackie Mittoo - piano (founding member; died 1990)
Mark Berney - trumpet
Nathan Breedlove - trumpet (1991–98)
Cedric "Im" Brooks - tenor saxophone (2000–02,2007-10; died 2013)
Karl "Cannonball" Bryan - saxophone (2003–09)
Calvin "Bubbles" Cameron - trombone (1983–84)
Welford "Will" Clark - trombone (1994–2003)
Vin "Don D. Junior" Gordon - trombone (2003–08)
Devon James - guitar (1987–2009)
Bill Smith - keyboards (1993–99)
Ken Stewart - keyboards (1988-90,1998-2009;
also serves as the band's manager)
Clark Gayton- Trombone (1989–94)
Cary Brown - keyboards (1990-95)
Louis Bonilla - trombone
The Skatalites están considerados los creadores del ska y, por tanto, influenciadores del rocksteady, del reggae —ya sea early (skinhead) o roots (rastafarismo)—, del dub, del dancehall, y del de sus descendientes musicales que derivan de los sonidos tradicionales de Jamaica. Sus primeras grabaciones de ska datan de junio de 1964, aunque estos músicos habían trabajado bastante tiempo antes como banda de estudio para el sello Studio One, grabando principalmente rhythm and blues. Los miembros originales de la banda obtuvieron su formación musical a partir de los músicos de jazz de la isla. Por eso, aunque se inspiraron en lo que sonaba en Estados Unidos (principalmente boogie woogie) y los sonidos africanos, la música de The Skatalites y por lo tanto el ska, contiene muchos elementos propios del jazz. Otra influencia decisiva para la creación de la música ska fue la música afro-cubana, también llamada "música latina". De hecho Lloyd Knibb (baterista) explicó abiertamente que el ritmo tan singular que creó fue inspirado por tocar ese estilo de música en las grandes orquestas de la época previas al ska. Entonces, de la fusión de música afro-cubana, jazz, rhythm and blues, mento y calypso nació el ska.
Los miembros originales de The Skatalites fueron Don Drummond (trombonista), Tommy McCook (saxo tenor y flauta), Roland Alfonso (saxo tenor), Lester Sterling (saxo alto), "Dizzy Johny" Moore (trompeta), Lloyd Brevet (bajo), Lloyd Knnibb (batería), Jackie Mittoo (piano y órgano), Jah Jerry Haines (guitarra).
The Skatalites grabaron para los soundsystems a través de Studio One, del que eran banda de estudio. Llegaron a ser muy populares en Jamaica y fueron la influencia de toda la música posterior en la isla. La mayoría de grandes artistas de música jamaicana, como Bob Marley, Peter Tosh, Bunny Wailer, Toots and the Maytals, Laurel Aitken o Prince Buster grabaron o dieron conciertos con ellos, e incluso hoy en día, muchos grupos tienen colaboraciones con el grupo por lo que significa para esta música, por ejemplo, los norteamericanos New York Ska-Jazz Ensemble. La banda original se disolvió en 1965, año en que el líder del grupo (Don Drummond) mató a su esposa y lo internaron en el centro psiquiátrico De Bellevue, centro en el que murió al cabo de dos años.
History
Before the Skatalites: 1954–64
The founders of the Skatalites were Tommy McCook (died 1998), Rolando Alphonso (died 1998), Lester Sterling, Lloyd Brevett (died 2012), Lloyd Knibb (died 2011), Don Drummond (died 1969), Jah Jerry Haynes (died 2007), Jackie Mittoo (died 1990), Johnny Moore (died 2008) and Jackie Opel (died 1970). These ten musicians started to play together from 1955, when Kingston's recording studios started to develop. Tommy McCook was the first member of the band to record, though not for commercial release: he played with Don Hitchman's Group in 1953. Archie Lindo asked Hitchman to play a few tunes for his pioneer radio station, "ZQI", on their new equipment. Soon after that, sound system pioneer Stanley Motta began to operate his studio, where he recorded calypso and mento that were released on 78's. Rolando Alphonso was one of the first to record with him, probably in 1954.
Though McCook was the first in the band to record, he did not participate in the recording sessions with the other nine musicians. He left Jamaica in 1954 for a jazz gig at the Zanzibar Club in Nassau, Bahamas. He returned to Jamaica in June 1962, and began playing regular jazz sessions around Kingston.
Record producer Coxsone Dodd searched for jazz players around Kingston and was impressed by McCook's playing. Tommy McCook heard some ska, but initially resisted Dodd's offers to record and to lead a studio group, because he was a committed jazzman. In 1962 Dodd released I Cover The Waterfront (Port-O-Jam) with Roland Alphonso and Don Drummond, who did the solo and brass sections. In 1963 he released Jazz Jamaica From the Workshop (Port-O-Jam/Studio One), on which McCook played for the first time since returning to Jamaica. Don Drummond has two tunes on Jazz Jamaica and McCook has one, "The Answer".
Early years: 1964–65
In spring 1964, The Skatalites recorded their first LP Ska Authentic at Studio One in Kingston and toured Jamaica as the creators of ska. Their producers were Coxsone Dodd, Duke Reid, Prince Buster, Vincent "King" Edwards, Justin "Phillip" Yap, Leslie Kong, Lindon Pottinger, Sonia Pottinger and Vincent "Randy" Chin. The Skatalites led sessions with top artists and worked with young talents such as Delroy Wilson, Desmond Dekker, The Wailers, Lee Perry, etc.
They played their first show on 27 June at the Hi-Hat club, on Water Lane in Rae Town, which was owned and operated by Orville "Billy" Farnum. Coxsone Dodd helped initially: "At the formation of the band, I supplied the PA system, microphones and what ever it is. Also the guitar amplifier and other amplifier. I helped with transportation and I supplied storage for equipment and instruments. I was a part of promoting the first gigs and other gigs to get it off the ground, because I figured more or less, if I am recording the Skatalites, its good to get them popular out in the streets, yunno?"
Trombonist Don Drummond had at least 200 tunes to his name by 1965. On 1 January 1965, Drummond was arrested for the murder of his girlfriend, Anita "Marguerita" Mahfood. He was later convicted and remanded to the Bellevue Asylum.
In August 1965, The Skatalites played their last show. They broke up into two supergroups, Rolando Alphonso and the Soul Vendors and Tommy McCook and the Supersonics. In April 1967, The Skatalites' ska adaptation of the theme to the film The Guns of Navarone entered the Top 40 of the UK Singles Chart. Don Drummond died on 6 May 1969, in the Bellevue Asylum.
Early reunions: 1974–88
The Skatalites first reunion happened in the studio, during 1974 sessions for bass player Lloyd Brevett's solo album. After laying down hand percussion tracks at Lee Perry's studio, Brevett was joined by McCook, Alphonso, Sterling, Knibb and Mittoo. Ernest Ranglin played guitar, with Oswald Brooks on trumpet. The album was eventually released as African Roots, a collection of mostly Brevett compositions, and has been variously released both as a Lloyd Brevett and as a Skatalies album, with most editions crediting "Lloyd Brevett and The Skatalites".
In 1979, The Skatalites again joined in the studio, this time to record an album for Chris Blackwell. The album, tentatively entitled The Big Guns, was not released at the time, due to a disagreement between McCook and Blackwell, and remains unreleased.
In June 1983, The Skatalites reformed and played the Reggae Sunsplash festival in Montego Bay in July after festival director Ronnie Burke persuaded them to appear at the fifth anniversary of the festival, despite Moore and McCook having not spoken since the band split. Their show was very successful and the band played more concerts in Jamaica, while taking offers to tour abroad. The line-up at this time reflected the original line-up of the band, with the exception of Drummond, joined by guests Cedric Brooks, Arnold Breckenridge, and Bubbles Cameron. Recordings from 27 June and 17 July 1983 were released on the live album Stretching Out, although the band later claimed on their website that they received no payment for this recording and discouraged fans from buying it.
Their rehearsal sessions resulted in a clutch of new songs, led this time by Jackie Mittoo, which were recorded in Music Mountain Studio but only released in 2007 on Motion Records (as Rolling Steady: The 1983 Music Mountain Sessions). The album included their tribute to Don Drummond, "Big Trombone", with Lord Tanamo on vocals. In April 1984, The Skatalites recorded The Return of The Big Guns, released on Mango Records in the UK, based on charts written by Drummond and arranged by McCook. On 7 July 1984, The Skatalites played to thousands at Selhurst Park during the London Sunsplash. The Skatalites played seven tunes and also backed Prince Buster on three before closing with a reprise of their theme song, "Freedom Sounds". This concert resulted in the live recording Live At Sunsplash.
Between 1985 and 1988, the core members of the Skatalites emigrated and united in the northeast of the United States. They played their first US concert at The Village Gate and began to play spotted dates in Northeast US.
1989–present
The Skatalites were featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, Manu Chao, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, and Ken Boothe.
In 2004, original member Lloyd Brevett left the band. It was reported that he was removed from the band after conflicts with newer members. He toured briefly leading his own band, and then retired to Jamaica. In April that year, the Skatalites started a new world tour with their new bass player Val Douglas, whose A-Team band was the primary backing band for Reggae Sunsplash Tours through the 1980s and 1990s. In October 2005, The Skatalites released The Skatalites in Orbit, Vol.1 recorded live in Buenos Aires, recorded during concerts on 23 and 24 September 2005. In March 2006, The Skatalites played at La Bal De La Rose for Caroline, Princess of Hanover, along with Jimmy Cliff, The Wailers and Alpha Blondy. This show started the 2006 Global Orbit Tour reaching Australia, New Zealand, Chile and Argentina. In April 2006, Skatalites recorded 11 new tunes and one cover in Byron Bay, Australia, at the 301 Studios, released the following year as the album On The Right Track by AIM International, Australia. In September 2007, The Skatalites contributed the track "Be My Guest", with Ben Harper on vocals, to the Fats Domino tribute CD Goin' Home: A Tribute to Fats Domino featuring numerous artists. This CD raised funds for all the musicians affected by Hurricane Katrina.
On 12 May 2011, founding member and drummer Lloyd Knibb died of liver cancer at the age of 80. Bass player and fellow founding member Lloyd Brevett died after suffering a stroke on 3 May 2012, aged 80.
On 8 February 2012, the band announced a new single and album due out in 2012 as well as a new US tour starting in Texas and heading to New Mexico, Colorado, Arizona, Oregon, California, Washington, and then Canada. These dates follow four dates they announced in January for the North East. The new album will be titled All Roads and will feature the last recordings of founding member Lloyd Knibb.
On 26 August 2016 the band released the album Platinum Ska and toured through the USA, Hong Kong, Japan, Mexico, France Italy and the UK.
Sunday, February 16, 2025
VA • Studio One Djs
For
this Studio One release we return to the roots of Reggae music-The
Soundsystem - Throughout the late 1950s and 1960s Soundsystems played
throughout the city of Kingston, Jamaica - As well as Sir Coxsone's
Downbeat Soundsystem other famous Soundsystem operators included Duke
Reid (the Trojan), Prince Buster, Tom the Great and King Edwards -
These
Soundystems were the birthplace of much of Jamaica's musical culture
Soundclashes, Dancehall and the idea of the Toaster who sang over
records- theDJ - As ever Clement "Sir Coxsone" Dodd led the field and so
for this release the focus is on DJ's at Studio One and features
legendary toasters such as Denis Alcapone, Dillinger and Prince Far I as
well as a host of rare material by lesser known artists - Also included
is Count Machuki the original DJ- the first man ever to speak over the
mic-at Sir Coxsone¹s Downbeat Sound System- from where it all began.
As
Steve Barrow (author of The Rough Guide to Reggae/Blood and Fire
Records) writes in the sleevenotes, Jamaican deejay music is the source
for all Rap music: From Count Machuki talking over records on Sir
Coxsone's legendary Downbeat Sound System this style would eventually
travel to America when the Jamaican-born Kool Herc began playing at
Block parties (a version of the Kingston Soundsystem parties) in the
Bronx - Cutting up rare-groove classics for the first B-Boys to rap
over, Hip-Hop was born and theDJ music that had started on the early
Soundsystems of Kingston would go on to conquer the world!
Studio
One Records is the original Jamaican record label - Studio One Records
started the career of hundreds of Jamaican artists from Bob Marley to
The Skatalites, from Horace Andy to The Heptones - Studio One DJs
(compiled by Mark Ainley) is the next in the series of releases where
Soul Jazz Records are showcasing the music of Studio One, the label that
literally defines Reggae.
https://soundsoftheuniverse.com/sjr/product/studio-one-dj-s-studio-one-dj-s
///////
Para
este lanzamiento de Studio One volvemos a las raíces de la música
reggae: el Soundsystem - A finales de los años 50 y 60, los Soundsystems
actuaban por toda la ciudad de Kingston, Jamaica - Además del Downbeat
Soundsystem de Sir Coxsone, también actuaron Duke Reid (el Troyano),
Prince Buster, Tom the Great y King Edwards -
Estos Soundystems
fueron la cuna de gran parte de la cultura musical jamaicana
Soundclashes, Dancehall y la idea de la tostadora que cantaba sobre los
discos- theDJ - Como siempre, Clement "Sir Coxsone" Dodd dirigió el
campo y, por ello, en esta edición, la atención se centra en los DJ de
Studio One y se incluyen tostadores legendarios como Denis Alcapone,
Dillinger y Prince Far I, así como una gran cantidad de material poco
común de artistas menos conocidos - También se incluye a Count Machuki,
el DJ original -el primer hombre que habló por el micrófono- de Sir
Coxsone¹s Downbeat Sound System, donde empezó todo.
Como escribe
Steve Barrow (autor de The Rough Guide to Reggae/Blood and Fire Records)
en las notas de presentación, la música de los deejays jamaicanos es la
fuente de toda la música rap: Desde que Count Machuki pinchaba discos
en el legendario Downbeat Sound System de Sir Coxsone, este estilo
acabaría viajando a América cuando el jamaicano Kool Herc empezó a tocar
en las fiestas Block (una versión de las fiestas Kingston Soundsystem)
en el Bronx - Cortando clásicos del rare-groove para que los primeros
B-Boys rapearan sobre ellos, nació el Hip-Hop y la músicaDJ que había
comenzado en los primeros Soundsystems de Kingston ¡pasaría a conquistar
el mundo!
Studio One Records es el sello discográfico original
de Jamaica - Studio One Records inició la carrera de cientos de artistas
jamaicanos, de Bob Marley a The Skatalites, de Horace Andy a The
Heptones - Studio One DJs (compilado por Mark Ainley) es el siguiente de
una serie de lanzamientos en los que Soul Jazz Records presenta la
música de Studio One, el sello que define literalmente el Reggae.
https://soundsoftheuniverse.com/sjr/product/studio-one-dj-s-studio-one-dj-s
Saturday, February 8, 2025
VA • Studio One Funk
Studio
One Funk is made up of rare and unreleased Reggae Funk from the vaults
of Studio One. Ever since the birth of Funk in America, the sound has
been an ever-present ingredient in the melting pot of Studio One’s
musical output.
The music on this release is a combination of
originals, US covers and versions of existing Studio One cuts. Jackie
Mittoo shows his appreciation for Booker T and The MGs, the studio group
at Memphis’ famous Stax Records with ‘Hang Em High’, itself a cover of a
film soundtrack by Dominic Frontiere. Incredibly this version has never
before been released. Booker T’s super-funky ‘Melting Pot’ is also
covered by the little-known Underground Vegetables.
Other
versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’
again by Cedric Im Brooks track - another unreleased gem, straight from
the tape master. Motown gets a look in with Alton’s stripped-down
version of the Spinners classic ‘It’s A Shame’, written by Stevie Wonder
and Syreeta.
James Brown is apparent in spirit with the
JBs-inspired groove on the super rare cut “Now” by Lee Arab. Lloyd
Williams similarly does a fine Kingston-style version of the hardest
working man in showbusiness on ‘Reggae Feet’.
Version-wise, we
have ‘Idleberg’, Cedric im Brooks tough instrumental cut on Horace
Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a
rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove
Black’s cut of Sidewalk Doctor (A/K/A Poco Tempo) is one of a handful
of Studio One releases featuring Augustus Pablo’s trademark instrument,
the melodica, played by Black himself.
Add to these original cuts
from Studio One’s heavyweight session players including Leroy Sibbles,
Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace,
Richard Ace, Vin Gordon and more and you have one of the finest
selections of reggae and funk you will ever hear.
REVIEWS
"This
collection goes deep into the Brentford Road vaults and unearths a rake
of previously unreleased gems alongside hard to find classics. Heavy
and inspirational, totally unique and essentially timeless." Straight No
Chaser
"An absolute treasure trove for the collector as well as
being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is
worth the price of the album on its own." Echoes
"A superb
collection that shows how much many Jamaican musicians were influenced
by the heavy funk belting out of American studios from the early
seventies onwards.' Touch
"The most satisfying listening experience so far in the Studio One series." The Wire
"Rare and unreleased grooves from Jamaica's house of excellence." Mojo
https://soundsoftheuniverse.com/sjr/product/studio-one-funk-studio-one-funk
///////
Studio
One Funk se compone de reggae funk raros e inéditos de las bóvedas de
Studio One. Desde el nacimiento del Funk en Estados Unidos, el sonido ha
sido un ingrediente siempre presente en el crisol de la producción
musical de Studio One.
La música de este lanzamiento es una
combinación de versiones originales, versiones estadounidenses y
versiones de cortes existentes de Studio One. Jackie Mittoo muestra su
aprecio por Booker T y The MGs, el grupo de estudio de la famosa Stax
Records de Memphis con 'Hang Em High', una versión de la banda sonora de
una película de Dominic Frontiere. Increíblemente, esta versión nunca
antes se había lanzado. El súper funky 'Melting Pot' de Booker T también
está cubierto por los poco conocidos Underground Vegetables.
Otras
versiones incluyen la clásica banda sonora de Blaxploitation de Isaac
Hayes, 'Shaft', nuevamente de Cedric Im Brooks, otra joya inédita,
directamente del maestro de la cinta. Motown echa un vistazo con la
versión simplificada de Alton del clásico de los Spinners "It's A
Shame", escrita por Stevie Wonder y Syreeta.
James Brown es
evidente en espíritu con el ritmo inspirado en JBs en el súper raro
corte "Now" de Lee Arab. Lloyd Williams también hace una excelente
versión al estilo Kingston del hombre más trabajador del mundo del
espectáculo en 'Reggae Feet'.
En cuanto a la versión, tenemos
'Idleberg', el duro corte instrumental de Cedric im Brooks en el seminal
'Skylarking' de Horace Andy. El poco conocido Prince Moonie nos ofrece
un raro corte de DJ de otro clásico de Horace Andy, 'See A Man's Face'.
La
versión de Pablove Black de Sidewalk Doctor (A/K/A Poco Tempo) es uno
de los pocos lanzamientos de Studio One con el instrumento
característico de Augustus Pablo, la melódica, tocada por el propio
Black.
Agregue a estos cortes originales de los músicos de sesión
de peso pesado de Studio One, incluidos Leroy Sibbles, Jackie Mittoo,
Leroy Sibbles, Eric Frater, Leroy 'Horsemouth' Wallace, Richard Ace, Vin
Gordon y más, y tendrá una de las mejores selecciones de reggae y funk.
escuchará alguna vez.
RESEÑAS
"Esta colección se adentra en
las bóvedas de Brentford Road y descubre un montón de gemas inéditas
junto con clásicos difíciles de encontrar. Pesada e inspiradora,
totalmente única y esencialmente atemporal". recto sin cazador
"Un
tesoro oculto absoluto para el coleccionista, además de ser genial para
los oídos y los pies. 'Hang Em High' de Jackie Mittoo vale el precio
del álbum por sí solo". ecos
"Una excelente colección que muestra
cuántos músicos jamaiquinos fueron influenciados por el funk pesado que
salía de los estudios estadounidenses desde principios de los setenta
en adelante". Tocar
"La experiencia auditiva más satisfactoria hasta ahora en la serie Studio One". El alambre
"Sonidos raros e inéditos de la casa de excelencia de Jamaica". Mojo
https://soundsoftheuniverse.com/sjr/product/studio-one-funk-studio-one-funk
Tuesday, February 4, 2025
Friday, January 24, 2025
Thursday, December 5, 2024
Tuesday, September 10, 2024
Tuesday, September 3, 2024
The Skatalites • Celebration Time
The Skatalites están considerados los creadores del ska y, por tanto, influenciadores del rocksteady, del reggae —ya sea early (skinhead) o roots (rastafarismo)—, del dub, del dancehall, y del de sus descendientes musicales que derivan de los sonidos tradicionales de Jamaica. Sus primeras grabaciones de ska datan de junio de 1964, aunque estos músicos habían trabajado bastante tiempo antes como banda de estudio para el sello Studio One, grabando principalmente rhythm and blues. Los miembros originales de la banda obtuvieron su formación musical a partir de los músicos de jazz de la isla. Por eso, aunque se inspiraron en lo que sonaba en Estados Unidos (principalmente boogie woogie) y los sonidos africanos, la música de The Skatalites y por lo tanto el ska, contiene muchos elementos propios del jazz. Otra influencia decisiva para la creación de la música ska fue la música afro-cubana, también llamada "música latina". De hecho Lloyd Knibb (baterista) explicó abiertamente que el ritmo tan singular que creó fue inspirado por tocar ese estilo de música en las grandes orquestas de la época previas al ska. Entonces, de la fusión de música afro-cubana, jazz, rhythm and blues, mento y calypso nació el ska.
Los miembros originales de The Skatalites fueron Don Drummond (trombonista), Tommy McCook (saxo tenor y flauta), Roland Alfonso (saxo tenor), Lester Sterling (saxo alto), "Dizzy Johny" Moore (trompeta), Lloyd Brevet (bajo), Lloyd Knnibb (batería), Jackie Mittoo (piano y órgano), Jah Jerry Haines (guitarra).
The Skatalites grabaron para los soundsystems a través de Studio One, del que eran banda de estudio. Llegaron a ser muy populares en Jamaica y fueron la influencia de toda la música posterior en la isla. La mayoría de grandes artistas de música jamaicana, como Bob Marley, Peter Tosh, Bunny Wailer, Toots and the Maytals, Laurel Aitken o Prince Buster grabaron o dieron conciertos con ellos, e incluso hoy en día, muchos grupos tienen colaboraciones con el grupo por lo que significa para esta música, por ejemplo, los norteamericanos New York Ska-Jazz Ensemble. La banda original se disolvió en 1965, año en que el líder del grupo (Don Drummond) mató a su esposa y lo internaron en el centro psiquiátrico De Bellevue, centro en el que murió al cabo de dos años.
History
Before the Skatalites: 1954–64
The founders of the Skatalites were Tommy McCook (died 1998), Rolando Alphonso (died 1998), Lester Sterling, Lloyd Brevett (died 2012), Lloyd Knibb (died 2011), Don Drummond (died 1969), Jah Jerry Haynes (died 2007), Jackie Mittoo (died 1990), Johnny Moore (died 2008) and Jackie Opel (died 1970). These ten musicians started to play together from 1955, when Kingston's recording studios started to develop. Tommy McCook was the first member of the band to record, though not for commercial release: he played with Don Hitchman's Group in 1953. Archie Lindo asked Hitchman to play a few tunes for his pioneer radio station, "ZQI", on their new equipment. Soon after that, sound system pioneer Stanley Motta began to operate his studio, where he recorded calypso and mento that were released on 78's. Rolando Alphonso was one of the first to record with him, probably in 1954.
Though McCook was the first in the band to record, he did not participate in the recording sessions with the other nine musicians. He left Jamaica in 1954 for a jazz gig at the Zanzibar Club in Nassau, Bahamas. He returned to Jamaica in June 1962, and began playing regular jazz sessions around Kingston.
Record producer Coxsone Dodd searched for jazz players around Kingston and was impressed by McCook's playing. Tommy McCook heard some ska, but initially resisted Dodd's offers to record and to lead a studio group, because he was a committed jazzman. In 1962 Dodd released I Cover The Waterfront (Port-O-Jam) with Roland Alphonso and Don Drummond, who did the solo and brass sections. In 1963 he released Jazz Jamaica From the Workshop (Port-O-Jam/Studio One), on which McCook played for the first time since returning to Jamaica. Don Drummond has two tunes on Jazz Jamaica and McCook has one, "The Answer".
Early years: 1964–65
In spring 1964, The Skatalites recorded their first LP Ska Authentic at Studio One in Kingston and toured Jamaica as the creators of ska. Their producers were Coxsone Dodd, Duke Reid, Prince Buster, Vincent "King" Edwards, Justin "Phillip" Yap, Leslie Kong, Lindon Pottinger, Sonia Pottinger and Vincent "Randy" Chin. The Skatalites led sessions with top artists and worked with young talents such as Delroy Wilson, Desmond Dekker, The Wailers, Lee Perry, etc.
They played their first show on 27 June at the Hi-Hat club, on Water Lane in Rae Town, which was owned and operated by Orville "Billy" Farnum. Coxsone Dodd helped initially: "At the formation of the band, I supplied the PA system, microphones and what ever it is. Also the guitar amplifier and other amplifier. I helped with transportation and I supplied storage for equipment and instruments. I was a part of promoting the first gigs and other gigs to get it off the ground, because I figured more or less, if I am recording the Skatalites, its good to get them popular out in the streets, yunno?"
Trombonist Don Drummond had at least 200 tunes to his name by 1965. On 1 January 1965, Drummond was arrested for the murder of his girlfriend, Anita "Marguerita" Mahfood. He was later convicted and remanded to the Bellevue Asylum.
In August 1965, The Skatalites played their last show. They broke up into two supergroups, Rolando Alphonso and the Soul Vendors and Tommy McCook and the Supersonics. In April 1967, The Skatalites' ska adaptation of the theme to the film The Guns of Navarone entered the Top 40 of the UK Singles Chart. Don Drummond died on 6 May 1969, in the Bellevue Asylum.
Early reunions: 1974–88
The Skatalites first reunion happened in the studio, during 1974 sessions for bass player Lloyd Brevett's solo album. After laying down hand percussion tracks at Lee Perry's studio, Brevett was joined by McCook, Alphonso, Sterling, Knibb and Mittoo. Ernest Ranglin played guitar, with Oswald Brooks on trumpet. The album was eventually released as African Roots, a collection of mostly Brevett compositions, and has been variously released both as a Lloyd Brevett and as a Skatalies album, with most editions crediting "Lloyd Brevett and The Skatalites".
In 1979, The Skatalites again joined in the studio, this time to record an album for Chris Blackwell. The album, tentatively entitled The Big Guns, was not released at the time, due to a disagreement between McCook and Blackwell, and remains unreleased.
In June 1983, The Skatalites reformed and played the Reggae Sunsplash festival in Montego Bay in July after festival director Ronnie Burke persuaded them to appear at the fifth anniversary of the festival, despite Moore and McCook having not spoken since the band split. Their show was very successful and the band played more concerts in Jamaica, while taking offers to tour abroad. The line-up at this time reflected the original line-up of the band, with the exception of Drummond, joined by guests Cedric Brooks, Arnold Breckenridge, and Bubbles Cameron. Recordings from 27 June and 17 July 1983 were released on the live album Stretching Out, although the band later claimed on their website that they received no payment for this recording and discouraged fans from buying it.
Their rehearsal sessions resulted in a clutch of new songs, led this time by Jackie Mittoo, which were recorded in Music Mountain Studio but only released in 2007 on Motion Records (as Rolling Steady: The 1983 Music Mountain Sessions). The album included their tribute to Don Drummond, "Big Trombone", with Lord Tanamo on vocals. In April 1984, The Skatalites recorded The Return of The Big Guns, released on Mango Records in the UK, based on charts written by Drummond and arranged by McCook. On 7 July 1984, The Skatalites played to thousands at Selhurst Park during the London Sunsplash. The Skatalites played seven tunes and also backed Prince Buster on three before closing with a reprise of their theme song, "Freedom Sounds". This concert resulted in the live recording Live At Sunsplash.
Between 1985 and 1988, the core members of the Skatalites emigrated and united in the northeast of the United States. They played their first US concert at The Village Gate and began to play spotted dates in Northeast US.
1989–present
The Skatalites were featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, Manu Chao, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, and Ken Boothe.
In 2004, original member Lloyd Brevett left the band. It was reported that he was removed from the band after conflicts with newer members. He toured briefly leading his own band, and then retired to Jamaica. In April that year, the Skatalites started a new world tour with their new bass player Val Douglas, whose A-Team band was the primary backing band for Reggae Sunsplash Tours through the 1980s and 1990s. In October 2005, The Skatalites released The Skatalites in Orbit, Vol.1 recorded live in Buenos Aires, recorded during concerts on 23 and 24 September 2005. In March 2006, The Skatalites played at La Bal De La Rose for Caroline, Princess of Hanover, along with Jimmy Cliff, The Wailers and Alpha Blondy. This show started the 2006 Global Orbit Tour reaching Australia, New Zealand, Chile and Argentina. In April 2006, Skatalites recorded 11 new tunes and one cover in Byron Bay, Australia, at the 301 Studios, released the following year as the album On The Right Track by AIM International, Australia. In September 2007, The Skatalites contributed the track "Be My Guest", with Ben Harper on vocals, to the Fats Domino tribute CD Goin' Home: A Tribute to Fats Domino featuring numerous artists. This CD raised funds for all the musicians affected by Hurricane Katrina.
On 12 May 2011, founding member and drummer Lloyd Knibb died of liver cancer at the age of 80. Bass player and fellow founding member Lloyd Brevett died after suffering a stroke on 3 May 2012, aged 80.
On 8 February 2012, the band announced a new single and album due out in 2012 as well as a new US tour starting in Texas and heading to New Mexico, Colorado, Arizona, Oregon, California, Washington, and then Canada. These dates follow four dates they announced in January for the North East. The new album will be titled All Roads and will feature the last recordings of founding member Lloyd Knibb.
On 26 August 2016 the band released the album Platinum Ska and toured through the USA, Hong Kong, Japan, Mexico, France Italy and the UK.
Friday, August 9, 2024
The Soul Brothers • Hot Shot Ska
*Studio One Studio Backing Band* from Jamaica.
In
August 1965, barely a week after the demise of the original Skatalites,
The Soul Brothers (featuring ex-Skatalites members Jackie Mittoo,
Roland Alphonso, Johnny Moore and Lloyd Brevitt) were up and running as
the new house band at Studio One. Other members in this group included
Wallin Cameron (guitar) and Bunny Williams (drums). This release could
just as easily have been called Rolando Alphonso and The Soul Brothers
or just The Soul Brothers as the group were essentially a collective,
releasing material under their own name or under a nominal leader
(usually Jackie Mittoo or Rolando Alphonso). The group line-up changed
over time with Bobby Ellis (trumpet), Bryan Atkinson (bass), Dennis
Campbell (Sax), Harry Haughton (guitarist) and Joe Isaacs (drummer)
replacing various members alongside the ever present Jackie Mittoo. The
Soul Brothers mix of musical styles is described as Ska, Jump-Up and
Soul sounds. The track "Last Train to Skaville" signalled the end of the
Ska era, as the Soul Brothers started to forge a new sound that by 1967
had become known as Rocksteady, a slowed down funky version of Ska. The
main difference between the sound of The Skatalites and The Soul
Brothers is the arrival of electric instrumentation such as Jackie¹s
organ as well as electric guitar on some tracks. In 1967 Clement Dodd
decided to take a group of musicians to England. Alongside the singers
Alton Ellis and Ken Boothe, he asked Roland Alphonso, Jackie Mittoo,
Johnny Moore, Lloyd Brevett, Bunny Williams and Errol Walters. This
group would be named The Soul Vendors and signalled the end of the
short-lived Soul Brothers. (Souljazz Records)
https://www.discogs.com/artist/287575-The-Soul-Brothers
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*Studio One Studio Backing Band* de Jamaica.
En
agosto de 1965, apenas una semana después de la desaparición de los
Skatalites originales, The Soul Brothers (con los ex miembros de los
Skatalites Jackie Mittoo, Roland Alphonso, Johnny Moore y Lloyd Brevitt)
se pusieron en marcha como la nueva banda de la casa en Studio One.
Otros miembros de este grupo eran Wallin Cameron (guitarra) y Bunny
Williams (batería). Esta publicación podría haberse llamado Rolando
Alphonso and The Soul Brothers o simplemente The Soul Brothers, ya que
el grupo era esencialmente un colectivo que publicaba material bajo su
propio nombre o bajo un líder nominal (normalmente Jackie Mittoo o
Rolando Alphonso). La formación del grupo cambió con el tiempo, con
Bobby Ellis (trompeta), Bryan Atkinson (bajo), Dennis Campbell (saxo),
Harry Haughton (guitarrista) y Joe Isaacs (batería) sustituyendo a
varios miembros junto al siempre presente Jackie Mittoo. La mezcla de
estilos musicales de los Soul Brothers se describe como sonidos Ska,
Jump-Up y Soul. El tema "Last Train to Skaville" marcó el final de la
era del Ska, ya que los Soul Brothers empezaron a forjar un nuevo sonido
que en 1967 se conocía como Rocksteady, una versión funky ralentizada
del Ska. La principal diferencia entre el sonido de The Skatalites y el
de los Soul Brothers es la llegada de la instrumentación eléctrica, como
el órgano de Jackie, así como la guitarra eléctrica en algunos temas.
En 1967 Clement Dodd decidió llevar un grupo de músicos a Inglaterra.
Junto a los cantantes Alton Ellis y Ken Boothe, pidió a Roland Alphonso,
Jackie Mittoo, Johnny Moore, Lloyd Brevett, Bunny Williams y Errol
Walters. Este grupo se llamaría The Soul Vendors y supuso el fin de los
efímeros Soul Brothers. (Souljazz Records)
https://www.discogs.com/artist/287575-The-Soul-Brothers
Tuesday, July 23, 2024
Dubwise Reasoning from the reggae underground
Reggae's influence can be heard in the popular music of nations in a variety of continents. In Dubwise, Klive Walker takes a fresh look at Bob Marley's global impact, specifically his legacy in the Caribbean diaspora. While considering Marley's status as an international reggae icon, Walker also discusses the vital contributions to reggae culture authored by other important Jamaican innovators such as poet Louise Bennett, hand drummer Oswald "Count Ossie" Williams, jazz saxophonist Joe Harriott, ska trombonist Don Drummond and singer Dennis Brown. The history of women in reggae, ignored for far too long, is addressed in a groundbreaking essay. Walker describes how the work of artists such as producer Sonia Pottinger and singer-songwriters Marcia Griffiths and Judy Mowatt is crucial to reggae culture. Walker treats the reggae crafted by American, British and Canadian artists of Caribbean heritage with the importance it deserves. One Dubwise essay considers the innovative reggae of U.K. roots bands such as Aswad and Steel Pulse and Jamaican-American deejay / rappers Shinehead and Sister Carol. Another discusses, for the first time, the history of reggae in Canada, featuring the work of dub poet Lillian Allen and the band Truths and Rights. An essay addressing reggae's relationship to hip-hop weaves together histories of dancehall deejays and hip-hop MCs as it features the rise of raggamuffin rap, a Caribbean diasporic phenomenon.
Wednesday, June 26, 2024
VA • Studio One Ska
A
blistering collection of non-stop Ska classic tunes from Clement ‘Sir
Coxsone’ Dodd’s legendary Studio One Records, Jamaica's foundation label
of reggae music. Featuring classic cuts from the originators of Ska
alongside a heavy dose of superb rarities from the might vaults of 13
Brentford Road - pure fire!
Studio One Records and the seminal
in-house band The Skatalites created and defined Ska in the process
making Jamaican music famous throughout the world. This compilation
features classic vocal and instrumental tracks from The Skatalites, Bob
Marley and The Wailers, Delroy Wilson alongside super-rare tracks from
the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and
many more.
Clement ‘Sir Coxsone’ Dodd’s musical empire was
founded on Ska, the first explosive and most exciting music to come out
of the newly independent Jamaica, which soon spread across the world.
This album is a celebration of the music of Studio One Records’ seminal
Ska releases and features a who’s who of the most important artists and
musicians in the history of reggae. Studio One is often described as
both the University of Reggae and the Motown of Jamaica.
Reviews
“Ripping
Ska compilation. The sound is tremendous as well thanks to Studio One
recording techniques - already superior at the birth of Reggae - and
Soul Jazz mastering. It's a superior Studio One Ska compilation what's
not to like?” The Face
“Every side collected here is a classic” All Music
“Utterly brilliant collection of Ska music. Essential stuff’ Q
https://soundsoftheuniverse.com/sjr/product/studio-one-ska-studio-one-ska
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Una
colección vertiginosa de canciones clásicas de Ska sin parar del
legendario Studio One Records de Clement 'Sir Coxsone' Dodd, el sello
fundacional de la música reggae de Jamaica. Con cortes clásicos de los
creadores del Ska junto con una gran dosis de magníficas rarezas de las
poderosas bóvedas de 13 Brentford Road: ¡puro fuego !
Studio One
Records y la banda seminal The Skatalites crearon y definieron el Ska
en el proceso de hacer famosa la música jamaicana en todo el mundo. Esta
compilación presenta pistas vocales e instrumentales clásicas de The
Skatalites, Bob Marley and The Wailers, Delroy Wilson junto con pistas
súper raras de artistas como Ken Boothe, The Maytals, Jackie Mittoo,
Tommy McCook y muchos más.
El imperio musical de Clement 'Sir
Coxsone' Dodd se fundó en el Ska, la primera música explosiva y más
emocionante que surgió de la recién independizada Jamaica, que pronto se
extendió por todo el mundo. Este álbum es una celebración de la música
de los lanzamientos de Ska seminales de Studio One Records y presenta un
quién es quién de los artistas y músicos más importantes de la historia
del reggae. Studio One es a menudo descrito como la Universidad de
Reggae y la Motown de Jamaica.
Reseñas
"Recopilación de
Ripping Ska. El sonido también es tremendo gracias a las técnicas de
grabación de Studio One, ya superiores en el nacimiento del Reggae, y la
masterización del Soul Jazz. Es una compilación de Ska de Studio One
superior, ¿qué no le gusta?"La Cara
"Cada lado recogido aquí es un clásico" Toda la música
"Una colección absolutamente brillante de música Ska. Cosas esenciales ' Q
https://soundsoftheuniverse.com/sjr/product/studio-one-ska-studio-one-ska