Showing posts with label ska. Show all posts
Showing posts with label ska. Show all posts

Friday, May 15, 2026

Rico & The Rudies • Blow Your Horn & Brixton Cat

 


Artist Biography by Jason Ankeny
One of the most prolific session players of Jamaica's pre-ska era, trombonist Rico Rodriguez later emerged as a catalyst behind the UK's 2-Tone movement of the late 1970s, recording both as a solo artist and as a member of the legendary Specials. While attending Kingston's Alpha Cottage School, an institution for wayward boys, he studied trombone under the legendary Don Drummond. In the years to follow, Rodriguez emerged as one of Jamaica's most highly regarded session musicians, often working under the direction of the renowned producer Duke Reid. While his forte remained jazz, he adapted brilliantly to any environment, and applied his improvisational skills to productions from notables including Sly & Robbie. In 1977, Rodriguez also cut a solo LP, Man from Wareika, credited to simply "Rico; " it was followed a year later by Midnight in Ethiopia. In 1979, he appeared on the Specials' cover of "A Message to You Rudy," and soon joined the band as a full-time member; for the group's 2-Tone label, Rodriguez also helmed his own outfit, Rico and the Rudies, to yield the albums Blow Your Horn and Brixton Cat.
https://www.allmusic.com/artist/rico-rodriguez-mn0000215140/biography

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Biografía del artista por Jason Ankeny
Uno de los músicos de sesión más prolíficos de la era pre-ska de Jamaica, el trombonista Rico Rodríguez se convirtió más tarde en un catalizador del movimiento de los 2-Tonos del Reino Unido a finales de la década de 1970, grabando tanto como solista como miembro de los legendarios Specials. Mientras asistía a la Alpha Cottage School de Kingston, una institución para niños rebeldes, estudió trombón con el legendario Don Drummond. En los años siguientes, Rodríguez emergió como uno de los músicos de estudio más respetados de Jamaica, a menudo trabajando bajo la dirección del renombrado productor Duke Reid. Mientras su fuerte seguía siendo el jazz, se adaptó brillantemente a cualquier ambiente, y aplicó sus habilidades de improvisación a producciones de notables como Sly & Robbie. En 1977, Rodríguez también grabó un LP en solitario, Man from Wareika, al que se le atribuye simplemente "Rico", al que siguió un año más tarde Midnight en Etiopía. En 1979, apareció en la portada de los Specials de "A Message to You Rudy", y pronto se unió a la banda como miembro de tiempo completo; para el sello 2-Tone del grupo, Rodríguez también dirigió su propio equipo, Rico and the Rudies, para producir los álbumes Blow Your Horn y Brixton Cat.
https://www.allmusic.com/artist/rico-rodriguez-mn0000215140/biography


Monday, April 20, 2026

Monty Alexander • Harlem-Kingston Express Live!



Monty Alexander celebrated his 50th year of phenomenal musicianship by releasing two outstanding recordings: the now Grammy® nominated Harlem-Kingston Express Live! and Uplift (via Jazz Legacy Productions). Co-Produced by Jana Herzen, Katherine Miller, and Dizzy's Club Coca-Cola's Todd Barkan (who introduced Motéma and Monty to each other), the Best Reggae Album nomination is truly a fantastic accomplishment in what has been a hugely successful year for the pianist. Upon its release, Harlem-Kingston Express Live! dominated the airwaves, reaching #1 on both Jazzweek's Jazz and World radio charts, while press buzzed over the album's Jamaican influences, which include elements of mento, ska as well as R&B.

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Monty Alexander celebró sus 50 años de fenomenal musicalidad lanzando dos grabaciones sobresalientes: la ahora nominada a los Grammy® Harlem-Kingston Express Live! y Uplift (a través de Jazz Legacy Productions). Coproducida por Jana Herzen, Katherine Miller y Todd Barkan de Dizzy's Club Coca-Cola (quien presentó a Motéma y Monty entre sí), la nominación al Mejor Álbum de Reggae es realmente un logro fantástico en lo que ha sido un año de gran éxito para la pianista. Tras su lanzamiento, Harlem-Kingston Express Live! dominó las ondas, alcanzando el primer puesto en las listas de éxitos de Jazzweek y World radio, mientras que la prensa se interesó por las influencias jamaicanas del álbum, que incluyen elementos de mento, ska y R&B.
Traducción realizada con el traductor www.DeepL.com/Translator


Friday, April 10, 2026

Don Drummond • Memorial Album



 


Don Drummond (Kingston, Jamaica 12 de marzo 1932 - 6 de mayo 1969) famoso trombonista de música Ska y compositor, fue uno de los miembros originales del grupo The Skatalites componiendo muchas de sus canciones.
Su carrera musical comenzó a mediados de los 50's con Eric Deans All-Stars. Continuó hacia 1960s con otros, entre ellos Kenny Williams.
Con el nacimiento del Ska, Don se unió a The Skatalites. Su nombre llegó a ser conocido en Jamaica, antes de comenzar con sus problemas mentales. El pianista George Shearing lo consideró como uno de los 5 mejores trombonistas del mundo.
El 1 de Enero de 1965 fue encarcelado por el asesinato de la bailarina exótica y cantante Anita "Margarita" Mahfood. Fue internado en el Asilo de Belle Vue en Kingston, donde permaneció hasta su muerte.
La causa oficial de su muerte fue suicidio, pero otras teorías establecen, que sus colegas creen que fue parte de un complot por parte del gobierno contra la escena musical en Kingston, otros creen que fue asesinado por gángsters como venganza por el asesinato de Mahfood.

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Automatic translation:
Don Drummond (Kingston, Jamaica March 12, 1932 - May 6, 1969) famous Ska trombonist and composer, was one of the original members of the group The Skatalites composing many of his songs.
His musical career began in the mid-50's with Eric Deans All-Stars. He continued to 1960s with others, including Kenny Williams.
With the birth of Ska, Don joined The Skatalites. His name came to be known in Jamaica, before he started with his mental problems. The pianist George Shearing considered him one of the 5 best trombonists in the world.
On January 1, 1965, he was imprisoned for the murder of the exotic dancer and singer Anita "Margarita" Mahfood. He was interned at Belle Vue's Asylum in Kingston, where he remained until his death.
The official cause of his death was suicide, but other theories establish, that his colleagues believe that he was part of a government plot against the music scene in Kingston, others believe he was killed by gangsters as revenge for the murder of Mahfood.





Friday, April 3, 2026

Rico Rodriguez • Man From Wareika

 

 
 

Artist Biography by Jason Ankeny
One of the most prolific session players of Jamaica's pre-ska era, trombonist Rico Rodriguez later emerged as a catalyst behind the UK's 2-Tone movement of the late 1970s, recording both as a solo artist and as a member of the legendary Specials. While attending Kingston's Alpha Cottage School, an institution for wayward boys, he studied trombone under the legendary Don Drummond. In the years to follow, Rodriguez emerged as one of Jamaica's most highly regarded session musicians, often working under the direction of the renowned producer Duke Reid. While his forte remained jazz, he adapted brilliantly to any environment, and applied his improvisational skills to productions from notables including Sly & Robbie. In 1977, Rodriguez also cut a solo LP, Man from Wareika, credited to simply "Rico; " it was followed a year later by Midnight in Ethiopia. In 1979, he appeared on the Specials' cover of "A Message to You Rudy," and soon joined the band as a full-time member; for the group's 2-Tone label, Rodriguez also helmed his own outfit, Rico and the Rudies, to yield the albums Blow Your Horn and Brixton Cat.
https://www.allmusic.com/artist/rico-rodriguez-mn0000215140/biography

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Biografía del artista por Jason Ankeny
Uno de los músicos de sesión más prolíficos de la era pre-ska de Jamaica, el trombonista Rico Rodríguez se convirtió más tarde en un catalizador del movimiento de los 2-Tonos del Reino Unido a finales de la década de 1970, grabando tanto como solista como miembro de los legendarios Specials. Mientras asistía a la Alpha Cottage School de Kingston, una institución para niños rebeldes, estudió trombón con el legendario Don Drummond. En los años siguientes, Rodríguez emergió como uno de los músicos de estudio más respetados de Jamaica, a menudo trabajando bajo la dirección del renombrado productor Duke Reid. Mientras su fuerte seguía siendo el jazz, se adaptó brillantemente a cualquier ambiente, y aplicó sus habilidades de improvisación a producciones de notables como Sly & Robbie. En 1977, Rodríguez también grabó un LP en solitario, Man from Wareika, al que se le atribuye simplemente "Rico", al que siguió un año más tarde Midnight en Etiopía. En 1979, apareció en la portada de los Specials de "A Message to You Rudy", y pronto se unió a la banda como miembro de tiempo completo; para el sello 2-Tone del grupo, Rodríguez también dirigió su propio equipo, Rico and the Rudies, para producir los álbumes Blow Your Horn y Brixton Cat.
https://www.allmusic.com/artist/rico-rodriguez-mn0000215140/biography
 
 
Colaborador / Contribuitor:  Michel
 



 

Friday, March 27, 2026

Jackie Mittoo And The Soul Vendors • Evening Time

 



Monday, January 26, 2026

Tommy McCook • The Best of Tommy McCook & The Skatalites

 



The instrumental riffs do have a certain sameness over a full-length disc, which makes some of the more unusual covers ("Exodus," a wacky "Goldfinger") and minor-key melodies ("Freedom Sounds," "Ska Ba") standouts. "Wheel and Turn" has an irresistibly smoky lilt, enhanced by strange, barely audible strains of what sounds like violin in the background. There are also a couple of atypical cuts showing that McCook's versatility covered more than ska; "Jazz Walking" has a jazz-soul arrangement with organ, and the seven-minute "The Answer" is pretty straight-ahead jazz.


 




Tuesday, January 13, 2026

Ska The Rhythm of Liberation

 

 
Like other major music genres, ska reflects, reveals, and reacts to the genesis and migration from its Afro-Caribbean roots and colonial origins to the shores of England and back across the Atlantic to the United States. Without ska music, there would be no reggae or Bob Marley, no British punk and pop blends, no American soundtrack to its various subcultures.

In
Ska: The Rhythm of Liberation, Heather Augustyn examines how ska music first emerged in Jamaica as a fusion of popular, traditional, and even classical musical forms. As a genre, it was a connection to Africa, a means of expression and protest, and a respite from the struggles of colonization and grinding poverty. Ska would later travel with West Indian immigrants to the United Kingdom, where British youth embraced the music, blending it with punk and pop and working its origins as a music of protest and escape into their present lives. The fervor of the music matched the energy of the streets as racism, poverty, and violence ran rampant. But ska called for brotherhood and unity.

As series editor and pop music scholar Scott Calhoun notes: “Like a cultural barometer, the rise of ska indicates when and where social, political, and economic institutions disappoint their people and push them to re-invent the process for making meaning out of life. When a people or group embark on this process, it becomes even more necessary to embrace expressive, liberating forms of art for help during the struggle. In its history as a music of freedom, ska has itself flowed freely to wherever people are celebrating the rhythms and sounds of hope.”

Ska: The Rhythm Liberation should appeal to fans and scholars alike—indeed, any enthusiast of popular music and Caribbean, American, and British history seeking to understand the fascinating relationship between indigenous popular music and cultural and political history. Devotees of reggae, jazz, pop, Latin music, hip hop, rock, techno, dance, and world beat will find their appreciation of this remarkable genre deepened by this survey of the origins and spread of ska.
 
 
 

Sunday, December 21, 2025

Caribbean Popular Musicː An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall



Reggae music is more than just steel drum bands on white sand beaches. Its history is rich with culture and evolution, helping to tell the story of Jamaica's past. Due to its depth and extensive coverage, this book is the most complete and up to date encyclopedia about reggae, mento, ska, rocksteady, and dancehall music on the market today. Ideal for reggae lovers and college students studying music, this encyclopedia is comprehensive for high school students and non-music students as well. From Bob Marley to Wayne Wonder, this easy to use encyclopedia contains over 700 entries. Indices in both the front and back of the book make navigating through entries extremely user-friendly. Entries cover singers and songwriters, producers, record labels, and different styles of music that evolved from reggae. Moskowitz truly captures the history and evolution of Jamaican music in this extensive, illuminating encyclopedia, while all the while making it accessible to both high school and college students.
 


Thursday, October 23, 2025

Ernest Ranglin • Memories of Barber Mack

 



Review by Leo Stanley
Memories of Barber Mack is Ernest Ranglin's energetic and moving tribute to the spirit of the late Jamaican saxophonist Barber Mack. Ranglin relies on original compositions, adding two Jamaican standards, "Fade Away" and "Stop That Train," for good measure. The result is an infectious, eclectic album, containing first-rate performances from Ranglin, drummer Sly Dunbar, pianist Jon Williams, bassist David Williams and percussionist Larry McDonald. 
https://www.allmusic.com/album/memories-of-barber-mack-mw0000031825

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Reseña de Leo Stanley
Memories of Barber Mack es el enérgico y conmovedor homenaje de Ernest Ranglin al espíritu del fallecido saxofonista jamaicano Barber Mack. Ranglin se apoya en composiciones originales, añadiendo dos clásicos jamaicanos, "Fade Away" y "Stop That Train", por si fuera poco. El resultado es un álbum contagioso y ecléctico, con interpretaciones de primera clase de Ranglin, el baterista Sly Dunbar, el pianista Jon Williams, el bajista David Williams y el percusionista Larry McDonald.
https://www.allmusic.com/album/memories-of-barber-mack-mw0000031825


Wednesday, April 2, 2025

VA • Dancing the Ska

 



Studio One founder and producer Clement Dodd was the leading exponent of the ska music that has resonated with fans and influenced countless musicians throughout the world to this day. The vaults at Studio One are filled with some of the greatest ska recordings made by the top artists of the era like the Wailers, the Soul Brothers and Delroy Wilson.

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El fundador y productor de Studio One, Clement Dodd, fue el principal exponente de la música ska que ha resonado entre los aficionados e influido en innumerables músicos de todo el mundo hasta nuestros días. Las cámaras acorazadas de Studio One están repletas de algunas de las mejores grabaciones de ska realizadas por los mejores artistas de la época, como los Wailers, los Soul Brothers y Delroy Wilson.


Sunday, March 30, 2025

Jackie Mittoo • Keep on Dancing



Review by Stephen Cook
By the time this 1969 solo record was released, organist/arranger Jackie Mittoo had already established his reputation as an important contributor to the Skatalites' catalog and Clement "Coxsone" Dodd's Studio One label. Under Dodd, Mittoo wrote a large chunk of the famous Brentford Road rhythms that would light up the charts, both in their original rocksteady form and as reworked gems for the dancehall crowd of the early '80s. Like many of his fellow session players, Mittoo channeled U.S. soul and funk influences to help concoct a unique Jamaican musical style in the '60s and '70s. And while recent retrospectives, like Hearbeat's admirable Tribute to Jackie Mittoo two-disc set, make a first-choice selection easy, this and other of the organists many solo releases on the Studio One imprint beg a listen. One soon discovers Mittoo and Dodd's various house bands (the Soul Vendors, Sound Dimension, and the Soul Brothers) produced more than enough prime shots to fill several roundups. A fine slice of rocksteady and reggae-soul instrumentals from one of reggae's brightest lights.

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Reseña de Stephen Cook
Para cuando este disco solista de 1969 fue lanzado, el organista/arreglista Jackie Mittoo ya había establecido su reputación como un importante contribuyente al catálogo de Skatalites y al sello Clement "Coxsone" Dodd's Studio One. Con Dodd, Mittoo escribió una gran parte de los famosos ritmos de Brentford Road que iluminarían las listas de éxitos, tanto en su forma original de rocksteady como en forma de joyas reelaboradas para el público del dancehall de principios de los 80. Como muchos de sus compañeros de sesión, Mittoo canalizó las influencias del soul y el funk estadounidenses para ayudar a crear un estilo musical jamaicano único en los años 60 y 70. Y mientras que recientes retrospectivas, como el admirable Tributo de Hearbeat al set de dos discos de Jackie Mittoo, facilitan la selección de la primera opción, este y otros de los organistas muchos lanzamientos en solitario en el sello Studio One piden ser escuchados. Pronto se descubre que las diversas bandas de Mittoo y Dodd (los Soul Vendors, Sound Dimension y los Soul Brothers) produjeron más que suficientes tomas de primera para llenar varias redadas. Una fina rebanada de rocksteady y de instrumentos de reggae-soul de una de las luces más brillantes del reggae.


Saturday, March 29, 2025

Ska: An Oral History

 


Before Bob Marley brought reggae to the world, before Jimmy Cliff and Peter Tosh, before thousands of musicians played a Jamaican rhythm, there were the men and women who created ska music, a blend of jazz, American rhythm and blues, and the indigenous music of the Caribbean. This book tells the story of ska music and its development from Jamaica to England, where the music took on a distinctively different tone, and finally to the rest of the world. Through the words of over 30 of legendary artists, gleaned from over a decade of interviews, the story of ska music is finally told by those who were there.

 

Thursday, March 20, 2025

Don Drummond • Don Cosmic

 













Thursday, March 6, 2025

Don Drummond • The Best of Don Drummond



Don Drummond (Kingston, Jamaica 12 de marzo 1932 - 6 de mayo 1969) famoso trombonista de música Ska y compositor, fue uno de los miembros originales del grupo The Skatalites componiendo muchas de sus canciones.

Su carrera musical comenzó a mediados de los 50's con Eric Deans All-Stars. Continuó hacia 1960s con otros, entre ellos Kenny Williams.

Con el nacimiento del Ska, Don se unió a The Skatalites. Su nombre llegó a ser conocido en Jamaica, antes de comenzar con sus problemas mentales. El pianista George Shearing lo consideró como uno de los 5 mejores trombonistas del mundo.

El 1 de Enero de 1965 fue encarcelado por el asesinato de la bailarina exótica y cantante Anita "Margarita" Mahfood. Fue internado en el Asilo de Belle Vue en Kingston, donde permaneció hasta su muerte.

La causa oficial de su muerte fue suicidio, pero otras teorías establecen, que sus colegas creen que fue parte de un complot por parte del gobierno contra la escena musical en Kingston, otros creen que fue asesinado por gángsters como venganza por el asesinato de Mahfood.

///////

Automatic translation:
Don Drummond (Kingston, Jamaica March 12, 1932 - May 6, 1969) famous Ska trombonist and composer, was one of the original members of the group The Skatalites composing many of his songs.

His musical career began in the mid-50's with Eric Deans All-Stars. He continued to 1960s with others, including Kenny Williams.

With the birth of Ska, Don joined The Skatalites. His name came to be known in Jamaica, before he started with his mental problems. The pianist George Shearing considered him one of the 5 best trombonists in the world.

On January 1, 1965, he was imprisoned for the murder of the exotic dancer and singer Anita "Margarita" Mahfood. He was interned at Belle Vue's Asylum in Kingston, where he remained until his death.

The official cause of his death was suicide, but other theories establish, that his colleagues believe that he was part of a government plot against the music scene in Kingston, others believe he was killed by gangsters as revenge for the murder of Mahfood.