Black Market Audio • Autorama

 

  

All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs

 

George Harrison and Eric Clapton embarked upon a singular personal and creative friendship that impacted rock’s unfolding future in resounding and far-reaching ways. All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs traces the emergence of their relationship from 1968 though the early 1970s and the making of their career-defining albums, both released in November 1970.  

Authors Womack and Kruppa devote close attention to the climax of Harrison and Clapton’s shared musicianship—the creation of All Things Must Pass, Harrison’s powerful emancipatory statement in the wake of the Beatles, and Layla and Other Assorted Love Songs, Clapton’s impassioned reimagining of his art via Derek and the Dominos—two records that advanced rock ’n’ roll from a windswept 1960s idealism into the wild and expansive new reality of the 1970s. 

All Things Must Pass Away reveals the foundations of Harrison and Clapton’s friendship, focusing on the ways their encouragement and support of each other drove them to produce works that would cast long shadows over the evolving world of rock music.

 

Kenneth Womack (Author),  

Jason Kruppa (Author)  

 

Who Wrote the Beatle Songs?: A History of Lennon-McCartney

 

Who Wrote the Beatle Songs: A History of Lennon-McCartney is a book in the tradition of Mark Lewisohn’s The Beatles Recording Sessions, Walter Everett’s The Beatles as Musicians, Ian MacDonald’s Revolution in the Head, and Tim Riley’s Tell Me Why —it surveys all of the songs by the Beatles. However, unlike those books, Who Wrote the Beatle Songs concentrates solely on songwriting. It also has a strong biographical element: I tell the fascinating story of John Lennon and Paul McCartney as songwriters.

The Beatles are arguably the most influential group in the history of popular music, and the single most important element in their success was their songwriting. Unlike rock stars such as Elvis, Jimi Hendrix and Eric Clapton, they were songwriters first and performers second. They have been widely misunderstood because the history of their songwriting has not been examined carefully. Setting aside the songs of Harrison and Starr at this time, all their songs were attributed to “Lennon-McCartney,” which suggests 50-50 songwriting ownership, in the tradition of George and Ira Gershwin. In fact, most of the Beatle songs were dominated by Paul or by John, and some were written entirely by one or the other (such as John’s “Across the Universe” or Paul’s “Hey Jude”).

After the Beatles breakup, Lennon and McCartney have given a number of interviews discussing who wrote which Beatle songs. Unfortunately, these interviews are often contradictory, a natural result of trying to remember events that took place many years (sometimes decades) earlier. John had a tendency to emphasize individual authorship in his interviews, while Paul frequently remembered collaboration (though often “finishing” collaboration, after one writer had substantially begun the song). To evaluate such complex, contradictory evidence, I’ve tried to use standard historical tools to come to a valid judgment on who wrote each Beatle song.

The result is the first comprehensive, detailed assessment of who wrote the Beatle songs. Every chapter is devoted to a Beatles album, and its attendant singles. I give a careful attribution for every song and tell the story of how it was written. Then I evaluate conflicts or unities in the evidence. So this book is full of great stories—how John wrote “She Said She Said” after he heard Peter Fonda tell of a near-death experience at a party with the Byrds in L.A.; how Paul wrote “Yesterday” in his sleep, then sang it for months with the lyrics “Scrambled eggs—Oh baby, how I love your legs”; how George’s mother, Louise French Harrison, filled in a gap in “Piggies” with “What they need’s a damn good whacking!”.

When this survey is complete, we can draw conclusions about the individual songwriting talents of Paul, John and George, and can reject many widespread stereotypes about them. One cliché is that John specialized in rock while Paul produced ballads. Actually, both of them wrote strong rock songs (like Paul’s “Helter Skelter”) and strong quiet songs (like John’s “Goodnight”). Another common misapprehension is that the Beatles’ best songs were based on close collaboration; actually, as these two songwriters progressed in maturity they wrote together less. Paradoxically, the songwriting flourished as the collaboration decreased.

John became increasingly interested in lyrics, while Paul was always obsessively devoted to music (though they both wrote great music and lyrics at times). Who Wrote the Beatle Songs will celebrate and give a wealth of insight into the idiosyncratic brilliance of both of the Beatles’ two main songwriters.

Distinguished musicologist Michael Hicks has written, of Who Wrote the Beatle Songs, “A special book indeed: an exhaustive—and blessedly fussy—compendium of the impulses behind every Beatles (and Beatles-born) recording. Authoritative and tantalizing, it offers new insights for even the most seasoned Beatles aficionado.”

 

  Todd M. Compton (Author)

 

How the Beatles Destroyed Rock N Roll An Alternative History of American Popular Music

"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop.

As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies―including the role of records, radio, jukeboxes and television ―to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources―recordings, period articles, memoirs, and interviews―to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times.

Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.

The Ultimate Music Guide George Harrison

 

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The British Invasion How the Beatles and Other UK Bands Conquered America

 

 

The explosion of British bands onto the American rock scene in the 1960s is examined in this thorough history. Marking the 40th anniversary of the Beatles' first trip to the United States, this look at British rock music covers in detail the pre-Beatles music that first gave Americans a taste of the British style, Beatlemania, and the British acts that followed their lead, including the Rolling Stones, the Who, and the Kinks. This account includes in-depth interviews with key figures and fully updated information on this dynamic time in American pop music. Previously unseen photographs and reproduced newspaper front pages provide a visual history of that music explosion.

 

Mods, Rockers, and the Music of the British Invasion

 

 

Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop ― and more specifically British rock and roll ― had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally.

May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed.

Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States.

The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.

 

  James E. Perone (Author)

 

Paul McCartney Many Years from Now

 

A definitive, authorized portrait of Paul McCartney draws on hundreds of hours of exclusive interviews and access to personal archives to chronicle the private life and successful career of one of the world's most famous musicians, the world of the Beatles, his partnership with John Lennon, and more.

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Here, There and Everywhere • My Life Recording the Music of the Beatles

 

 

 

 

Geoff Emerick (Author), Howard Massey (Author)  

 

 

Beat Culture: Lifestyles, Icons, and Impact

Beat Culture captures in a single volume six decades of cultural and countercultural expression in the arts and society. It goes beyond other works, which are often limited to Beat writers like William Burroughs, Charles Bukowski, and Michael McClure, to cover a wide range of musicians, painters, dramatists, filmmakers, and dancers who found expression in the Bohemian movement known as the Beat Generation.

Top scholars from the United States, England, Holland, Italy, and China analyze a vast array of topics including sexism, misogny, alcoholism, and drug abuse within Beat circles; the arrest of poet Lawrence Ferlinghetti on obscenity charges; Beat dress and speech; and the Beat "pad." Through more than 250 entries, which travel from New York to New Orleans, from San Francisco to Mexico City, students, scholars, and those interested in popular culture will taste the era's rampant freedom and experimentation, explore the impact of jazz on Beat writings, and discover how Beat behavior signaled events such as the sexual revolution, the peace movement, and environmental awareness.

 

Can't Buy Me Love: The Beatles, Britain, and America

 

That the Beatles were an unprecedented phenomenon is a given. In Can’t Buy Me Love, Jonathan Gould explains why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Nearly twenty years in the making, Can’t Buy Me Love is a masterful work of group biography, cultural history, and musical criticism.

Beginning with their adolescence in Liverpool, Gould describes the seminal influences––from Elvis Presley and Chuck Berry to The Goon Show and Alice’s Adventures in Wonderland––that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician’s ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history.

Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles’ music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group’s breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can’t Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II.

From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK’s assassination, Gould captures the pulse of a time that made the Beatles possible—and even necessary. As seen through the prism of the Beatles and their music, an entire generation’s experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can’ t Buy Me Love is a landmark work about the Beatles, Britain, and America. 

 

Jonathan Gould (Author) 

Long and Winding Roads: The Evolving Artistry of the Beatles

 

In Long and Winding Roads: The Evolving Artistry of the Beatles, Kenneth Womack brings the band's story vividly to life-from their salad days as a Liverpool Skiffle group and their apprenticeship in the nightclubs and mean streets of Hamburg through their early triumphs at the legendary Cavern Club and the massive onslaught of Beatlemania itself. By mapping the group's development as an artistic fusion, Womack traces the Beatles' creative arc from their first, primitive recordings through Abbey Road and the twilight of their career.




In order to communicate the nature and power of the band's remarkable achievement, Womack examines the Beatles' body of work as an evolving art object. He investigates the origins and creation of the group's compositions, as well as the songwriting and recording practices that brought them to fruition. Womack's analysis of the Beatles' albums transports readers on a journey through the Beatles' heyday as recording artists between 1962 and 1969, when the band enjoyed a staggering musical and lyrical leap that took them from their first album Please Please Me, which they recorded in the space of a single day, to Sgt. Pepper's Lonely Hearts Club Band, the White Album, and Abbey Road-albums that collectively required literally thousands of hours to produce. In addition to considering the band's increasing self-consciousness about the overall production, design, and presentation of their art, Womack explores the Beatles' albums as a collection of musical and lyrical impressions that finds them working towards a sense of aesthetic unity. In Long and Winding Roads, Womack reveals the ways in which the Beatles gave life to a musical synthesis that would change the world.

 

Kenneth Womack (Author) 

 

THE BEATLES Solo NME Originals The Solo Years 1970-1980

 

The Ultimate Music Guide Paul McCartney

 

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The Ultimate Music Guide John Lennon

 

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Paul McCartney - Tribute to the Rock & Roll Legend

 

This publication is the ultimate tribute to the Rock & Roll legend! From his early days, through his early days when he found fame with two young guitar playing friends, to his amazing solo career, we cover it all. Remember when Paul dreams up an imaginary group that inspires Sgt. Pepper’s, The Beatles’ psychedelic masterpiece. Or when the Fabs launch their Apple Records label empire and release their groundbreaking White Album. We look at his personal life as well as the life you may already know.

La Era Del Rock • Benitez Z Carlos

 

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2001 Record Collector Dreams: Folk, Psychedelic, Progressive, Garage, Beat, Rock

 

The Beatles vs. The Rolling Stones: Sound Opinions on the Great Rock 'n' Roll Rivalry

 

Two of the world’s preeminent music journalists tackle the liveliest debate in rock history: which band is the greatest ever—the Beatles or the Rolling Stones? More than two dozen topics of debate are addressed, with cases being made both for the lads from Liverpool and rock’s proto bad boys. From the Cavern and Crawdaddy clubs through head-to-head comparisons of specific albums (e.g., Exile or “the White Album”?), members’ roles within the bands, the Svengali-like managers, influential producers, musical influences, and more, this is the book that dares confront the topics over which fans have agonized for years. Illustrated throughout with photography and memorabilia, the book also features a lenticular cover piece that alternates between the two bands.

 

 

Love and Let Die: James Bond, The Beatles, and the British Psyche

 

A deep-dive into the unique connections between the two titans of the British cultural psyche—the Beatles and the Bond films—and what they tell us about class, sexuality, and our aspirations over sixty dramatic years.

The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented.

Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end.

Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture. 

 

  John Higgs (Author)