egroj world: Wolfgang Lackerschmid
Showing posts with label Wolfgang Lackerschmid. Show all posts
Showing posts with label Wolfgang Lackerschmid. Show all posts

Thursday, February 20, 2025

Bireli Lagrene • Routes to Django

 



Biography
by Matt Collar
An adept French guitarist, Biréli Lagrène has drawn praise for his fertile blend of swinging continental jazz, post-bop, and fusion. Emerging with Routes to Django: Live in 1980, the then 13-year-old guitarist was quickly praised as an heir to the legendary Django Reinhardt. Over time, however, he broadened his approach, exploring artists like Wes Montgomery, Larry Coryell, and Jimi Hendrix, influences he displayed on 1988's Inferno and 2008's Electric Side. Nonetheless, as evidenced by 1992's Standards, 2005's Move, and 2018's Storyteller, Lagrène remains a leading proponent of both the straight-ahead and gypsy jazz traditions.

Lagrène was born into a Romani family on September 4, 1966, in Saverne, Alsace, France. Both his father and grandfather had been prominent guitarists, and Lagrène was first introduced to the instrument around age four. Under his father's influence, Lagrène was soon absorbing the music of guitarist Django Reinhardt, as well as recordings by violinist Stéphane Grappelli and the Hot Club of France. By age seven, he was already a gifted performer and garnered increasing attention throughout the 1970s, especially after he won a prize at a festival in Strasbourg in 1978 and performed on television as part of an appearance at a Gypsy festival broadcast. In 1981, he made his solo debut with Routes to Django: Live. The studio-album Fifteen followed a year later, featuring more Reinhardt songs and jazz standards.

During his late teens, Lagrène's musical taste began to evolve as he started playing electric guitar and absorbing players like Wes Montgomery, John McLaughlin, Larry Coryell, and Jimi Hendrix. In 1984, he appeared at the Django Reinhardt Tribute at Fat Tuesdays in New York, where he showcased his stylistically expansive sound. He signed to Blue Note and issued a handful of genre-crossing albums: 1988's Inferno, 1989's Foreign Affairs, and 1990's Acoustic Moments. All of these albums found the guitarist exploring a mix of post-bop, fusion, and Reinhardt-style pieces. The straight-ahead Standards, with bassist Niels Pedersen and drummer Andre Ceccarelli, arrived in 1992.

With 1995's My Favorite Django, Lagrène returned to his love of traditional gypsy swing. Over the next decade, he made occassional forays into fusion, while continuing to balance his love of Django Reinhardt, straight-ahead jazz and bop influences. He also kept a steady live schedule, appearing live at Marciac in 1994 and at New York's Blue Note in 1997 with Larry Coryell and Billy Cobham. In 1998, he issued the Frank Sinatra tribute Old Blues Eyes, with pianist Maurice Vander, bassist Chris Minh Doky, and drummer Ceccarelli. In 2002, he issued Gypsy Project, yet another album that found him returning to Reinhardt and the classic jazz songbook. Similar albums followed, including 2005's Move, 2006's Djangology, and 2007's Just the Way You Are. A year later, he issued the fusion-influenced Electric Side.

He then paired with guitarist Hono Winterstein and bassist Diego Imbert for 2009's Gipsi Trio. That same year, he also released his own Summertime. In 2012, he recorded a straight-ahead jazz set for Universal entitled Mouvements with saxophonist Franck Wolf, drummer Jean-Marc Robin, and Hammond organist Jean-Yves Jung. Also in 2012, Lagrène was asked to participate in the 50th career anniversary celebration for violinist Jean-Luc Ponty, during which he appeared in a trio with Ponty and bassist Stanley Clarke. Inspired by their chemistry on stage that night, the trio stayed in touch, and in 2015 paired again for the studio album D-Stringz on Impulse! In 2018, the guitarist issued Storyteller, featuring bassist Larry Grenadier and percussionist Mino Cinélu.
https://www.allmusic.com/artist/bir%C3%A9li-lagr%C3%A8ne-mn0000082316/biography

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Biography
by Matt Collar
An adept French guitarist, Biréli Lagrène has drawn praise for his fertile blend of swinging continental jazz, post-bop, and fusion. Emerging with Routes to Django: Live in 1980, the then 13-year-old guitarist was quickly praised as an heir to the legendary Django Reinhardt. Over time, however, he broadened his approach, exploring artists like Wes Montgomery, Larry Coryell, and Jimi Hendrix, influences he displayed on 1988's Inferno and 2008's Electric Side. Nonetheless, as evidenced by 1992's Standards, 2005's Move, and 2018's Storyteller, Lagrène remains a leading proponent of both the straight-ahead and gypsy jazz traditions.

Lagrène was born into a Romani family on September 4, 1966, in Saverne, Alsace, France. Both his father and grandfather had been prominent guitarists, and Lagrène was first introduced to the instrument around age four. Under his father's influence, Lagrène was soon absorbing the music of guitarist Django Reinhardt, as well as recordings by violinist Stéphane Grappelli and the Hot Club of France. By age seven, he was already a gifted performer and garnered increasing attention throughout the 1970s, especially after he won a prize at a festival in Strasbourg in 1978 and performed on television as part of an appearance at a Gypsy festival broadcast. In 1981, he made his solo debut with Routes to Django: Live. The studio-album Fifteen followed a year later, featuring more Reinhardt songs and jazz standards.

During his late teens, Lagrène's musical taste began to evolve as he started playing electric guitar and absorbing players like Wes Montgomery, John McLaughlin, Larry Coryell, and Jimi Hendrix. In 1984, he appeared at the Django Reinhardt Tribute at Fat Tuesdays in New York, where he showcased his stylistically expansive sound. He signed to Blue Note and issued a handful of genre-crossing albums: 1988's Inferno, 1989's Foreign Affairs, and 1990's Acoustic Moments. All of these albums found the guitarist exploring a mix of post-bop, fusion, and Reinhardt-style pieces. The straight-ahead Standards, with bassist Niels Pedersen and drummer Andre Ceccarelli, arrived in 1992.

With 1995's My Favorite Django, Lagrène returned to his love of traditional gypsy swing. Over the next decade, he made occassional forays into fusion, while continuing to balance his love of Django Reinhardt, straight-ahead jazz and bop influences. He also kept a steady live schedule, appearing live at Marciac in 1994 and at New York's Blue Note in 1997 with Larry Coryell and Billy Cobham. In 1998, he issued the Frank Sinatra tribute Old Blues Eyes, with pianist Maurice Vander, bassist Chris Minh Doky, and drummer Ceccarelli. In 2002, he issued Gypsy Project, yet another album that found him returning to Reinhardt and the classic jazz songbook. Similar albums followed, including 2005's Move, 2006's Djangology, and 2007's Just the Way You Are. A year later, he issued the fusion-influenced Electric Side.

He then paired with guitarist Hono Winterstein and bassist Diego Imbert for 2009's Gipsi Trio. That same year, he also released his own Summertime. In 2012, he recorded a straight-ahead jazz set for Universal entitled Mouvements with saxophonist Franck Wolf, drummer Jean-Marc Robin, and Hammond organist Jean-Yves Jung. Also in 2012, Lagrène was asked to participate in the 50th career anniversary celebration for violinist Jean-Luc Ponty, during which he appeared in a trio with Ponty and bassist Stanley Clarke. Inspired by their chemistry on stage that night, the trio stayed in touch, and in 2015 paired again for the studio album D-Stringz on Impulse! In 2018, the guitarist issued Storyteller, featuring bassist Larry Grenadier and percussionist Mino Cinélu.
https://www.allmusic.com/artist/bir%C3%A9li-lagr%C3%A8ne-mn0000082316/biography


bireli-lagrene.fr ...


Saturday, January 25, 2025

Chet Baker-Wolfgang Lackerschmid • Ballads For Two

 



Originally issued in Germany in 1979 on Sandra Music Productions, this Dot-Time release presents again this long out of print LP featuring marvelous duets by Chet Baker and German vibraphonist and percussionist Wolfgang Lackerschmid, who also contributes with the liner notes for the album.
Among the highlights are poignant versions of "You Don't Know What Love Is" and "Softly as in a Morning Sunrise", as well as two versions of Lackerschmid's ballad "Why Shouldn't You Cry", one played by Chet with open trumpet, and the other with a mute.
https://www.jazzmessengers.com/es/82543/chet-baker/balladsfortwow-wolfganglackerschmid-rsd-

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Publicado originalmente en Alemania en 1979 por Sandra Music Productions, esta edición de Dot-Time presenta de nuevo este LP descatalogado desde hace tiempo con maravillosos dúos de Chet Baker y el vibrafonista y percusionista alemán Wolfgang Lackerschmid, que también contribuye con las notas del álbum.
Entre lo más destacado se encuentran las conmovedoras versiones de "You Don't Know What Love Is" y "Softly as in a Morning Sunrise", así como dos versiones de la balada de Lackerschmid "Why Shouldn't You Cry", una tocada por Chet con la trompeta abierta y la otra con sordina.
https://www.jazzmessengers.com/es/82543/chet-baker/balladsfortwow-wolfganglackerschmid-rsd-


http://www.lackerschmid.de/



Monday, October 7, 2024

Wolfgang Lackerschmid • Jazz Tribute To Franz Grothe

 

Biography
Wolfgang Lackerschmid, born in Tegernsee in 1956, has been equally successful as a vibraphone virtuoso and as a composer since the 1970s. He has played live and on more than 100 recordings with jazz legends such as Chet Baker, Attila Zoller, Lee Konitz, Albert Mangelsdorff, Larry Coryell, Buster Williams, Paquito D'Rivera, Jacques Loussier and, since 1978, in several "Vibraphone Summits" with Milt Jackson, Bobby Hutcherson, Dave Samuels, Mike Mainieri and others. As a music director and producer, he is one of the creative co-creators of the international music scene, and has repeatedly brought innovative projects to fruition.

His compositions combine the classical ductus of percussion and composition studies with the experiences of a musician whose work is geographically spread over America, Asia and many parts of Europe and is musically influenced by his ethnic and cultural differences. Although he chooses the path of improvisation and Moderna jazz for himself as a musician and writes compositions that invite his colleagues to improvise, he knows the appeal of conventional composition: orchestral works, chamber music, choirs, percussion ensembles, string quartets, stage music, ballet music, musicals, poetic settings, radio plays and children's productions testify, one after another, to the high creative power and compositional quality of Wolfgang Lackerschmid. Wolfgang Lackerschmid's jazz compositions have become part of the repertoire of numerous renowned colleagues around the world.

He has composed music for Faust 1 and 2 for theaters such as Augsburg, Ingolstadt, Osnabrück, Kaiserslautern, Koblenz, Sommerspiele Mayen, Augsburger Puppenkiste, Waldbühne Sigmaringendorf, Münchener Kammerspiele, Peer Gynt, Pancomedia, Andorra, Ghetto (musical), Snow White (ballet), Die Spitzeder, Draussen vor der Tür , Das Jahrmarktsfest zu Plundersweilern, Das kleine Känguru (de Paul Maar), Paula und die Kistenkobolde,
Pinocchio, (musical), The Wizard of Oos (musical), A Midsummer Night's Dream, Arturo Ui, Kabale und Liebe and many more.
In addition to jazz songs and children's songs, he has also created numerous art songs, including new songs with texts by Bertolt Brecht (authorized by his heirs), poems by the painter Markus Lüpertz and settings of the "Bäsle Briefe", from which a libretto about W. A. Mozart was created. As an arranger, for example, he has been responsible from the very beginning for all the jazz interpretations of songs from films by European composers produced at the "Night of Film Music". (Since 2004, organized by BR 4 Klassik and the German Association of Composers).
In 1990 he received the Bavarian Prize for the Promotion of Art.

As curator of the Augsburg Peace Festival, for example, he created the formation "Common Language, Common Sense", in which jazz musicians of different religions always elaborate a new concert program, record it and perform it as the main outdoor act. At the "Concerts at the Fronhof" he has conducted the cycle "Jazz meets Classical" for 12 years and has designed the program of numerous concert cycles and jazz festivals since 1976.
http://www.lackerschmid.de/index.php/bio

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Biografía
Wolfgang Lackerschmid, nacido en Tegernsee en 1956, ha tenido el mismo éxito como virtuoso del vibráfono y como compositor desde la década de 1970. Ha tocado en directo y en más de 100 grabaciones con leyendas del jazz como Chet Baker, Attila Zoller, Lee Konitz, Albert Mangelsdorff, Larry Coryell, Buster Williams, Paquito D'Rivera, Jacques Loussier y, desde 1978, en varias "Cumbres del vibráfono" con Milt Jackson, Bobby Hutcherson, Dave Samuels, Mike Mainieri y otros. Como director musical y productor, es uno de los cocreadores creativos de la escena musical internacional, y ha llevado a buen puerto en repetidas ocasiones proyectos innovadores.

Sus composiciones combinan el ductus clásico de los estudios de percusión y composición con las experiencias de un músico cuyo trabajo se extiende geográficamente por América, Asia y muchas partes de Europa y está musicalmente influenciado por sus diferencias étnicas y culturales. Aunque elige el camino de la improvisación y el jazz moderno para sí mismo como músico y escribe composiciones que invitan a sus colegas a improvisar, conoce el atractivo de la composición convencional: obras orquestales, música de cámara, coros, conjuntos de percusión, cuartetos de cuerda, música escénica, música de ballet, musicales, ambientaciones poéticas, obras radiofónicas y producciones infantiles dan testimonio, una tras otra, del alto poder creativo y la calidad compositiva de Wolfgang Lackerschmid. Las composiciones de jazz de Wolfgang Lackerschmid han pasado a formar parte del repertorio de numerosos colegas de renombre en todo el mundo.

Ha compuesto música para Fausto 1 y 2 para teatros como Augsburgo, Ingolstadt, Osnabrück, Kaiserslautern, Coblenza, Sommerspiele Mayen,Augsburger Puppenkiste, Waldbühne Sigmaringendorf, Münchener Kammerspiele, Peer Gynt, Pancomedia, Andorra, Ghetto (musical), Blancanieves (ballet), Die Spitzeder, Draussen vor der Tür, Das Jahrmarktsfest zu Plundersweilern, Das kleine Känguru (de Paul Maar), Paula und die Kistenkobolde,
Pinocho, (musical), El mago de Oos (musical), El sueño de una noche de verano, Arturo Ui, Kabale und Liebe y muchos más.
Además de canciones de jazz y canciones infantiles, también ha creado numerosas canciones artísticas, entre ellas nuevas canciones con textos de Bertolt Brecht (autorizadas por sus herederos), poemas del pintor Markus Lüpertz y ajustes de las "Bäsle Briefe", a partir de las cuales se creó un libreto sobre W. A. Mozart. Como arreglista, por ejemplo, ha sido responsable desde el principio de todas las interpretaciones de jazz de canciones de películas de compositores europeos producidas en la "Noche de la Música de Cine". (Desde 2004, organizado por BR 4 Klassik y la Asociación Alemana de Compositores).
En 1990 recibió el Premio Bávaro de Fomento del Arte.

Como comisario del Festival de la Paz de Augsburgo, por ejemplo, creó la formación "Common Language, Common Sense", en la que músicos de jazz de distintas religiones elaboran siempre un nuevo programa de conciertos, lo graban y lo interpretan como acto principal al aire libre. En los "Conciertos en el Fronhof" ha dirigido el ciclo "El jazz se encuentra con lo clásico" durante 12 años y ha diseñado el programa de numerosos ciclos de conciertos y festivales de jazz desde 1976.
http://www.lackerschmid.de/index.php/bio


http://www.lackerschmid.de/

Monday, September 16, 2024

Wolfgang Lackerschmid • Wolfgang Lackerschmid Quartet



Biography

Wolfgang Lackerschmid, 1956 in Tegernsee geboren, ist seit den siebziger Jahren gleichermaßen als Vibraphon-Virtuose und Komponist erfolgreich. Er spielte live und auf über 100 Tonträgern unter anderem mit Jazzlegenden wie Chet Baker, Attila Zoller, Lee Konitz, Albert Mangelsdorff, Larry Coryell, Buster Williams, Paquito D´Rivera, Jacques Loussier oder seit 1978 auch bei verschiedenen "Vibraphon Summits" u.a. mit Milt Jackson, Bobby Hutcherson, Dave Samuels, Mike Mainieri. Als musikalischer Leiter und Produzent bringt er, als einer der kreativen Mitgestalter der internationalen Musikszene, immer wieder innovative Projekte zur erfolgreichen Umsetzung.

Seine Kompositionen verbinden den klassischen Duktus des Schlagwerk- und Kompositionsstudiums mit den Erfahrungen eines Musikers, dessen Schaffen sich geographisch über Amerika, Asien und viele Teile Europas erstreckt und musikalisch durch deren ethnische und kulturelle Unterschiede geprägt ist. Wählt er für sich als Musiker den Weg der Improvisation und des modernen Jazz und schreibt seinen Kollegen zur Improvisation einladende Kompositionen auf den Leib, weiß er um den Reiz der konventionellen Komposition: Orchesterwerke, Kammermusik, Chor, Percussion-Ensemble, Streichquartett, Bühnenmusik, Ballettmusik, Musicals, Gedichtvertonungen, Hörspiele und Kinderproduktionen zeugen eins um das andere von Wolfgang Lackerschmids hoher Schaffenskraft und kompositorischer Qualität. Wolfgang Lackerschmids Jazzkompositionen sind weltweit zum Bestandteil des Repertoires zahlreicher namhafter Kollegen geworden.

Er komponierte für Theater wie Augsburg, Ingolstadt, Osnabrück, Kaiserslautern, Koblenz, Sommerspiele Mayen,Augsburger Puppenkiste, Waldbühne Sigmaringendorf, Münchener Kammerspiele die Musik zu Faust 1 und 2, Peer Gynt, Pancomedia, Andorra, Ghetto (Musical), Schneewittchen (Ballett), Die Spitzeder, Draussen vor der Tür, Das Jahrmarktsfest zu Plundersweilern, Das kleine Känguru (von Paul Maar), Paula und die Kistenkobolde,
Pinocchio, (Musical), Der Zauberer von Oos (Musical), Ein Sommernachtstraum, Arturo Ui, Kabale und Liebe u.v.a.
Neben Jazzsongs und Kinderliedern schuf er auch zahlreiche Kunstlieder, u.a. neue Lieder mit Texten von Bertolt Brecht (von den Erben autorisiert), Gedichte des Malers Markus Lüpertz, Vertonung der "Bäsle Briefe", aus denen dann ein Musiclett über W. A. Mozart entstand. Als Arrangeur zeichnet er zum Beispiel von Anfang an für sämtliche bei der "Nacht der Filmmusik" produzierten Jazzinterpretationen von Filmsongs europäischer Komponisten verantwortlich. (Seit 2004 veranstaltet von BR 4 Klassik und dem Deutschen Komponisten Verband.)
1990 erhielt er den bayerischen Kunstförderpreis.

Als Kurator des Augsburger Friedensfests rief er zum Beispiel die Formation "Common Language, Common Sense" ins Leben, bei der, immer neu zusammengestellt, Jazzmusiker unterschiedlicher Religionen jeweils ein neues Konzertprogramm erarbeiten, aufnehmen und als Hauptveranstaltung open air aufführen. Bei den "Konzerten im Fronhof" leitet er seit 12 Jahren die Reihe "Jazz meets classic" und gestaltete seit 1976 das Programm für zahlreiche Konzertreihen und Jazzfestivals.
http://www.lackerschmid.de/index.php/bio

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Biografía

Wolfgang Lackerschmid, nacido en Tegernsee en 1956, ha tenido el mismo éxito como virtuoso del vibráfono y como compositor desde la década de 1970. Ha tocado en directo y en más de 100 grabaciones con leyendas del jazz como Chet Baker, Attila Zoller, Lee Konitz, Albert Mangelsdorff, Larry Coryell, Buster Williams, Paquito D'Rivera, Jacques Loussier y, desde 1978, en varias "Cumbres del vibráfono" con Milt Jackson, Bobby Hutcherson, Dave Samuels, Mike Mainieri y otros. Como director musical y productor, es uno de los cocreadores creativos de la escena musical internacional, y ha llevado a buen puerto en repetidas ocasiones proyectos innovadores.

Sus composiciones combinan el ductus clásico de los estudios de percusión y composición con las experiencias de un músico cuyo trabajo se extiende geográficamente por América, Asia y muchas partes de Europa y está musicalmente influenciado por sus diferencias étnicas y culturales. Aunque elige el camino de la improvisación y el jazz moderno para sí mismo como músico y escribe composiciones que invitan a sus colegas a improvisar, conoce el atractivo de la composición convencional: obras orquestales, música de cámara, coros, conjuntos de percusión, cuartetos de cuerda, música escénica, música de ballet, musicales, ambientaciones poéticas, obras radiofónicas y producciones infantiles dan testimonio, una tras otra, del alto poder creativo y la calidad compositiva de Wolfgang Lackerschmid. Las composiciones de jazz de Wolfgang Lackerschmid han pasado a formar parte del repertorio de numerosos colegas de renombre en todo el mundo.

Ha compuesto música para Fausto 1 y 2 para teatros como Augsburgo, Ingolstadt, Osnabrück, Kaiserslautern, Coblenza, Sommerspiele Mayen,Augsburger Puppenkiste, Waldbühne Sigmaringendorf, Münchener Kammerspiele, Peer Gynt, Pancomedia, Andorra, Ghetto (musical), Blancanieves (ballet), Die Spitzeder, Draussen vor der Tür, Das Jahrmarktsfest zu Plundersweilern, Das kleine Känguru (de Paul Maar), Paula und die Kistenkobolde,
Pinocho, (musical), El mago de Oos (musical), El sueño de una noche de verano, Arturo Ui, Kabale und Liebe y muchos más.
Además de canciones de jazz y canciones infantiles, también ha creado numerosas canciones artísticas, entre ellas nuevas canciones con textos de Bertolt Brecht (autorizadas por sus herederos), poemas del pintor Markus Lüpertz y ajustes de las "Bäsle Briefe", a partir de las cuales se creó un libreto sobre W. A. Mozart. Como arreglista, por ejemplo, ha sido responsable desde el principio de todas las interpretaciones de jazz de canciones de películas de compositores europeos producidas en la "Noche de la Música de Cine". (Desde 2004, organizado por BR 4 Klassik y la Asociación Alemana de Compositores).
En 1990 recibió el Premio Bávaro de Fomento del Arte.

Como comisario del Festival de la Paz de Augsburgo, por ejemplo, creó la formación "Common Language, Common Sense", en la que músicos de jazz de distintas religiones elaboran siempre un nuevo programa de conciertos, lo graban y lo interpretan como acto principal al aire libre. En los "Conciertos en el Fronhof" ha dirigido el ciclo "El jazz se encuentra con lo clásico" durante 12 años y ha diseñado el programa de numerosos ciclos de conciertos y festivales de jazz desde 1976.
http://www.lackerschmid.de/index.php/bio